New exhibition to showcase Nicholas II’s wedding uniform

PHOTO: the red uniform of the Colonel of His Majesty’s Hussar Life Guards
Regiment, worn by Emperor Nicholas II at his wedding in November 1894
© Tsarskoye Selo State Museum

On 10th June 2026, a new exhibition Tsarskoye Selo. Masterpieces of the Imperial Residence, will open at the Museum of Fine Arts in Ekaterinburg. The exhibition will showcase some 360 items from the Collection of the Tsarskoye Selo State Museum.

One section of the exhibition will be devoted to Russia’s last Tsar and the Alexander Palace. Among the many historic items is the uniform worn by Emperor Nicholas II at his wedding in November 1894.

His Majesty wore the red dress uniform with medals of the Colonel of His Majesty’s Hussar Life Guards Regiment and an orange sash of the Order of Hesse and by Rhine. Nicholas II served as Regiment colonels-in-chief of the regiment (established in 1775), from the day of his ascension to the throne in November 1894 to his abdication in March 1917.

On the lining of the collar, there is a silk label with the text: “His Majesty was married in this uniform. Save forever.”

PHOTO: Emperor Nicholas II depicted wearing the red
uniform Colonel of the Life Guards Hussar Regiment, 1894

Recall that the wedding of Emperor Nicholas II and Grand Duchess [future Empress] Alexandra Feodorovna, took place on 27th (O.S. 14th) November 1894. The ceremony took place in the Church of the Saviour Not Made by Hands (the home church of the Imperial Family) of the Winter Palace in St. Petersburg.

The Museum of Fine Arts celebrates it’s 90th anniversary this year – the author of this article visited the museum in July 2018.

The exhibition Tsarskoye Selo. Masterpieces of the Imperial Residence runs until 16th August 2026 at the Museum of Fine Arts in Ekaterinburg.

© Paul Gilbert. 4 June 2026

The baptism of Russia’s last Tsar – 2nd June 1868

PHOTO: the baptism of Grand Duke Nicholas Alexandrovich [future Tsesarevich and Emperor] on 2nd June (O.S. 20th May) 1868, by Mihály Zichy (1827-1906). The watercolour depicts four baptismal scenes, and two of them show Alexander II holding his grandson in his arms.

On 2nd June (O.S. 20th May) 1868 two weeks after his birth on 19th (O.S. 6th) May 1868 – His Imperial Highness Grand Ouke Nicholas Alexandrovich was baptised in the Church of the Resurrection of Christ in the Catherine Palace at Tsarskoye Selo. The baptism was performed by the Imperial family’s confessor Protopresbyter Vasily Bazhanov (1800-1883).

The boy received the traditional name for the House of Romanov – Nicholas. He was named in memory of his father’s elder brother and mother’s first fiancé, Tsesarevich Nikolai Alexandrovich (1843-1865), who died at the age of 21, from cerebro-spinal meningitis.

“You can’t imagine how happy Minnie [future Empress Maria Feodorovna] and I are to be able to name our first child Nicholas,” Tsesarevich Alexander Alexandrovich [future Emperor Alexander III] wrote to his uncle Grand Duke Mikhail Nikolaevich (1832-1909) – “and how dear that name is to both of us, after so many sad memories of poor Nyx.”

The infant’s paternal grandfather Emperor Alexander II echoed his son’s joy in a letter to the Danish king and the maternal grandfather of the newborn Christian IX: “The birth of little Nicholas was also the fulfillment of all our prayers, and you will surely understand why we gave him this name, which is doubly dear to us.”

Emperor Alexander II, took a very active role in the solemn ceremony. He clearly understood that not only was this his first grandson, but also that a future Emperor was being baptised. It is noteworthy that during the baptism, both Alexander II and his son, Tsesarevich Alexander Alexandrovich, acted as assistants to the lady of state. The fact that the father, breaking tradition, took an active part in the baptism[1], apparently, was due to its historic significance. Two emperors, current and future, held their successor in their arms, strengthening the foundation of the infant’s legitimacy[2].

PHOTO: late 19th century view of the Church of the Resurrection
of Christ in the Catherine Palace at Tsarskoye Selo

As for the mother [future Empress Maria Feodorovna], she did not have the right to be present at the baptism of her baby at all [in accordance with a tradition that originates in the Old Testament]. However, even if Maria Fedorovna wanted to break the custom, she could not do so, due to the fact that her doctors advised her not to walk following the birth of her son, and instructed her to rest on that eventful the day. [3]

The infant’s godparents were the newborn’s grandfather, Emperor Alexander II, maternal grandmother, Queen Louise of Denmark, his uncle, Crown Prince Frederick of Denmark, and Grand Duchess Elena Pavlovna[4].

It was Alexander II and Grand Duchess Elena Pavlovna, who carried the baby to the font for baptism. In addition, Nicholas Alexandrovich’s godparents, his Danish grandmother and uncle, Queen Louise and Crown Prince Friedrich took part.

Tsesarevuch Alexander Alexandrovich described the day’s events as follows:

“The entrance was magnificent, and there were a lot of people in the palace and also in the garden. The little one was transported in a golden carriage with much pomp and ceremony, accompanied by an escort on horseback.”

During the ceremonial procession through the halls of the Catherine Palace at Tsarskoye Selo, the newborn was carried to the palace church by the lady of state Princess [Alexandra Aleekseevna] Kurakina (1840-1919), supported on the one side by the State Chancellor Prince [Alexander Mikhailovich] Gorchakov (1798-1883), and on the other by Field Marshal Prince Alexander [Ivanovich] Baryatinsky (1815-1879) – both old and lame, but they endured excellently and helped as much as they could.

“The exit was magnificent, and , still there were a lot of people in the palace and also in the garden,’ Tsesarevich Alexander described the day of his son’s christening to Grand Duke Mikhail Nikolayevich. – “Tsarskoye Selo was unrecognizable that day; the streets were full of people and carriages, the whole city is celebrating. At 5 o’clock, a large banquet was held in the Great Hall, which was lit splendidly by the sun. It’s been a very tiring day, and poor Mama [Empress Maria Alexandrovna] is very tired. After the baptism, the entire family gathered at my place [the Alexander Palace] to congratulate Minnie [Grand Duchess Maria Feodorovna], and all little ones were there too. An excellent breakfast was served, and then everyone went home.”

Nearly 13 years later, in March 1881, Grand Duke Nicholas Alexandrovich became the Heir Tsesarevich, and in October 1894, he became Russia’s last Emperor and Tsar.

Prince Pyotr Vyazemsky (1792-1878), a poet and friend of Alexander Pushkin, dedicated the poem “May 6, 1868” to the birth of Grand Duke Nicholas Alexandrovich – future Emperor Nicholas II, referring to the infants feelings of his paternal grandmother, Empress Maria Alexandrovna:

Yesterday, a beauty, you are a grandmother today.
Yes, grandmother! So what is it? Great, good luck!
Providence has rewarded you with the cherished blessing.
We admired the Empress Mother in you,
We admire the Tsarina-grandmother twice.
To the family crown and to the imperial crown
A living flower clings to it, a native treasure.

Your grandmother’s name, of course, does not suit you,
But in this word you have such a charm of sound,
There’s so much love in him, so much happiness in him
That, blessing your grandson with a joyful tear,
You are young in heart, as young in face.
And your feelings, and your joy,
Having responded with its soul, Russia is no stranger to
And prays with you over the sweet cradle,
In which the star of the future glows.

NOTES:

[1] According to Orthodox tradition at that time, the father was required to leave the church at the time of the baptism of his child, giving way to the godfather. Emperor Nicholas II was not in the church when his son Alexei was baptised in August 1904.

[2] Zimin, Igor Viktorovich. Children’s world of imperial residences. Life of monarchs and their environment. Baptism of children. 2010

[3] Ibid.

[4] Grand Duchess Elena Pavlovna (1807-1873), born Princess Charlotte of Württemberg, the wife of Grand Duke Michael Pavlovich, the youngest son of Emperor Paul I and Duchess Sophie Dorothea of Württemberg – later Empress Maria Feodorovna.

© Paul Gilbert. 2 June 2022 – UPDATED on 2 June 2026

***

I am dedicated to clearing the name of Russia’s much slandered Tsar. If you enjoy all the articles, news, photos, and videos on my blog, please help support my work in the coming year ahead by making a donation. I am reaching out to friends and followers with a request for making a small $5 or $10 donation in aid of my research.

These donations are of great assistance in helping me offset the cost of obtaining and translating documents from Russian archival and media sources, which are often paid for out of my own pocket. It is these documents which help present new facts and information on the life and reign of Nicholas II. In addition, my research continues to debunk many of the myths and lies which exist more than a century after Nicholas II’s death and martyrdom.

As a token of my gratitude, please accept a copy of my 22-page booklet Nicholas II Bibliography – it’s FREE! My 2026 edition features a NEW 4-page article about Nicholas II’s libraries and book collection; 8 black and white photos; and a list of more than 125 English-language books on the life and reign of Nicholas II.

Please note, that there is NO obligation, the booklet is FREE to every one! ENJOY!

CLICK HERE TO MAKE A DONATION

NEW BOOK – ‘Memories of Russia: My Travels in Post-Soviet Russia’ by Paul Gilbert

*You can order this title from most AMAZON outlets, including
the United States, United Kingdom, Ireland, Canada, Australia,
France, Germany, Spain, Italy, Netherlands, Belgium, Poland, Sweden,
Brazil, Mexico and Japan
*Note: prices are quoted in local currencies

CLICK HERE TO ORDER THE HARD COVER EDITION @ $25.00 USD

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English. 9″ x 6″ format. Hard cover and paperback. 314 pages.

***

This year marks the 40th anniversary of my first visit to Russia. During the past four decades, I have visited Russia 29 times!

I travelled to Moscow, St. Petersburg – and the suburban towns of Tsarskoye Selo, Peterhof, Pavlovsk, Gatchina and Strelna – as well as Yalta and Crimea, Ekaterinburg and Alapaevsk.

In my new book, which is part travelogue, part history, I share my personal impressions and history of a dozen historic sites, that I have visited – some on numerous occasions. Out of the dozen historic sites covered in my book, all but two have a connection to Russia’s last tsar Nicholas II.

Join me as I revisit such places as the Grand Kremlin Palace, the Petrovsky Travelling Palace and the Russian State Archives – where I explore the Romanov archives in Moscow; learn the fate of Nicholas II’s private apartments in the Winter Palace and the State Hermitage Theatre – venue for the famous 1903 Costume Ball; travel with me to the Children’s Island and the Feodorovsky Sovereign Cathedral – Nicholas II’s favourite church at Tsarskoye Selo; the ruins of the Lower Dacha at Peterhof and much more!

On the cover photo above, I am standing in the magnificent St. Andrew’s Hall of the Grand Kremlin Palace in Moscow. The date is 27th October 2000 – the day in which I marked my 44th birthday. Of all the wonderful memories I have from the 29 journeys I made to Russia between 1986-2018, this is among one of the most memorable!

Richly llustrated with more than 200 black and white photographs!

Every one has one country in which they are drawn, for me it is Russia
– PAUL GILBERT (Retired)

© Paul Gilbert. 15 April 2026

Thousands of items at Pavlovsk have not been returned to the Alexander Palace

PHOTO: Pavlovsk Palace (top) and the Alexander Palace (bottom)

NOTE: this article was originally published on 18th February 2025, it was updated with additional information and photographs on 18th February 2026 – PG

In 1951, by a government decree, the Alexander Palace was transferred to the Ministry of Defense of the USSR. The Naval Department used the building as a top-secret, submarine tracking research institute of the Baltic Fleet.

Any hope of the Alexander Palace being reopened as a museum – as it was before the Great Patriotic War (1941-45) – were now lost. The palace’s collection, which consisted of thousands of items, and which had been part of the evacuated items held in the Central Depository of Museum Collections of Suburban Palaces-Museums, were at this point transferred to the Pavlovsk Palace State Museum.

From 1951, the Alexander Palace would remain strictly off-limits to visitors for the next 45 years. When it appeared that the Soviet Navy intended to vacate the complex, the Alexander Palace was included in the 1996 World Monuments Watch by the World Monuments Fund (WMF).

In the summer of 1997, a permanent exhibition dedicated to Emperor Nicholas II and his family was opened in the Eastern Wing of the palace. It was at this time that my annual Romanov Tour became the first group from the West to visit the interiors of the Alexander Palace.

Despite the exhibition, the rest of the palace remained under the administration of the Naval Department, who continued to occupy the Western Wing. It is due to their occupancy in this section of the palace, that very few of the original interiors and their elements survived.

PHOTO: the Alexander Palace at Tsarskoye Selo, as it looked in the early 1990s, when the palace was still surrounded by a security fence and watchtower.

It was not until October 2009, according to the order of the Federal Property Management Agency, that the Alexander Palace was placed under the administration of the Tsarskoye Selo State Museum Reserve.

After an extensive restoration project which began in the autumn of 2015, the private apartments of Emperor Nicholas II and Empress Alexandra Feodorovna opened to public on 13th August 2021.

Visitors to the Alexander Palace can now tour 13 recreated interiors, : the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, the Valet’s Room, PLUS the Maple Drawing Room, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Alexandra’s Corner Reception Room, the Imperial Bedroom, the Small and Large Libraries and the Marble/Mountain Hall.

In addition, 3 State Halls: the Portrait Hall, the Semi-Circular Hall and the Marble Drawing (aka the former Billiard) Room. were restored and opened to the public in July 2025.

Today, more than 6 thousand items from the funds of the Tsarskoye Selo State Museum-Reserve are displayed in the recreated interiors of the Alexander Palace.

In a recent interview with Art Newspaper Russia, the Director of the Tsarskoye Selo State Museum-Reserve Olga Taratynova talked about the restoration of the Alexander Palace and the reconstruction of the Private Apartments of Emperor Nicholas II and Empress Alexandra Feodorovna.

“The Alexander Palace suffered much less than the Catherine Palace,” said Taratynova. “Unlike the Catherine Palace, it was not destroyed by fire [as a result of shelling by the Nazis]. Instead, it endured a different fate. The Alexander Palace served as the residence of the family of the last Emperor, and it is a miracle that anything survived at all,” she added.

“For Alexander Pushkin’s anniversary in 1949, an exhibition dedicated to him was opened in the palace, and for this purpose, a number of interiors were lost. Soviet dogma of the time believed that Art Nouveau was a decadent style, citing no need to preserve it. And then the building was transferred to the Ministry of War. In 2009, when the Alexander Palace was transferred to us [the Tsarskoye Selo State Museum-Reserve], we quickly carried out “cosmetic repairs” in three of the State Halls and opened them to the public. But all the things were in Pavlovsk. They were transferred there in 1951, and have remained there ever since, Taratynova continued”

PHOTO: Director of the Tsarskoye Selo State Museum-Reserve Olga Taratynova

“In preparation for the reopening of the Private Apartments of Nicholas II and Alexandra Feodorovan in 2021, they [Pavlovsk State Museum] gave us about 200 items from their collection for “temporary use”. We knew from inventories and photographs, that these items originated in the Alexander Palace], and knew exactly where they were historically located. So I can’t complain, Pavlovsk assisted us. But they did not return everything, of course, because many of the items have been on display in Pavlovsk Palace for many years now.”

“Now in the Alexander Palace, we have tried to create the atmosphere of a beloved home. This was really the case – an intimate space, where Nicholas II invited only a small circle of close friends and trusted associates. And in the apartments of Alexandra Feodorovna and the children, only extended family members and devoted servants were allowed. We tried to focus on the atmosphere, we even added sound: in some rooms, for example, you can hear, the sounds of billiard balls, in others – a distant piano playing. There are also smells – first of all, the scent of lilacs, because Alexandra Feodorovna loved them very much, they now bloom in her rooms. We revived this tradition two years ago, our gardeners have been growing lilacs even in winter,” Olga Taratynova concluded.

***

PHOTO: view of one of the halls of the Museum of Costumes in Pavlovsk Palace

In the 1990s, the “Museum of Costumes” was opened in the south wing of Pavlovsk Palace. Several small halls are filled with glass display cases showcasing authentic clothing and accessories which belonged to members of the imperial family during the late 19th to early 20th centuries.

Of particular note are the dresses and evening gowns worn by the Dowager Empress Maria Feodorovna [wife of Emperor Alexander III and mother of Emperor Nicholas II] and Empress Alexandra Feodorovna [wife of Emperor Nicholas II]. But, what is odd about these exhibits, is that neither Empress ever lived at Pavlovsk, these dresses and gowns originated from the Alexander Palace at Tsarskoye Selo.

Other glass display cases showcase many of the personal items which belonged to the two Empresses. These include fans from Dowager Empress Maria Feodorovna’s vast collection, plus elegant handbags, umbrellas, gloves, hats and other accessories.

One of the most interesting exhibits are two decorative kokoshniks [see photo below], which belonged to the Grand Duchesses Tatiana and Anastasia Nikolaevna, which again, originated from the Alexander Palace.

In addition, the third floor of Pavlovsk Palace is dedicated to the history of Russian furniture, featuring many items from the Alexander Palace, which were transferred there in 1951.

The author of this article has personally visited the Museum of Costumes and the furniture exhibit on two seperate occasions. It is interesting to note that no where in either exhibit, does it mention that the items on display originated or belong to the Alexander Palace at Tsarskoye Selo.

PHOTO: kokoshniks, which belonged to the Grand Duchesses Tatiana and Anastasia Nikolaevna on display in the Museum of Costumes at Pavlovsk Palace

***

Prior to the outbreak of the Great Patriotic War in 1941, the Alexander Palace housed more than 52.5 thousand items, of which more than 44.8 thousand items were lost [destroyed or stolen] between 1941 to 1945. From the 7.7 thousand items which survived, a significant part of the items are now in the collection of other museums in Russia. Among these were 5,615 items, which were moved from the Alexander Palace to the Pavlovsk State Museum Reserve in 1951. Of these, nearly 200 pieces were originally from the Alexander Palaces’ three ceremonial halls: the Portrait, Semi-Circular and Marble Halls. These include 39 pieces of porcelain, 41 paintings, 73 decorative bronze pieces, and 28 pieces of furniture.

Since the fall of the Soviet Union in 1991, and in particular since the restoration of the Alexander Palace, the return of these objects has been a bone of contention between the two palace-museums. During a visit to Pavlovsk several years ago, I raised the subject with one of the Directors [who shall remain anonymous] at Pavlovsk. “If we return these exhibits to the Alexander Palace, then we [Pavlovsk] will have nothing,” he declared.

Personally, this author believes that Pavlovsk have a moral responsibility to return all of the items transferred there in 1951. The history of these items is connected to the Alexander Palace, not Pavlovsk Palace. It seems that the current Minister of Culture of the Russian Federation Olga Lyubimova, should step in to right this historic wrong. Let us hope that she does the right thing, and order the return of the 5,615 items to the Alexander Palace, where they can be put on display in the rooms from which they originated.

© Paul Gilbert. 18 February 2025. Revised and updated 18 February 2026

***

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Lilacs bloom . . . again, in the Alexander Palace

Lilacs in bloom in the Alexander Palace
Photo © Tsarskoye Selo State Museum

Despite the January frosts, lilacs and almond bushes have bloomed again in the Tsarskoye Selo greenhouses, and have now been transferred to the private apartments of Empress Alexandra Feodorovna in the Alexander Palace. This unique tradition, which was adopted by the family of Nicholas II, was revived by the museum in the winter of 2022.

On 14th January 2025, the first six lilac bushes of historical varieties, including “Memory of Ludwig Speth” and “Madame Lemoine”, were placed in special tubs and brought into the Mauve (Lilac) and Maple Drawing Rooms. Their aroma filled the interiors of Empress Alexandra Feodorovna recreated rooms, which are situated in the Eastern Wing of the palace.

Lilacs in the Mauve Boudoir of the Alexander Palace
Photo © Tsarskoye Selo State Museum

Lilacs in the Maple Drawing Room of the Alexander Palace
Photo © Tsarskoye Selo State Museum

This year, for the first time, an almond bush of the “Tanyusha” variety with delicate pink double flowers was delivered to the Mauve (Lilac) Drawing Room. 

According to the chief curator of the museum’s parks Olga Filippova, the flower exposition is created on the basis of historical materials using the old traditional methods of the 19th century. The process takes place in three stages in the museum greenhouse complex.

This year a total of 18 lilac bushes will decorate the Mauve (Lilac) and Maple Drawing Rooms. The bushes will replace each other as they bloom, ensuring continuous flowering until April. Soon, lilies of the valley, azaleas, tulips and other plants grown in Tsarskoye Selo greenhouses will be added to the flower decoration in the Alexander Palace.

Lilacs in bloom in the Alexander Palace
Photo © Tsarskoye Selo State Museum

FURTHER READING

Lilacs return to the Alexander Palace + PHOTOS

For the first time in more than a hundred years, the fragrant scent of lilacs once again fill the interiors of the Alexander Palace during the cold winter months. The Tsarskoye Selo State Museum have revived the tradition, by placing lilacs in the Mauve (Lilac) Boudoir and the Maple Drawing Room of the Alexander Palace.

© Рaul Gilbert. 14 January 2025

 Unique catalog of Nicholas II’s uniforms has been published

The Tsarskoye Selo State Museum has published the first volume of a unique catalog of the wardrobe of Emperor Nicholas II and his family. The first volume is dedicated to the uniforms of Nicholas II.

The Tsarskoye Selo State museum houses the world’s largest collection of uniforms of the last Russian Tsar and clothes of members of his family – more than 800 items. The collection comes from the Alexander Palace, the last and favorite residence of Nicholas II.

The catalog contains photographs and descriptions of more than 350 items. The author of the catalog is the curator of the Men’s Costume Collection, senior researcher at the Tsarskoye Selo State Museum-Reserve, Alexei Rogatnev. [Note: the link features a 10-minute video of Rognatnev talking about the Alecander Palace’s collection of Nicholas II’s uniforms]

“During the reign of Nicholas I, there was a rule without exceptions: the Emperor was an officer of the Russian Empire. Therefore, he was obliged to wear a military uniform, and only on trips abroad could he wear civilian dress. Even when he was not engaged in affairs related to the management of a huge empire, Nicholas II wore a uniform: in photographs from the Romanov family albums, we see him playing tennis in the summer jacket of a naval officer and shoveling snow near the Alexander Palace in the uniform of a colonel of the 4th Imperial Family Life Guards Rifle Regiment,” he notes.

“In the last few decades of the 19th century, thanks to the passion of Alexander III and Nicholas II for hunting, the rule was somewhat relaxed – when hunting, members of the Imperial Family wore comfortable, specially tailored suits. Thus, most of the wardrobe of both the emperor and the grand dukes was a collection of uniforms of the various units of the regiments of the Russian Empire and European countries,” Rogatnev added.

PHOTOS: pages from the 296-page catalog of Nicholas II’s uniforms
© Tsarskoye Selo State Museum

PHOTOS: pages from the 296-page catalog of Nicholas II’s uniforms
© Tsarskoye Selo State Museum

PHOTOS: pages from the 296-page catalog of Nicholas II’s uniforms
© Tsarskoye Selo State Museum

PHOTOS: pages from the 296-page catalog of Nicholas II’s uniforms
© Tsarskoye Selo State Museum

The catalog is based on documents from the museum collection, the most valuable are from the inventory lists of the Alexander Palace Museum, which were compiled in 1938-1939. They contain a complete list of the wardrobe of the Imperial Family as of 22nd June 1941, and make it possible to recreate the composition of the pre-war collection, the method and place of evacuation, and to identify lost items.

Among the numerous sources that were used in researching for the catalog, the wardrobe records of Nicholas II, in particular, which uniform he wore. Entries in these books were made only on the days the Emperor participated at official events held in St. Petersburg and mirrored those of the Chamber Fourier journal. They do not contain records of the Emperor’s foreign travels, while traveling on the Imperial Train, and under other similar circumstances. These records also contain factual inaccuracies that can be identified by cross-referencing several sources.

Thanks to the study of the annual reports, which are stored in the Russian State Historical Archive, we can see the expenditures for the manufacture of most of the uniforms of Nicholas II, Alexandra Feodorovna, Tsesarevich Alexei and the Grand Duchesses. These accounts make it possible to determine the amount spent on uniforms by year, to systematize the internal structure of the wardrobe by military units, to determine the main and secondary suppliers of uniforms, military accessories, and shoes.

Emperor Nicholas II and his family made the Alexander Palace their permanent residence rom 1905. Personal items, including their respective wardrobes, were not tied to a certain place, but accompanied them, wherever they stayed, be it the Winter Palace, Peterhof, Livadia, Spala, Moscow or abroad. But most of the Emperor’s wardrobe invariably remained in the Alexander Palace at Tsarskoye Selo.

The catalog of Nicholas II’s uniforms will be of interest to historians, specialists in Russian military costume, art historians, museum employees and everyone who is interested in the reign of Russia’s last Tsar.

The catalog is currently only available in the Tsarskoye Selo museum shops in the Catherine and Alexander Palaces, in the Russia in the Great War Museum (located in the Sovereign Military Chamber), as well as book kiosks found in the Catherine Park.

NOTE: this catalog is ONLY available in Russian, there is NO English language edition available, nor does the museum have any plans on issuing such. 296 pages, richly illustrated throughout.

FURTHER READING

Nicholas II’ s uniforms on display in Tula from the Collection of the Tsarskoye Selo State Museum + 21 COLOUR PHOTOS

Wardrobe of Emperor Nicholas II in the Alexander Palace + PHOTOS and VIDEO

1896 Coronation uniform of Emperor Nicholas II + PHOTOS

© Paul Gilbert. 1 January 2026

Christmas tree installed in the Alexander Palace of Tsarskoye Selo

The tree was installed in the Semi-Circular Hall
Photo © Tsarskoye Selo Museum-Reserve

A live fir tree has been installed in the Semi-Circular Hall[1] of the Alexander Palace at Tsarskoye Selo. This is the fifth year in a row (since 2021) that the tradition of Emperor Nicholas II and his family has been revived.

The tree has been decorated with antique toys from the museum’s collection. The Christmas tree will stand until the end of the New Year holidays.

From 1905 to 1917, the Alexander Palace was the preferred residence of Nicholas II, Alexandra Feodorovna and their children. All members of the Imperial Family and their entourage took part in the preparations for Christmas[2]. A Christmas tree for the children was placed on the second floor, while the main family tree was on the first (ground) floor.

The tree was decorated with antique toys from the museum’s collection
Photo © Tsarskoye Selo Museum-Reserve

Several other Christmas trees for servants and guards stood in the ceremonial halls, and a Christmas tree for the Emperor and the Empress was placed in the private rooms of Alexandra Feodorovna. The last time a Christmas tree was decorated in the Alexander Palace was in December 1916.

The Ceremonial or State Halls of the Alexander Palace reopened in July of this year. The Semi-circular and Portrait Halls, as well as the Marble Drawing Room, are now part of the excursion route through the palace, which now includes 17 interiors.

Visitors were reminded that the Alexander Palace is open from 26th December to 30th December 2025 and from 2nd January to 11th January 2026. The museum’s opening hours are from 10:00 to 18:00.

NOTES:

H[1] It was from the Semi-Circular hall, that the Imperial Family went into exile to Siberia on 14th (O.S. st) August 1917.

[2] As Orthodox Christians, Nicholas II and his family celebrated Christmas according to the Old Style Julian Calendar on 7th January

FURTHER READING

Christmas returns to the Alexander Palace

The Imperial Family’s last Christmas in 1917

© Paul Gilbert. 26 December 2025

The fate of the kokoshniks presented to OTMA in Kostroma (1913)

PHOTO: each kokoshnik is crowned with an embroidered double-headed eagle (top); the kokoshniks of Grand Duchesses Tatiana, Olga and Anastasia Nikolaevna (bottom)

In 1913, the Romanov Dynasty celebrated it’s 300th anniversary. In February of that year, Emperor Nicholas II presided over the celebrations marking the Romanov Dynasty tercentenary. On 6th March (O.S. 21st February), a ‘Te Deum’[1] was performed in the Cathedral of Our Lady of Kazan in St. Petersburg, followed by a state reception at the Winter Palace.

Between 15th to 28th May 1913, the Emperor and his family made a pilgrimage across the Russian Empire, retracing the route down the Volga River that was made by the teenage Michael Romanov from the Ipatiev Monastery in Kostroma to Moscow in 1613 when he finally agreed to become Tsar.

The Imperial Family travelled on the Mezhen from Nizhny Novgorod to Kostroma to take part in the events marking the 300th anniversary of the Romanov dynasty that year.

The Governor of Kostroma Gennady Nikolaevich Botnikov greeted Emperor Nicholas II at the pier, with the traditional bread and salt[2] during the Imperial Family’s visit to the historic Russian town.

On the occasion of the celebrations marking the Tercentenary of the Romanov dynasty, Emperor Nicholas II ordered four kokoshniks, one for each of his four daughters. It was during their visit to Kostroma, that the grand duchesses were presented with the kokoshniks, made by the nuns of the Nikolaevsky Starotorzhsky Monastery[3].

The kokoshniks were made of velvet in a colour scheme typical of the Art Nouveau era: the kokoshnik of Grand Duchess Olga was a peach colour, Grand Duchess Tatiana’s is lilac, Grand Duchess Anastasia is in shades of rose. The colour of Maria’s kokoshnik is not known.

The kokoshniks were embroidered with gold threads and mother-of-pearl beads with stylized images of a double-headed eagle, mythical birds and floral ornaments. The kokoshniks looked elegant and delicate, emphasizing the youth of the grand duchesses. Each kokoshnik came in a case with a metal plaque on which dedicatory inscriptions were engraved. They were kept in the children’s rooms, located on the second floor of the Eastern Wing of the Alexander Palace at Tsarskoye Selo.

What happened to the kokoshniks after the 1917 Revolition? The Kokoshniks of Grand Duchesses Olga and Maria, were sold abroad in the 1930s. The kokoshniks of Grand Duchesses Tatiana and Anastasia, were evacuated during the Great Patriotic War (1941-45). All four kokoshniks have miraculously survived to the present day.

The kokoshniks of Grand Duchesses Tatiana and Anastasia are today in the collection of the Pavlovsk State Museum; the kokoshnik of Grand Duchess Olga Nikolaevna is in the collection of the Tsarskoye Selo State Museum; and the kokosnkik of Grand Duchess Maria Nikolaevna is today in a private collection in the United States. Many years back, the author of this article saw a photo of Maria’s kokoshnik, but it has since been lost.

PHOTO: the kokoshniks of Grand Duchesses Tatiana and Anastasia Nikolaevna

The first time the author of this article saw the kokoshniks of Grand Duchesses Tatiana and Anastasia was in the Costume Museum, which is located in one of the wings of Pavlovsk Palace. The museum showcases elegant evening gowns, dresses, fans, shoes and other personal items of members of the Russian Imperial Family, from the 18th to early 20th centuries.

It was here, that the kokoshniks were displayed, surrounded by glass display cases containing a number of elegant gowns and dresses from the wardrobes of the Dowager Empress Maria Feodorovna and Empress Alexandra Feodorovna. I thought it odd that they were among the collection of Pavlovsk Museum, especially given that neither the Dowager Empress, nor her son Nicholas II and his family, ever lived at Pavlovsk. As it turns out, they are all part of the collection of the Alexander Palace at Tsarskoye Selo.

PHOTO: the kokoshnik of Grand Duchess Olga Nikolaevna

In 2014, the kokoshnik belonging to Grand Duchess Olga Nikolaevna came up for auction in New York. It was purchased by the Tsarskoye Selo State Museum for $15,000 USD. The Sotheby’s auction house acted as an intermediary in this deal between the private collector and the museum.

Like the others, the headdress is made in a traditional Russian style in the shape of a crown, covered with peach-coloured velvet, embroidered with silk and silver threads and decorated with precious stones: rubies, emeralds, moonstone and mother-of-pearl. In the center of the crown there is an embroidered double-headed eagle. On the inside, the kokoshnik is covered with peach-coloured silk fabric, with long satin ribbons along the edges.

The packaging of the headdress with the Cyrillic inscription has also been preserved: “To the Grand Duchess Olga Nikolaevna, Nikolaevsky Starotorzhsky Convent, the city of Galich, Kostroma province. 1913».

“The acquisition of this relic is of particular importance for our museum, since the collection of memorial items of members of the last Tsar and his family is a priority for us. This kokoshnik will be displayed in the exposition of the Alexander Palace,” says Ekaterina Potselueva, curator of the women’s costume collection of the Tsarskoye Selo State Museum.

It is hoped that the kokoshnik of Grand Duchess Maria Nikolaevna will one day be returned to Russia, and that the two kokoshniks in the collection of Pavlovsk Palace will also be returned to the Alexander Palace at Tsarskoye Selo, from where they were all originally kept before the Revolution and the Great Patriotic War.

NOTES:

[1] The Te Deum is an early Christian hymn of praise. The title is taken from its opening Latin words, Te Deum laudamus, rendered as “Thee, O God, we praise”. In the Orthodox Church, it is sung as part of the moleben of thanksgiving.

[2] When important, respected, or admired guests arrive, they are presented with a loaf of bread (usually a korovai) placed on a rushnyk (embroidered ritual cloth). A salt holder or a salt cellar is placed on top of the bread loaf or secured in a hole on the top of the loaf.

[3] The Nikolaevsky Starotorzhsky Monastery has not survived to the present day. In 1936, the monastery was closed by the Soviet authorities. In the 1950s, the monastery buildings were transferred to the Galich Pedagogical School. In 1994 work began on the restoration of the monastery’s Trinity Cathedral, based on archival drawing, documents and photographs. Sadly, work was suspended due to lack of funding.

© Paul Gilbert. 10 November 2025

***

While my research is dedicated to clearing the name of Russia’s much slandered Tsar, I am also actively looking for articles and news stories on the Romanovs, from Russian archival and media sources, which may be of interest to my readers.

In exchange for this 18-page booklet, please consider making a small $5 or $10 donation in aid of my research. These donations are of great assistance in helping me offset the cost of obtaining and translating documents from Russian archival sources, which are often paid for out of my own pocket. It is these documents which help present new facts and information on the life and reign of Nicholas II. In addition, my research continues to debunking many of the myths and lies which exist more than a century after his death and martyrdom.

Please note, that there is NO obligation, thank you for your consideration!

CLICK HERE TO MAKE A DONATION

Restoration of interiors of the Imperial Railway Pavilion at Tsarskoye Selo

PHOTO: the Imperial Railway Pavilion is currently covered with a false building cover

The Imperial Railway Pavilion at Tsarskoye Selo is currently covered with a temporary false building cover, but inside, great progress is being made on the restoration of the building’s interiors to their historic original.

Recall that in the summer of 2023, work began on the restoration of the Imperial Railway Pavilion to it’s historic original, under the direction of  the Tsarskoye Selo Station Foundation.

Earlier this year the Contractor, Heritage-Project Restoration Workshop LLC, received permission from the Committee on State Use and Protection of Historical and Cultural Monuments of St. Petersburg to carry out work at the Imperial Train Pavilion’s interiors.

The richly decorated interiors were originally stylized as chambers with heavy stone vaults. The decoration of the facades and interiors corresponded to the grand presentation of the station, being an example of a synthesis of architecture, monumental painting and decorative art, which successfully combined the forms of ancient Russian architecture of the 17th century. The imperial chambers of the pavilion were painted by the artist M. I. Kurilko, reflecting the chambers of the beloved suburban palace of Tsar Alexei Mikhailovich.

According to restorers, many of the building’s original details have surprisingly been well preserved. The historical painting of the dome of the main entrance to the Tsar’s Station has been miraculously preserved – a photograph shows an area which had been cleaned, revealing the colourful painting underneath. Early 20th century watercolours, drawings and photographs of the interiors – which have been preserved in archives – will be of great assistance to artists in their efforts to restore the once beautiful interiors to their historic original.

Once the restoration is completed, the building were serve as a mutli-purpose museum. There are plans to use the Imperial Pavilion for other purposes, including a Wedding Palace. In addition, the façade of the building, it’s rich interiors and painted vaults will be offered as an ideal place for celebrations and photo shoots.

As you can see from the photos below, great orogress is being made on the restoration of the interiors, the goal being to restore them to their historic appearance.

PHOTOS © Tsarskoye Selo Station Foundation

PHOTOS © Tsarskoye Selo Station Foundation

PHOTOS © Tsarskoye Selo Station Foundation

FURTHER READING:

This author has been closely following the progress of this project since August 2023. Below are my articles which provide details on the restoration of this historic building, the Imperial Train of the last Russian Emperor, among others . . . .

Reconstruction of the Imperial Pavilion in Tsarskoye Selo – features 9 photos

Imperial Railway Pavilion in Tsarskoye Selo is being restored – features 13 photos of the initial restoration work

Update on the restoration of the Imperial Railway Pavilion at Tsarskoye Selo

Artist concept of Imperial Railway Pavilion restoration project at Tsarskoye Selo – features VIDEO

The sad state of the Imperial Railway Pavilion at Tsarskoye Selo – features 20 photos!

Imperial Railway Pavilions during the reign of Nicholas II

The fate of Nicholas II’s Imperial Train – features 8 historic photos

© Paul Gilbert. 5 November 2025

Armchair recreated for Nicholas II’s Working Study

Photo © Tsarskoye Selo Restoration Workshop

The Tsarskoye Selo State Museum continue to recreate items lost from the Alexander Palace during the Second World War . . . the Tsarskoye Selo Restoration Workshop are currently recreating the armchair for the large desk in the Working Study of Emperor Nicholas II.

The chair is being recreated from a vintage 1917 photograph by masters of the Tsarskoye Selo Restoration Workshop, who during the past few years recreated other items of furniture for this interior, as well as other interiors in the recreated Private Apartments of Emperor Nicholas II and Empress Alexandra Feodorovna, located in the Eastern Wing of the Alexander Palace.

Furniture items which have been recreated for the Working Study of Emperor Nicholas II include a large table with a lamp; in June 2023, a beautiful Ottoman and a large Persian Farahan carpet was recreated to upholster the Large Ottoman sofa; in December 2024, a table and chair, among other pieces. Upon completion, each piece was returned to it’s original historic place in the Study.

PHOTO: Nicholas II seated in the armchair (currently being recreated) in 1901

Recall that the Alexander Palace closed in the Autumn of 2015 for an extensive restoration, which saw the reconstruction of the Private Apartments of Emperor Nicholas II and Empress Alexandra Feodorovna, situated in the Eastern Wing of the palace. Work on the project took 6 years to complete. The Alexander Palace reopened it’s doors to visitors in August 2021.

According to the TASS News Agency, the Western Wing of the Alexander Palace at Tsarskoye Selo is now scheduled to open to the public in late 2025.

© Paul Gilbert. 23 September 2025