Lenin’s presence on Red Square continues to rile Russians

PHOTO: the remains of Bolshevik leader Vladimir Lenin

More than a century after his death, the body of Bolshevik leader Vladimir Lenin laying in a marble and granite mausoleum on Red Square continues to raise the ire of many Russians.

During the afternoon of 8th April 2026, upon entry to the “mourning hall” of Lenin’s mausoleum, an 18-year-old student began yelling screaming obscenities about the Bolshevik leader. He then took off one of his shoes and threw it, striking the glass-enclosed sarcophagus holding the remains of the Bolshevik leader.  

Konstantin Sergeyevich Bodunov was promptly arrested by police, who stand guard both inside and outside the mausoleum. Bodunov appeared in Tverskoy District Court of Moscow and was sentenced to 10 days in jail. During the trial, the young man pleaded guilty to being in the mausoleum and throwing his shoe. He explained his actions by condemning Lenin’s “economic and religious policy.”

The incident is just one of a string of protests, made over the years by Russians, who share their hatred towards Lenin and the Bolsheviks. Many of these incidents never reach the Western media.

In February of this year, the Kuzminsky District Court of Moscow found Olga Fedosova guilty of threatening to “blow up Lenin’s Mausoleum and set fire to his corpse”. Fedosova was found guilty and sentenced to four years in prison.

On 18th June 2024, a man threw a Molotov cocktail at the Mausoleum, but it hit the fence and did not explode. He was detained on the spot by police officers. The Tverskoy Court of Moscow sentenced Konstantin Starchukov to four years in prison.

In May 2023, Kostya Starchukov, from the Trans-Baikal region, was detained by police on Red Square. The 37-year-old man had two bottles of gasoline on him, and told police that he wanted to set fire to Lenin’s Mausoleum.

Then, on the night of 6th February 2023, a man tried to get into Lenin’s Mausoleum with the intention of “stealing” Lenin’s corpse! The 42-year-old man, tried to open the door of the mausoleum, before he was detained by police. The detainee, who suffered from a mental disorder, admitted that he wanted to steal Lenin’s body. 

Even when Lenin was alive, several attempts are known to have been made on his life. The most famous of them was committed on 30th August 1918, by the Socialist Revolutionary Party member Fanny Kaplan tried to assassinate Lenin.

During the Soviet years, several incidents took place against the remains of the Bolshevik leader.

In March 1934, a peasant managed to smuggle a gun under his shirt past the guards. He considered himself “deceived by the authorities and decided to seek revenge”. The man took out his gun in the “mourning hall” of the Mausoleum, and fired two shots at Lenin’s sarcophagous, but he missed. He then turned the gun on himself and committed suicide with the third shot.

In March 1959, a man threw a hammer into the glass of Lenin’s sarcophagus. The crack left by the hammer remains to this day. The man was declared mentally ill, and was subsequently sent to an institution for treatment.

In 1967, a man from Lithuania attempted to blow up an Lenin’s Mausoleum. An explosion thundered outside the building, how he managed to get an explosive past the guards remains a mystery to this day. The bomber later claimed that the guards “paid no attention to him”.

On 1st September 1973, a man with a briefcase went into the “mourning hall” of the mausoleum. Once inside, he joined two wires in the area of the shirt collar – a deafening explosion thundered. A married couple who were in close proximity to the man were killed, two soldiers of the Kremlin regiment and several schoolchildren were among the injured. The sarcophagus was not damaged.

PHOTO: Yuri Shabelnikov life-size cake of Lenin’s body – see below

Why target Lenin?

It is widely agreed that the Bolshevik government came to power by criminal means, and that Lenin personally gave the order to murder Tsar Nicholas II and his family in 1918.

Not only was he responsible for the destruction of the Russian Empire, he was also responsible for the deaths and suffering of millions of innocent people when he unleashed the Civil War and the first Red Terror that followed.

His hatred towards religion led to endless violence and persecution against the Russian Orthodox Church. Lenin also signed the shameful Treaty of Brest-Litovsk with Germany on 3rd March 1918.

Since the fall of the Soviet Union in 1991,there have been numerous calls for the removal of Lenin’s remains from Red Square. The topic is a “hot potato”, one of which even Vladimir Putin does not want to address, for fear of a backlash from Russian Communists.

On the morning of 1st April 1997, at 05:25 am, a monument to Emperor Nicholas II near Moscow, was blown up by members of the left-wing extremist organization Revvoensovet [named after the Revolutionary Military Council of 1918]. Their reason, was their opposition to a proposal to remove Lenin’s corpse from the mausoleum in Red Square.

In 1998, Russian president Boris Yeltsin actually considered removing Lenin’s body and burying his remains next to that of his mother in the Volkovskoye Cemetery in St. Petersburg, as the Bolshevik leader had requested prior to his death. Yeltsin’s plan was never carried out.

Lenin’s body was ultimately embalmed and placed in a marble and granite mausoleum on Red Square instead. It is interesting to note that the architect Alexey Viktorovich Shchusev (1873-1949), is the same architect who designed the Church of the Intercession of the Virgin in the Marfo-Mariinsky [Martha and Mary] Convent, founded in Moscow by Grand Duchess Elizabeth Feodorovna (1864-1918).

Up until the collapse of the Soviet Union in 1991, the preservation of Lenin’s remains was funded by the Soviet government. After 1991, the government discontinued financial support, after which the mausoleum was funded by private donations – mostly Communist sympathizers. In 2016 the Russian government reversed its earlier decision and announced it would spend 13 million rubles [$171,000 USD] to preserve Lenin’s body.

In 1998, a provocative event staged by the Russian artist Yuri Shabelnikov at the Dar Gallery in Moscow, titled “Lenin is in You and in Me”. Shabelnikov created a life-size cake (see photo above) shaped like Lenin’s embalmed body, presented as if lying in a coffin, and invited guests to eat it. The act turned a once-sacred revolutionary icon into something fleeting and consumable, symbolizing how Lenin’s ideological authority had faded in the 1990s and become an object of irony rather than reverence. Such an event would have been unimaginable during Soviet rule. [Source: Constantine Goh]

PHOTO: artist concept of the Church of the New Martyrs
proposed for the site of Lenin’s Mausoleum on Red Square

“Sooner or later, Lenin’s body will be buried”

In October 2020, a Prominent representative of the Russian Orthodox Church (ROC) spoke out on the burial of Lenin

“Vladimir Lenin has no place in Red Square. Nevertheless, one should proceed with caution in the matter of his burial.” This statement was made by the head of the Department for External Church Relations of the Moscow Patriarchate, Metropolitan Hilarion, on the Russia 24 TV channel.

“I have no doubt that sooner or later Lenin’s body will be buried. It is another matter, however, when this will take place, and under what circumstances,” he said.

The high ranking representative of the Russian Orthodox Church called Lenin a “traitor to the Motherland” who came to Russia on German money. In his opinion, Lenin was a revolutionary who should be judged according to ordinary laws.

“In 1918 Lenin unleashed the Red Terror, which resulted in the repression and mass killings of the Russian population, therefore, the Bolshevik leader has no place in Red Square, he has no connection to it whatsoever,” the Metropolitan added.

“Lenin’s funeral will take place only when the communist ideology finally fades into the past. And this will still take some time,” the priest said.

The Metropolitan proposes to leave the mausoleum as is, since it is the work of the outstanding architect Alexey Viktorovich Shchusev (1873-1949). He supports the idea of converting it into a museum of mass repression during the Bolshevik years.

In September 2025, Advisor to the Prosecutor General of the Russian Federation demanded the renaming of all toponyms in Russia bearing the name of the former Bolshevik leader Vladimir Lenin . . .

Natalia Poklonskaya sent a letter to the Cabinet of Ministers with a proposal to rename all toponyms in Russia bearing the name of Vladimir Lenin: streets, squares, parks, as well as the demolition of monuments to the Bolshevik leader, who ordered the murder of Russia’s last Tsar and his family.

“Each of us recalls the horrors of the Red Terror and the shooting of the Imperial Family,” she noted. “It’s time to get rid of the symbol of the Bolsheviks and Soviet era . . . “

As a replacement for Lenin, Poklonskaya proposed to assign toponyms the names of Nicholas II, Paul I, Catherine II and other Russian monarchs.

In July 2025, a Russian Orthodox social media group proposed the demolition of the Lenin Mausoleum on Red Square in Moscow, and replacing it with a Church of the New Martyrs (see photo above).

The author of this article supports such an idea, and I am sure that I pray and speak for many others, that we shall live to see the day when both Lenin’s corpse and Mausoleum are permanently erased from the Russian landscape!

© Paul Gilbert. 19 April 2026

NEW BOOK – ‘Memories of Russia: My Travels in Post-Soviet Russia’ by Paul Gilbert

*You can order this title from most AMAZON outlets, including
the United States, United Kingdom, Ireland, Canada, Australia,
France, Germany, Spain, Italy, Netherlands, Belgium, Poland, Sweden,
Brazil, Mexico and Japan
*Note: prices are quoted in local currencies

CLICK HERE TO ORDER THE HARD COVER EDITION @ $25.00 USD

CLICK HERE TO ORDER THE PAPERBACK EDITION @ $20.00 USD

English. 9″ x 6″ format. Hard cover and paperback. 314 pages.

This year marks the 40th anniversary of my first visit to Russia. During the past four decades, I have visited Russia 29 times!

I travelled to Moscow, St. Petersburg – and the suburban towns of Tsarskoye Selo, Peterhof, Pavlovsk, Gatchina and Strelna – as well as Yalta and Crimea, Ekaterinburg and Alapaevsk.

In my new book, which is part travelogue, part history, I share my personal impressions and history of a dozen historic sites, that I have visited – some on numerous occasions. Out of the dozen historic sites covered in my book, all but two have a connection to Russia’s last tsar Nicholas II.

Join me as I revisit such places as the Grand Kremlin Palace, the Petrovsky Travelling Palace and the Russian State Archives – where I explore the Romanov archives in Moscow; learn the fate of Nicholas II’s private apartments in the Winter Palace and the State Hermitage Theatre – venue for the famous 1903 Costume Ball; travel with me to the Children’s Island and the Feodorovsky Sovereign Cathedral – Nicholas II’s favourite church at Tsarskoye Selo; the ruins of the Lower Dacha at Peterhof and much more!

Richly llustrated with more than 200 black and white photographs!

Every one has one country in which they are drawn, for me it is Russia
– PAUL GILBERT (Retired)

© Paul Gilbert. 15 April 2026

Is the myrrh-streaming icon of Nicholas II predicting a terrible omen for Russia?

Whether you are a believer or not, the following is just one of many miracles reported since the regicide in Ekaterinburg in July 1918 . . .

Last week, a case of myrrh streaming[1] from the icon of the Tsar-Passion-Bearer Nicholas II was recorded in the Church of the Nine Martyrs of Kizichesky in Moscow. The Orthodox community is now discussing the event which many believers and clergy interpret as an alarming omen.

Archpriest Anthony Serov commented on the event, “fragrant oil, myrrh, appeared on the surface of the icon, which is in a special, hermetically sealed case.” According to him, the design of the kiot[2] completely excludes any possibility of external influence or forgery. The myrrh-streaming of the icon has been confirmed by Life.ru[3].

“The icon is placed in a protected case, which excludes any outside interference,” Archpriest Anthony Serov emphasized. “Nevertheless, we have witnessed myrrh streaming from the icon. This, in my opinion, is of great spiritual importance.”

In the Orthodox tradition, the streaming of myrrh from icons is considered a miracle and a special sign of grace. However, myrhh streaming from the face of the saint [Nicholas II] which is enclosed in a protective case, is another matter.

Archpriest Serov regards the incident as a warning addressed not only to Orthodox believers, but to Russian society as a whole. He drew parallels with historical events when such phenomena preceded significant changes and upheavals, such as the 1917 Revolution and the First World War.

“The history of our country [Russia] has experienced examples of the streaming of myrrh from icons became a harbinger of revolutionary events, military conflicts and other difficult trials and tribulations,” the rector of the church explained. “It is necessary to comprehend what happened and learn from them.”

Over the centuries, such cases have been repeatedly recorded in Orthodox monasteries and churches in Russia. As a rule, believers see this as a call to repentance and prayer, especially when the images of the Royal Passion-Bearers “weep”.

Earlier, journalists turned to religious scholar Konstantin Mikhailov for comment of the recent myrrh-streaming incident near Moscow. The confessor said that such events are not uncommon and in most cases have a natural explanation. According to the expert, scientists have always found logical reasons for the appearance of moisture on icons.

In the meantime, parishioners and believers from all over Moscow are coming to the Church of the Nine Martyrs of Kizichesky to personally see the myrrh-streaming icon and pray.

NOTES:

[1] In the Orthodox tradition, myrrh-streaming is one of the most mysterious and controversial phenomena. On the one hand, the Church recognizes the fact of the outflow of fragrant myrrh from icons, relics and crosses as one of the manifestations of God’s grace. On the other hand, each such case is carefully checked by church commissions in order to exclude any possibility of forgery or natural causes.

[2] A kiot is a decorated case or frame used in Orthodox Christianity to protect and display religious icons. It serves to safeguard the icon from environmental factors such as temperature fluctuations, dust, and humidity, ensuring the icon’s preservation over time.

[3] A prominent Russian information portal and news agency.

FURTHER READING:

Myrrh-streaming icon of Tsar Nicholas II brought to Ekaterinburg for Tsar’s Days’ + PHOTOS and VIDEO

My [Paul Gilbert’s] cancer journey and prayers for the intercession of Tsar-Martyr Nicholas II

© Paul Gilbert. 23 November 2025

Nicholas II visits the Iverskaya Chapel in Moscow

VIDEO: Vintage newsreel of the Great Pilgrimage of Emperor Nicholas II to Moscow, on May 24-27, 1913. In this video you will hear a unique audio recording of Orthodox hymns for the Transfiguration of the Lord, performed by the Moscow Chudov Choir in 1908. Duration: 3 minutes, 5 seconds

The Iberian or Resurrection Gate is the only remaining gate of the Kitai-gorod[1] in Moscow. It connects the north-western end of Red Square with Manege Square and gives its name to nearby Voskresenskaya Square [Resurrection Square, renamed Revolution Square in 1918].

The gate adjoins the ornate building of the old Moscow Duma [City Hall] to the east and the State Historical Museum to the west.

The first stone gate leading to Red Square was erected in 1535, when the Kitai-gorod wall was being reconstructed in brick. When the structure was rebuilt in 1680, the double passage was surmounted with two-storey chambers crowned by two octagonal hipped roofs similar to the Kremlin towers. An Icon of the Resurrection was placed on the gate facing towards Red Square, from which the gate derives its name.

The Iverskaya Chapel

Since 1669, the wooden chapel in front of the gate (facing away from Red Square) has housed a replica of the miracle-working icon of Panaghia Portaitissa (“keeper of the gate”), the prototype of which is preserved in the Georgian Iveron Monastery on Mount Athos. Hence, the name Iversky (Iberian) that stuck both to the chapel and the gate. In 1781, the Nikolo-Perervinsky Monastery constructed a new brick chapel on the spot. The star-splattered cupola of the structure was topped with a statue of an angel bearing a cross.

According to a popular custom, everyone heading for Red Square or the Kremlin visited the chapel to pay homage at the shrine, before entering through the gate. Beggars and outlaws would pray there next to the highest persons, including the Tsar himself. It was here that the rebel Emelyan Pugachev asked the Russian people for forgiveness a few hours before his execution. The tiny ever-overcrowded chapel, with candles burning day and night, figures in works by Leo Tolstoy, Ivan Bunin, Marina Tsvetayeva, and H.G. Wells, to name only a few.

PHOTO: the Iverskaya Chapel. c. 1890s

Nicholas II, like his father preferred Moscow to St. Petersburg. According to French historian Marc Ferro: “Nicholas II preferred Moscow to St. Petersburg because the old city embodied the past, whereas St. Petersburg represented modernity, the Enlightenment and atheism.”

Three of the most notable visits to the Chapel were made on 26th (O.S. 14th) May 1896, on his way to his Coronation; on 25th-26th August 1912 during the celebrations dedicated to the 100th anniversary of the Battle of Borodino; and in May 1913 for celebrations marking the Romanov Tercentennary (1913).

On 5th April 1900, Nicholas wrote to his mother about reaching a landmark in his private spiritual life. A letter to his mother, reveals his strong religious feeling:

“What a joy it is to us, dear Mama, to prepare for Holy Communion here in the Kremlin, with all its various churches and chapels . . . This feeling is now much stronger than it was in 1896, which is only natural. I am so calm and happy now, and everything here makes for prayer and peace of spirit . . . “.

During his reign, Nicholas made numerous visits to the former Russian capital, where he always stopped to pray at the Iverskaya Chapel before crossing Red Square into the Kremlin, where he took up residence in the Grand Kremlin Palace. Moscow’s fervent greeting to their Tsar on each of his visits confirmed his feeling for the city.

Three of the most notable visits to the Iverskaya Chapel were made on 26th (O.S. 14th) May 1896, on his way to his Coronation; on 25th-26th August 1912 during the celebrations dedicated to the 100th anniversary of the Battle of Borodino; and in May 1913 for celebrations marking the Romanov Tercentennary (1913).

PHOTO: Emperor Nicholas II along with members of his family arrive at the Iverskaya Chapel in Moscow, 1912. Note the curious people watching from the windows of the State Historical Museum in the background. The Tsar is accompanied by his daughters the Grand Duchesses Olga, Tatiana, Maria, Anastasia (all wearing white hats), and his son Tsesarevich Alexei Nikolaevich, as well as the Grand Duchess Elizabeth Feodorovna (wearing a nuns’ habit).

In the above photo, Emperor Nicholas II, Empresses Alexandra Feodorovna and Maria Feodorovna are walking towards the Iverskaya Chapel of the Iberian Mother of God before the crowning of Russia’s last Tsar in the Assumption (Dormition) Cathedral in the Kremlin on 26th (O.S. 14th) May 1896.

The photos below depict Emperor Nicholas II, Empress Alexandra Feodorovna and their children visiting the Iverskaya Chapel to pray in 1912 and 1913:

PHOTO: Nicholas II, Empress Alexandra Feodorovna and Tsesarevich Alexei Nikolaevich (being carried by the Cossack Alexei Petrovich Pilipenko (1887-1972) leaving the Iverskaya Chapel in Moscow

***

In 1929 the Iverskaya Chapel was demolished, and in 1931 the Resurrection Gate was demolished by order of Soviet leader Joseph Stalin in order to make room for heavy military vehicles driving through Red Square during military parades. Following the dissolution of the Soviet Union, both structures were rebuilt under Moscow mayor Yuri Luzhkov’s[2] leadership, on the site between 1994 and 1995. A new icon of the Iveron Theotokos was painted on Mount Athos to replace the original.

On 4th November 1994, Patriarch Alexi II (1929-2008) consecrated the foundation of both the Iverskaya Chapel and the Resurrection Gate. The Iverskaya Chapel reopened to worshippers on 25th October 1995. Every day, every two hours from eight o’clock in the morning to eight in the evening, prayers are performed in the chapel with the reading of the akathist to the Most Holy Theotokos. 

PHOTO: view of the Resurrection Gate in 1931, the Iverskaya Chapel was demolished in 1929

PHOTO: a stunning view of the Iverskaya Chapel and Resurrection Gate – the latter of which leads into Red Square, reconstructed between 1994-95.

NOTES:

[1] The Kitay-gorod was a cultural and historical area, built during the 16th and 17th centuries within the central part of Moscow. During the 1920s and 1930s Stalin ordered Kitay-gorod to be demolished. This wanton act of destruction included 10 chapels, the Cathedral of the Nikolo-Greek Monastery, and two monastery bell towers. The last pre-war victim of Kitay-gorod was the *Cathedral of Our Lady of Kazan, demolished in 1936, which stood on the corner of Nikolskaya Street and the Red Square. *Reconstructed between 1990-1993.

[2] Yuri Mikhailovich Luzhkov (1936-2019) was a Russian politician who served as the Mayor of Moscow from 1992 to 2010. Under Luzhkov’s leadership, the Cathedral of Christ the Saviour, the Cathedral of Our Lady of Kazan, the Resurrection Gate and Iverskaya Chapel were all rebuilt, as well as the construction of Catherine II’s unfinished palace in Tsaritsyno and the reconstruction of the Kolomenskoye Palace of Tsar Alexis (demolished as early as the 18th century).

© Paul Gilbert. 13 August 2023

First Moscow church is being built in honour of the Tsar-Passion-Bearer Nicholas II

The first Moscow church in honour of the Tsar-Passion-Bearer Nicholas II is now being built in the capital’s Annino district, said Vladimir Resin, deputy of the State Duma of Russia, Patriarchal Adviser and curator of the Program for the Construction of New Churches in Moscow.

Vladimir Resin clarified that there are currently 22 churches and chapels in Russia, dedicated to the Tsar-Passion-Bearer, however, this will be the first such church to be constructed in Moscow. These do not include churches and chapels dedicated to the Holy Royal Passion-Bearers, which have been constructed across the Russian Federation, following the Imperial Family’s canonization by the Moscow Patriarchate in August 2000.

“Thanks to the support of His Holiness the Patriarch, donations from parishioners and a targeted patriarchal subsidy, we are confidently moving forward. I note that the project of this large church for 800 people was developed in the style of Russian Art Nouveau. The area of the prayer hall without an altar and a solea is over 400 square meters,” said the Patriarchal Adviser.

Artist concept of church in honour of the Tsar-Passion-Bearer Nicholas II, Moscow

The church complex is being built according to the project of the architect Fyodor Ivanovich Afuksenidi (b. 1961, Krasnaya Polyana), the author of more than 50 Orthodox churches and chapels, who died in 2019. For the creation of churches, he was awarded the Order of Sergius of Radonezh III Degree.

It is noted that thanks to the manufacturer, 20 tons of reinforcement bars were delivered to the construction site in June, and on June 7, the parish youth began to inscribe the names of the donors on the brick walls of the future church.

“By the end of the year, the builders intend to erect the frame of the building along with the installation of drums under the domes. The entire complex is expected to be complete in 2028,” added Vladimir Resin.

© Paul Gilbert. 19 August 2025

Exhibition dedicated to Grand Duke Sergei Alexandrovich opens in Moscow

On 3rd July 2025, a new exhibition August Master of Moscow, dedicated to the Grand Duke Sergei Alexandrovich, opened at the Museum of Moscow in the Russian capital. The exhibition is timed to the 120th anniversary of the assassination of the grand duke on 17th February (O.S. 4th February) 1905.

Grand Duke Sergei Alexandrovich (1857-1905) was a son of Emperor Alexander II and Empress Maria Alexandrovna, a younger brother of Emperor Alexander III, uncle of Emperor Nicholas II and husband of Grand Duchess Elizabeth Feodorovna. He is considered one of the most outstanding statesmen of the Russian Empire.

From 1891 to February 1905, he served as Governor-General of Moscow, and in 1896 he was appointed Commander of the Moscow Military District. It was during his years as Governor-General, that Moscow enjoyed one of the greatest periods of the city’s development, turning it from a dirty provincial city into a city that could rival any European capital.

As Governor General of Moscow, Grand Duke Sergei was in charge of overseeing the arrangements for the Holy Coronation of Emperor Nicholas II in May 1896. His reputation was initially tarnished, however, as he was partially blamed for the Khodynka Tragedy during the festivities following the coronation.

Yhe exhibition in three halls of the museum reveals all aspects of the Grand Duke’s activities. Not only his work as Governor-General of Moscow and Commander of the Moscow Military District, but also his piety and spiritual journey with his wife the Grand Duchess Elizabeth Feodorovna. Sergei was also a well-known philanthropist and patron of the arts.

The exposition features more than 500 items from 36 leading museums and archives of the Russian Federation, as well as from libraries and private collections. Among the exhibits are photographs, books from the library of the Grand Duke, personal items, awards of charitable institutions and societies, rare archival documents about his activities as Governor-General of Moscow and Commander of the Moscow Military District, correspondence with family members and statesmen, military uniforms, models of weapons and much more. 

One of the most interesting items on display is a miraculously preserved tablet from the tombstone of the Grand Duke. After the Bolsheviks destroyed the Chudov Monastery [where he was initially buried] in 1928, it was believed that the grave of Sergei Alexandrovich was lost. However, during excavations of the site in the 1990s, a number of historical artifacts were revealed, including the grand duke’s grave. Another item on display is the icon of St. Sergius of Radonezh, also found in the tomb of the Grand Duke in the Chudov Monastery of the Moscow Kremlin.

On display in the first hall, are letters from the earliest years of Grand Duke Sergei Alexandrovich to 1888. And they reflect his marriage, his service, his first trip to the Holy Land, his appointment as commander of the Preobrazhensky Regiment and so on.

The exposition is complemented by a unique documentary newsreel, a film about Grand Duke Sergei Alexandrovich and the history of the Chudov Monastery.

The exhibition was solemnly opened by the Mayor of Moscow Sergei Sobyanin [pictured above] and the Chairman of the Elisabeth-Sergius Educational Society Foundation (ESPO) Anna Gromova.

The grand opening of the exhibition was attended by the head of the Department of Culture of the city of Moscow Alexei Fursin, the Chairman of the Imperial Orthodox Palestine Society Sergey Stepashin, the director of the Museum of Moscow Anna Trapkova, the director of the State Historical Museum Alexei Levykin, the director of the State Archives of the Russian Federation Larisa Rogovaya and the scientific director of the Civil Archive of the Russian Federation Sergey Mironenko. Archpriest Dimitry Roshchin, Head of the Department for Work with Public Organizations of the Synodal Department for Church, Society and Mass Media Relations, representatives of the museums partner of the exhibition, historians, scientists and artists, and representatives of public organizations.

The exhibition August Master of Moscow runs until 21st September 2025 at the Museum of Moscow.

© Paul Gilbert. 4 July 2025

Bas-relief of Tsar-Martyr Nicholas II installed in Moscow

On 1st November 2024 – a monument to Grand Duke Sergei Alexandrovich (1857-1905) and Grand Duchess Elizabeth Feodorovna (1864–1918) was unveiled and consecrated on the square near the Tretyakovskaya metro station in Moscow.

The installation of the monument is timed to the 160th anniversary of the birth of Grand Duchess Elizabeth Feodorovna, born Princess Elisabeth of Hesse and by Rhine.

The sculptural composition was designed by the artist Georgy Frangulyan. The grand ducal couple are represented on the day of their wedding on 16th (O.S. 3rd) June 1884.

Behind the two bronze figures are four granite steles, one of which features a bas-relief depicting Emperor Nicholas II – seen in the photo above.

© Paul Gilbert. 16 November 2024

Russian Railways new train named after Nicholas II

On 3rd November 2024, the presentation of the updated branded high-speed train No 001A/002A – Кра́сная стрела́ / Red Arrow, took place, at the Moskovsky (Moscow) Railway Station in St. Petersburg. The luxury overnight train has been running between the Moscow and St. Petersburg for more than 90 years.

At the initiative of Russian Railways employees, the train was named after the last Russian Emperor Nicholas II – the railway workers believe that the Red Arrow should become a symbol of the continuity of national history, combining the best pre-revolutionary and Soviet traditions with modern technologies.

“I would like to remind you that the Red Arrow is the first Soviet branded train, one of the symbols of the USSR. But we should not forget the glorious times of the Russian Empire – after all, it was under Nicholas II that the Trans-Siberian Railway was built,” said Fyodor Gerstner, deputy head of Russian Railways.

The Red Arrow train named after Nicholas II will begin service between Moscow and St. Petersburg from 7th November – the anniversary marking the October 1917 Revolution. The wagons of the train have been replaced, while upgrades include powerful new air conditioning and modern multimedia systems. The Red Arrow has a restaurant car, VIP carriages, as well as 1st and 2nd class carriages. Despite the modernization and rebranding, the cost of train tickets will remain the same until at least the beginning of 2025.

***

The distance between the two capitals is about 650 km, travel time is 8 hours

The Red Arrow luxury overnight train first chugged along the historic railway line between the two capitals of Russia in 1931, and has since been the pride of the Russian Railroad. This Moscow – St. Petersburg train has interiors that feel as if they come from a movie set and an exterior in such bright red that it’s really difficult to mistake, no matter if lit from the platform lights of the Moskovsky Station in St. Petersburg, or the Leningradsky Station in Moscow.

The history that emanates from the very walls of the carriages on the Red Arrow makes this a very popular train. As a result of its increasing popularity among trains from Moscow to St. Petersburg, the Red Arrow has spawned other luxury-oriented night trains, including the Express and the Megapolis. Even with all its retro charm, this one-of-a-kind luxury Russian train is as up-to-date and modern as any sleeper carriage found in just about any country. Passengers with Red Arrow train tickets enjoy high-comfort amenities while gliding through the night between Russia’s historical capital cities on an overnight train from Moscow and St. Petersburg.

Today’s journey by luxury trains meets the demands of most rail travelers, particularly those who seek special and unique train travel experiences from around the world. The Red Arrow’s vibrant red carriages almost glow against the greenery of the countryside, and is as much a part of Russian culture as borsch!

© Paul Gilbert. 4 November 2024

Nicholas II attends consecration of monument to his father in Moscow, 1912

PHOTOS: ceremonies marking the unveiling of a monument to Emperor Alexander III, in Moscow (1912)

On 12th June (O.S. 30 May) 1912, Emperor Nicholas II atteded the unveiling and consecration of a magnificent monument of his father Emperor Alexander III (1845-1894), in Moscow.

The monument made by the architect Alexander Pomerantsev and sculptors Alexander Opekushin and Artemy Ober, was installed on the Prechistenskaya Embankment at the southeast corner of the Cathedral of Christ the Saviour.

In December 1894, Emperor Nicholas II appointed his uncle Grand Duke Sergei Alexandrovich to head a committee to oversee the planning and construction of the monument. More than 2.5 million rubles were donated for the monument’s construction, which lasted from 1900 to 1912.

Made in the style of monumental realism, the bronze statue stood on a stepped red granite pedestal facing the Moscow River. Alexander III is depicted sitting on a throne in a mantle with an imperial crown on his head. In the hands of the emperor were a scepter and orb. The inscription the pedestal read: “To the most pious autocratic Great Sovereign, our emperor Alexander Alexandrovich of All Russia. 1881-1894.” At its corners stood bronze double-headed eagles with outstretched wings. The monument featured a low granite balustrade, and a staircase which descended to the river.

The grand opening of the monument took place on 12th June (O.S. 30th May) 1912, in the presence of Emperor Nicholas II and members of the Imperial Family. At 8 o’clock in the morning, five cannon shots sounded from the Taynitskaya Tower. At 10 o’clock at the entrance to the Cathedral of Christ the Saviour, a procession began, led by Moscow Metropolitan Vladimir, Emperor Nicholas II, his mother the Dowager Empress Maria Feodorovna and Empress Alexandra Feodorovna.

After 360 rounds were fired and the Preobrazhensky Regiment march, the veil was removed from the sculpture, Metropolitan Vladimir sprinkled the monument with holy water. Some 86 wreaths were placed at the monument, and an inspection of the monument by the Emperor and members of the Imperial family. In the evening, the city and the sculpture were illuminated. A 24-hour guard of honour comprised of war veterans stood guard at the monument.

PHOTO (above): Emperor Nicholas II and his mother the Dowager Empress Maria Feodorovna can be seen in the foreground, Empress Alexandra Feodorovna and members of the Russian Imperial Family are following behind.

Sadly, the monument did not survive for long – a little more than 6 years! Following the October 1917 Revolution, a decree was issued for the demolition of all monuments of the Tsarist era. The decree dated 12th April 1918 ordered that monuments of members of the Roamov dynasty be replaced by those honouring revolutionaries. The monument of Emperor Alexander III was one of the first monuments destroyed during this campaign.

The dismantling of the monument began on 17th July 1918 – the very same day in which Nicholas II and his family were murdered in Ekaterinburg. A plan to establish a monument to Liberated Labour was never realised. The pedestal was demolished along with the Cathedral of Christ the Saviour in 1931.

© Paul Gilbert. 12 June 2024

Video tour of the Museum of Emperor Nicholas II in Moscow

CLICK on the image above to watch the VIDEO

Duration: 2 minutes, 57 seconds. Language: Russian

For English subtitles: please click on the closed captioning button [cc] and then use translate [i.e. Google]

NOTEl: at the beginning of the video, please note the bust of Emperor Nicholas II on a pedestal, situated to the left of the museum.

***

Situated in a quiet side street in the Basmanny district, situated in northeastern Moscow, is a small museum dedicated to Russia’s last Tsar. The Museum of Emperor Nicholas II, which is part of the Nicholas II Cultural Foundation was established in April 2018.

The Foundation was created to support the Museum of Emperor Nicholas II and his family, as well as other initiatives to restore and disseminate the historical truth about the life and reign of Emperor Nicholas II.

Both the Foundation and the Museum were fojnded by the famous Russian art historian Alexander Vasilyevich Renzhin. It was during the 1990s that Renzhin began to collect, bit by bit, everything related to Emperor Nicholas II and his family. During that time, he managed to amass a collection of more than 3,000 authentic items which reflect on the private lives of the Imperial Family from 1868 to 1918.

The museum’s collection includes sacred relics and unique icons that belonged to the Imperial Family: church utensils; rare books; ceremonial portraits of Emperors Alexander II, Alexander III, and Nicholas II; more than 500 original photographs; authentic autographs; state documents; porcelain and glassware; personal items of Nicholas II and Alexandra Feodorovna; memorial items of the Romanov dynasty; a complete set of state awards established by Nicholas II; postcards; chromolithographs; engravings and much more.

Of particular note is unique memorabilia from the Holy Coronation of Emperor Nicholas II in May 1896: earthenware glasses and plates decorated with the coats of arms and monograms H II [Nicholas II] and AF [Alexandra Feodorovna], miraculously preserved fine crystal glasses with engravings and paintings, cups, plates and saucers from the service with the new coat of arms introduced in 1856.

In the spring of 2008, Renzhin donated his collection as a gift to the Nikolo-Ugreshsky Monastery.

In February 2021, the Museum of Emperor Nicholas II was forced to close its doors, due to the COVID-19 pandemic, and the museum’s mounting debt of almost 9 million rubles (more than $13,000 USD) in arrears of rent.

A Russian oligarch Konstantin Malofeev, and founder of the Tsargrad TV channel, came to the rescue by providing Renzhin’s rare collection with a new venue in which to display his vast collection. The Museum of Emperor Nicholas II re-opened in the Museum of Russian Art, the former manor house of Nikolai Eremeevich Struisky (1749-1796) – situated in Moscow’s historical district – on 10th February 2021.

FURTHER READING:

The Great Pilgrimage of Emperor Nicholas II in 1913 + VIDEO

Museum of Emperor Nicholas II in Moscow + VIDEO

Museum of Emperor Nicholas II re-opens in Moscow + PHOTOS

© Paul Gilbert. 7 May 2024