Marble (Mountain) Hall opens in the Alexander Palace

PHOTO: view of the newly restored Marble (Mountain) Hall in the Alexander Palace

“The restoration of the Alexander Palace continues despite the COVID-19 pandemic,” said the Director of the Tsarskoye Selo State Museum Olga Taratynova during a press conference held on 22nd November.

Olga Taratynova noted that the first stage of the restoration, located in the eastern wing of the Alexander Palace has been completed. The second phase, the restoration of the western wing of the palace [seen in the photo] is now underway, and scheduled to open no earlier than 2024.

Since the Alexander Palace reopened on 13th August of this year, more than 19 thousand people have visited the palace-museum.

Earlier this month, restoration work on the Marble [nicknamed the Mountain Hall by Emperor Nicholas I, 1796-1855] was completed, which included the restoration of the artificial marble walls and fireplaces. In addition, the wooden slide [aka the roller coaster] has been recreated. However, visitors will not be allowed to use the slide. The Marble (Mountain) Hall which connects the Large Library with the Portraits Hall, is now included in the palace tour.

PHOTO: the Western Wing is currently surrounded by a fence during the second stage of the restoration of the Alexander Palace

The mountain slide was order in 1833 by Empress Alexandra Feodorovna [wife of Emperor Nicholas I] for the New Palace [Alexander Palace] at Tsarskoye Selo.

Following the completion of the parquet and other finishing works of the Marble Hall’s interior in 1843, the question of replacing the “mountain slide”, which had fallen into disrepair was discussed. In the report dated 18th March 1843, the architect I.Ye. Efimov notes that the existing foundation of the old hill, “was all split, the surface chipped in several places, out of which nails were dangerously exposed and thus beyond repair.”

Efimov announced that the cost to replace the wooden slide would be 500 rubles [a significant fee in the mid-19th century].

PHOTO: the Marble (Mountain) Hall as it looked before the Second World War

The Mountain Hall and its slide were enjoyed by the future Emperors Nicholas I, Alexander II and Alexander III, all of whom played on the hill as children. The Emperors, even after they became adults, periodically slid down the mountain they had enjoyed as children. For example, the educator of the future Alexander III S.A. Yuryevich wrote to his parents in 1847, after moving at the end of August from Peterhof to Tsarskoye Selo, anticipating “noisy games in the Mountain Hall”.

A member of the aristocracy noted in her memoirs how Emperor Alexander II invited her to the Alexander Palace as a child and invited her to play on the wooden mountain. She noted that Alexander II who was then 50 years old at the time “himself, slid down with his grandson in his arms.” It is worth noting that this particular grandson was the future Emperor Nicholas II.

The four daughters of Nicholas II and their brother Tsesarevich Alexei were the last of the August children who, played in the Mountain Hall. As in previous years, adults also entertained themselves on the slide with equal pleasure. In 1908, Lili Dehn, recalls riding with the Grand Duchesses “on the mountain slide, installed in one of the premises of the palace. We had fun for hours, getting great pleasure from the ride. I completely forgot that I was a married woman who was going to become a mother in a few months. ”

PHOTO: In the 1930s. the ceremonial dresses of Empress Alexandra Feodorovna, the wife of Emperor Nicholas I, were exhibited in the Marble (Mountain) Hall

During the Great Patriotic War (1941-45), the Marble (Mountain) Hall was damaged during the Nazi occupation of Tsarskoye Selo.

Following the war, the Director of the Alexander Palace Anatoly Mikhailovich Kuchumov (1912-1993), describes the destruction of the Hall: “We go to the Hall with a slide … the amazing color of the marble is still pleasing , which is especially evident now that all the curtains have been removed. There is not even a trace of the hill, the mirrors have been ripped out, the marble fireplace is broken – the caryatids have all been stolen. The massive gilded frame from the picture hanging above the hill seems to have miraculously survived. The vault of the hall in one second has been damaged by dampness, since the roof over this hall was torn apart by a shell ”

© Paul Gilbert. 26 November 2021

***

Dear Reader: If you enjoy my articles and updated on the history and restoration of the Alexander Palace, then please help support my research by making a donation in US or Canadian dollars to my project The Truth About Nicholas II – please note that donations can be made by GoFundMePayPal, credit cardpersonal check or money order

Your donation helps support my work in a number of ways, including research, the cost of translations from Russian media and archival sources, the maintenance of my news blog: Nicholas II. Emperor. Tsar. Saint., the organization of conferences and other events. Thank you for your consideration – PG

The Alexander Palace fed starving children in 1922

PHOTO: view of the Western Wing of the Alexander Palace (1922), which had been converted into an ARA kitchen, feeding more than 2000 local children a day

During the Russian Civil War (1917-1922), a terrible famine began in Bolshevik Russia. In an effort to stop it spreading throughout the former Russian Empire, the new Soviet government, led by Vladimir Lenin, invited the American Relief Administration (ARA), the brainchild of Herbert Hoover, to save communist Russia from ruin.

In 1921, to ease famine in Russia, the director of the American Relief Administration (ARA) in Europe, Walter Lyman Brown, began negotiating with the Soviet People’s Commissar for Foreign Affairs, Maxim Litvinov, in Riga, Latvia. An agreement was reached on 21st August 1921, and an additional implementation agreement was signed by Brown and People’s Commisar for Foreign Trade Leonid Krasin on 30th December 1921. The U.S. Congress appropriated $20,000,000 for relief under the Russian Famine Relief Act of late 1921.

It was the largest humanitarian operation in history, preventing countless deaths, riots and, quite possibly, the collapse of the communist state. Indeed, while the ARA’s efforts were admirable, it is one of those historical ironies that the United States not only helped fund the new Bolshevik order, but also helped save it from collapsing.

The Western Wing of the Alexander Palace in Tsarskoye Selo, the former residence of Emperor Nicholas II and his family, was turned into an ARA kitchen, which fed more than two thousand local children a day. The kitchen was run by one of the former tsarist chefs, who cooked boiled rice, beans and cocoa, assisted by several servants of the last Tsar.

American Relief Administration operations in Russia in 1922

At its peak, the ARA employed 300 Americans, more than 120,000 Russians and fed 10.5 million people daily. Its Russian operations were headed by Col. William N. Haskell. The Medical Division of the ARA functioned from November 1921 to June 1923 and helped overcome the typhus epidemic then ravaging Russia. The ARA’s famine relief operations ran in parallel with much smaller Mennonite, Jewish and Quaker famine relief operations in Russia. The ARA’s operations in Russia were shut down on 15th June 1923, after it was discovered that Russia renewed the export of grain

A hundred years later, few people remember these events. The Soviet government quickly erased the memory of American aid.

© Paul Gilbert. 1 November 2021

Prince Michael of Kent visits the Alexander Palace

PHOTO: Prince Michael of Kent and Olga Taratynova in the Mauve Boudoir
© Tsarskoye Selo State Museum-Reserve

On 14th October, His Royal Highness Prince Michael of Kent, together with a delegation from Great Britain, visited Tsarskoye Selo, where they toured the interiors of the Alexander Palace.

The director of the museum Olga Taratynova guided the delegation through the personal apartments of Emperor Nicholas II and his wife Alexandra Feodorovna, situated in the eastern wing of the palace, which included: the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, the Valet’s Room, plus the Maple Drawing Room, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Alexandra’s Corner Reception Room, the Imperial Bedroom, the Small and Large Libraries.

In addition, the delegation visited the Marble/Mountain Hall with a slide, where the craftsmen are currently working. Prince Michael was greatly impressed by the results of the restoration and reconstruction work by Russian specialists.

PHOTO: Prince Michael of Kent and Olga Taratynova in the Maple Drawing Room
© Tsarskoye Selo State Museum-Reserve

Prince Michael of Kent is the son of Princess Marina, a daughter of Prince Nicholas of Greece and Denmark and Grand Duchess Elena Vladimirovna of Russia.

Tsar Nicholas II was a first cousin of three of his grandparents: King George V, Prince Nicholas of Greece and Denmark, and Grand Duchess Elena Vladimirovna of Russia.

Prince Michael speaks fluent Russian and has a strong interest in Russia, where he is a well-known figure.

When the bodies of the Tsar and some of his family were recovered in 1991, the remains were later identified by DNA using, among others, a sample from Prince Michael for recognition. He attended the 1998 burial of the Tsar and his family in St Petersburg.

He is an Honorary Member of the Romanov Family Association. He is also the second cousin of Princess Maria Vladimirovna. They share the same great-grandfather, Grand Duke Vladimir Alexandrovich.

© Paul Gilbert. 14 October 2021

Autumn Views of the Alexander Palace and Park

PHOTO: the Alexander Palace set against the backdrop of autumn colours

The first day of autumn officially arrives in Russia on 1st September. It seems only fitting that we celebrate one of the loveliest seasons of the year with these beautiful photos of the Alexander Palace and Park at Tsarskoye Selo.

Autumn is my favourite time of year to visit Russia. During a visit to St. Petersburg in October 2007, I decided to spend an entire week in Pushkin [Tsarskoye Selo].

Staying in Tsarskoye Selo was a refreshing change from the hustle and bustle of St. Petersburg. I stayed at the Hotel Natali which is situated in the city’s historical district, with nice rooms, and a hearty breakfast included. The main reason I chose this hotel was that the Alexander Palace is literally at the top of the street!

The hotel’s location was ideal for visiting the Alexander and Catherine Palaces, but also the Alexander Park daily on foot at my own leisure. One day, I actually walked to Pavlovsk Palace, a distance of 7.3 km. [4.5 miles]!

The Alexander Park offers pathways leading to the parks numerous pavilions, as well as ponds and canals, which were often used during the summer months by Nicholas II and his children for boating.

Over the course of the past decade, numerous pavilions have been beautifully restored, including the Sovereign’s Martial Chamber, the Arsenal, the Chapelle, and the White Tower. The next restoration project in the Alexander Park will that of the Chinese Theatre.

The paths throughout the Alexander Park are now blanketed in beautiful red, yellow, gold
leaves that crunch under your footsteps. Cool autumn breeze blow through the trees spiriting loose leaves from their branches, allowing each one to dance in the air before falling gently to the ground, adding yet another element to the sprawling carpet of autumn colours. The setting is truly magical.

In addition, I had a wonderful opportunity to explore the town itself. While much of Pushkin was destroyed by the Nazis during the Great Patriotic War (1941-45), it still retains some beautiful architectural gems from the Tsarist period, including a number of palaces and churches – the Feodorovsky Sovereign Cathedral is a must!

Numerous restaurants and cafes are within walking distance of the hotel, as well as a burgeoning souvenir market, where you can buy beautiful hand painted lacquer boxes, lace, and other items made by locals.

For any one planning a future visit to St. Petersburg, I highly recommend Tsarskoye Selo as an alternative place to stay. My autumn 2007 visit remains one of my most memorable visits to Russia, and it was the the season itself which enhanced the beauty of the Alexander Palace and the surrounding park.

NOTE: the first 15 interiors of the private apartments of Emperor Nicholas II and Empress Alexandra Feodorovna, situated in the eastern wing of the Alexander Palace, opened to the public on 14th August 2021. Since that date, nearly 17,000 people have visited the palace.

Click HERE to read my article Alexander Palace reopens for first time since 2015 + 30 colour photos and 2 videos, published on 13th August, 2021; and HERE to read my article First stage of Alexander Palace restoration cost $30 million published on 23rd August 2021 – PG

PHOTO: the Alexander Palace as it looked before the 2015-2021 restoration

PHOTO: view of the western wing of the Alexander Palace

PHOTO: one of the many paths in the Alexander Park carpeted with autumn leaves

PHOTO: memorial to the Russian Imperial Family, erected in the Alexander Park in 2007

PHOTO: the Children’s Island and House situated in the park near the Alexander Palace

PHOTO: the Feodorovsky Sovereign Cathedral is a short walk through the Alexander Park

PHOTO: Russia’s first monument to Nicholas II was established in 1993, on the grounds of the Feodorovsky Sovereign Cathedral

Click HERE to read my article Winter Views of the Alexander Palace and Park + 11 colour photos, published on 1st February 2021; Click HERE to read my article Summer Views of the Alexander Palace and Park + 10 colour photos, published on 29th July 2021

© Paul Gilbert. 14 September 2021

First stage of Alexander Palace restoration cost $30 million

The Alexander Palace. Photo © Ruslan Shamukov

On 13th August, the Russian media were invited to tour the recreated apartments of Emperor Nicholas II and Empress |Alexandra Feodorovna, located in the eastern wing of the Alexander Palace at Tsarskoye. The palace welcomed its first visitors the following day, 14th August.

The first stage of the Alexander Palace restoration project is the result of the colossal work of hundreds of people, including designers, architects, restorers, museum workers and dozens of organizations.

The designers include “Studio 44 Architectural Bureau” (general design organization), “PSB“ ZhilStroy ”(general contractor organization); “Geoizolu” (deepening the basements), Tsarskoye Selo Amber Workshop (recreation of furniture sets); “Renaissance” workshops for the restoration of ancient monuments (production of fabric decoration); “Art-Corpus” (reconstruction of ceramics and coffered ceiling in the Moorish Bathroom); “Pallade” (reconstruction of the ceramic tile for the fireplace in the Mauve (Lilac) Boudoir), Stavros Decor company (reconstruction of wood trim and built-in furniture), “Restro” (reconstruction of a sofa in the Maple Drawing Room), “Studio NB. Yuzhakova “(mirrors, reconstruction of the stained glass frame, and restoration of chandeliers).

Large-scale works began in 2012, which included the three State Halls, situated in the central part of the palace. The Alexander Palace was closed to visitors in the autumn of 2015. The restoration was carried out mainly at the expense of funds allocated by the Ministry of Culture of the Russian Federation. Thirty-four percent of funding was allocated by the Tsarskoye Selo State Museum and charitable donations. According to the Director of the Tsarskoye Selo State Museum Olga Taratynova, that despite the COVID-19 pandemic, work on the Alexander Palace continued unabated. She further noted that the tab for the restoration and reconstruction project cost 2.2 billion rubles [$30 million USD].

The opening ceremony was attended by Director of the Department of Museums and External Relations of the Ministry of Culture of the Russian Federation Alexander Voronko, Vice Governor of St. Petersburg Boris Piotrovsky, and the Director of the Tsarskoye Selo Museum-Reserve Olga Taratynova.

The Alexander Palace is a significant architectural monument in Russian history, the last home of the last Russian emperor Nicholas II and his family, who lived here permanently from 1905 to 1917. Thus, at the beginning of the 20th century, the Alexander Palace became the center of state life in Russia.

Visitors will now have an opportunity to see 13 recreated interiors [30 colour photos + 2 videos]: the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, the Valet’s Room, PLUS the Maple Drawing Room, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Alexandra’s Corner Reception Room, the Imperial Bedroom, the Small and Large Libraries and the Marble/Mountain Hall.

“For us, the opening of the first stage of the Alexander Palace is an epoch-making event. This place is associated with turning points in history, the fate of several generations of the Romanovs. In recent years, all our strengths, aspirations and dreams have been associated with the restoration of the palace. This is a project of incredible complexity and now, finally, we can breathe out a little – the first stage has been completed,” said Olga Taratynova.

The Western wing is scheduled for completion no earlier than 2024. After the completion of the work, the Alexander Palace will become a multifunctional museum complex, which will include exhibition halls, halls for temporary exhibitions, halls for research work and conferences, as well as a library and a children’s center. The basement floor will house a ticket booth, a museum shop, a café, a cloakroom, a tour desk, as well as technical and ancillary facilities.

CLICK on the above image to watch a VIDEO of the reconstructed interiors of the private apartments of Emperor Nicholas II and Empress Alexandra Feodorovna, situated in the eastern wing of the Alexander Palace

Restoration and reconstruction

Some of the interiors of Nicholas and Alexandra’s private apartments have miraculously retained their historical decoration, including both the New Study and Reception Room of Nicholas II, Alexandra’s Corner Reception Room, and the Large and Small Libraries. In preparation of the opening of the Alexander Palace, additional restoration work was carried out in these interiors.

The restorers relied on amateur photographs taken by Nicholas II and members of his family from the state archives, colour autochromes taken in 1917, as well as additional archival documents. During the restoration, all the original elements of the interior decoration have been preserved, including oak wall panels, wood-clad ceilings and ceramic tiles.

According to the samples of fabrics that are kept in the collections of the Tsarskoye Selo and Pavlovsk State Museum-Reserves, it was possible to recreate decorative fabrics. For instance, in the Imperial Bedroom, the walls, furniture, alcove are upholstered in chintz [printed multicoloured cotton fabric with a glazed finish, used especially for curtains and upholstery], it is also used for window and door draperies. The fabric of the Imperial Bedroom required almost 350 sq. meters of fabric. It took two years to recreate the fabric and draperies of this interior – from the preliminary design to the installation. The Mauve (Lilac) Boudoir is finished with silk. Curtains, including those in the Moorish Bathroom (batiste with appliqués), have been recreated from historical samples and photographs; The Working Study of Nicholas II (jacquard with images of hyacinths); in the Maple Drawing Room (jacquard with birds). Decoration of numerous interiors is replete with trimmings (braid, fringe, cords, lace).

Recreation of decorative elements

Furniture decoration: in total, more than 60 pieces of furniture – beech, walnut, rosewood, maple – will be presented in the Mauve (Lilac) Boudoir, Maple Drawing Room, Pallisander (Rosewood) Living Room, the Imperial Bedroom and the Working Study of Nicholas II (the furniture in this interior is under construction and has not yet been installed). The mezzanine in the Maple Drawing Room was recreated, as well as the wall panels in the Pallisander (Rosewood) Living Room and the Working Study of Nicholas II.

Fireplaces: in the Palisander (Rosewood) Living Room and Maple Drawing Room, the Working Study of Nicholas II and Mauve (Lilac) Boudoir, and the Moorish Bathroom of Nicholas II. The fireplace in the Reception Room of Nicholas II and two fireplaces in the Working Study of Nicholas II have been restored.

Carpets: the colour, pile height, density of the base structure were recreated on the basis of photographs and analogs – a total of almost 550 square meters. meters. Stitched New Zealand wool rug in the Maple living room measuring 182 sq. meter weighs 400 kg.

Discoveries

During dismantling work in the Moorish Bathroom of Nicholas II, craftsmen discovered the basin of the pool under the floor, and in it they found fragments of the original Metlakh ceramic on the walls. These tiles aided experts with the recreation of the original interior decoration of the Moorish Bathroom, with the aid of black-and-white photographs taken in the 1930s.

In 2019, during the clearing in the New Study of Nicholas II, the discovery of the original colour and a fragment of the stencil painting that framed the fireplace portal, made it possible to restore the historical colour of the walls. The discovery of the surviving samples of English tiles made it possible to recreate the lining of the fireplace inserts and fireplaces.

While recreating the stucco decoration of the Maple Drawing Room, the restorers discovered in the opening between the two mezzanines – from the Maple Drawing Room to the New Study of Nicholas II – a small fragment of the original decoration of the drawing room, which answered questions about the shade of pink and the nature of the stucco relief depicting roses.

Exhibition

Prior to the outbreak of the Great Patriotic War in 1941, the Alexander Palace housed more than 52.5 thousand items, of which more than 44.8 thousand items were lost during the war from 1941 to 1945. From the 7.7 thousand items which survived, a significant part of the items are currently in the collection of other museums in Russia. Among these were 5,615 items moved from the Alexander Palace to he Pavlovsk State Museum Reserve. Of these, nearly 200 pieces were originally from the Alexander Palaces’ three ceremonial halls: the Portrait, Semi-Circular and Marble Halls. These include 39 pieces of porcelain, 41 paintings, 73 decorative bronze pieces, and 28 pieces of furniture.’

More than 6 thousand items from the collections of the Tsarskoye Selo State Museum-Reserve will be displayed in the reconstructed interiors of the Alexander Palace. It is interesting to note that the Pavlovsk State Museum Reserve “temporarily loaned” nearly 200 items from its collection to the Alexander Palace [these items actually belong to the Alexander Palace]. The Central Museum of Contemporary History of Russia in Moscow handed over the keys to the palace, which entered the museum collection from the assistant commandant of the palace immediately after the revolution.

Assistance in the creation of the exhibition was provided by the History of the Fatherland Foundation, State Archives of the Russian Federation (GARF), the Peter the Great Central Naval Museum, the State Hermitage Museum, the Russian Museum, the Gatchina State Museum-Reserve, the Russian National Library, the Livadia Palace Museum, the Pushkin Museum of Fine Arts. A.S. Pushkin, Novosibirsk State Art Museum, Rostov Regional Museum of Fine Arts, Memorial History and Art Museum-Reserve of V.D. Polenov, Research Museum of the Russian Academy of Arts, private gallery Galerie Christian Le Serbon (Paris), and the British Museum.

PHOTO: Empress Alexandra Feodorovna’s Corner Reception Room

Work carried out in the interiors

Corner Reception Room

It was in this room that Nicholas II received the ambassadors of foreign states. Here, in May 1902, French President Loubet, who was on an official visit to Russia, was received. He presented Alexandra Feodorovna with a large tapestry portrait of Marie-Antoinette with her children, based on the original portrait by Vigee-Lebrun (1787). During the Russo-Japanese War and the First World War, it was in this room, that the Empress received the leaders of the charitable organizations which she patronized. The family often arranged breakfasts and dinners here, gathered during home concerts, in which the stars of the St. Petersburg opera company, including Fyodor Chaliapin, often took part.

It was also in the Corner Reception Room, on 20th August 1915, the historic meeting of the Cabinet of Ministers was held, at which Nicholas II announced that he would assume command of the army and navy.

Works: artificial marble, parquet, moulding, recreation of furniture, curtains and window fillings recreated.

Maple Drawing Room

Its architectural design with its Art Nouveau style and forms stands out sharply against the background of the rest of the interiors. The main architectural accent is the spacious mezzanine, where the Empress painted and made handicrafts.

Here Alexandra Feodorovna received people close to her and trusted visitors. During the First World War, when Nicholas II was in the army, the empress heard reports from ministers here.

Works: mezzanine, furniture, carpet, decorative moulding, recreation of fireplaces.

Pallisander (Rosewood) Living Room

This interior was designed by Roman Melzer in 1896-1897. The architect chose rosewood as the main finishing material – expensive wood that was delivered from abroad. In the first years of their residency in the palace, Nicholas II and Alexandra Fedorovna often spent time in solitude in this particular room. Then the living room became a place for breakfast and dinner for the Imperial family.

The Empress kept things in this room which reminded her of her homeland – the Grand Duchy of Hesse, situated in southern Germany – landscapes, watercolours, and portraits. With the help of two telephones, the empress could use the local St. Petersburg network and communicate directly with the Headquarters in Mogilev, where Nicholas II spent a long time during the First World War. It was in this room that on 8th March 1917, General Lavr Georgiyevich Kornilov placed Alexandra Feodorovna and her children under house arrest at the Alexander Palace.

Works: the upholstery of the walls, curtains, carpets, as well as panels and a fireplace made of rosewood, decorated with a fabric insert and mirrors with a facet (special processing of edges and the outer edge of the glass), a stucco frieze were recreated according to historical samples.

Mauve (Lilac) Boudoir

During the more than two decades of Alexandra Feodorovna’s life in Russia, the Mauve (Lilac) Boudoir – her favourite room in the Alexander Palace – was never redesigned. The mauve silk was ordered from the Parisian firm of Charles Bourget. In this room, the emperor and empress, along with their children often drank coffee after breakfast and gathered for evening tea. Alexandra Feodorovna spent a lot of time here writing letters and reading.

According to the memoirs of contemporaries, the Empress usually sat in a chaise lounge, reclining on lace pillows. Behind her was a draft-proof glass screen, and a lace shawl covering her legs.

Works: the fabric upholstery of the walls, curtains, furniture, carpet, wood panels, a fireplace, a picturesque frieze were all recreated.

Imperial Bedroom

Entry to the Imperial Bedroom could be made through the Pallisander (Rosewood) Living Room and the Mauve (Lilac) Boudoir. To wake the emperor and empress each morning, one of the footmen knocked three times on the door of the Mauve (Lilac) Boudoir with a silver staff. By this time, Nicholas was usually already awake and already at work at his desk, while Alexandra often got up late, and if she was not feeling well, did not leave her private rooms.

Works: recreated alcove, fabric wall upholstery, curtains, carpet, furniture.

Reception Room of Nicholas II

From 1905, the Alexander Palace became the main imperial residence, and therefore the center of the country’s state life. The officials who arrived for an audience with the emperor first went to the Reception Room, where they were received by the adjutant wing, who was on duty.

Works: restoration of oak panels, parquet, fireplace, ceiling paneling and fabrics, upholstery of a built-in sofa, restoration of a chandelier.

Large and Small Libraries

According to the pre-war museum inventory, there were almost 19 thousand volumes in the library halls of the palace and 6 thousand volumes were in private rooms. The Large and Small Libraries today exhibit more than 5 thousand volumes.

Works: reconstructed artificial marble, parquet floors, bookcases (partially recreated).

Working Study of Nicholas II

Here the emperor received ministers every day, heard reports, and reviewed official documents. The interior consisted of a table, chairs, walnut cabinets and a large ottoman upholstered in the fashion of a Persian rug. Nicholas II rested on it when work dragged on until nightfall or when he returned to Tsarskoye Selo from St. Petersburg late and preferred not to disturb his family.

The study also contained the personal library of Nicholas II, which consisted of about 700 volumes of military, historical literature, books on state issues, fiction and periodicals. The decoration was destroyed during the Nazi occupation.

Works: reconstruction of curtains, fireplace, panels, built-in walnut furniture, carpets. It is assumed that the recreated ottoman, a desk with a desk, a lamp, and armchairs will also return to the interior.

PHOTO: Moorish Bathroom of Nicholas II

Moorish Bathroom

Built in the Moorish style, the emperor’s bathroom was decorated with a swimming pool with a capacity of about a thousand buckets of water. The pool was filled with water at the required temperature in a few minutes. On the platform facing the pool there was a fireplace surrounded with oriental style tiles. The pool and the entire bathroom were designed and supervised by the architect and engineer Nicholas de Rochefort. The decoration was lost during the Great Patriotic War.

Works: recreated fireplace, pool, partition, fabrics, carpet, curtains, horizontal bar, ceiling, and a picturesque frieze.

PHOTO: Valet’s Room

Valet’s Room

Under Nicholas II, the Cloakroom and Kamerdinerskaya, separated by partitions, were located here.

Works: due to the lack of iconographic material, it was decided to leave this interior in its current state; the walls were plastered and painted, and the historical modeling was preserved.

New Study of Nicholas II

The interior was designed in the Art Nouveau style. A wooden staircase leads to a mezzanine which connects to the Maple Drawing Room mezzanine. During the First World War, maps of military operations were laid out and fateful decisions were made in the New Study of Nicholas II.

Works: restored fireplaces, parquet, ceiling, stairs to the mezzanine; the found samples were used to recreate the wall paintings (the discovered fragments were preserved), the curtains and partly furniture were recreated.

PHOTO: watercolour of the Alexander Palace as it looked in 1831

Historical reference

In 1792, the Alexander Palace was built by the Italian architect Giacomo Quarenghi by order of Empress Catherine II. The palace was a wedding gift for her beloved grandson – Grand Duke Alexander Pavlovich (future Emperor Alexander I) with Grand Duchess Elizabeth Alekseevna.

The private apartments of Nicholas II and his wife Alexandra Feodorovna were placed in the eastern wing of the Alexander Palace. Alterations were carried out from 1894 under the leadership of Alexander Vidov and Alexander Bach. After the death of Vidov, he was replaced by Silvio Danini, who, in turn, was replaced by Roman Melzer.

From 1905, the palace became the permanent residence of Emperor Nicholas II, who was born here in 1868. It was here that the Emperor spent the last 12 years of his reign. It was from the Alexander Palace on 1st August 1917, that the Imperial family were sent into exile to Tobolsk in Siberia.

In 1918, the Alexander Palace was opened to visitors as a state museum. Later, a recreation center for NKVD employees was located in the west wing of the palace. An orphanage was opened in the former rooms of the Nicholas II’s children on the second floor of the east wing.

During the Nazi occupation of the city of Pushkin [Tsarskoye Selo], the German headquarters and the Gestapo were located in the Alexander Palace, in the basements there was a prison. The square in front of the palace was turned into a cemetery for SS officers.

After the war, the palace was mothballed and in 1946 transferred to the USSR Academy of Sciences for keeping the collections of the Institute of Russian Literature. The building was being prepared for a large-scale exhibition dedicated to the 150th anniversary of the famous Russian poet Alexander Pushkin. As a result, restoration work on the palace began in 1947-1949: it was planned to restore the preserved interiors of Quarenghi and the surviving fragments of the decoration of the late 19th – early 20th centuries. During the work, many elements of the decoration of the Maple Drawing Room and the Pallisander (Rosewood) Living Room, as well as the Moorish Bathroom, were destroyed.

In 1951, the palace was transferred to the Naval Department, and the palace collection, which was part of the evacuated items in the Central Depository of Museum Collections of Suburban Palaces-Museums, were transferred to the Pavlovsk Palace State Museum.

The palace was transferred into the jurisdiction of the Tsarskoye Selo Museum-Reserve in October 2009. In June 2010, during the celebration of the 300th anniversary of Tsarskoye Selo, three State Halls of the Central were solemnly opened after restoration.

© Paul Gilbert. 23 August 2021

***

Dear Reader: If you enjoy my articles and updated on the history and restoration of the Alexander Palace, then please help support my research by making a donation in US or Canadian dollars to my project The Truth About Nicholas II – please note that donations can be made by GoFundMePayPal, credit cardpersonal check or money order

Your donation helps support my work in a number of ways, including research, the cost of translations from Russian media and archival sources, the maintenance of my news blog: Nicholas II. Emperor. Tsar. Saint., the organization of conferences and other events. Thank you for your consideration – PG

Alexander Palace reopens for first time since 2015

PHOTO: The eastern wing of the Alexander Palace, Tsarskoye Selo

After an extensive restoration project which began in the autumn of 2015, the private apartments of Emperor Nicholas II and Empress Alexandra Feodorovna opened today in the Alexander Palace at Tsarskoye Selo.

The Russian media were invited for a press tour of thirteen reconstructed interiors located in the eastern wing of the palace. The Alexander Palace will welcome its first visitors tomorrow – 14th August.

Visitors will now have an opportunity to see the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, the Valet’s Room, PLUS the Maple Drawing Room, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Alexandra’s Corner Reception Room, the Imperial Bedroom, the Small and Large Libraries and the Marble/Mountain Hall.

The Western wing is scheduled for completion no earlier than 2024. After the completion of the work, the Alexander Palace will become a multifunctional museum complex, which will include exhibition halls, halls for temporary exhibitions, halls for research work and conferences, as well as a library and a children’s center. The basement floor will house a ticket booth, a museum shop, a café, a cloakroom, a tour desk, as well as technical and ancillary facilities.

PHOTO: Director of the Tsarskoye Selo State Museum-Reserve Olga Taratynova cuts the ribbon

PHOTO: Director of the Tsarskoye Selo State Museum-Reserve Olga Taratynova, holds a press conference in the Maple Drawing Room

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While reviewing the photos of the recreated interiors of Nicholas II and Alexandra Feodorovna, one cannot help but notice that some interiors are decorated more than others. It is important to remember that thousands of items from the Alexander Palace were destroyed or stolen in the decades that followed the 1917 Revolution. Thousands more were moved to other locations, where they remain to this day. This article examines the fate of the Alexander Palace collection, researched from Russian archival sources.

Click HERE to read my article The fate of the contents of the Alexander Palace in the 20th century, published on 17th January 2021

NOTE: the photos below are courtesy of various Russian media sources and the Tsarskoye Selo State Museum Reserve

PHOTO: Working Study of Nicholas II

PHOTO: Working Study of Nicholas II

PHOTO: Reception Room of Nicholas II

PHOTO: New Study of Nicholas II

PHOTO: New Study of Nicholas II

PHOTO: New Study of Nicholas II

PHOTO: New Study of Nicholas II

PHOTO: Moorish Bathroom of Nicholas II

PHOTO: Moorish Bathroom of Nicholas II

PHOTO: elaborate carved detail of the door leading into the Large Library

PHOTO: the Large Library

PHOTO: the Large Library

PHOTO: the Large Library

PHOTO: Empress Alexandra’s Corner Reception Room

PHOTO: Empress Alexandra’s Corner Reception Room

PHOTO: Maple Drawing Room

PHOTO: Maple Drawing Room

PHOTO: Maple Drawing Room

PHOTO: Pallisander (Rosewood) Living Room

PHOTO: Pallisander (Rosewood) Living Room

PHOTO: Pallisander (Rosewood) Living Room

PHOTO: Mauve (Lilac) Boudoir

PHOTO: Mauve (Lilac) Boudoir

PHOTO: The Imperial Bedroom

PHOTO: The Imperial Bedroom

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VIDEOS

Click on any of the 2 images below to see some of the more intricate details of the reconstructed interiors of the private apartments of Nicholas II and Alexandra Feodorovna, located in the eastern wing of the Alexander Palace.

NOTE: the commentary in these videos is in Russian only, however, do not allow that to deter you from watching them.

VIDEO DURATION: 3 minutes, 32 seconds. Russian

VIDEO DURATION: 2 minutes, 36 seconds. Russian

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RESTORATION OF THE CENTRAL and WESTERN WING

PHOTOS: the central and western wing of the Alexander Palace remain closed due to the next stage of restoration. The western wing is expected to open to visitors no earlier than 2024

The Western wing is scheduled for completion no earlier than 2024. After the completion of the work, the Alexander Palace will become a multifunctional museum complex, which will include exhibition halls, halls for temporary exhibitions, halls for research work and conferences, as well as a library and a children’s center. The basement floor will house a ticket booth, a museum shop, a café, a cloakroom, a tour desk, as well as technical and ancillary facilities.

© Paul Gilbert. 13 August 2021

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Dear Reader: If you enjoy my articles and updated on the history and restoration of the Alexander Palace, then please help support my research by making a donation in US or Canadian dollars to my project The Truth About Nicholas II – please note that donations can be made by GoFundMePayPal, credit cardpersonal check or money order

Your donation helps support my work in a number of ways, including research, the cost of translations from Russian media and archival sources, the maintenance of my news blog: Nicholas II. Emperor. Tsar. Saint., the organization of conferences and other events. Thank you for your consideration – PG

It’s Official! The Alexander Palace reopens on 14th August

The Tsarskoye Selo State Museum have at long last announced that after a large-scale restoration, the personal apartments of Emperor Nicholas II and Empress Alexandra Fyodorovna in the Alexander Palace will open to visitors on Saturday 14th August 2021.

The opening day on 14th (O.S. 1st) August, marks the 104th anniversary since the Imperial Family left the palace for the last time and sent into exile to Tobolsk and later Ekaterinburg.

Restoration work in the Alexander Palace actually began in 2012, however, it was not until August 2015 that it has been closed to visitors, for additional restoration and the reconstruction of the historic interiors of the private apartments of the Imperial Family.

As of 14th August, visitors can see the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, the Valet’s Room, PLUS the Maple Drawing Room, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Alexandra’s Corner Reception Room, the Imperial Bedroom, the Small and Large Libraries and the Marble/Mountain Hall.

In addition, the State Halls located in the central part of the Alexander Palace will also be available to visit: the Portrait Hall, the Semi-Circular Hall and the Marlbe/Billiard Hall.

The Western wing is scheduled for completion no earlier than 2024. After the completion of the work, the Alexander Palace will become a multifunctional museum complex, which will include exhibition halls, halls for temporary exhibitions, halls for research work and conferences, as well as a library and a children’s center. The basement floor will house a ticket booth, a museum shop, a café, a cloakroom, a tour desk, as well as technical and ancillary facilities.

© Paul Gilbert. 6 August 2021

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Dear Reader: If you enjoy my articles and updated on the history and restoration of the Alexander Palace, then please help support my research by making a donation in US or Canadian dollars to my project The Truth About Nicholas II – please note that donations can be made by GoFundMePayPal, credit cardpersonal check or money order

Your donation helps support my work in a number of ways, including research, the cost of translations from Russian media and archival sources, the maintenance of my news blog: Nicholas II. Emperor. Tsar. Saint., the organization of conferences and other events. Thank you for your consideration – PG

Summer Views of the Alexander Palace and Park

PHOTO: aerial view of the front of the Alexander Palace. The eastern wing (left) contains the private apartments of Emperor Nicholas II and his family. It was here in the Alexander Palace, that Russia’s last Emperor and Tsar was born on 19th (O.S. 6th) May 1868.

The Alexander Palace at Tsarskoye Selo has been closed to visitors since autumn 2015. Since that time, it has been undergoing a much needed restoration, one which will include the historical recreation of the interiors of the private apartments of Nicholas II and Alexandra Feodorovna, located in the eastern wing of the palace.

In recent months, the efforts of designers, craftsmen, artists and other experts have breathed new life into the interiors of Russia’s last Imperial Family. Photographs and media tours have offered us just a peek inside, generating excitement among anxious visitors within Russia and abroad.

Sadly, the highly anticipated reopening has been delayed on numerous occasions over the past year: the palace was due to open on 20th August 2020, it was then postponed until December 2020, then delayed until late May or early June of 2021.

For some reason, the Tsarskoye Selo State Museum-Reserve cannot provide the public with a firm date. They were hopeful that the Alexander Palace would reopen in time for the summer tourist season. The reopening is surrounded in secrecy and rumours. One rumour is that the palace will reopen its doors to visitors on 14th August, the date marking the 104th anniversary when the Imperial Family left the palace for the last time and sent into exile.

Further delays caused by the COVID situation in Russia – which in recent weeks has spiralled out of control – has caused further delays on the restoration of the palace and its reopening. The situation is compounded even further, by the fact that Russia’s borders are closed to most foreigners. There is no indication just when these restrictions will be lifted.

Setting aside any rumours and travel restriction, only time will tell if and when the Alexander Palace will reopen by the end of this summer, or will it be delayed . . . yet again?

In the meantime, I have assembled the following collection of photos of the Alexander Palace and Park, all of which evoke the beauty and tranquillity of this place. After viewing these images, I am sure that you will agree that it is quite understandable why the Imperial Family enjoyed the time they spent here together – PG

PHOTO: aerial view of the rear of the Alexander Palace. Situated facing the Alexander Park are the windows of the Semi-Circular Hall [seen in the photo]. It was through these doors on 14th (O.S. 1st) August 1917, that the Imperial Family and their retinue departed the Alexander Palace for the last time.

PHOTO: The main gate leading into the Alexander Palace at Tsarskoye Selo. The gate was installed in 1898, based on the design of the Russian architect (of Italian origin) Silvio Amvrosievich Danini (1867-1942). The view from the street has remained virtually unchanged since the early 20th century.

Following Nicholas II’s abdication on 15 March (O.S. 2 March) 1917,”Colonel Romanov” passed through these gates to be reunited with his family. Together, they lived here under house arrest, until their exile to Tobolsk on 14th (O.S. 1st) August of the same year.

PHOTO: view of the eastern wing of the Alexander Palace. Fifteen interiors situated in the eastern wing of the palace, are now scheduled to open to visitors in the summer of 2021. Among the recreated interiors are the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Alexandra’s Corner Reception Room, the Imperial Bedroom, among others. This wing of the palace will become known as the ‘Museum of the Russian Imperial Family’.

PHOTO: it is hard to imagine that during the Nazi occupation of Pushkin [Tsarskoye Selo] during the Great Patriotic War [1941-45], that this beautifully landscaped garden in front of the Alexander Palace, was a cemetery for 85 SS officers. The markers were removed after the war, however, it would be many years before the remains were exhumed and sent to Germany for burial.

PHOTO: two rows of Corinthian columns cut across the central colonnade of the Alexander Palace, connecting the eastern and western wings. The columns compliment the Neoclassical edifice. Built between 1792 and 1796 by the famous architect Giacomo Quarenghi (1744-1817), upon completion, it was agreed that the architect had excelled himself in creating a masterpiece.

The Western wing is scheduled for completion no earlier than 2024. After the completion of the work, the Alexander Palace will become a multifunctional museum complex, which will include exhibition halls, halls for temporary exhibitions, halls for research work and conferences, as well as a library and a children’s center. The basement floor will house a ticket booth, a museum shop, a café, a cloakroom, a tour desk, as well as technical and ancillary facilities.

PHOTO: situated just steps past the western wing of the Alexander Palace is the Children’s Island and House.

The island features a tiny house built for the children of Emperor Nicholas I, and later enjoyed by the children of three successive monarchs: Alexander II, Alexander III and Nicholas II. To the left of the house is a small cemetery, where the Tsar buried his favourite dogs. The cemetery has survived to this day.

The island was reached by a pull-ferry, whereby sailors would pull ropes sending the ferry over to the island and back from the park’s shore.

According to the Tsarskoye Selo State Museum, there are plans to eventually restore the Children’s Island and Pavilion, once funding has been secured.

PHOTO: in 2007, this memorial was erected in the park near the palace. The memorial consists of a granite cross and the image of the Imperial Family. The Russian inscription reads Дом царской семьи 1895-1917Home of the Tsar’s family 1895-1917. Sadly, the memorial was removed in May 2010, its whereabouts remains unknown.

PHOTO: also situated in the Alexander Park, is the alleged first grave of Grigorii Rasputin (1869-1916). Every year on the anniversary of his death, Orthodox Christians come here to honour his memory [there is a growing movement to canonize Rasputin]. The grave is repeatedly vandalized.

Rasputin was buried on 2nd January (O.S. 21st December) at a small church that Anna Vyrubova had been building in the Alexander Park. The funeral was attended only by the Imperial Family and a few of their intimates. Shortly after the Tsar abdicated the throne in March 1917, a detachment of soldiers exhumed Rasputin’s corpse and burned by on the night of 11th March in the furnace of a steam boiler at the Polytechnic Institute in Petrograd.

PHOTO: Situated in the garden behind the Feodorovsky Sovereign Cathedral [the household church of Nicholas II and his family] at Tsarskoye Selo, is a bust-monument to Tsar-Martyr Nicholas II, the work of St. Petersburg sculptor Victor Vladimirovich Zaiko (born 1944).

The monument was consecrated on 17th July 1993, the day marking the 75th anniversary of the murder of Nicholas II. Hundreds of Orthodox Christians and monarchists gathered for the official opening and consecration of the first monument to Emperor Nicholas II to be established in post-Soviet Russia.

The monument stands in front of a small group of oak trees, seen in the background, which were planted by Nicholas II and his family on 4 May (O.S. 21 April) 1913. Of the seven trees planted, only four have survived to the present day.

Click HERE to view Winter Views of the Alexander Palace and Park, published on 1st February 2021

© Paul Gilbert. 29 July 2021

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Dear Reader: If you enjoy my articles and updated on the history and restoration of the Alexander Palace, then please help support my research by making a donation in US or Canadian dollars to my project The Truth About Nicholas II – please note that donations can be made by GoFundMePayPal, credit cardpersonal check or money order

Your donation helps support my work in a number of ways, including research, the cost of translations from Russian media and archival sources, the maintenance of my news blog: Nicholas II. Emperor. Tsar. Saint., the organization of conferences and other events. Thank you for your consideration – PG

Recreation of glass items and decorative elements for the interiors of the Alexander Palace

PHOTO: the fireplace and mirror recreated for the mezzanine connecting the New Study of Nicholas II and the Maple Drawing Room of Alexandra Feodorovna in the Alexander Palace

Specialists of the Yuzhakova Studio in St. Petersburg have completed complex and painstaking work on the glass lighting fixtures in the various interiors of the Alexander Palace. Among their recreations are the replenishment of the blue overflow on the Moorish plafond in the Tsar’s Bathroom, the restoration of crystal pendants, obelisks and the reconstruction of the lost cobalt balusters on the Catherine chandelier, the restoration of a crack on the 18th century flask of the lantern of the Great Library, as well as the replenishment of the lost yellow beads on the fringe of the chandelier in the Reception Room of Nicholas II.

The interiors of the Alexander Palace were originally decorated with glass products and objects – large mirrors, luxurious chandeliers, girandoli and sconces, as well as vases and glass clock cases. These items were objects of the 18th-19th centuries of complex manufacture, demonstrating the technical achievements of Russian (Nazinskie glass factories, Irbit glass factory) and foreign glass production.

From 1895, Nicholas II and Alexandra Feodorovna gradually filled their private apartments with objects created by Russian and foreign firms. The highest orders for the interiors of the Alexander Palace were made with the St. Petersburg imperial porcelain and glass factories, the factory of mirrors, and window. The interiors featured vases and other items from glass factories in Silesia, as well as the French glassmakers Emile Galle (Nancy), and the Brothers Dom firm.

During the decoration of the private interiors of the August couple in the eastern wing of the Alexander Palace, the architect Roman Feodorovich Meltser’s (1860-1943) continued the tradition of using the best modern glass products, decorating the transom windows with cathedral glass, for both the Reception Room and Working Study of Nicholas II.

For the lighting fixtures of the Emperor’s New Study, 25 coloured glass shades were used for the design of the Tiffany-style “tulip lanterns”.

According to Meltzer’s plan, the New Study of Nicholas II and the Maple Drawing Room of Alexandra Feodorovna were united by a mezzanine. In the Maple Drawing Room, the architect arranged a mezzanine in the design of a balcony, the side rails of which in the upper part were decorated with stylized floral ornament glazing. According to Melzer’s project, the stained-glass frame of the mezzanine fireplace mirror was manufactured and electrified. A high screen, also decorated with stained glass stood near the door of the room. Sadly, these exquisite decorative glass elements of the Maple Drawing Room did not survive.

PHOTO: view of the fireplace mirror recreated for the mezzanine connecting the New Study of Nicholas II and the Maple Drawing Room of Alexandra Feodorovna in the Alexander Palace

The Tsarskoye Selo State Museum decided to recreate them on the basis of design documentation developed by the Studio 44 architectural bureau, prepared from photographs from the early 20th century and 1930s. The reconstruction of the decorative glass with facet and the stained glass frame of the fireplace mirror was carried out in 2020 by the masters of the Yuzhakova Studio. The lack of historical fragments and clear photographs complicated the work: it was necessary to study analogs – coloured glass of the Art Nouveau era. Natalia Yuzhakova selected and used glasses identical in texture and colour. Since the stained-glass frame was convex, the cut-out elements from the layers of stained glass were heated in an oven and bent to the desired configuration. During manufacture, the tin frame was checked against a pre-made template.

The work on the manufacture of the frame was carried out by the master Valery Matrosov. Natalia Yuzhakova selected and used glasses identical in texture and colour. Since the stained-glass frame was convex, the cut-out elements from the layers of stained glass were heated in an oven and bent to the desired configuration. During manufacture, the tin frame was checked against a pre-made template.

In the same workshop, mirrors of complex configuration with facet were made for the Pallisander (Rosewood) Living Room, and the Mauve (Lilac) Boudoir of Empress Alexandra Feodorovna, as well as a glass vase of the Mauve (Lilac) Boudoir chandelier.

The chandelier for twelve candles from the historical collection of the museum was made in 1858 at the factory of the famous St. Petersburg bronzer Felix Chopin and was originally located in the rooms of Empress Maria Alexandrovna (1824-1880) in the Zubov Wing of the Catherine Palace. A special decoration of this lighting device was a central vase in the form of a jug made of coloured glass (lost during the war) with a bronze openwork lid (preserved). When recreating the glass part with the shape and size of the vase, there were no difficulties – it was clearly visible on archived black-and-white photographs, and with the colour of the glass, designated as “purple” in the inventories, it was more difficult. During the discussions, a mauve shade was approved, corresponding to the colour of the wall upholstery and furniture set in the Mauve (Lilac) Boudoir.

In the process of recreating the chandelier vase, experts made several attempts to blow out the glass piece. It was not immediately possible to obtain the desired shade of colour and saturation, since manganese oxide, used as a dye, can change its colour at high temperatures, which, in turn, affects the colour of the finished product. In addition, the base and neck of the vase should fit snugly against the adjacent parts of the chandelier – the lower bronze rosette and the openwork lid, taking into account that the lower part of the vase is held together by six gilded bronze holders in the form of narrow leafy shoots. Therefore, in the manufacture of chandeliers, bronze masters, as a rule, first acquired finished blown glass parts of the required size, shape and colour.

© Paul Gilbert. 15 July 2021

Furniture moved into the Mauve Boudoir of the Alexander Palace

PHOTO: Empress Alexandra Feodorovna’s writing table in the Mauve Boudoir
2021 © Tsarskoye Selo Restoration Workshop

In addition to last week’s post about the recreated chair taking its rightful place in the corner of Empress Alexandra Feodorovna’s Mauve (Lilac) Drawing Room, several additional pieces have since been moved into this iconic interior of the Alexander Palace.

The only original item to have survived from the Mauve (Lilac) Boudoir was Empress Alexandra Feodorovna’s writing-table, which originally stood in front of the window at an angle. The table entered the collection of the Tsarskoye Selo State Museum-Reserve in 1999. During the Great Patriotic War (1941-45), the table had not been evacuated.

PHOTO: the restored writing table of Empress Alexandra Feodorovna
2021 © Tsarskoye Selo Restoration Workshop

Following the war, the table was discovered in a deplorable state in the Alexander Park by the former curator of the Alexander Palace, Anatoly Mikhailovich Kuchumov (1912-1993). In 2018, restorers conducted test clearing of the paint layer of the table, determined the initial colour of its finish and, on the basis of this, made a decision on the colour scheme of the panels, built-in furniture and doors of the Mauve Boudoir. In 2020, the masters of the Tsarskoye Selo Amber Workshop restored the table and recreated the lost details, based on photographs and archival descriptions.

PHOTO: recreated furniture in the Mauve Boudoir of the Alexander Palace
2021 © Tsarskoye Selo Restoration Workshop

PHOTO: early 20th century photo of Empress Alexandra Feodorovna relaxing on her sofa in the Mauve Boudoir. Note the side table piled high with books, letters and other papers, as well as the framed photos of her family on the shelves above.

And just this past week, several other pieces of furniture recreated for this interior were moved into place. The most prominent is the mauve sofa – an exact copy of the original – where the Empress would come to relax, read and write letters. This sofa was her refuge on the days she felt unwell, and often taking her meals during her indispositions.

PHOTO: recreated furniture in the Mauve Boudoir of the Alexander Palace
2021 © Tsarskoye Selo Restoration Workshop

In addition, we see another arm chair with tassels and foot stool, side tables and book cases. But take note of the finer details of the interior, with its white wood panelling, decorated with framed photos set against the background of the mauve silk wall covering. At long last, the once favourite room of the last Empress of Russia is nearing completion.

For more information on the history and recreation of the Empress’s Mauve (Lilac) Boudoir, please refer to the following articles below:

Recreation of Furniture for the Mauve (Lilac) Boudoir in the Alexander Palace – published on 9th December 2020

The history and restoration of the Mauve (Lilac) Boudoir in the Alexander Palace – published on 4th November 2020

© Paul Gilbert. 5 July 2021

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Fifteen interiors situated in the eastern wing of the palace, are now scheduled to open to visitors in the Summer of 2021. Among the recreated interiors are the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Maple Drawing Room, Alexandra’s Corner Reception Room, the Imperial Bedroom, among others.

In the future, the Alexander Palace will become a memorial museum of the Romanov family – from Catherine the Great to Nicholas II, showcasing the private, domestic life of the Russian monarchs who used the palace as an official residence. The eastern wing of the palace will be known as the Museum of the Russian Imperial Family. The multi-museum complex, which includes the Western wing is scheduled for completion no earlier than 2024.

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Dear Reader: If you enjoy my articles and updated on the history and restoration of the Alexander Palace, then please help support my research by making a donation in US or Canadian dollars to my project The Truth About Nicholas II – please note that donations can be made by GoFundMePayPal, credit cardpersonal check or money order

Your donation helps support my work in a number of ways, including research, the cost of translations from Russian media and archival sources, the maintenance of my news blog: Nicholas II. Emperor. Tsar. Saint., the organization of conferences and other events. Thank you for your consideration – PG