‘You reap what you sow’ – Monarchists take revenge on the regicide Peter Ermakov

PHOTO: the desecrated grave of the regicide Peter Ermakov in Ivanovo Cemetery in Ekaterinburg

Every year on 17th July – the day marking the anniversary of the murder of Emperor Nicholas II and his family – the grave of the Bolshevik revolutionary Peter Ermakov, has been vandalized by local monarchists, who douse his gravestone with red paint.

This annual protest began shortly after the fall of the Soviet Union in the early 1990s. The red paint symbolizes the blood which this evil man spilled, and his involvement in the regicide.

Pyotr (Peter) Zakharovich Ermakov (1884–1952), was one of several men responsible for the murder of Emperor Nicholas II, his wife, their five children, and their four faithful retainers in the basement of the Ipatiev House in Ekaterinburg.

He was also among the men in the firing squad, and considered to be the most bloodthirsty of the executioners. His Mauser revolver, which he alleges fired the fatal shot which ended the life of the Tsar is preserved today in the Museum of History and Archaeology of the Urals in Ekaterinburg.

According to his own recollections, it was he who also murdered the Empress Alexandra Feodorovna, the cook Ivan Kharitonov and the doctor Eugene Botkin. He often boasted of his crime, without feeling any sense of remorse: “I shot the Tsarina who was seated only six feet away, I could not miss. My bullet hit her right in the mouth, two seconds later she was dead. Then I shot Dr. Botkin. He threw up his hands and half turned away. The bullet hit him in the neck. He fell backwards. Yurovsky’s shot knocked the Tsesarevich to the floor, where he lay and groaned. The cook Kharitonov was huddled over in the corner. I shot him first in the torso and then in the head. The footman Troupe also fell, I don’t know who shot him … ”

PHOTOS: (above) Ermakov standing on the grave of members of the Imperial Family and their retainers at Porosenkov Log in the 1920s; (below) Ermakov (far right) posing with a group of prominent Ural Bolsheviks on the Tsar’s grave, his Mauser pistol can be seen in the foreground in front of P.M. Bykov, author of The Last Days of Tsardom (1934)

In the 1920s, Yermakov returned to Porosenkov Log where he had his photograph taken standing on the railway ties which concealed the second grave of the Imperial Family. On the reverse of this photo, he wrote: “I am standing on the grave of the Tsar”.

In 1951, at a reception, which gathered all the local Party elite in Sverdlovsk [Ekaterinburg], Peter Ermakov approached Soviet Red Army General Georgy Zhukov (1896-1974) and held out his hand. Frowning in disgust Zhukov looked Ermakov in the eye, and muttered, “I do not shake the hands of the murderers.”

Ermakov died in Sverdlovsk on 22 May 1952 from cancer at the age of 67, he was buried in Ivanovo Cemetery in Ekaterinburg.

In January 2022, the famous Russian sculptor Konstantin Vasilievich Grunberg has proposed replacing monuments of the Bolshevik leaders Vladimir Ulyanov (Lenin) and Yakov Sverdlov in Ekaterinburg.

Grunberg also called for debunking the image of the revolutionary “hero” Pyotr Yermakov. “People still bring flowers to his grave. We need to destroy this regicide’s grave!” the sculptor said.

PHOTO: Ermakov’s Mauser revolver, which he alleges fired the fatal shot which ended the life of Russia’s last Tsar is preserved today in the Museum of History and Archaeology of the Urals in Ekaterinburg

Click HERE to read my article Yakov Yurovskys’ ashes remain hidden from vandals in Moscow, originally published on 23rd November 2019

Click HERE to read my article The fate of the regicides who murdered Nicholas II and his family, originally published on 28th October 2020

© Paul Gilbert. 17 January 2023

Russian sculptor proposes removal of monuments to Bolsheviks in Ekaterinburg

PHOTO: monuments to Lenin and Sverdlov in Ekaterinburg

The famous Russian sculptor Konstantin Vasilievich Grunberg has proposed replacing monuments of the Bolshevik leaders Vladimir Ulyanov (Lenin) and Yakov Sverdlov in Ekaterinburg with monuments to Emperor Alexander II (1818-1881) and *Empress Catherine I (1684-1727).

*Ekaterinburg was founded on 18th November 1723 and named after the Russian emperor Peter the Great’s wife, who after his death became Empress Catherine I, Yekaterina being the Russian form of her name.

Grunberg believes that by replacing the Bolshevik monuments will help solve the problem with city-planning concept. Although Ekaterinburg is called the capital of the Urals, little of the city’s history is reflected in the the center of Russia’s 4th largest city.

“Lenin’s monument should be removed from the 1905 Square, and in his place a bronze monument to Emperor Alexander II should be returned to its original pedestal” said Konstantin Grunberg.

In 1906, a monument to Alexander II [demolished by the Bolsheviks in 1917] was installed on Cathedral Square [renamed 1905 Square],near the Epiphany Cathedral [demolished by the Bolsheviks in 1930]. The monument to Lenin was installed on the site in the early 1950s.

Grunberg made the same proposal regarding the monument to Sverdlov [opened in 1927], which is situated on the Paris Commune Square in the middle of Lenin Avenue between the Ural Federal University and the Opera and Ballet Theater. The sculptor has proposed that a monument to Empress Catherine I would look more appropriate.

“Throw the monuments to Lenin and Sverdlov into a pit!” Grunberg suggested.

PHOTO: ‘You reap what you sow’ – local monarchists take revenge on the Bolshevik revolutionary and murderer Peter Zakharovich Yermakov (1884-1952), by dosing his grave with red paint symbolizing blood

Konstantin Grunberg also called for debunking the image of the revolutionary “hero” Pyotr Yermakov, who participated in the murder of the Imperial Family and whose grave is located in the cemetery next to the grave of the writer Pavel Bazhov. “People still bring flowers to his grave. We need to destroy this regicide’s grave!” the sculptor said.

Yermakov died in Sverdlovsk on 22 May 1952 from cancer at the age of 67 and was buried in Ivanovo Cemetery in Ekaterinburg.

In 1951, at a reception, which gathered all the local Party elite in Sverdlovsk, Yermakov approached Soviet Red Army General Georgy Zhukov [1896-1974] and held out his hand. Frowning in disgust Zhukov looked Yermakov in the eye, and muttered, “I do not shake the hands of the murderers.”

Yermakov’s Mauser revolver, which he alleges fired the fatal shot which ended the life of Russia’s last Tsar is preserved today in the Museum of History and Archaeology of the Urals in Ekaterinburg.

Every year, since the 1990s, Yermakov’s grave has been vandalized by local monarchists, who douse his gravestone with red paint.

The red paint symbolizes the blood which this evil man spilled, and his involvement in the brutal murder of Nicholas II and his family on 17th July 1918.

PHOTO: Grunberg’s monument to the Holy Royal Martyrs, Church on the Blood

Konstantin Vasilievich Grunberg [born in Sverdlovsk in 1944] is a famous Russian sculptor who has eight monuments to his credit. Among them is the sculptural composition of the Holy Royal Martyrs situated at the entrance to the Lower Church of the Church on the Blood in Ekaterinburg. The composition which was officially unveiled and consecrated on 28th May 2003, depicts the Imperial Family descending the 23 steps in the basement of the Ipatiev House, where they met their death and martyrdom on 17th July 1918.

© Paul Gilbert. 15 January 2022

Nicholas II’s grave was an “open secret” in Soviet Russia during the 1920s

PHOTO: the remains of Nicholas II, his wife, three of their children and their four faithful retainers were buried under the “sleepers bridge” at Porosenkov Log by their murderers in 1918

We hid them so well that the world will never find them,” boasted Commissar for Supply in the Ural Region Soviet Pyotr Lazarevich Voykov (1888-1927), on the location of the murdered remains of Emperor Nicholas II and his family.

While the burial site of the Imperial Family at Porosenkov Log remained a secret to the world for more than 60 years, it was in fact an “open secret”[1] to a select few in the Soviet Union in the 1920s.

In January 1928 – ten years after the murders of Emperor Nicholas II, his family and four faithful retainers – the famous Soviet poet Vladimir Vladimirovich Mayakovsky (1893-1930) visited Sverdlovsk. It was at the city’s Business Club that he met the Chairman of the Ekaterinburg City Executive Committee Anatoly Ivanovich Paramonov (1891-1970), making enquiries about the city and the last days of the Imperial Family.

Paramonov took Mayakovsky to the Ipatiev House, and then in minus 30-degree frost, along the Old Koptyaki Road to the place where the remains of the Imperial Family had been buried by their murderers – members of the Ural Soviet on 17th July 1918.

“Of course, it was nothing special – to see the grave of the tsar. In fact, nothing is visible there. It is very difficult to find as there are no signs or marks, this secret place is familiar only to a certain group of people,” Mayakovsky wrote in his diary.

PHOTO: Vladimir Mayakovsky and Anatoly Paramonov

Three months after his trip to the Urals, Mayakovsky wrote the mockingly pathetic poem The Emperor, which indicated the place of burial with absolute toponymic accuracy. In his poem, Mayakovsky reveals clues: “Beyond the Iset [river], where the wind howled, the executive committee coachman fell silent and stood at the ninth verst.”[2] “Beyond Iset at the ninth verst” is a key clue that indicated where to look for the tsar’s grave on the Old Koptyaki Road. The poem further notes: “Here the cedar was torn with an ax, notches under the root of the bark, at the root, under the cedar, there is a road, and in it the emperor is buried.”

The Emperor was published in the Soviet literary magazine Krasnaya Nov on 4th April 1928. Mayakovsky’s poem made a terrible impression on the Russian/Soviet poet Marina Ivanovna Tsvetaeva (1892-1941). She deplored Mayakovsky’s justification of the terrible massacre, as a kind of verdict of history. She insisted that the poet should be on the side of the victims, not the executioners, and if the story is cruel and unfair, he must speak against it. In 1929, in response, she began working on a poem about the Tsar’s Family entitled Heart and Stone.

Mayakovsky’s poem, as well as other evidence such as the “Yurovsky note”, helped Soviet and Russian geologist Alexander Nikolayevich Avdonin and Soviet writer and filmmaker Geliy Trofimovich Ryabov (1932-2015) locate the remains of the Imperial Family in 1979[3].

PHOTO: Pyotr Voykov and Boris Kowerda

In 1926, Mayakovsky visited Voykov in Warsaw, where the latter served as Soviet Ambassador to Poland. It was during this visit that Voykov told Mayakovsky about the regicide which took place in Ekaterinburg. Voykov was assassinated in Warsaw on 7th June 1927, by Boris Sofronovich Kowerda (1907-1987) a White émigré and monarchist. Kowerda planned to kill Voykov in order to “Avenge Russia, and the deaths of millions of people”, as well for Voykov’s participation in the decision to execute Nicholas II and his family.

Declassified photographs taken by members of the firing squad, as well as those who did not participate in the regicide, but who knew of the location of burial site, aided Paramonov and Mayakovsky to locate the “sleepers bridge” (see photo below).

The murderer Pyotr Zakharovich Ermakov (1884-1952) used a Mauser pistol[4], during the liquidation of the Imperial Family in the basement of the Ipatiev House. He brought it with him to the place where the bodies lay so that he could be photographed (see photo below).

“In the first half of the 1960s, one of the sons of the murderers applied to the Central Committee of the Communist Party with a letter addressed to the First Secretary of the Communist Party of the Soviet Union Nikita Sergeevich Khrushchev (1894-1971), boasting that his father had participated in the murder of the Imperial Family. He presented Khrushchev with two pistols that he had preserved: one for the Soviet leader, the other – to be handed over to Cuban revolutionary Fidel Castro (1926-2016) as the leader of the world revolution. At that time, documents in all the archives were still sealed, yet two of the executioners were still alive. And for history, the Radio Committee recorded their memories, which had been preserved and “coincided with those of Yakov Mikhailovich Yurovsky” (1878-1938), said Sergei Mironenko, Director of the State Archives of the Russian Federation [GARF} in Moscow.

Yurovsky served as commandant of the “House of Special Purpose” [Ipatiev House], and the chief executioner of the Tsar and his family. But his memories raised a lot of questions – some historians believe that the typewritten text may have been specially falsified by the GPU-NKVD-KGB, in order to send future search efforts on the wrong track, or a story written by a third party, such as the Soviet historian Mikhail Nikolayevich Pokrovsky[5].

PHOTO: in the 1920s, the murderer Pyotr Zakharovich Yermakov returned to Porosenkov Log. On the reverse of this photo, he wrote: “I am standing on the grave of the Tsar”.

According to Vladimir Nikolaevich Solovyov, senior investigator and forensic expert at the Main Department of Criminalistics (Forensic Center) of the Investigative Committee of the Russian Federation, who from 1991 to 2015 led the investigation into the death of the imperial family, “the real breakthrough was made quite recently”.

Shortly after the completion of the work of the government commission, a safe was discovered in another archive, not in the State Archive, but in the former Central Party Archive, which had not been opened for many decades. It contained a manuscript of the famous Soviet historian Mikhail Nikolayevich Pokrovsky (1868-1932), a typewritten copy of which is kept in the State Archive. The discovery immediately confirmed that this is Yurovsky’s recollection, recorded by Pokrovsky. According to Sergei Mironenko, the bottom of the last page of the manuscript had been torn off. Apparently, it contained the name of the place where the bodies were hidden. So there is no evidence? There is! As shown by the graphological examination, handwritten by Pokrovsky and Yurovsky, the name was entered into the typewritten version, the authenticity of which is considered beyond any doubt.

“Interestingly, at the end of the classic text of Yurovsky’s note, there is an addition, made in pencil, which precisely indicates the place where the bodies were found,” said Solovyov.

PHOTO: Pyotr Zakharovich Yermakov (far right) posing with a group of prominent Ural Bolsheviks on the Tsar’s grave[6], his Mauser pistol can be seen in the foreground in front of P.M. Bykov, author of The Last Days of Tsardom (1934)

There has always been a mystique behind this story. A 1991 diagram clearly shows the location of the bodies. Their remains were not laid, but simply dumped by their murderers. For example, Olga’s skull is under the skeleton of her father. But even in the photo of the burial site, opened in 1991, a telephone cable is clearly visible. When laying it, the cutter even cut off the arm of one of the skeletons. But how could the Soviet telephone technicians know where they were laying the cable, because even if they had read Mayakovsky’s poem, the instructions were too obscure for them to link it to the burial site.

One more detail – small but important. According to Mayakovsky’s poem, he wrote about “the cedar was torn with an axe”. During a comprehensive survey of the area, a fallen stump, clearly cut long ago with an axe was found.

PHOTO: Mayakovsky’s photo pinned to a tree at Porosenkov Log

NOTES

[1] An “open secret” is a concept or idea that is “officially” secret or restricted in knowledge, but in practice (de facto) may be widely known; or it refers to something that is widely known to be true but which none of the people most intimately concerned are willing to categorically acknowledge in public.

[2] A verst is a Russian measure of length, about 0.66 mile (1.1 km).

[3] The remains of the Imperial Family were first discarded at the Four Brothers Mine, which is today the site of the Monastery of the Holy Royal Martyrs at Ganina Yama. Avdonin and Ryabov discovered the second grave 3.8 km down the highway at Porosenkov Log.

[4] Yermakov’s revolver can be seen on display in the Romanov Memorial Hall, located on the top floor of the Museum of History and Archaeology of the Urals, in Ekaterinburg

[5] Pokrovsky was a Russian Marxist historian, Bolshevik revolutionary and a public and political figure. One of the earliest professionally trained historians to join the Russian revolutionary movement, Pokrovsky is regarded as the most influential Soviet historian of the 1920s.

His attitude to the tsar, the nobility, generals, statesmen and church leaders and diplomats of the Tsarist period appear in the Pokrovsky’s works in a completely different light – as selfish, cruel, limited, ignorant individuals. To achieve greater impact on the reader, representatives of the ruling classes and leaders were denounced with the help of satire, irony and grotesque. Thus, Pokrovsky’s negative assessment of the reign of Nicholas II was accepted as the standard in the Soviet Union, where he was vilified.

[6] Group of prominent Ural Bolsheviks, photographed at the “grave of the Romanovs”, 1924. This photo is on display in the Romanov Memorial Hall, located on the top floor of the Museum of History and Archaeology of the Urals, in Ekaterinburg

(from left to right): back row – A.I. Paramonov (chairman of the board of Uralselkhozbank and editor of Krestyanskaya Gazeta, *NN, M.M. Kharitonov (first secretary of the Ural regional committee of the RCP (b)), B.V. Didkovsky (deputy chairman of Uralplan), I.P. Rumyantsev (head of propaganda department), *NN, A.L. Borchaninov (chairman of the Tyumen regional executive committee); front row – D.E.Sulimov (chairman of the Ural regional executive committee), G.S. Moroz (head of the Yekaterinburg department of the GPU), M.V. Vasiliev (employee of Uralselkhozbank), P.M.Bykov (editor of the newspaper “Uralskaya Nov”), A.G. Kabanov, P.Z.Ermakov (employee of the Cheka)

*NN denotes “unknown identity”

© Paul Gilbert. 6 July 2021