Video tour of the Museum of Emperor Nicholas II in Moscow

CLICK on the image above to watch the VIDEO

Duration: 2 minutes, 57 seconds. Language: Russian

For English subtitles: please click on the closed captioning button [cc] and then use translate [i.e. Google]

NOTEl: at the beginning of the video, please note the bust of Emperor Nicholas II on a pedestal, situated to the left of the museum.

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Situated in a quiet side street in the Basmanny district, situated in northeastern Moscow, is a small museum dedicated to Russia’s last Tsar. The Museum of Emperor Nicholas II, which is part of the Nicholas II Cultural Foundation was established in April 2018.

The Foundation was created to support the Museum of Emperor Nicholas II and his family, as well as other initiatives to restore and disseminate the historical truth about the life and reign of Emperor Nicholas II.

Both the Foundation and the Museum were fojnded by the famous Russian art historian Alexander Vasilyevich Renzhin. It was during the 1990s that Renzhin began to collect, bit by bit, everything related to Emperor Nicholas II and his family. During that time, he managed to amass a collection of more than 3,000 authentic items which reflect on the private lives of the Imperial Family from 1868 to 1918.

The museum’s collection includes sacred relics and unique icons that belonged to the Imperial Family: church utensils; rare books; ceremonial portraits of Emperors Alexander II, Alexander III, and Nicholas II; more than 500 original photographs; authentic autographs; state documents; porcelain and glassware; personal items of Nicholas II and Alexandra Feodorovna; memorial items of the Romanov dynasty; a complete set of state awards established by Nicholas II; postcards; chromolithographs; engravings and much more.

Of particular note is unique memorabilia from the Holy Coronation of Emperor Nicholas II in May 1896: earthenware glasses and plates decorated with the coats of arms and monograms H II [Nicholas II] and AF [Alexandra Feodorovna], miraculously preserved fine crystal glasses with engravings and paintings, cups, plates and saucers from the service with the new coat of arms introduced in 1856.

In the spring of 2008, Renzhin donated his collection as a gift to the Nikolo-Ugreshsky Monastery.

In February 2021, the Museum of Emperor Nicholas II was forced to close its doors, due to the COVID-19 pandemic, and the museum’s mounting debt of almost 9 million rubles (more than $13,000 USD) in arrears of rent.

A Russian oligarch Konstantin Malofeev, and founder of the Tsargrad TV channel, came to the rescue by providing Renzhin’s rare collection with a new venue in which to display his vast collection. The Museum of Emperor Nicholas II re-opened in the Museum of Russian Art, the former manor house of Nikolai Eremeevich Struisky (1749-1796) – situated in Moscow’s historical district – on 10th February 2021.

FURTHER READING:

The Great Pilgrimage of Emperor Nicholas II in 1913 + VIDEO

Museum of Emperor Nicholas II in Moscow + VIDEO

Museum of Emperor Nicholas II re-opens in Moscow + PHOTOS

© Paul Gilbert. 7 May 2024

Unique historical poster documents 1896 Coronation of Nicholas II

PHOTO: poster announcing the Holy Coronation of Nicholas II, 1896

An interesting historical document – a poster announcing the Holy Coronation of Nicholas II – is currently on display in the Holy Places for Russian Culture exhibition at the Izborsk State Historical Architectural Museum in the Pskov region.

The poster was printed by the thousands and posted in cities, towns and villages in all provinces throughout the Russian Empire. The poster on display in the exhibition was discovered in the 1960s, and donated to the museum’s collection.

Emperor Nicholas II and his wife Empress Alexandra Feodorovna were solemnly crowned on 27th (O.S. 14th) May 1896, in the Assumption Cathedral [aka the Cathedral of the Dormition or Uspensky Sobor] of the Moscow Kremlin.

The coronation was preceded by a number of events. On 14th (O.S. 1st) January 1896, a manifesto “On the Forthcoming Holy Coronation of Their Imperial Majesties” was issued, according to which the ceremony was to take place in Moscow in May of the same year.

PHOTO: detial of the poster announcing the Holy Coronation of Nicholas II, 1896

The dates 7th May to 27th May 1896, were declared the coronation period. Orders for preparations for the celebrations were entrusted to the Minister of the Imperial Court, Count Illarion Ivanovich Vorontsov-Dashkov (1837-1916). A special coronation detachment consisting of 82 battalions, 36 squadrons, and 28 batteries was formed under the command of Nicholas II’s uncle Grand Duke Vladimir Alexandrovich (1847-1909).

A special telegraph station with 150 lines was set up in the Kremlin, linking all the foreign embassies.

The coronation itself, as noted by contemporaries who attended the event, surpassed all previous coronations in terms of magnificence. On the day of the coronation in St. Petersburg, Divine Liturgies and thanksgiving molebens were served in every church.

PHOTO: silver commemorative medal
“In Memory of the Coronation of Emperor Nicholas II”

A commemorative medal “In Memory of the Coronation of Emperor Nicholas II” was minted. It was awarded to all civil servants, military personnel and individuals who took active part in the preparation of the ceremonies of the coronation. At a later date, the award was also bestowed upon women who had actively assisted in the preparation of the ceremony.

FURTHER READING

COLOUR photos of the Coronation of Nicholas II + PHOTOS

Filming the Coronation of Emperor Nicholas II in 1896 + PHOTOS and VIDEO

1896 Coronation uniform of Emperor Nicholas II + PHOTOS

Russia’s only church built in honour of Nicholas II’s Coronation + PHOTOS

The myth of Nicholas II’s indifference to the Khodynka tragedy + PHOTOS

© Paul Gilbert. 5 April 2024

Unique icons belonging to the imperial family on display in Moscow for the first time

On 21st December 2023, a unique exhibit featuring four folding icons presented to members of the Family of Emperor Nicholas II, went on display at the Andrei Rublev Museum in Moscow.

According to Zhanna Belik, curator of the exhibition, “the icons, all of which are now in private collections, are being shown for the first time at the exhibition”.

“Each of the four folding icons is unique in its own way. They were personal gifts to members of the Imperial Family from organizations and donors from different walks of life. Gifts were given to the Imperial Family on special occasions throughout the year. For instance, on the occasion of the birth of children, their coming of age, the 300th anniversary of the House of Romanov, birthdays and namedays, etc.. To do this, it was necessary to submit a petition in advance, which was considered personally by the person to whom the gift was addressed,” Belik said.

CLICK on each IMAGE below to enlarge

According to Belik, the birth of Tsesarevich Alexei Nikolaevich in 1904 is associated with the folding icon gifted to Emperor Nicholas II and his wife Alexandra Fedorovna, by the abbot and brethren of the Trinity-Sergius Lavra [in the town of Sergiyev Posad, near Moscow]. The artists and jewelers who created it were outstanding craftsmen of their time.

“The exhibition also presents a folding icon with images of saints St. Nicholas the Wonderworker, Prince Alexander Nevsky and Mary Magdalene. The icon was presented to Tsesarevich Nicholas Alexandrovich [future Emperor Nicholas II] on his 18th birthday, by the guard of the Moscow Philistine Society. The folding icon was made in the workshop of Ivan Khlebnikov, a Supplier to the Imperial Court,” the curator said.

CLICK on each IMAGE below to enlarge

The curator noted that each of the four folding icons have the icon writer’s name on the back of each icon, the frames were made by jewelers – Suppliers of the Imperial Court. “At this time, jewelry art reached its apogee in Russian art, the work of jewelers of the second half of the 19th century and the beginning of the 20th century are world-class works,” Belik said.

The exhibition also features a sewn icon from the collection of the Andrei Rublev Museum, also created on the occasion of the birth of the long-awaited heir, and presented to Nicholas and Alexandra.

The exhibition runs from 21st December 2023 to 11th February 2024.

© Paul Gilbert. 28 December 2023

Second Nicholas II museum opens in Moscow

PHOTO: interior view of the new Museum in Memory of Emperor Nicholas II and His Family, situated in the Belaya Dacha in Moscow.

On 5th November 2023, the Museum in Memory of Emperor Nicholas II and His Family opened at the newly restored Belaya Dacha estate in the city of Kotelniki of the Moscow district. It is the second dedicated to Emperor Nicholas II to be opened in Moscow – the first being the Museum of Emperor Nicholas II.

The permanent exhibition, which is located on the first floor of the museum, feature about 300 unique exhibits, including many personal items belongings to the Imperial Family. Among them is a piano belonging to Nicholas II’s mother Dowager Empress Maria Feodorovna. Also on display, are the letters of Tsesarevich and Grand Duke Nicholas Alexandrovich [the future Emperor Nicholas II] to Alexandra Feodorovna, written between 1890-91, during a trip to Japan, where an attempt was made on his life.

In addition, a letter from Empress Maria Feodorovna to Emperor Wilhelm II, received by him two days before Germany declared war on Russia, vintage photographs of the last Tsar and his family and other unique exhibits are also displayed.

Draped over a chair in the recreated study of the Tsar, is an exact copy of a uniform of Nicholas II. It looks very simple, as it reflects how the Emperor dressed when he went out to greet his soldiers, thus demonstrating respect for his army.

“Exhibits for the museum have been collected over the last three years, from private collections and auctionsall over the world,” said Lyudmila Grosarchuk, curator of the museum.

“We are bringing back to our country, to our home, what was scattered so carelessly following the 1917 Revolution,” added Viktor Semyonov, Chairman of the Museum Supervisory Board.

At the opening of the museum, the first visitors were given a tour of the exhibition and the and museum. A performances by the State “Berezka” Dance Ensemble, Russian opera star Hibla Gerzmava, and People’s Artist of Russia Sergey Migitsko.

As a symbol of the unity of Russian museums, an oak from Tsarskoye Selo was planted on the grounds of estate.

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PHOTO: the Belaya Dacha estate mansion (above), now home of the private museum of the family of the last Russian Emperor Nicholas II in Moscow. Viktor Semenov (below), Chairman of the Board of Trustees of the The Museum in Memory of Emperor Nicholas II and His Family.

© Paul Gilbert. 6 November 2023

Nicholas II visits the Iverskaya Chapel in Moscow

PHOTO: Emperor Nicholas II along with members of his family arrive at the Iverskaya Chapel in Moscow, 1912. Note the curious people watching from the windows of the State Historical Museum in the background. The Tsar is accompanied by his daughters the Grand Duchesses Olga, Tatiana, Maria, Anastasia (all wearing white hats), and his son Tsesarevich Alexei Nikolaevich, as well as the Grand Duchess Elizabeth Feodorovna (wearing a nuns’ habit).

The Iberian or Resurrection Gate is the only remaining gate of the Kitai-gorod[1] in Moscow. It connects the north-western end of Red Square with Manege Square and gives its name to nearby Voskresenskaya Square [Resurrection Square, renamed Revolution Square in 1918].

The gate adjoins the ornate building of the old Moscow Duma [City Hall] to the east and the State Historical Museum to the west.

The first stone gate leading to Red Square was erected in 1535, when the Kitai-gorod wall was being reconstructed in brick. When the structure was rebuilt in 1680, the double passage was surmounted with two-storey chambers crowned by two octagonal hipped roofs similar to the Kremlin towers. An Icon of the Resurrection was placed on the gate facing towards Red Square, from which the gate derives its name.

The Iverskaya Chapel

Since 1669, the wooden chapel in front of the gate (facing away from Red Square) has housed a replica of the miracle-working icon of Panaghia Portaitissa (“keeper of the gate”), the prototype of which is preserved in the Georgian Iveron Monastery on Mount Athos. Hence, the name Iversky (Iberian) that stuck both to the chapel and the gate. In 1781, the Nikolo-Perervinsky Monastery constructed a new brick chapel on the spot. The star-splattered cupola of the structure was topped with a statue of an angel bearing a cross.

According to a popular custom, everyone heading for Red Square or the Kremlin visited the chapel to pay homage at the shrine, before entering through the gate. Beggars and outlaws would pray there next to the highest persons, including the Tsar himself. It was here that the rebel Emelyan Pugachev asked the Russian people for forgiveness a few hours before his execution. The tiny ever-overcrowded chapel, with candles burning day and night, figures in works by Leo Tolstoy, Ivan Bunin, Marina Tsvetayeva, and H.G. Wells, to name only a few.

PHOTO: the Iverskaya Chapel. c. 1890s

Nicholas II, like his father preferred Moscow to St. Petersburg. According to French historian Marc Ferro: “Nicholas II preferred Moscow to St. Petersburg because the old city embodied the past, whereas St. Petersburg represented modernity, the Enlightenment and atheism.”

Three of the most notable visits to the Chapel were made on 26th (O.S. 14th) May 1896, on his way to his Coronation; on 25th-26th August 1912 during the celebrations dedicated to the 100th anniversary of the Battle of Borodino; and in May 1913 for celebrations marking the Romanov Tercentennary (1913).

On 5th April 1900, Nicholas wrote to his mother about reaching a landmark in his private spiritual life. A letter to his mother, reveals his strong religious feeling:

“What a joy it is to us, dear Mama, to prepare for Holy Communion here in the Kremlin, with all its various churches and chapels . . . This feeling is now much stronger than it was in 1896, which is only natural. I am so calm and happy now, and everything here makes for prayer and peace of spirit . . . “.

During his reign, Nicholas made numerous visits to the former Russian capital, where he always stopped to pray at the Iverskaya Chapel before crossing Red Square into the Kremlin, where he took up residence in the Grand Kremlin Palace. Moscow’s fervent greeting to their Tsar on each of his visits confirmed his feeling for the city.

Three of the most notable visits to the Iverskaya Chapel were made on 26th (O.S. 14th) May 1896, on his way to his Coronation; on 25th-26th August 1912 during the celebrations dedicated to the 100th anniversary of the Battle of Borodino; and in May 1913 for celebrations marking the Romanov Tercentennary (1913).

In the above photo, Emperor Nicholas II, Empresses Alexandra Feodorovna and Maria Feodorovna are walking towards the Iverskaya Chapel of the Iberian Mother of God before the crowning of Russia’s last Tsar in the Assumption (Dormition) Cathedral in the Kremlin on 26th (O.S. 14th) May 1896.

The photos below depict Emperor Nicholas II, Empress Alexandra Feodorovna and their children visiting the Iverskaya Chapel to pray in 1912 and 1913:

PHOTO: Nicholas II, Empress Alexandra Feodorovna and Tsesarevich Alexei Nikolaevich (being carried by the Cossack Alexei Petrovich Pilipenko (1887-1972) leaving the Iverskaya Chapel in Moscow

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In 1929 the Iverskaya Chapel was demolished, and in 1931 the Resurrection Gate was demolished by order of Soviet leader Joseph Stalin in order to make room for heavy military vehicles driving through Red Square during military parades. Following the dissolution of the Soviet Union, both structures were rebuilt under Moscow mayor Yuri Luzhkov’s[2] leadership, on the site between 1994 and 1995. A new icon of the Iveron Theotokos was painted on Mount Athos to replace the original.

On 4th November 1994, Patriarch Alexi II (1929-2008) consecrated the foundation of both the Iverskaya Chapel and the Resurrection Gate. The Iverskaya Chapel reopened to worshippers on 25th October 1995. Every day, every two hours from eight o’clock in the morning to eight in the evening, prayers are performed in the chapel with the reading of the akathist to the Most Holy Theotokos. 

PHOTO: view of the Resurrection Gate in 1931, the Iverskaya Chapel was demolished in 1929

PHOTO: a stunning view of the Iverskaya Chapel and Resurrection Gate – the latter of which leads into Red Square, reconstructed between 1994-95.

NOTES:

[1] The Kitay-gorod was a cultural and historical area, built during the 16th and 17th centuries within the central part of Moscow. During the 1920s and 1930s Stalin ordered Kitay-gorod to be demolished. This wanton act of destruction included 10 chapels, the Cathedral of the Nikolo-Greek Monastery, and two monastery bell towers. The last pre-war victim of Kitay-gorod was the *Cathedral of Our Lady of Kazan, demolished in 1936, which stood on the corner of Nikolskaya Street and the Red Square. *Reconstructed between 1990-1993.

[2] Yuri Mikhailovich Luzhkov (1936-2019) was a Russian politician who served as the Mayor of Moscow from 1992 to 2010. Under Luzhkov’s leadership, the Cathedral of Christ the Saviour, the Cathedral of Our Lady of Kazan, the Resurrection Gate and Iverskaya Chapel were all rebuilt, as well as the construction of Catherine II’s unfinished palace in Tsaritsyno and the reconstruction of the Kolomenskoye Palace of Tsar Alexis (demolished as early as the 18th century).

© Paul Gilbert. 13 August 2023

Kremlin Fabergé collection to get new home in 2024

PHOTO: view of the display case in the Armoury Museum containing 10 Fabergé Imperial Easter Eggs, among other items

According to Elena Gagarina[1], director of the Moscow Kremlin Museums, the Collection of the State Armoury Chamber Museum will be moved to a massive new museum complex located on Red Square in 2024. The new K5 museum – which has been under construction for nearly a decade – will feature a “large Fabergé Hall” to showcase the 10 Imperial Easter Eggs[2] and other Fabergé items from the museum’s collection.

The Moscow Kremlin Museums were founded on 10th March 1806, when Emperor Alexander I (1777-1825) issued a decree on the creation of the Armoury, as a treasury of the Romanov dynasty. It preserves more than 4,000 items related to the life of the imperial, grand-ducal and patriarchal courts.

The creation of a new building to house the Armoury Chamber collection has been under construction in the Middle Trading Rows, which is situated on Red Square, next to the GUM Department Store and across from St. Basil’s Cathedral.

Elena Gagarina notes that the Armoury Chamber’s collection is so large that it is simply impossible to display the museum’s vast collection, most of which is in storage. In addition, she noted that due to the constraints of the museum being within the Kremlin make it difficult to host major exhibitions.

PHOTO: the Moscow Kremlin Museum’s new K5 Museum will be housed in the Middle Trading Rows, situated on Red Square, across from the iconic St. Basil’s Cathedral

She further stressed the fact that it is important that the Kremlin Museum now expands beyond the Kremlin wall, not just because of current space limitations, but also for the museum’s collection to be displayed in a modern museum setting, similar to those in many European cities. The new modern facility will feature an area for receiving visitors, ticket offices, lecture halls, restoration workshops, storage facilities, shops and restaurants. The new venue will allow for temporary expositions and special exhibitions.

It was in 2016 the Moscow Government signed a decree transferring the building of the Middle Trading Rows to the State Kremlin Museum, which will house the bulk of the collection of the Armoury Chamber Museum. Some items, including those related to coronations and state regalia will remain in the original Armoury Museum.

The K5 Museum complex includes the Middle Trading Rows and a new building constructed within the perimeter of the historic building. The new building is completely hidden behind the 19th-century façade, thus preserving the historically established composition of Red Square, included by UNESCO in it’s list of World Heritage Sites.

PHOTO: Elena Gagarina, director of the Moscow Kremlin Museums, the Collection of the State Armoury Museum.

The new K5 Museum will include a Fabergé Hall

Of particular interest to visitors to the new K5 Museum will will be a “large Fabergé Hall” which will showcase the Armoury Chamber’s 10 Imperial Easter Eggs and other Fabergé items from the museum’s collection. Each Easter egg will be presented in a separate showcase. Many more items that are associated with the master will be displayed in other glass display showcases.

According to Gagarina, the new museum has plans to host large Fabergé exhibitions, in cooperation with the State Hermitage Museum, the suburban palace museums of St. Petersburg, the Fersman Mineralogical Museum, the Fabergé Museum in St. Petersburg, and from private collections in Russia.

Over the past decade, the Armoury Chamber’s Fabergé collection has grown, thanks to generosity of gifts made by Russian oligarchs and corporations. In 2020, the museum received as a gift the archive of Peter Carl Fabergé (1846-1920), which was kept by his great-granddaughter, Tatiana Feodorovna Fabergé (1930-2020). She wanted the vast family archive of documents to be transferred to the Moscow Kremlin Museum.

During her lifetime, Tatiana Fabergé made numerous visits to the Kremlin Museum, and maintained good relations with Tatiana Nikolaevna Muntean, the curator of the Armoury Chamber’s Faberge collection. The circle of people who organize exhibitions and conferences, as well as those who write books and papers about Faberge, is quite small, and everyone knows each other. They communicate on a regular basis, to assess and discuss their research and discoveries.

According to Gagarina, it was Tatiana Fabergé’s with that the Fabergé archive be kept in a state museum, and under no circumstances should it fall into private hands.

The new K5 Museum was scheduled to open in September 2022, however, construction was interrupted by the COVID epidemic, which hit Russia very hard. In addition, the move was further delayed due to problems with getting showcases, which were being made in the UK. The exhibits from the Armoury Chamber Museum are expected to be moved to the new building sometime this year. The new museum is now scheduled to open to visitors by the end of 2024

NOTES:

[1] Elena Yurievna Gagarina [b. 1959] is the daughter of the famous Soviet pilot and cosmonaut Yuri Gagarin (1934-1968)

[2] Between 1930 and 1933, 14 imperial eggs left Russia. Many of the eggs were sold to Armand Hammer (president of Occidental Petroleum and a personal friend of Lenin, whose father was founder of the United States Communist Party) and to Emanuel Snowman of the London antique dealers Wartski.

© Paul Gilbert. 28 July 2023

Museum of Emperor Nicholas II in Moscow

PHOTO: Museum of Emperor Nicholas II in Moscow

In the spring of 2008, art historian Alexander Vasilyevich Renzhin donated his collection dedicated to Emperor Nicholas II, as a gift to the Nikolo-Ugreshsky Monastery. It was during the 1990s that Renzhin began to collect bit by bit everything related to Emperor Nicholas II and his family. During that time, he managed to amass a collection of more than 3,000 items: postcards and photographs, books and portraits, personal belongings and household items – which reflect on the private lives of the Imperial Family and their tragic deaths in July 1918.

In 1913, Russia solemnly celebrated the 300th anniversary of the House of Romanov. Renjin’s collection features many unique items created for the anniversary. Among them is a carved decorative panel with portraits of Tsar Mikhail Feodorovich, Emperor Nicholas II, Empress Alexandra Feodorovna, and their son Tsesarevich Alexei Nikolaevich and the date 1613-1913. The scene of the election of Mikhail Feodorovich Romanov in 1613 is depicted on a woven woolen carpet made by the Zavidov carpet factory. Candy boxes produced for the anniversary by the Einem confectionery factory with portraits of the Romanovs have been preserved.

Of particular interest are coronation memorabilia: earthenware glasses and plates decorated with the coats of arms and monograms H II [Nicholas II] and AF [Alexandra Feodorovna], miraculously preserved fine crystal glasses with engravings and paintings, cups, plates and saucers from the service with the new coat of arms introduced in 1856.

VIDEO: click on the image above to watch a 3-minute video tour of the museum at the Nikolo-Ugreshsky Monastery, before it was closed in February 2021, and moved to its current location in central Moscow

This service, made at the Imperial Porcelain Factory in St. Petersburg in 1882 specifically for the coronation of Emperor Alexander III, consisted of 19 thousand pieces. For the coronation of Emperor Nicholas II, the service was repeated, consisting of 47 thousand pieces. According to tradition, the Imperial table for the coronation dinner was served with a gold service, bearing the coat of arms. The service was complemented by snow-white damask linen napkins with the personal coat of arms and monogram of Nicholas II. The most important part of Renzhin’s collection are icons of St. Nicholas the Wonderworker and St. Alexandra – the heavenly patrons of the Emperor and Empress – painted for the coronation in1896.

In 1896, some 300 icons were ordered from the famous workshop of Osip Chirikov, of which Nicholas II and Alexandra Feodorovna presented to the most honoured guests at the coronation celebrations in the Kremlin.

Of particular value are historic documents bearing autographs collected by Renzhin: the petition of the Empress Maria Feodorovna addressed to the Minister of War V.A. Sukhomlinov dated March 10, 1914 on the transfer of the building of the Main Directorate of Military Educational Institutions to the Museum of Old Petersburg; a note from Empress Alexandra Feodorovna to Adjutant General F.V. Dubasov and a prayer memorandum signed by her to a soldier walking on the battlefield. Numerous photographs, postcards, prints, books testify to life in peacetime and during the First World War.

In February 2021, the Museum of Emperor Nicholas II was forced to close its doors, due to the COVID-19 pandemic, and almost 9 million rubles (more than $13,000 USD) in arrears of rent.

A Russian businessman Konstantin Malofeev, and founder of the Tsargrad TV channel, came to the rescue by providing Renzhin’s rare collection with a new venue in which to display his collection. The Museum of Emperor Nicholas II re-opened in the Museum of Russian Art, the former manor house of Nikolai Eremeevich Struisky (1749-1796) – situated in Moscow’s historical district – on 10th February 2021.

The Museum of Emperor Nicholas II is open daily to visitors.

© Paul Gilbert. 1 March 2023

Lost architectural monuments of the Moscow Kremlin

During the Soviet years, numerous architectural monuments of the Moscow Kremlin were lost. Churches, monasteries, and palaces were destroyed because they reminded the Soviet regime under Stalin of Holy Russia and the glorious history of the Russian Empire.

The early 20th century postcard (above) reflects some of the greatest architectural losses in the Moscow Kremlin during the late 1920s to early 1930s – please refer to the numbers and the accompanying images below for additional information about each respective monument . .

1 – The Maly Nikolayevsky Palace or Small Nicholas Palace was a three-storey building located in the Kremlin on the corner of Ivanovskaya Square. Originally built in 1775, it served as the official Moscow residence of Imperial Family up until the construction of the Grand Kremlin Palace in 1838-1849. The palace was a favourite residence of Grand Duke Nicholas Pavlovich (future Emperor Nicholas I). On 29th (O.S. 17th) April 1818, his son, the future Alexander II, was born in the palace, who considered it the home of his childhood. Between 1891 and 1905, the palace became a residence of Grand Duke Sergei Alexandrovich during his years as Governor-General of Moscow.

During the October armed uprising of 1917 in Moscow, the Small Nicholas Palace became the headquarters of the Junkers [a military rank in the Russian Guard and Army, until 1918] who were supporting the Committee of Public Security. As a result, the building served as a target for the Red Guards and suffered more than other Kremlin buildings.

According to Metropolitan Nestor (1885-1962): “The Small Nicholas Palace… suffered greatly from gunfire. Huge holes in the building’s’ façade are visible from the outside. Inside, too, everything is destroyed, and when I walked around the rooms, I saw a picture of complete destruction. Huge mirrors and other furnishings were barbarously broken and destroyed. The cabinets are broken, books, files and papers are scattered throughout the rooms… The palace church was hit by a shell and destroyed. The iconostasis was broken, the royal gates were forced open by explosions, and the veil of the church was torn in two. Hence, many valuable icons were stolen.”

In 1929, the palace was demolished together with the adjacent Chudov and Ascension monasteries. In 1932-1934 the Kremlin Presidium (aka Building No. 14) was built on the site. It housed, first, the Supreme Soviet, i. e. the supreme legislative body of the Soviet Union until its dissolution in 1991, and, second, the offices of the Presidential Administration of Russia until 2011. The Kremlin Presidium was demolished in 2016.

PHOTO: Small Nicholas Palace after the shelling of the Kremlin, 1917

2 – The first Monument to Emperor Alexander II stood above the Kremlin’s Taynitsky Gardens facing the Moskva River. Work on the monuments was begun under Emperor Alexander III in 1893, and was completed five years later under Emperor Nicholas II in 1898.

The monument was the work of sculptor Alexander Opekushin (1838-1923), artist Peter Zhukovsky (1845-1912) and architect Nicholas V. Sultanov (1850-1908). The memorial consisted of a life-size bronze sculpture of Alexander II, set on a square pedestal with the words “To Emperor Alexander II by the love of the people” engraved on it. The sculpture was shaded by a canopy of polished dark red Karelian granite. The top of the canopy was made of specially fitted gilded bronze sheets with green enamel. On three sides, the monument was surrounded by a gallery with arches and openwork. Thirty-three mosaic portraits of Russia’s rulers from Prince Vladimir to Emperor Nicholas II based on sketches by artist Peter Zhukovsky were placed in the gallery’s vaults.

The solemn opening and consecration of the Monument to Emperor Alexander II took place on 16th August 1898. At eight in the morning, five cannon shots were fired from the Tainitskaya Tower. The opening ceremony began at two o’clock in the afternoon with a procession from the Chudov Monastery. After Metropolitan Vladimir of Moscow served a prayer service, the “Transfiguration March” was played and cannons were fired 360 times. The ceremony was closed by a parade of troops commanded by Emperor Nicholas II..

2a –  The decree of the Council of People’s Commissars of the Russian Soviet Federative Socialist Republic [supported by Lenin] dated 12th April 1918 called for all monuments of Russia’s monarchs to be demolished and replaced with statues honouring the leaders of the revolution. The monument of Alexander II was to be one of the first monuments destroyed in this campaign. Lenin planned to install a monument to the writer Leo Tolstoy on the site, however, his plan never came to fruition.

The monument to Alexander II was demolished by the Bolsheviks in the summer of 1918. In June 1918, Russian art historian Nikolai Okunev described this event in his diary: “I saw in the cinema a newsreel on the removal of the monument to Alexander II in the Kremlin. It was terrible to watch! It’s as if they were cutting a living person into pieces, and saying “Look, this is is how it’s done!” It’s not enough to show the shootings on the cinema screen.” The remaining columns and gallery were demolished in 1928.

PHOTO: the dismantled fragments of the monument to Alexander II in the Kremlin after its destruction in 1918. To the left of the Spassky Tower is the Church of St. Catherine of the Ascension Monastery, blown up in 1929

3 – The Voznesensky (Ascension) Convent known as the Starodevichy Convent or Old Maidens’ Convent until 1817, was an Orthodox nunnery in the Moscow Kremlin which contained the tombs of grand princesses, tsarinas, and other noble ladies from the Muscovite royal court. The convent was founded at the beginning of the 15th century near the Kremlin’s Spassky (Saviour’s) Gate.

The convent was also used as a residence for royal fiancée’s prior to their wedding. In 1721, the convent was renovated on behest of Peter the Great. In 1808, by order of Emperor Alexander I, the famous Italian architect Carlo Rossi (1775-1849) began construction of the Church of Saint Catherine, built in the Neo-Gothic design. During Napoleon’s invasion of Moscow in 1812, the French army looted the monastery and expelled the nuns. Most of the property was preserved thanks to Abbess Athanasia, who managed to take the wealth from the sacristy to Vologda. 

By 1907, the monastery had a mother superior, 62 nuns and 45 lay sisters. It was also in 1907, that the monastery celebrated the 500th anniversary of the death of the founder of the monastery St. Euphrosyne of Moscow (1353–1407). After the service, a procession took place, in which Grand Duchess Elizabeth Feodorovna participated, and placed a golden lamp and flower garlands on the founder’s tomb.

During the October 1917 Revolution, the ancient buildings were damaged by artillery fire. In 1929, the convent complex – including the majestic 16th-century cathedral – was demolished by the Soviets in order to make room for the Red Commanders School, named after the All-Russian Central Executive Committee.

Some of the icons of Ascension Convent were transferred to the State Tretyakov Gallery and State museums of the Moscow Kremlin. The iconostasis of the Ascension Cathedral (see below) was moved into the Cathedral of Twelve Apostles (also in the Kremlin), while the tombs of the Muscovite royalty were transferred into an annex of the Archangel Cathedral, where they reside to this day.

PHOTO: in 1930 the iconostasis of the Ascension Cathedral was moved into the Cathedral of Twelve Apostles (also in the Kremlin), where it remains to this day

4 – The two chapels at the Spassky Gates (facing Red Square) were built in the “Russian style” in 1866. Both belonged to St Basil’s Cathedral. The left houses the sacred image of Our Lady of Smolensk as a reminder of the city’s return to the Russian lands in the 16th century. The right is renowned for its sacred image of Christ the Saviour, an exact replica of the icon over Spassky Gates. They were both demolished in 1929.

The 16th-century icon was bricked over during the 1930s, and restored to its original in 2010.

5 – The Church of Konstantin and Elena in the lower section of the Kremlin Garden was built in 1692 by Tsarina Natalia Naryshkina, mother of Peter I. It was demolished in 1928. It became the first church demolished on the territory of the Kremlin since the Bolsheviks came to power and the first in a large series of losses of architectural monuments of the Moscow Kremlin in 1928-1930. Today the site is home to government buildings and a helipad for Russian president Vladimir Putin.

In addition, were the Chudov Monastery and the Monument to Grand Duke Sergei Alexandrovich:

6 – The Chudov Monastery (more formally known as Alexius’ Archangel Michael Monastery) was founded in 1358 by Metropolitan Alexius of Moscow. The monastery was dedicated to the miracle of the Archangel Michael at Chonae on 19th September (O.S. 6th September). It was traditionally used for baptising the royal children, including future Tsars Feodor I, Aleksey I and Peter the Great.

The Chudov Monastery was demolished by the Bolsheviks in 1928, and the Presidium of the Supreme Soviet was built on the site. Grand Duke Sergei Alexandrovich’s body was buried in a crypt of the Chudov Monastery. The burial crypt was located underneath a courtyard of that building, which was later used as a parking lot during the Soviet years. In 1990, building workers in the Kremlin discovered the blocked up entrance of the burial vault. The coffin was examined and found to contain the Grand Duke’s remains, covered with the military greatcoat of the Kiev regiment, decorations, and an icon. He had left written instructions that he was to be buried in the Preobrazhensky Lifeguard regiment uniform, but as his body was so badly mutilated this proved impossible.

In 1995, the coffin was officially exhumed, and after a Panikhida in the Kremlin Cathedral of the Archangel, it was reburied in a vault of the Novospassky Monastery in Moscow on 17 September 1995.

7 – The Memorial Cross to Grand Duke Sergei Alexandrovich was consecrated on 2nd April 1908 on the spot where Grand Duke Sergei Alexandrovich was assassinated. The original bronze monument, set on a stepped pedestal of dark green labrador marble, was an example of ‘Church Art Nouveau’. After the October 1917 Revolution, the cross was destroyed on 1st May 1918 by Bolshevik thugs with the personal participation of Vladimir Lenin.

On 4th May 2017, the memorial cross was restored in a ceremony that was attended by President Vladimir Putin and Patriarch Kirill of Moscow.

8 – The Church of the Transfiguration of Christ the Saviour on Boru was located in the courtyard of the Grand Kremlin Palace [seen in behind the church in the photo above]. The name “on Boru” came from the coniferous forests which once surrounded the church, that once stood on Borovitsky Hill.

In 1767, when Catherine II began the reconstruction of the Kremlin, the church was revived in brick and required major repairs.

The Church of the Savior-on-Boru was demolished on 1st May 1933 by order of the Politburo of the Central Committee of the CPSU, despite the protests of prominent restorers. The church’s ancient bells were transferred to the funds of the Moscow Kremlin Museums. Upon demolition of the church, a 5-storey service building was built on the site of the cathedral. Plans to restore one of the oldest churches in Moscow have not yet been considered.

In 2014 President Vladimir Putin proposed the restoration of the former Chudov Monastery, Ascension Convent, and Small Nicholas Palace. Opposition from UNESCO ended any hope of reconstructing these architectural gems. The proposal, had it been approved, would have restored the historical vista of Ivanovskaya Square. Instead, it has become park space for tourists visiting the Kremlin museums and churches.

© Paul Gilbert. 12 January 2023

Filming the Coronation of Emperor Nicholas II in 1896

PHOTO: still from the Lumiere Bros. film documenting the 1896 Coronation.
Emperor Nicholas II, Empress Alexandra Feodorova and their retinue
are seen slowly descending the Red Staircase of the Moscow Kremlin

The Russian State Archive of Film and Photo Documents RGAKFD is the world’s largest and oldest public repository of audiovisual documents. In 2019, the archive celebrated its 100th anniversary.

To date, it holds more than 45,000 titles of film documents, more than one and a half million original photographic documents from 1850 to the present: these include daguerreotypes, ferrotypes, and albums, including those belonging to the Imperial Family, and negatives on glass and film, and modern digital photographic images.

The existing collection of film documents of pre-revolutionary Russia, stored in the RGAKFD, was formed from newsreel-documentary materials requisitioned by the Soviet authorities during the nationalization of the film industry from the warehouses of film factories and film companies.

In total, the archive currently contains about 960 pre-revolutionary newsreels, including the first full-length documentary-film made in Russia – the Coronation of Emperor Nicholas II in 1896.

PHOTO: Lumiere Brothers: Auguste (1862-1954) and Louis (1864-1948)

In May 1896, French cameramen from the Lumiere Brothers (Paris) company arrived in Moscow, to film the coronation ceremony of Emperor Nicholas II. On 5th May 1896, the Moscow newspaper Новости дня [News of the Day] wrote: “among the correspondents who have arrived in the city is Camille Cerf for the coronation of Nicholas II. Sent to Moscow on behalf of Louis Lumière, he is armed with a very interesting device – a cinematograph … He will film the entire solemn procession of the route on a special moving belt, on which the pictures will, however, be so microscopic that only after enlarging them can they can be seen. But, in any case, all parts of the tuple and all of its moments will be reproduced in this way with documentary accuracy.” The coronation celebrations in the Kremlin were captured in great detail.

PHOTO: cinematographers Charles Moisson and Francis Dublier

The “Lumiere Brothers Cinematography” catalogue, released in France for the 100th anniversary of cinema, names four cameramen who filmed “The Coronation of Emperor Nicholas II” – Francis Dubliet, Camille Cerf, Charles Moisson and Alexandre Promio.

PHOTO: Belgian cinematographer Camille Cerf (1862-1936)

A copy of the film of the coronation celebrations was presented by Lumiere to Emperor Nicholas II and, apparently, met with his approval. In any case, it laid the foundation for a special kind of pre-revolutionary Russian newsreel, the so-called “Tsarist Chronicle”, which was filmed in Russia systematically from 1896 to 1917, mainly by Russian cameramen, for distribution to the growing commercial cinema network across the Russian Empire.

The Lumiere Bros. film The Coronation of Emperor Nicholas II was filmed in 35 mm, duration 1 hour 33 min. The video below shows only 1 minute and 40 seconds of it. More than a decade ago, a Ukrainian historian announced plans to restore the entire film. Sadly, he was unable to acquire funding for this important historical project.

The following is a list of the highlights of the video:

1. NDP 1.4m “Coronation of Sovereign Emperor Nicholas II Alexandrovich” May 14, 1896

2. Common. 10.1 m On the streets of Moscow, ceremonial gilded carriages, accompanied by their retinue, pass. In the first carriage sits Empress Alexandra Feodorovna, (removed from the building of the Historical Museum). Cinematographer Francis DOUBLIER . CL No. 1329.

3. Common. 4.8m Emperor Nicholas II and Empress Alexandra Feodorovna, accompanied by the courtiers, walk up the stairs of the Red Porch, down to Ivanovskaya Square to the Assumption Cathedral, (filmed from the side of the Annunciation Cathedral from the height of the roof of the temporary stands).
Operator Charles MOISSON . CL No. 1330.

4. Common. 7.8 m Emperor Nicholas II and Empress Alexandra Feodorovna leave the Archangel Cathedral, join the solemn procession and under a canopy, accompanied by the courtiers, walk towards the porch of the Annunciation Cathedral. Cinematographer Francis DOUBLIER . CL No. 1331.

5. Wed 9.2 m The solemn procession goes towards the Annunciation Cathedral.
Cinematographer Francis DOUBLIER . CL No. 1331.

6. Common. 6.6m Representatives of various nationalities are passing by.
Operator Charles MOISSON . CL No. 1328.

7. Common. 5.1 m A carriage drives up to the porch of the house, dignitaries sit in it.
Operator Charles MOISSON . CL No. 1325.

8. Common. 2.9m The dignitaries sit in the carriage.
Operator Charles MOISSON . CL No. 1326.

***

PHOTO: Ernest Louis, Grand Duke of Hesse (seated center) with members
of the Hessian delegation, who attended Nicholas II’s Coronation in May 1896

The Empress’s brother, Ernest Louis, Grand Duke of Hesse (1868-1937), who was present at the coronation ceremony, provides a vivid description of the event:

“The coronation in Moscow on May 26, 1896 was the most splendid ceremony I have ever seen. It was almost eastern in style and lasted 10 days. In Moscow, the cathedral was full of images of saints on a gold background, and all the priests were wore golden vestments, decorated with embroidery and precious stones. In all the ceremonies, there was a deep mystical meaning and Byzantine traditions. The Anointed Emperor and Empress became God’s Anointed ones. The emperor, like a priest, receives communion at the altar. After that, in front of the throne, he takes off the crown from his head, kneels down and prays aloud with a wonderful prayer for his people. Then they say a prayer for the emperor, and he rises, and at that moment he is the only non-kneeling person in the entire Russian Empire. The procession of people entering and leaving the cathedral passes along the elevation, which is at the level of the heads, standing around, so you can see everyone who takes part in the ceremony. The procession seems to consist only of people in full dress, everything glitters in gold and silver, the emperor and empress in gold and ermine robes stand under a huge canopy, all the grand duchesses are strewn with jewels. Everything happens as in a magical dream, because everything is illuminated by the bright radiance of the sun.”

© Paul Gilbert. 16 March 2021

Museum of Emperor Nicholas II re-opens in Moscow

PHOTO: Konstantin Malofeev views the exhibits in the Museum of Emperor Nicholas II

On 16th February, I reported on my Facebook page, that the Museum of Emperor Nicholas II, situated in the center of Moscow, was closing. The little known was forced to close due to the COVID-19 pandemic, and almost 9 million rubles (more than $13,000 USD) in arrears of rent.

The museum – which was established in April 2018 – showcases the private collection of Alexander Vasilyevich Renzhin, who has amassed more than 3,000 authentic and memorial exhibits over the past 35 years, all of which belonged to Emperor Nicholas II and his family. It is indeed a unique and rate collection!

The Museum of Emperor Nicholas II was forced to close its doors permanently at the end of February.

PHOTO: multi-collared saucers and cups presented during the Coronation of Nicholas II

PHOTO: sailor’s suit worn by Tsesarevich Alexei Nikolaevich

PHOTO: album with watercolours painted by Grand Duchess Anastasia Nikolaevna

Konstantin Malofeev, the founder of the Tsargrad TV channel, came to the rescue by providing Renzhin’s rare collection with a new venue in which to display his collection. The Museum of Emperor Nicholas II re-opened in the Museum of Russian Art, the former manor house of Nikolai Eremeevich Struisky (1749-1796) – situated in Moscow’s historical district – on 10th February 2021.

The museum showcases more than 3,000 rare exhibits, including a pearl tablecloth from the table of Nicholas II, multi-collared saucers and cups that were presented on the Khodynkha Field during the Coronation of Emperor Nicholas II in May 1896, a sailor’s suit worn by Tsesarevich Alexei Nikolaevich, an album with watercolour drawings, painted by Grand Duchess Anastasia Nikolaevna. Other items include a scarf embroidered by the Empress Alexandra Feodorovna herself, desk writing instruments belonging to Tsesarevich Alexei , and numerous personal belongings of Emperor Nicholas II – to name just a few!

“All items belonging to the Tsar’s family were carefully preserved by people” – said Konstantin Malofeev – “this shows the true popular reverence and love for the Tsar, even when he was under the absolute prohibition of godless power.”

© Paul Gilbert. 10 March 2021