‘The Tragic Omen’ exhibition opens in St. Petersburg

On 1st May 2026, the exhibition “Tragic Omen opened at the Museum of Political History in St. Petersburg. The exhibition is timed to the 130th anniversary of the Holy Coronation of Emperor Nicholas II on 27 May (O.S. 14 May) 1896 and the tragic events on the Khodynka Field on 31st (O.S. 18th) May 1896.

The art nouveau mansion which today houses the museum itself was originally built for Mathilde Kshesinskaya (1872-1971), the famous prima ballerina at the Mariinskiy before the Revolution, and Nicholas II’s mistress before he became Emperor. Designed by Alexander von Gogen and completed in 1906, the residence combines an enfilade of reception rooms with a winter garden and rotunda.

In 1917, the building was seized by the Bolsheviks and turned into their headquarters in the city. It became the centre of their revolutionary activities, and Lenin made a historic speech from one of the balconies after his arrival in the city. It was later passed through a number of organizations, before eventually becoming the Museum of the Revolution in 1957. At the beginning of the 1990’s, the museum was renamed the Museum of Political History

PHOTO: view of the Museum of Political History, which is housed in the former mansion of the Russian prima ballerina Mathilde Kshesinskaya in St. Petersburg

The exhibition features a little-known portrait of Emperor Nicholas II, painted in 1896 for the coronation celebrations by one of the nuns of the Novo-Tikhvin Convent in Ekaterinburg and hung in one of the rooms of the Winter Palace until October 1917. When revolutionary Red Guards and sailors stormed the imperial residence, they attacked the portrait with bayonets.

The exhibition presents a collection of very interesting items from the Holy Coronation of Emperor Nicholas II. Amon them are menus of the gala lunches and dinners served to the newly crowned Tsar and his guests on the days of the coronation. Each is colorfully decorated by eminent artists Viktor Vasnetsov (1848-1926), Alexander Benois (1870-1960) and Ernst Liphart (1847-1932).

In addition are uniforms, coronation mugs, a scarf, photographs, invitations to the ceremony, foreign magazines and la copy of the two-volume Coronation Album – published in 1899.

PHOTO: late 19th century lithograph depicts Emperor Nicholas II’s official entry to Moscow, on 9th May 1896. The event marked the beginning of his Holy Coronation – the ceremonies and festivities lasted three weeks

Books published underground (illegally) and abroad, satirical postcards brought from Europe to Russia show the origin and cultivation of the myth of “Bloody Nicholas”.

Visitors can also acquaint themselves with the testimonies of eyewitnesses of the Khodynka tragedy and hear the assessments of people of different social backgrounds and political beliefs. The “voices” of eyewitnesses reflect the polyphony of opinions: who is to blame for the tragedy – the police and the Moscow authorities, who failed to ensure the security of the event, or the excitement of the uncontrollable crowd, greedy for Tsarist gifts?

The project will tell how after the Khodynka tragedy, the liberal and revolutionary intelligentsia began to systematically undermine the authority of Nicholas II and the entire Russian monarchy. This happened despite the fact that the Emperor personally took responsibility for what happened.

This section of the exhibition is complemented by “At the Vagankovo Cemetery. Funeral of the Victims of Khodynka” by the Russian artist Viktor Makovsky (1846-1920) and sketches for “Khodynka”, conveying the emotional perception of the tragedy – depicted in detail the tragic events that he witnessed.

PHOTO: At the Vagankovo Cemetery. Funeral of the Victims of Khodynka (1901) by Vladimir Makovsky. From the Collection of the Museum of Political History, St. Petersburg

In May 1896, Makovsky was invited by the government to illustrate the coronation exhibition, but unexpectedly encountered the gloomy side of the festivitiies. Going to Moscow from St. Petersburg, he intended to record the festive atmosphere, folk festivities and fireworks that accompanied the coronation celebrations.

A huge crowd of people came for the promised gifts, and the situation quickly got out of control. Crowds amounting to tens of thousands of confused people pushed, fell and screamed, turning the grandiose spectacle into a nightmarish scene of suffering, pain and death.

Returning to St. Petersburg, Makovsky spent the next five years creating a painting depicting the events of the Khodynka Field. The work showed the reality of the incident, in which 1,389 people were trampled to death, and an additional 1300 injured. The painting turned out to be so emotionally rich and realistic that the artist was forced to hide it from the public at the request of official bodies – the censors.

Vladimir Makovsky’s painting “At the Vagankovo Cemetery. Funeral of the Victims of Khodynka” as an exampled of unspeakable tragedy and the wrath of censorship.

When the painting was finally exhibited in 1901 at the Peredvizhniki Exhibition, it caused an instant reaction from the authorities. The canvas was immediately seized by order of the censorship department, and the Moscow governor Grand Duke Sergei A;exandrovich (1857-1905) sent a laconic review to the artist: “The painting is not yet timed, it is salt sprinkled on a fresh wound.” It was not possible to show the painting to the Russian audience, but the audience in London saw the canvas in 1910, and out of reach pf the Russian censors. Makovsky himself did not seek active agitation or participation in the revolutionary movement of the time. He memrey attempted to honestly depict what he saw, but it turned out that honesty and objectivity in art can be much more dangerous than any propaganda slogan.

In total, the exhibition presents more than 100 exhibits from the Collection of the Museum of Political History in St. Petersburg. This collection will be presented for the first time, offereing visitors a modern historical interpretation.

© Paul Gilbert. 1 May 2026

My efforts to clear the name of Russia’s much slandered Tsar – Paul Gilbert

During the month of May, we celebrate the anniversary of the birth of Emperor Nicholas II in the Alexander Palace on 19th May (O.S. 6th May) 1868, and this year (2026), we mark the 130th anniversary of the Holy Coronation of Nicholas II in Moscow on 27 May (O.S. 14 May) 1896. During the past 30+ years, I have written and reported extensively on both.

I have been researching and writing about the Romanov dynasty since the early 1990s, but it was not until October 2018 – during the Nicholas II Conference – which I organized and hosted on 27th October 2018 – that I announced I would be concentrating all my future efforts on the life and reign of Emperor Nicholas II (1868-1918).

I am now able to this through this blog – which now features more than 1,000 full-length articles and news stories, researched from Russian media and archival sources: the publication of more than 50 books and my periodical SOVEREIGN – published twice a year: my bi-weekly e-mail updates (see below); and through Facebook – the social media outlet, of which I now have more than 11,000 followers.

Subscribe to my bi-weekly Nicholas II news updates . . . it’s FREE!

There are many web sites, blogs and social media pages dedicated to the Romanovs. However, despite the fact that I am now retired, I continue to work very hard searching Russian archival and media sources to bring something new to the table on a daily basis. This includes First English translations of articles researched by a new generation of Russian historians; news on the Romanovs, their palaces, exhibitions, etc; + photos, videos and more.

If you enjoy all the articles, news, photos, and videos which I personally research, write and share, please continue to follow me on this blog, on social media or through the purchase of my books and periodical SOVEREIGN – see below.

Thank you for your interest and support of my work, and my
efforts to clear the name of Russia’s much slandered Tsar

One way that you can support my work, is by supporting my semi-annual periodical SOVEREIGN. This important publishing project features articles on the life and reign of Nicholas II, his family and the history of Imperial Russia. The articles featured in each issue are based on new research from Russian media and archival sources. As of 1st May 2026, a total of 16 issues have been published. *Please note that the No. 17 Summer 2026 issue will be available in June 2026!

CLICK HERE for more details about the latest issues of SOVEREIGN

© Paul Gilbert. 1 May 2026

On this day – Nicholas II and members of his family were handed over to the Ural Soviet

PHOTO: “Transfer of the Romanov family to the Ural Soviet” (1927)
Artist: Vladimir Nikolayevich Pchelin (1869-1941)

On this day – 30th April (O.S. 17th April) 1918, Emperor Nicholas II, Empress Alexandra Feodorovna and Grand Duchess Maria were handed over to the Ural Soviet in Ekaterinburg. It was at this point, that their fate was sealed.

Recall that on 26th (O.S. 13th) April 1918, Emperor Nicholas II, Empress Alexandra Feodorovna, their daughter Grand Duchess Maria Nikolaevna were brought from Tobolsk to Ekaterinburg. They arrived in Ekaterinburg on 30th April 1918, whereupon they were handed over the Ural Soviet.

They were accompanied by five faithful retainers: Dr. Eugene Botkin Botkin, Prince Vasily Dolgorukov, maid Anna Demidova, valet Terenty Chemodurov, sailor Ivan Sednev, all of whom voluntarily accompanied the Imperial Family. The only one who survived the regicide was Chemodurov.

Nicholas II wrote the following in his diary:

“At 8.40 we arrived in Ekaterinburg. We stood for three hours in one station. There was a heated dispute between the local commissars and our own. In the end, the first prevailed and the train was moved to another goods terminal. After standing there for an hour and a half, we got off the train. Yakovlev handed us over to the local regional commissar, with whom we drove by motor through empty streets to the accommodation which has been prepared for us—the Ipatiev house. Slowly our people and our things began to arrive, but they would not let Valia through.

“The home is pleasant and clean. We have been given four large rooms. We were not able to unpack our things for a long time, as the commissar, the commandant and the guards captain had not had time to inspect our trunks. Then the inspection was like a customs search, just as strict, right down to the last capsule in Alix’s travelling medicine kit. This annoyed me so much that I expressed my opinion sharply to the commissar. By 9 o’clock we had at last settled in.

“This is how we installed ourselves: Alix, Maria and I together in the bedroom, sharing the dressing room, Demidova in the dining room, Botkin, Chemodurov and Sednev in the hall. The duty officer’s room is by the entrance. In order to go to the bathroom of W.C., it was necessary to go past the sentry at the door of the duty office. There is a very high wooden pallisade built all around the house, about two sajens from the windows, all along there was a line of sentries, in the little garden also.”

Grand Duchesses Olga, Tatiana, Anastasia and Tsesarevich Alexei joined their parents the following month. They were accompanied by more retainers, including valet Aloysius Trupp, the cook Ivan Kharitonov, Ivan Sednev’s nephew Leonid Sednev and Klimenty Nagorny, among others.

To mark this solemn anniversary, the Ekaterinburg Diocese prayerfully celebrates the memory of the Holy Royal Passion-Bearers. Orthodox Christians will fill churches today, offering prayers to the Tsar and his family Many Ekaterinburg residents will also honour the memory of the Holy Royal Passion-Bearers, by taking part in a Cross Procession along the so-called “Path of Sorrow”, which passes through the places associated with the final days of Russia’s last Tsar and his family in the Ural capital.

The Path of Sorrows begin with the place where Emperor Nicholas II, Empress Alexandra Feodorovna, Grand Duchess Maria Nikolaevna and their five faithful retainers disembarked from the train on 30th April 1918. Here, near the Shartash-Yekaterinburg-II Railway Station, a Memorial Cross and a foundation stone were installed. There are plans to build a church in honour of the Valaam Icon of the Mother of God on this site – one of the three miraculous icons that appeared during the reign of Nicholas II.

Then the Path of Sorrow follows Vostochnaya Street, where the Church of the Icon of the Mother of God “Port Arthur” was built at the intersection with Shevchenko Street. In 2008, during the Cross Procession, a memorial stone was laid at this place, and in 2017, the construction of the church was completed. Here, according to historical records, on 23rd May (new style), 1918, Tsesarevich Alexei Nikolaevich, abd the Grand Duchesses Olga, Tatiana and Anastasia Nikolaevna arrived by train. They too, were subsequently placed under arrest, and then taken to the Ipatiev House.

PHOTO: the Church on Blood in Honour of All Saints Resplendent in the Russian Land

Not far from the railway station, in Nevyansky Lane, there is an Orthodox church in honour of the Reigning Icon of the Mother of God. It was consecrated in 2011 by Metropolitan Kirill of Yekaterinburg and Verkhoturye. In 1918, the Yekaterinburg-I Railway Station was located here, where on 30th April (new style), 1918, the train carrying Nicholas II, his family members and their five retainers stood for several hours, before proceeding to the the Shartash-Yekaterinburg-II Railway Station, where they disembarked.

The last point of the Path of Sorrow is the Church on Blood in Honour of All Saints Resplendent in the Russian Land on Tsarskaya Street. It was here on this site, that Emperor Nicholas II, his family and four faithful retainers met their death and martyrdom. The church was erected on the site of the Ipatiev House, where the regicide took place on the night of 16/17 July 1918.

In the Lower Church sanctified in honour of the Holy Royal Passion-Bearers, there is the “Imperial Room” – a side-chapel of which the altar allegedly rests on the site of the murder room in the basement of the Ipatiev House. The decoration of the room received the blessing of the Metropolitan of Ekaterinburg and Verkhoturye Kirill. It was timed to coincide with the events marking the 100th anniversary of the death and martyrdom in July 2018, in which more than 100,000 attended.

© Paul Gilbert. 30 April 2026

***

The following NEW title was compiled and edited by independent researchers and Romanov historian Paul Gilbert was published in August 2024. 

This fascinating new study features 14 chapters on this tragic event, which include the memoirs of a British intelligence officer and journalist, and two First-English translations. In addition, 11 chapters were written by Paul Gilbert, based on new documents sourced from Russian archival and media sources over the past decade.

Please refer to the link provided for further details about the content of this new title . . .

CLICK HERE TO READ MORE ABOUT THIS TITLE

NEW BOOK – ‘The Romanovs. The Path of Holiness and Golgotha’

Large hard cover. 208 pages. Richly illustrated throughout. Russian edition only

The long-awaited edition of Романовы. Путь святости и Голгофы (The Romanovs. The Path of Holiness and Golgotha), has been published by the AST Publishing House. The Russian-language book is the result of many years of research by Dmitry and Ekaterina Ostroumov, dedicated to the Romanov dynasty and the spiritual path of the Holy Royal Martyrs Nicholas II and his family.

The publication is based on the exhibition dedicated to Russia’s last Tsar and his family, which opened in January 2025, in the Museum to the Royal Passion-Bearers. The permanent exhibition takes up the entire ground floor of  the Church of the Holy Royal Passion-Bearers in the Russian city of Dno, situated 114 km from Pskov.

The exposition project, which went from a temporary exhibition to a permanent memorial museum. It was here that on 14th (O.S. 1st) March 1917, the Imperial Train carrying the Tsar stopped. The following day, Nicholas II abdicated the throne. The event marked the beginning of his Way of the Cross.

Today, the museum preserves unique archival materials that reveal not only the historical, but also the spiritual aspects of the life of the last Russian Emperor and his family. The museum is a tribute of the deepest respect to their sacrificial feat. The scale of the project attracted the attention of the AST Publishing House, which proposed to transfer the exhibition concept to a book forma.

The large hard cover pictorial is based on authentic documents, diary entries, letters and rare photographs. The album recreates the history of the Romanov dynasty, covering the path from the calling of Mikhail Romanov in 1613 to the glorification of the Imperial Family as passion-bearers by the Moscow Patriarchate in 2000.

The main topic of the book, however, is the last Tsar and his family – from the upbringing of the heir Tsesarevich Nicholas Alexandrovich [future Emperor Nicholas II] to a martyr’s death in 1918. Particular importance is attached to the inner world of the Holy Royal Martyrs, their family way of life, their piety and sincere service to the Fatherland.

“Understanding the person of the Tsar in the Russian state today is important not only in its political and administrative significance, but also in its sacred function,” says Dmitry Ostroumov, co-author of the book. “This album, through immersion in the history of the Imperial Family, allows us to take a deeper look at this key role of the bearer of the Tsar’s life and reign.”

Through the fate of each family member, the reader comes closer to understanding the sacred depth of the monarch’s service, where earthly government and heavenly calling are inseparable, and a look into the past helps to see what often remains hidden behind the vanity of time.

The album Романовы. Путь святости и Голгофы (The Romanovs. The Path of Holiness and Golgotha) is currently available for purchase in Russian book shops, online stores, and the official website of the AST Publishing House.

***

PLEASE NOTE: This post is for information purposes only. This book is ONLY available in Russia, there is NO English edition available, nor is there one planned. I regret that I do not know any booksellers who offer this book.

The current sanctions imposed by the West on Russia forbid financial transactions, therefore it is not possible to order this title from a Russian bookseller online – they will not accept Western credit cards, nor can you use PayPal, Western Union, etc. Although there are numerous Russian bookshops in the West, please note that some countries such as the United States now impose a 40% tariff on books being imported from Russia.

It is very unlikely that we shall ever see an English edition of this book. Having said that, if and when the sanctions are lifted, and English-speaking tourists return to Russia in the numbers prior to 2022, the Russian publisher may just issue an English language edition of what looks like something many of us would like to add to our personal libraries – myself included!

© Paul Gilbert. 28 April 2026

Studio-apartment of former Court artist to Nicholas II sells for 80 million rubles

PHOTO: Ernst Karlovich Liphart in his St. Petersburg studio. Artist unknown.

On 20th March 2026, I reported that Ernst Liphart’s former apartment-studio in St. Petersburg would be sold at auction. The multi-level studio-apartment was listed at 110 million rubles [$1.3 million USD]. The auction was held at the Litfond Auction House in St. Petersburg, on 18th April 2026, and sold for 80 million rubles [$1,058,400 US dollars].

What made the sale of this property so interesting, was the history behind it. The studio-apartment was built and designed in 1906 by the the Russian architect Vasily Vasilyevich Schaub (1861-1934), for Ernst Karlovich Liphart (1847-1932) – the famous court artist of Emperor Nicholas II and the chief curator of the Hermitage.

Situated on the 6th floor of No. 16 Kamennoostrovsky Prospekt, the artists’ apartment-studio consisted of four levels with a total area of 150 sq. meters[1,614 sq. ft.].

PHOTOS: views of the Studio Hall of Liphart’s former
apartment-stidio, as it looked during the Soviet years

PHOTO: view of the Studio Hall of Liphart’s
former apartment-stidio, as it looks today

The original layout has been preserved in the studio, but the space looks completely different than under Liphart. Only a small number of elements remain from it’s original neoclassical style of the early 20th century, and many interior details are reminiscent of the modernism of the 1960s.

Despite the changes made during the Soviet years, the studio hall has retained the mezzanine and columns (seen in the photos above), but also the multi-meter windows, which offer a commanding view of the historic area. The windows of the apartment overlook Avstriyskaya Ploshchad (Austrian Square) and Kamennoostrovsky Prospekt, as well as the neighboring Gorbov apartment building, and the architectural dominants of the historic Petrograd district.

Other details of the apartment-studio which have been preserved include a belvedere, an oval study, a spiral staircase leads to the mezzanine and then to a small secluded tower where you can enjoy the silence while admiring the city from round windows.

PHOTO: view of one of the rooms in Liphart’s apartment-studio

PHOTO: view of the studio of Vladimir Sokolov during the Soviet years

The first owner of the studio-apartment, Ernest von Liphart, became famous not only for his portraits of the Tsar and members of the Imperial Family, but also for his scientific work. It was he who determined that the famous painting “Madonna with a Flower” belongs to the brush of Leonardo da Vinci, and helped the Hermitage Museum to buy it. After the 1917 Revolution, Liphart remained in Russia and continued to work in the museum.

In the second half of the 20th century, the Soviet artist Vladimir Sokolov (1923-1997) lived and worked in the same studio. He is known as the artist of “blockade” posters and postcards, as well as portraits of world leaders such as Che Guevara and Pablo Neruda. Today, the works of both famous owners of the apartment-studio on Kamennoostrovsky Prospekt are stored in the collections of Russian museums and libraries.

PHOTO: Liphart’s apartment-studio is located at No. 16 Kamennoostrovsky Prospekt

PHOTO: view of Avstriyskaya Ploshchad from the studio of Ernst Liphart

© Paul Gilbert. 27 April 2026

Moscow exhibit showcases items belonging to Dr. Eugene Botkin

On 25th April 2026, an exhibition dedicated to the family physician of Nicholas II, Dr. Eugene Botkin opened at the Museum of Emperor Nicholas II in Moscow. The exhibition By Faith, Loyalty, Work runs until 15th May 2026.

This unique exhibition showcases personal items belonging to Dr. Evgeny (Eugene) Sergeievich Botkin (1865-1918), which which were purchased at auction[1] by collector Alexander Voronov and returned to Russia. “The items will be exhibited for the first time,” said Voronov

“Several items that belonged to the Botkin family, I purchased in Paris at an auction last year. In 1919, when Botkin’s children Tatyana and Gleb fled Russia all they could take with them were a few icons and photographs gifted to them by the Empress. In particular, is an icon depicting John of Tobolsk, dated 1918 with the letter “A”, such an autograph was put by the Empress,” added Voronov. “The second icon in a silver frame is “The Saviour Not Made by Hands”, its story is described in the book[2] of Botkin’s daughter, published in 1921. Empress Alexandra Feodorovna gave the icon to Botkin, who in turn gave it to her daughter Grand Duchess Tatiana, when she was very ill, so that he could bless her with it, ” said Voronov.

Voronov said that the icon of the “Saviour Not Made by Hands” was used at the baptism of Botkin’s great-grandson Jean Smulwood, who put the family heirlooms up for auction in Paris, in the hope that someone from Russia would buy them. According to the collector, the exhibition will also feature a number of the Botkins’ personal belongings, including the author’s copy of the book by Tatyana Botkina, photographs, one of which was autographed by Nicholas II’s daughters Olga and Tatiana, and an icon of the daughter of Grand Duke Konstantin Konstantinovich.

The family physician of Nicholas II and his family, Evgeny Botkin, followed the Imperial Family into exile, first to Tobolsk, and then to Ekaterinburg. The Bolsheviks offered him the option to leave the Tsar, but the doctor remained faithful to him. Botkin and three other retainers were all murdered along with the Imperial Family in the Ipatiev house on the night of 16/17 July 1918.

In 2016, the Bishops’ Council of the Russian Orthodox Church canonized Nicholas II’s doctor, and a decision was made on the church-wide glorification of the passion-bearer Righteous Evgeny (Eugene) Sergeievich Botkin (1865-1918).

The exhibition program includes a series of events – lectures, excursions, etc. The organizers of the exhibition are the Foundation of Emperor Nicholas II and the Russian collector of Russian history Alexander Voronov.

The exhibition By Faith, Loyalty, Work runs until 15th May 2026, the Museum of Emperor Nicholas II in Moscow. Admission to the exhibition is FREE. Donations to the Emperor Nicholas II Foundation for the maintenance of the museum are welcome.

NOTES

[1]  View the catalogue from the Auction: Tatiana Botkin Collection – held in Paris on 15 May 2025.

[2] Воспоминания о царской семье [Memories of the Tsar’s Family]. 84 pages. Russian language only.

© Paul Gilbert. 26 April 2026

Lenin’s presence on Red Square continues to rile Russians

PHOTO: the remains of Bolshevik leader Vladimir Lenin

More than a century after his death, the body of Bolshevik leader Vladimir Lenin laying in a marble and granite mausoleum on Red Square continues to raise the ire of many Russians.

During the afternoon of 8th April 2026, upon entry to the “mourning hall” of Lenin’s mausoleum, an 18-year-old student began yelling screaming obscenities about the Bolshevik leader. He then took off one of his shoes and threw it, striking the glass-enclosed sarcophagus holding the remains of the Bolshevik leader.  

Konstantin Sergeyevich Bodunov was promptly arrested by police, who stand guard both inside and outside the mausoleum. Bodunov appeared in Tverskoy District Court of Moscow and was sentenced to 10 days in jail. During the trial, the young man pleaded guilty to being in the mausoleum and throwing his shoe. He explained his actions by condemning Lenin’s “economic and religious policy.”

The incident is just one of a string of protests, made over the years by Russians, who share their hatred towards Lenin and the Bolsheviks. Many of these incidents never reach the Western media.

In February of this year, the Kuzminsky District Court of Moscow found Olga Fedosova guilty of threatening to “blow up Lenin’s Mausoleum and set fire to his corpse”. Fedosova was found guilty and sentenced to four years in prison.

On 18th June 2024, a man threw a Molotov cocktail at the Mausoleum, but it hit the fence and did not explode. He was detained on the spot by police officers. The Tverskoy Court of Moscow sentenced Konstantin Starchukov to four years in prison.

In May 2023, Kostya Starchukov, from the Trans-Baikal region, was detained by police on Red Square. The 37-year-old man had two bottles of gasoline on him, and told police that he wanted to set fire to Lenin’s Mausoleum.

Then, on the night of 6th February 2023, a man tried to get into Lenin’s Mausoleum with the intention of “stealing” Lenin’s corpse! The 42-year-old man, tried to open the door of the mausoleum, before he was detained by police. The detainee, who suffered from a mental disorder, admitted that he wanted to steal Lenin’s body. 

Even when Lenin was alive, several attempts are known to have been made on his life. The most famous of them was committed on 30th August 1918, by the Socialist Revolutionary Party member Fanny Kaplan tried to assassinate Lenin.

During the Soviet years, several incidents took place against the remains of the Bolshevik leader.

In March 1934, a peasant managed to smuggle a gun under his shirt past the guards. He considered himself “deceived by the authorities and decided to seek revenge”. The man took out his gun in the “mourning hall” of the Mausoleum, and fired two shots at Lenin’s sarcophagous, but he missed. He then turned the gun on himself and committed suicide with the third shot.

In March 1959, a man threw a hammer into the glass of Lenin’s sarcophagus. The crack left by the hammer remains to this day. The man was declared mentally ill, and was subsequently sent to an institution for treatment.

In 1967, a man from Lithuania attempted to blow up an Lenin’s Mausoleum. An explosion thundered outside the building, how he managed to get an explosive past the guards remains a mystery to this day. The bomber later claimed that the guards “paid no attention to him”.

On 1st September 1973, a man with a briefcase went into the “mourning hall” of the mausoleum. Once inside, he joined two wires in the area of the shirt collar – a deafening explosion thundered. A married couple who were in close proximity to the man were killed, two soldiers of the Kremlin regiment and several schoolchildren were among the injured. The sarcophagus was not damaged.

PHOTO: Yuri Shabelnikov life-size cake of Lenin’s body – see below

Why target Lenin?

It is widely agreed that the Bolshevik government came to power by criminal means, and that Lenin personally gave the order to murder Tsar Nicholas II and his family in 1918.

Not only was he responsible for the destruction of the Russian Empire, he was also responsible for the deaths and suffering of millions of innocent people when he unleashed the Civil War and the first Red Terror that followed.

His hatred towards religion led to endless violence and persecution against the Russian Orthodox Church. Lenin also signed the shameful Treaty of Brest-Litovsk with Germany on 3rd March 1918.

Since the fall of the Soviet Union in 1991,there have been numerous calls for the removal of Lenin’s remains from Red Square. The topic is a “hot potato”, one of which even Vladimir Putin does not want to address, for fear of a backlash from Russian Communists.

On the morning of 1st April 1997, at 05:25 am, a monument to Emperor Nicholas II near Moscow, was blown up by members of the left-wing extremist organization Revvoensovet [named after the Revolutionary Military Council of 1918]. Their reason, was their opposition to a proposal to remove Lenin’s corpse from the mausoleum in Red Square.

In 1998, Russian president Boris Yeltsin actually considered removing Lenin’s body and burying his remains next to that of his mother in the Volkovskoye Cemetery in St. Petersburg, as the Bolshevik leader had requested prior to his death. Yeltsin’s plan was never carried out.

Lenin’s body was ultimately embalmed and placed in a marble and granite mausoleum on Red Square instead. It is interesting to note that the architect Alexey Viktorovich Shchusev (1873-1949), is the same architect who designed the Church of the Intercession of the Virgin in the Marfo-Mariinsky [Martha and Mary] Convent, founded in Moscow by Grand Duchess Elizabeth Feodorovna (1864-1918).

Up until the collapse of the Soviet Union in 1991, the preservation of Lenin’s remains was funded by the Soviet government. After 1991, the government discontinued financial support, after which the mausoleum was funded by private donations – mostly Communist sympathizers. In 2016 the Russian government reversed its earlier decision and announced it would spend 13 million rubles [$171,000 USD] to preserve Lenin’s body.

In 1998, a provocative event staged by the Russian artist Yuri Shabelnikov at the Dar Gallery in Moscow, titled “Lenin is in You and in Me”. Shabelnikov created a life-size cake (see photo above) shaped like Lenin’s embalmed body, presented as if lying in a coffin, and invited guests to eat it. The act turned a once-sacred revolutionary icon into something fleeting and consumable, symbolizing how Lenin’s ideological authority had faded in the 1990s and become an object of irony rather than reverence. Such an event would have been unimaginable during Soviet rule. [Source: Constantine Goh]

PHOTO: artist concept of the Church of the New Martyrs
proposed for the site of Lenin’s Mausoleum on Red Square

“Sooner or later, Lenin’s body will be buried”

In October 2020, a Prominent representative of the Russian Orthodox Church (ROC) spoke out on the burial of Lenin

“Vladimir Lenin has no place in Red Square. Nevertheless, one should proceed with caution in the matter of his burial.” This statement was made by the head of the Department for External Church Relations of the Moscow Patriarchate, Metropolitan Hilarion, on the Russia 24 TV channel.

“I have no doubt that sooner or later Lenin’s body will be buried. It is another matter, however, when this will take place, and under what circumstances,” he said.

The high ranking representative of the Russian Orthodox Church called Lenin a “traitor to the Motherland” who came to Russia on German money. In his opinion, Lenin was a revolutionary who should be judged according to ordinary laws.

“In 1918 Lenin unleashed the Red Terror, which resulted in the repression and mass killings of the Russian population, therefore, the Bolshevik leader has no place in Red Square, he has no connection to it whatsoever,” the Metropolitan added.

“Lenin’s funeral will take place only when the communist ideology finally fades into the past. And this will still take some time,” the priest said.

The Metropolitan proposes to leave the mausoleum as is, since it is the work of the outstanding architect Alexey Viktorovich Shchusev (1873-1949). He supports the idea of converting it into a museum of mass repression during the Bolshevik years.

In September 2025, Advisor to the Prosecutor General of the Russian Federation demanded the renaming of all toponyms in Russia bearing the name of the former Bolshevik leader Vladimir Lenin . . .

Natalia Poklonskaya sent a letter to the Cabinet of Ministers with a proposal to rename all toponyms in Russia bearing the name of Vladimir Lenin: streets, squares, parks, as well as the demolition of monuments to the Bolshevik leader, who ordered the murder of Russia’s last Tsar and his family.

“Each of us recalls the horrors of the Red Terror and the shooting of the Imperial Family,” she noted. “It’s time to get rid of the symbol of the Bolsheviks and Soviet era . . . “

As a replacement for Lenin, Poklonskaya proposed to assign toponyms the names of Nicholas II, Paul I, Catherine II and other Russian monarchs.

In July 2025, a Russian Orthodox social media group proposed the demolition of the Lenin Mausoleum on Red Square in Moscow, and replacing it with a Church of the New Martyrs (see photo above).

The author of this article supports such an idea, and I am sure that I pray and speak for many others, that we shall live to see the day when both Lenin’s corpse and Mausoleum are permanently erased from the Russian landscape!

© Paul Gilbert. 19 April 2026

NEW BOOK – ‘Memories of Russia: My Travels in Post-Soviet Russia’ by Paul Gilbert

*You can order this title from most AMAZON outlets, including
the United States, United Kingdom, Ireland, Canada, Australia,
France, Germany, Spain, Italy, Netherlands, Belgium, Poland, Sweden,
Brazil, Mexico and Japan
*Note: prices are quoted in local currencies

CLICK HERE TO ORDER THE HARD COVER EDITION @ $25.00 USD

CLICK HERE TO ORDER THE PAPERBACK EDITION @ $20.00 USD

English. 9″ x 6″ format. Hard cover and paperback. 314 pages.

***

This year marks the 40th anniversary of my first visit to Russia. During the past four decades, I have visited Russia 29 times!

I travelled to Moscow, St. Petersburg – and the suburban towns of Tsarskoye Selo, Peterhof, Pavlovsk, Gatchina and Strelna – as well as Yalta and Crimea, Ekaterinburg and Alapaevsk.

In my new book, which is part travelogue, part history, I share my personal impressions and history of a dozen historic sites, that I have visited – some on numerous occasions. Out of the dozen historic sites covered in my book, all but two have a connection to Russia’s last tsar Nicholas II.

Join me as I revisit such places as the Grand Kremlin Palace, the Petrovsky Travelling Palace and the Russian State Archives – where I explore the Romanov archives in Moscow; learn the fate of Nicholas II’s private apartments in the Winter Palace and the State Hermitage Theatre – venue for the famous 1903 Costume Ball; travel with me to the Children’s Island and the Feodorovsky Sovereign Cathedral – Nicholas II’s favourite church at Tsarskoye Selo; the ruins of the Lower Dacha at Peterhof and much more!

On the cover photo above, I am standing in the magnificent St. Andrew’s Hall of the Grand Kremlin Palace in Moscow. The date is 27th October 2000 – the day in which I marked my 44th birthday. Of all the wonderful memories I have from the 29 journeys I made to Russia between 1986-2018, this is among one of the most memorable!

Richly llustrated with more than 200 black and white photographs!

Every one has one country in which they are drawn, for me it is Russia
– PAUL GILBERT (Retired)

© Paul Gilbert. 15 April 2026

Livadia Palace and Park to undergo large scale restoration

PHOTO: aerial view of the Livadia Palace and Park, Crimea

The Director of the Livadia Palace Museum Larysa Kovalchuk recently announced plans for a large-scale restoration of the Livadia Palace and Park.

“Today we have three main tasks: the renovation of the park, restoration of the palace and the redevelopment of existing exhibition space”, said the museum’s director.

“Each direction is a separate epic with its own challenges and discoveries. The renovation of the 37 hectare [91 acres] Livadia Park is a project which will involve at least five years of work. The situation with landslides is very difficult, and will require some serious engineering investments,” she added.

“In addition, more than 60 small architectural forms – gazebos, fountains, retaining walls – need to be restored. Sadly, some fountains are completely lost, but there are historic photos in our archives that will allow us to recreate them.”

Re-exposition will prove to be is the most challenging project. In 2025, an all-Russian competition for a new concept was announced. Fourteen firms from all over the country presented their projects, divided into two lots: the re-exposition of the existing historic interiors and the creation of a new museum site like New Chersonesos – situated near Sevastopol.

PHOTO: Director of the Livadia Palace Museum Larysa Kovalchuk,
standing in the Italian Courtyard of the Livadia Palace

“We are still more in favour of the museum remaining a memorial museum. After considering all the proposals, a competent panel of experts with the participation of the Minister of Culture of the Russian Federation and representatives of leading Russian museums came to a consensus: the Livadia Palace should remain a historic memorial museum,” Kovalchuk firmly declares.

Here are some statistics: the number of visitors’ to Livadia Palace increased from 260,000 in 2023 to 385,000 in 2025, with 49% who are interested in the Yalta Conference, and 51% are interested in the Romanovs in Livadia.

“These statistics are very interesting,” said the director – “they clearly indicated that both the Yalta Conference (February 1945) and the Romanovs in Crimea are what interest visitors to the Livadia Palace the most. Therefore, we will not change that, but let’s delve further into both,” she added.

The plan for the restoration of the interiors has been worked out in detail. The museum wants to recreate the original interiors of the palace so that future generations can see how the last Russian Tsar and his family lived, during their stays in Crimea from 1911 to 1914.

Recall that Nicholas II and his family visited Livadia in the autumn of 1911 and 1913 and in the spring of 1912 and 1914, where they took up residence for several months at a time.

PHOTO: Emperor Nichiolas II’s Study at Livadia Palace. as it looks today

The story of the return of furniture and other items to Livadia is interesting, one which reads like a detective novel.

After the 1917 Revolution, the Imperial residences were all nationalized, the furniture in the Livadia Palace was considered “of no use”, it was then “written off” and sold through commission stores. Livadia Palace officials believe that even today, some residents of Yalta may have pieces of furniture from the palace in their homes.

It is interesting to note, that the Maly [Small] Palace at Livadia survived until the Great Patriotic War (1941-45), it was looted and destroyed by the Nazis, following their retreat from Crimea.

The museum issued an appeal through the media offering to buyback items which belonged to Nicholas II and members of his family from the Livadia Palace. The call did not go unanswered . . .

A pair of vases were recently returnd to Livadia Palace. They had been in the possession of a Yalta family, who from generation to generation, the vases were passed down. As it turned out, the vases came from from Empress Alexandra’s Boudoir at Livadia. The museum staff began to look for confirmation of this and discovered a photo of the boudoir, where the vases are in their places. After 95 years, they have now been returned to their historic place.

Another exhibit a kitchen cabinet from the Small Dining Room marked “Grand Palace, Livadia”, has also been returned, discovered in a local warehouse.

The Livadia Palace is currently preparing an exhibit for the 130th anniversary of the Holy Coronation of Emperor Nicholas II, the 170th anniversary of the Coronation of Emperor Alexander II and the 115th anniversary of the completion of the construction of the palace.

FURTHER READING

Nicholas II’s study in Livadia Palace to be recreated + PHOTOS

Livadia Palace marks 100th anniversary as a museum + PHOTOS

Act of historical justice: restored bust of Nicholas II returned to Livadia + PHOTOS

FDR wanted to buy Livadia Palace in final days of WWII + PHOTOS

© Paul Gilbert. 14 April 2026