The Truth About Nicholas II

donations 2020

ANNUAL SUMMER APPEAL

I am reaching out to friends and supporters for donations to help support me in my research on the life and reign of Nicholas II, and my personal mission to clear the name of Russia’s much slandered Tsar.

There are many web sites, blogs and Facebook pages dedicated to the Romanovs. However, I work very hard searching Russian archival and media sources on a daily basis to bring something new to the table every day. This includes articles researched by a new generation of Russian historians; news on the Romanovs, their palaces, exhibitions, etc; photos, videos and more.

Your donation helps support my work and research, the cost of translations, maintenance of my news blog: Nicholas II. Emperor. Tsar. Saint, the organization and promotion of the 2nd International Nicholas II Conference scheduled to take place at the at the Holy Trinity Monastery in Jordanville, New York on Saturday 15th May 2021, among other events!

If you enjoy all the articles, news, photos, and videos, please help support my work in the coming year ahead by making a donation.

Click HERE to make a donation in USD by CREDIT CARD or PAYPAL

Click HERE to make a donation in CAD by GOFUNDME

Click HERE to make a donation in USD or CAD by PERSONAL CHECK

Donations as low as $5 are much appreciated, and there is NO obligation!

Thank you for your consideration.

Paul Gilbert. 1 July 2020

2nd International Nicholas II Conference

2021 conference poster

One year from today – 15th May 2021 – I will host the 2nd International Nicholas II Conference at the Holy Trinity Monastery in Jordanville, New York

The event is still in the planning stages, full details including a list of speakers will be made available at the end of the year.

Let us all hope and pray that the pandemic will be over, and that the second and third wave of the virus predicated by scientists will never happen.

Click HERE for more details about the 2018 Conference

Click HERE to review the summary + PHOTOS from the 2018 Conference

© Paul Gilbert. 15 May 2020

St. Petersburg Hosts One Day Exhibit of Pierre Gilliard’s Photographs of the Tsar’s family

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An exhibition of photographs depicting the life of Emperor Nicholas II and his family, from the collection of Pierre Gilliard, opened 17th March at the Karl Bulla Fund for Historical Photography, situated at No. 54 Nevsky Prospekt in St. Petersburg.

The one day exposition was timed to coincide with the release of the Russian translation of Gilliard’s book Трагическая судьба Николая II и его семьи (The Tragic Fate of Nicholas II and His Family), published in 1929 in Paris by Payot.

From 1905 Swiss citizen Pierre Gilliard (1879-1962) taught the French language to the children of Nicholas II. From 1913 he was appointed tutor to the Heir Tsesarevich Alexei Nikolaevich. Gilliard accompanied the Imperial Family into exile to Tobolsk, but upon arrival in Ekaterinburg he was separated from the family. Gilliard was a keen photographer, and returned to Switzerland with a large number of photographs. In exile he wrote his memoirs of his life in Russia and his impressions of the daily life of Nicholas II and his family.

Today, Gilliard’s archives are stored in the Lausanne Museum of Photography, including 384 black and white photos. More than 70 photos from Pierre Gilliard’s archive, most of which never been exhibited in Russia are presented in the exhibition.

“In essence, this is the return of the memory of Pierre Gilliard, who, by the will of fate, witnessed one of the most tragic events in the history of Russia,” said the President of the Karla Bulla Foundation for Historical Photography Valentine Elbek.

He added that the photo exhibition will open at Livadia Palace in Yalta in May 2020, to coincide with the international scientific conference Russia. The Romanovs. More than a dozen photographs brought from Gilliard’s collection depict the Imperial Family during their visits to Livadia.

It is interesting to note that the idea of ​​publishing a photo album based on Pierre Gilliard’s collection is being worked out. “Our partners in Lausanne expressed a desire to host our exhibition, which will probably be shown in various European capitals,” added Valentin Elbek.

The St. Petersburg exhibition was implemented in partnership with the Ludwig Nobel Foundation. The Tsarskoye Selo Museum Reserve has shown interest in this initiative, where Gilliard’s working room is being restored in the Alexander Palace, and his heirs donated part of his belongings to the museum as a gift.

© Paul Gilbert. 20 March 2020

Imperial Family seen through the eyes of children

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Metropolitan Demetrius of Tobolsk and Tyumen with the winners of the competition

In December 2019, The Holy Royal Martyrs in the History of Siberia was held in Tyumen, as part of the celebration of the 400th anniversary of the Tobolsk Metropolis. The events included a competition of paintings by children depicting Emperor Nicholas II and his family. 

More than 40 children participated in the competition. The ceremonial awarding of the finalists took place on 10th December as part of the Christmas holiday for students of the Tyumen Orthodox Gymnasium. Organizers noted that the children submitted “colourful, creative work”, distinguished by each child’s skill and dedication.

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“The Imperial family out for a walk”

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“The Imperial family out for a walk in Tobolsk”

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“From Tobolsk to Yekaterinburg”

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“In One Prayer”

Diplomas and gifts were presented to the best 10 colorful works, in addition to several other participants. The names of the paintings speak of the children’s involvement in the contest theme: “The Imperial family out for a walk”, “The Imperial family out for a walk in Tobolsk”, “From Tobolsk to Yekaterinburg”, “In One Prayer”. 

Metropolitan Demetrius of Tobolsk and Tyumen took part in the award ceremony and thanked the young people of Tyumen for their participation in the competition.

“It is gratifying that many participants reflected the most important essence, which is inherent in the title of the contest: the family of the last Emperor Nicholas II, the Royal Martyrs in the history of Siberia. Children approached the task responsibly, invested their souls, reflected the high moral and spiritual values ​​inherent in Nicholas II and his family,” noted Vladyka Dimitri.

© Paul Gilbert. 16 January 2020

Happy Orthodox Christmas

January 7

Today – 7th January – Orthodox Christians around the world
celebrate the birth of our Lord and Saviour Jesus Christ

Merry Christmas to my Orthodox friends!

Счастливого Рождества моим православным друзьям!

Срећан Божић мојим православним пријатељима!

Καλά Χριστούγεννα στους Ορθόδοξους φίλους μου!

PAUL GILBERT
7 January 2020

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Exhibition: Imperial Yacht Standart and the Family of the Last Russian Emperor

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NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 15 February 2018 in my Royal Russia News blog – PG

The following exhibition ran from 26 January to 4 April 2018

The exhibition Imperial Yacht Standart and the Family of the Last Russian Emperor, opened on 26 January at the Central House of Artists in Moscow. The exhibition is based on memories and original photographs from the personal archive of Captain 2nd Rank Nikolai Pavlovich Sablin (1880-1937), who served on the Imperial yacht Standart from 1906 to 1914.

A significant part of these historic images were photographed by the co-owner of the photographic studio “K. E. von Gan and Co., the famous Russian photographer AK Yagelsky, who had the title of Court photographer of His Imperial Majesty. Yagelsky also owned the right to conduct filming of the imperial family. The exposition includes photographs of the photographic studio K. E. Von Gan and Co., as well as unique newsreel footage taken on board the imperial yacht. In addition to the photographs, original letters of Emperor Nicholas II written on board the ship, watercolours and a collection of postcards dedicated to the Imperial yacht, a yacht logbook and a number of other unique documents will be on display.

The photos taken on board the yacht Standart are not widely known to the general public and are associated with the inner life of the royal family, moments not intended for an outsider’s eye and therefore very sincere and direct.

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The exhibition was first shown at the State Museum and Exhibition Center ROSPHOTO in St. Petersburg, from 2 August to 24 September 2017 and in Smolensk from 18 October to 15 December 2017. Click on the VIDEO above to view highlights from the St. Petersburg venue.

The exhibition Imperial Yacht Standart and the Family of the Last Russian Emperor, runs until 4th April 2018, at the Central House of Artists in Moscow.

Click HERE to visit the ROSPHOTO site for more information and photographs of the Imperial Yacht Standart – in Russian only.

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© Paul Gilbert. 15 December 2019

Multi-media Exhibition Dedicated to Nicholas II in Moscow

NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 17 March 2018 in my Royal Russia News blog – PG

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An exhibition dedicated to Russia’s last emperor and tsar has opened Kvadrats Gallery, situated in Sokolniki Park in Moscow.

Sokolniki Park is situated not far from the center of the city, near Sokolnicheskaya Gate. The park gained its name from the Sokolnichya Quarter, the 17th-century home of the tsar’s falconers (sokol is the Russian word for falcon). It was created by Tsar Alexei Mikhailovich (father of Peter the Great), a keen hunter who loved to go falconing in the area.

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The multi-media exposition is timed to the tragic date in Russia’s history – the 100th anniversary of the death of Nicholas II, his wife Alexandra Feodorovna and their five children in Ekaterinburg on the night of 16/17 July 1918.

After their murders, Bolshevik and Soviet authorities did everything in their power to blacken the name of Nicholas II and forever erase the memory of his life, his reign and his service to Russia. During the past century, historians and biographers have shamefully been content to carry this negative image of Nicholas II in their books and documentaries. This is why the period of Nicholas II’s 22-year reign remains enveloped in all sorts of lies and myths, despite the release of new documents in Russian archives which challenge their often biased assessments of him.

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The organizers of the multi-media exhibition project share facts about the life of Russia’s last emperor and tsar, with the hope of restoring the historical truth, and reminding the public that during the reign of Nicholas II the Russian Empire was one of the strongest, most powerful and prosperous countries in the world.

The exhibition includes a collection of “revived” paintings created by famous Russian masters of fine art from the late 19th and early 20th centuries. These are complimented with contemporary works, which include paintings by Orthodox artist Pavel Ryzhenko (1970-2014).

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© Paul Gilbert. 13 December 2019

The Emperor’s Family: The Museum of Holy Royal Passion-Bearers in Moscow

NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 14 April 2018 in my Royal Russia News blog – PG

On 10th April 2018, the Museum of Holy Royal Martyrs opened in the Museum of Russian Art in Moscow. The permanent exhibit Family of the Emperor includes personal items, historical relics, photographs and other exhibits which reflect the life of the last Russian Emperor Nicholas II and his family. Many exhibits are presented to visitors for the very first time.

“There are a lot of personal items here of the Emperor Nicholas II and his family, including an icon, a napkin, photographs, and more. Not only are they historical artifacts, they have a cardinal value for Orthodox people, like any object of a loved one who has left us” – said Konstantin Kapkov.

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Konstantin Kapkov. Photo: TV channel “Tsargrad”

The exposition features items from the private collection of the famous Moscow artist-restorer Alexander Vasilyevich Renzhin, who over the past few decades has reverently collected everything connected with the memory of Nicholas II, his family and his ancestors. Renzhin is a collector, artist, icon painter, art historian, researcher, restorer, and an expert of the Ministry of Culture of the Russian Federation in the field of paintings and church art. He is the Founder and head of the icon painting workshops Kupina (1987) and Kanon (since 1995).

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Vladimir Lavrov. Photo: TV channel “Tsargrad”

Doctor of Historical Sciences, and member of the Council of the Double-Headed Eagle Society Vladimir Lavrov notes:

“The year marking the 100th anniversary of the murder of the last Tsar and his family should be a year of historical memory. We must live it with honour, and it is very important that a center, a museum of spiritual and moral education, centered on the fate and reign of Nicholas II, be created. It is of great importance that the museum be Russian, Orthodox, and in Moscow … “

As a convinced monarchist, the creator of the exposition is convinced that this year will be the beginning of the revival of the historical form of government in Russia. Just as it happened in 1613 after the feat of the national hero Ivan Susanin. The feat, glorified in Mikhail Glinka’s opera Life for the Tsar, which sounded, including, at the last coronation in 1896.

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Alexander Renzhin. Photo: TV channel “Tsargrad”

Alexander Renzhin shared with his aspirations about Russia’s future with Russian television network Tsargrad:

“We placed Glinka’s score with in our exposition, and in front of it sits a double-lamp, which was specially made for the coronation of the Emperor Nicholas II and the Empress Alexandra Feodorovna, held in Moscow in May 1896. But now the lamp lies unlit. But it is my hope, that in Russian patriotic circles, we will find opportunities to revive not only Orthodoxy in it’s highest form during the era of Nicholas II, but we will revive autocracy and relight this lamp!”

The permanent exhibition Family of the Emperor is open daily, except Monday, in the Museum of Russian Art in Moscow.

© Paul Gilbert. 12 December 2019

Round-Table Forum on Nicholas II Held in Moscow

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Konstantin Malofeev (second from left), chairman of the Double-headed Eagle Society

NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 17 April 2018 in my Royal Russia News blog – PG

“The context of the important dates of the country’s history, related to the last Russian Sovereign Nicholas II, can not but influence the development of the country.”

That is why a fair interpretation of the events connected with the downfall of the Russian Empire and its last sovereign contributes to a more intensive spiritual and political development of the country.

In 2018, Russia marks the 150th anniversary of the birth of Russia’s last emperor and tsar Nicholas II, and the 100th anniversary of the massacre of members of the Imperial family.

The act of villainous execution, of course, requires additional comprehension and discussion by historians, politicians, journalists and public figures.

This was guided by the Double-Headed Eagle Society and the Public Chamber of the Russian Federation, who held a joint round table forum in Moscow on 11th April 2018: “Nicholas II: to the 150th Anniversary of his Birth and the 100th Anniversary of the Massacre.”

The event, organized by the Double-Headed Eagle Society, with the assistance of the Public Chamber, included representatives from Moscow, Tula, Nizhny Novgorod, and Stavropol.

The Terek Cossack Host was represented at the forum, as well as the Union of Cossacks of the Warriors of Russia and Abroad (SKVRZ). The round table was moderated by Konstantin Malofeev, chairman of the Double-Headed Eagle Society.

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Public Chamber of the Russian Federation in Moscow

The round table was opened by the welcoming speech of Alexander Tkachenko, Chairman of the Commission on Philanthropy, Civic Education and Social Responsibility of the Public Chamber of the Russian Federation.

This was followed by the welcome speech of the member of the Commission on charity, civic education and social responsibility of the Society S. Rudov.

The first report “Emperor Nicholas II and his influence on the historical and political processes in the world” was made by the chairman of the Double-Headed Eagle Society Konstantin Malofeev.

This was followed by “Preserving the historical memory of the Imperial family: the experience of cooperation of state, church and social organizations”, presented by Anna Gromova, candidate of historical sciences, the chairman of the supervisory board of the Elisavetinsky-Sergievsky Educational Society.

Then the floor was given to Alexander Zakatov, the director of the office of the Head of the Russian Imperial House. He made a presentation on the topic “Orthodox veneration of St. Emperor Nicholas II and his family and the legal protection of their memory in modern conditions.”

Deputy editor-in-chief of the Tsargrad television channel, Mikhail Smolin, Ph.D. in History, gave a detailed account of the influence of monarchical consciousness on Russian statehood. In his report, attention was focused on the advantages of a monarchic system of government.

Doctor of Historical Sciences, Chief Researcher of the Institute of Russian History of the Russian Academy of Sciences Vladimir Lavrov made a presentation on “The reign of Nicholas II and the present: what remains relevant?”

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Delegates at the round-table forum on Nicholas II held on 11th April in Moscow

And the next Russian historian and writer Konstantin Kapkov spoke about the spiritual world of Emperor Nicholas II and his family, while candidate of historical sciences, presenter of the television channel “Tsargrad” Pyotr Multatuli spoke on “Emperor Nicholas II. Tragedy of the Unaccounted Autocrat.”

The final report at the round table was made by Alexander Muzafarov, director of information and analytical programs of the Fund for Historical Perspective. He drew the attention of the forum participants to the nature of the last emperor and spoke about the need to further study the personality of Nicholas II .

The free discussion was attended by Evgeny Tsybizov , the head of the Novosibirsk regional branch of the Double-headed Eagle Society, Filip Mosvitin, Honored Artist of Russia , the co-chairman of the International Ilyinsky Committee, the writer A. Sharipov and several other participants.

In the near future, the Double-Headed Eagle Society will present the public with a resolution of the round table forum, for the preparation of which a special editorial group will be created.

© Paul Gilbert. 12 December 2019

Exhibition: Icons from the Era of Nicholas II

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Icon of the Mother of God “The Sovereign”

NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 25 April 2018 in my Royal Russia News blog – PG

The following exhibition ran from 18th July to 9th September 2018

On 18th July 2018, in the year marking the 100th anniversary of the martyrdom of Emperor Nicholas II and his family, an exhibition will open in the Andrei Rublev Museum of Ancient Russian Art in Moscow, presenting a look at the development of the Russian icon during the more than 22-year reign of the last Russian emperor.

Russian icon painting developed in a single cultural space along with literature, music and theatrical art, experiencing an extraordinary rise during the reign of Nicholas II (1894-1917). This flourishing activity was achieved through a number of icon painting and jewelry workshops, which received the title “Supplier of the Imperial Court”. The Imperial manifesto of 1905 on the toleration and the opening of the Old Believers altars attracted wide acceptance of church art by the Old Believers’ and the creation of new works oriented to the art of pre-Petrine time.

The exhibition will feature a wide range of icons from museum and private collections, including items with memorial inscriptions, from the time of Emperor Alexander III’s death in 1894 to the fall of the Russian monarchy in 1917.

The Icon of the Mother of God “the Sovereign” – pictured above – has a unique place in Russian history. It appeared in the Kolomenskoye village near Moscow on 2 March 1917, the very day that Emperor Nicholas II abdicated the throne. Until 1812 the icon belonged to a convent in Moscow, but in the year of Napoleon’s invasion of Moscow it was hidden in the Kolomenskoye village and forgotten there for 105 years, until the time came for the icon to be revealed in accordance with God’s will. The icon was found among other old icons in the cellar of the Church of Ascension, after the peasant woman Yevdokiya Adrianova was twice instructed in a dream to go to the Kolomenskoye village and search there for a special icon of the Mother of God. After being cleaned of centuries-old dust and grime, the icon revealed an image of the Theotokos sitting on a throne, with the Infant Christ on Her knees, extending His hand in blessing. The Holy Virgin held a scepter in one hand and an orb in the other, and had a crown on Her head. With Her regal air and unusually stern visage, Her appearance was divine.

Significantly, the icon revealed itself at a time when the Russian Empire embarked on its apocalyptic course of destruction, while out of its depths came Holy Russia to gain the crown of martyrdom. The Theotokos’ red robe reflected the color of blood, while the icon’s appearance on the day of the abdication of the last Tsar, and the Theotokos’ regal air with all the attributes of royal power signified that the Mother of God Herself took sovereigny over the Russian people who had just lost their monarch.

The exhibitions Icons from the Era of Nicholas II runs from 18 July 9 September 2018 at the Andrei Rublev Museum of Ancient Russian Art in Moscow

© Paul Gilbert. 12 December 2019