St. Petersburg Hosts One Day Exhibit of Pierre Gilliard’s Photographs of the Tsar’s family

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An exhibition of photographs depicting the life of Emperor Nicholas II and his family, from the collection of Pierre Gilliard, opened 17th March at the Karl Bulla Fund for Historical Photography, situated at No. 54 Nevsky Prospekt in St. Petersburg.

The one day exposition was timed to coincide with the release of the Russian translation of Gilliard’s book Трагическая судьба Николая II и его семьи (The Tragic Fate of Nicholas II and His Family), published in 1929 in Paris by Payot.

From 1905 Swiss citizen Pierre Gilliard (1879-1962) taught the French language to the children of Nicholas II. From 1913 he was appointed tutor to the Heir Tsesarevich Alexei Nikolaevich. Gilliard accompanied the Imperial Family into exile to Tobolsk, but upon arrival in Ekaterinburg he was separated from the family. Gilliard was a keen photographer, and returned to Switzerland with a large number of photographs. In exile he wrote his memoirs of his life in Russia and his impressions of the daily life of Nicholas II and his family.

Today, Gilliard’s archives are stored in the Lausanne Museum of Photography, including 384 black and white photos. More than 70 photos from Pierre Gilliard’s archive, most of which never been exhibited in Russia are presented in the exhibition.

“In essence, this is the return of the memory of Pierre Gilliard, who, by the will of fate, witnessed one of the most tragic events in the history of Russia,” said the President of the Karla Bulla Foundation for Historical Photography Valentine Elbek.

He added that the photo exhibition will open at Livadia Palace in Yalta in May 2020, to coincide with the international scientific conference Russia. The Romanovs. More than a dozen photographs brought from Gilliard’s collection depict the Imperial Family during their visits to Livadia.

It is interesting to note that the idea of ​​publishing a photo album based on Pierre Gilliard’s collection is being worked out. “Our partners in Lausanne expressed a desire to host our exhibition, which will probably be shown in various European capitals,” added Valentin Elbek.

The St. Petersburg exhibition was implemented in partnership with the Ludwig Nobel Foundation. The Tsarskoye Selo Museum Reserve has shown interest in this initiative, where Gilliard’s working room is being restored in the Alexander Palace, and his heirs donated part of his belongings to the museum as a gift.

© Paul Gilbert. 20 March 2020

The woman who photographed the Imperial Family in Tobolsk

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Maria Ussakovskaya, nee Petukhova with her husband Ivan Konstantinovich Ussakovsky

Few historians know about Maria Ussakovskaya the first woman photographer in Tobolsk. Through the lens of her camera, she photographed life in the provincial capital during one of the most dramatic periods of Russia’s history, leaving for posterity a noticeable mark in the biography of this Siberian city.

Incredible progress

Maria Mikhailovna Ussakovskaya, nee Petukhova, was born on 28th December 1871 (Old Style) in the family of a Tobolak native, state adviser M.M. Petukhov. She graduated from the Tobolsk girl’s school and, in 1893, married the official Ivan Konstantinovich Ussakovsky.

Ivan was also a great lover of photography – a hobby that was fashionable and modern in Russia at the time. On the basis of her husband’s home laboratory, as well as money received in a dowry from her father, Maria opened a photo salon, which quickly gained popularity among the townspeople. It should be noted that in 1897 in Tobolsk, with a population of 20 thousand people, there were no less than nine photo shops! 

Maria kept up with all the new developments in photography. She ordered expensive Bristol cardboard for passe-partout, used interchangeable backs with different scenes, offered costume shots, and even performed photo montages. This was incredible progress for Siberia at that time.

Photographs by Ussakovskaya were distinguished by their artistic taste and original composition. These were real photo portraits, which is especially significant, because photography at that time was essentially a step into eternity to become a memory for years to come.

Unlike other female owned photo salons, Ussakovskaya perfectly mastered the techniques of photography herself. Her photo salon also began to publish postcards, which were in great demand. It is known that the famous Russian chemist and inventor Dmitry Mendeleev (1834-1907), during his stay in Tobolsk in the summer of 1899, bought a collection of art postcards with views of his native city from Ussakovskaya’s salon.

Maria continued to work after the revolution, but the portraits of young ladies in silk dresses were replaced with photographing labor collectives, fur farms, bone carving masters and ordinary workers. At the same time, the house was formally confiscated by the local Soviet, leaving Maria to rent her own photo workshop from a local farm in Tobolsk. In 1929, Ussakovskaya was deprived of suffrage. The photo salon had to be closed. In 1938, the Ussakovskys left Tobolsk for Moscow for fear of reprisals. Maria Mikhailovna died in 1947 and is buried in the Don Cemetery.

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Photograph of Rasputin taken at Maria’s salon in Tobolsk

Witness of events

Maria was a witness to many historical events. Of particular interest in her biography are family traditions associated with the names of prominent people of that era and carefully preserved by subsequent generations of Ussakovsky. One of them is based on the visit by the famous strannik Grigori Rasputin.

The photograph of Grigory Rasputin made by Maria Ussakovskaya is today widely known. Moreover, the famous holy man, who was hunted by Russia’s finest photographers, presented himself at Maria’s salon. Maria’s great-grandson of Vadim Borisovich Khoziev, continues to tell the story of Rasputin’s visit to his great-grandmother’s salon in Tobolsk, as told to him by his grandmother Maria Ivanovna Ussakovskaya.

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One of Maria’s photos of the Governors House, where the Imperial Family lived under house arrest

Photographer of the Romanov family?

It is also of great interest,  that according to the Ussakovsky family, Maria repeatedly photographed the family of Tsar Nicholas II during their house arrest in the former Governor’s Mansion in Tobolsk. Sadly, however, in 1938, her daughter Nina, fearing arrest, destroyed all the photographic plates. One can only speculate, as to what these lost plates depicted? How close did Maria get to the Imperial Family? What were they doing when she photographed them? How many photographs did she take, and later destroyed? Sadly, we will never know.

Only photos of the faithful servants of the Imperial Family have been preserved to this day. The original of this photo is now in the collection of the Tsarskoye Selo State Museum in Pushkin, a copy of which can be seen in the Museum of the Family of Emperor Nicholas II (opened in June 2018) in Tobolsk. It is interesting to add that members of their suite who enjoyed freedom to go about Tobolsk, made purchases of  postcards with views of Tobolsk, on behalf of the Imperial Family from Maria’s salon.

The fact that the Imperial Family used the services of the Ussakovskaya Salon was documented. In the financial report of Colonel Kobylinsky, security chief of the Romanovs, in addition to a few mentions of invoices for purchasing postcards, information is also provided on the account “for correcting negatives”. So Maria’s photos of the Imperial Family did in fact exist!.

The Imperial Family described their stay in Tobolsk in great detail in both their respective diaries and letters, however, there is no mention of an invitation of Maria Ussakovskaya nor the photographer in general. A visit by a female photographer would hardly go unnoticed. It is also not clear why the Romanovs would need to invite a photographer: they, as well as the tutor to Tsesarevich Alexei Pierre Gilliard, had their own cameras. Many photographs of the Imperial Family have been preserved, taken in Tobolsk by the Romanovs themselves or by members of their retinue.

Pierre Gilliard notes in his diary on 17th September 1917 that the Imperial Family were forced to have “ID cards with numbers, equipped with photographs.” Empress Alexandra Feodorovna made a similar note in her diary on 30th September 1917. Their respective entries may explain the photographer from the Ussakovskaya Salon, who was most likely Maria’s husband Ivan Konstantinovich Ussakovsky, who was invited for this compulsory photography for certificates. An invoice was issued by the salon.

Several passes to the “Freedom House” with photographs have been preserved, for example, the passes with a photograph of Dr. E. S. Botkin and maid A. S. Demidova. Their copies are also on display in the Museum of the Family of Emperor Nicholas II in Tobolsk.

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Photograph of the Imperial Family’s faithful servants taken at Maria’s salon in Tobolsk

“Faithful servants”

A wonderful photograph depicting *five faithful servants of the Imperial Family has been preserved to this day. The original of this photo is now in the collection of the Tsarskoye Selo State Museum in Pushkin, a copy of which can be seen in the Museum of the Family of Emperor Nicholas II (opened in June 2018) in Tobolsk.

The faithful servants of the Imperial Family, who had not lodged in the Governor’s House, but in the Kornilov House, located on the opposite side of the street and, obviously, enjoyed greater freedom of movement, could visit the Ussakovskaya Salon, which was located nearby. The famous photograph, called “Faithful Servants”, was clearly taken in the salon. Five members of the imperial retinue pose against a backdrop with a view of Tobolsk, printed or painted on canvas, This background can be seen in other photos from the Ussakovskaya Photo Salon.

*NOTE: the photo above depicts – the gentlemen: Count Ilya Tatishchev, Pierre Gilliard, Prince Vasily Dolgorukov; the ladies, Catherine Schneider, Anastasia Hendrikova. With the exception of Pierre Gilliard, the other four faithful retainers of the Imperial Family were murdered by the Bolsheviks in 1918.

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The home and salon of Maria Mikhailovna and Ivan Ussakovsky in Tobolsk

The home and salon of Maria Mikhailovna and Ivan Ussakovsky which was located at No. 19 Ulitsa Mira, was illegally demolished in 2006. Requests to local authorities by a group of local historians to restore the building has fallen on deaf ears in Tobolsk. 

© Paul Gilbert. 24 February 2020

Documentary: The Return of Pierre Gilliard

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Pierre Gilliard and Nicholas II sawing wood during their house arrest in Tobolsk

«Возвращение Пьера Жильяра» (The Return of Pierre Gilliard) is the name of a new Russian language documentary film dedicated to the the French language tutor to the five children of Emperor Nicholas II of Russia from 1905 to 1918.

Work on on the documentary began in 2018, and was recently completed at the “NATAKAM” film studio; the script was written and directed by Lyudmila Shakht and Konstantin Kozlov. The premiere was held earlier this month in the House of Cinema, with additional viewings scheduled on 20th March at the Knowledge of Russia Society, and on 24th April at the Boris Yeltsin Presidential Library in St. Petersburg. Gilliards’ grand-nephews – writer Pierre-Frederic Gilliard and doctor Jacques Moser talk about the life and fate of Pierre Gilliard (1879-1962). The film is based on family memories, diaries, letters and photographs, on their famous uncle, a true friend of the Imperial family.

After returning from Russia to Switzerland, he wrote and published the book Le tragique destin de Nicolas II et de sa famille (1921). An English language edition Thirteen Years in the Russian Court was published in 1927. 

The Swiss-born Pierre Gilliard first gave French lessons to Grand Duchesses Olga and Tatiana, then to Maria and Anastasia. He first began to teach French to the Tsesarevich and Heir Alexei in 1913. Gilliard grew fond of the family and following the Russian Revolution of 1917, he followed them into internal exile to Tobolsk, Siberia. The Bolsheviks prevented Gilliard from joining his pupils when they were moved to the Ipatiev House in Ekaterinburg in May 1918.

Gilliard remained in Siberia after the murders of the Imperial family, assisting White Russian investigator Nicholas Sokolov. In 1919, he married Alexandra Tegleva (1894-1955), who had been a nurse to Grand Duchess Anastasia. In 1920, he returned to Switzerland through Vladivostok, along with wife. He managed to save his archive – diaries, letters, memorabilia, photographs. In 1958, Gilliard was severely injured in a car accident in Lausanne, Switzerland. He never fully recovered and died four years later on 30 May 1962

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Pierre Gilliard’s  Eastman Kodak Bulls Eye camera

It is important to note that in recent years Pierre Gilliard descendants have donated several memorial items to the Tsarskoye Selo State Museum. Among these are the *Eastman Kodak Bulls Eye camera (above)  from which he photographed the Imperial family in Tsarskoye Selo and later in exile in Tobolsk. According to Mr. Moser, his mother, the goddaughter of Gilliard, inherited this camera and explained that “Uncle Pierre” took all the photos at the Russian Court, and that “the emperor himself actually held the camera in his hands.” She showed pictures – in particular the one in which Gilliard and the Tsar sawed wood in Tobolsk (above). The photos which are featured in the documentary film illustrate the dramatic fate of the last Russian emperor and his family. The museum also received a tea set and a set of tableware, a gift to Gilliard from Grand Duchess Anastasia Nikolaevna, as well as a Faberge brooch and a Paul Bure golden pocket watch gifted by Empress Alexandra to Gilliard’s wife Alexandra Tegleva.

*Pierre Gilliard’s Eastman Kodak Bulls Eye camera was recently displayed in The Last Tsar: Blood and Revolution Exhibition, at the Science Museum in London, England

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In recent years photos taken by Gilliard of the Imperial family were sold at auction

© Paul Gilbert. 17 March 2019