Christmas tree installed in the Alexander Palace of Tsarskoye Selo

The tree was installed in the Semi-Circular Hall
Photo © Tsarskoye Selo Museum-Reserve

A live fir tree has been installed in the Semi-Circular Hall[1] of the Alexander Palace at Tsarskoye Selo. This is the fifth year in a row (since 2021) that the tradition of Emperor Nicholas II and his family has been revived.

The tree has been decorated with antique toys from the museum’s collection. The Christmas tree will stand until the end of the New Year holidays.

From 1905 to 1917, the Alexander Palace was the preferred residence of Nicholas II, Alexandra Feodorovna and their children. All members of the Imperial Family and their entourage took part in the preparations for Christmas[2]. A Christmas tree for the children was placed on the second floor, while the main family tree was on the first (ground) floor.

The tree was decorated with antique toys from the museum’s collection
Photo © Tsarskoye Selo Museum-Reserve

Several other Christmas trees for servants and guards stood in the ceremonial halls, and a Christmas tree for the Emperor and the Empress was placed in the private rooms of Alexandra Feodorovna. The last time a Christmas tree was decorated in the Alexander Palace was in December 1916.

The Ceremonial or State Halls of the Alexander Palace reopened in July of this year. The Semi-circular and Portrait Halls, as well as the Marble Drawing Room, are now part of the excursion route through the palace, which now includes 17 interiors.

Visitors were reminded that the Alexander Palace is open from 26th December to 30th December 2025 and from 2nd January to 11th January 2026. The museum’s opening hours are from 10:00 to 18:00.

NOTES:

H[1] It was from the Semi-Circular hall, that the Imperial Family went into exile to Siberia on 14th (O.S. st) August 1917.

[2] As Orthodox Christians, Nicholas II and his family celebrated Christmas according to the Old Style Julian Calendar on 7th January

FURTHER READING

Christmas returns to the Alexander Palace

The Imperial Family’s last Christmas in 1917

© Paul Gilbert. 26 December 2025

The fate of the kokoshniks presented to OTMA in Kostroma (1913)

PHOTO: each kokoshnik is crowned with an embroidered double-headed eagle (top); the kokoshniks of Grand Duchesses Tatiana, Olga and Anastasia Nikolaevna (bottom)

In 1913, the Romanov Dynasty celebrated it’s 300th anniversary. In February of that year, Emperor Nicholas II presided over the celebrations marking the Romanov Dynasty tercentenary. On 6th March (O.S. 21st February), a ‘Te Deum’[1] was performed in the Cathedral of Our Lady of Kazan in St. Petersburg, followed by a state reception at the Winter Palace.

Between 15th to 28th May 1913, the Emperor and his family made a pilgrimage across the Russian Empire, retracing the route down the Volga River that was made by the teenage Michael Romanov from the Ipatiev Monastery in Kostroma to Moscow in 1613 when he finally agreed to become Tsar.

The Imperial Family travelled on the Mezhen from Nizhny Novgorod to Kostroma to take part in the events marking the 300th anniversary of the Romanov dynasty that year.

The Governor of Kostroma Gennady Nikolaevich Botnikov greeted Emperor Nicholas II at the pier, with the traditional bread and salt[2] during the Imperial Family’s visit to the historic Russian town.

On the occasion of the celebrations marking the Tercentenary of the Romanov dynasty, Emperor Nicholas II ordered four kokoshniks, one for each of his four daughters. It was during their visit to Kostroma, that the grand duchesses were presented with the kokoshniks, made by the nuns of the Nikolaevsky Starotorzhsky Monastery[3].

The kokoshniks were made of velvet in a colour scheme typical of the Art Nouveau era: the kokoshnik of Grand Duchess Olga was a peach colour, Grand Duchess Tatiana’s is lilac, Grand Duchess Anastasia is in shades of rose. The colour of Maria’s kokoshnik is not known.

The kokoshniks were embroidered with gold threads and mother-of-pearl beads with stylized images of a double-headed eagle, mythical birds and floral ornaments. The kokoshniks looked elegant and delicate, emphasizing the youth of the grand duchesses. Each kokoshnik came in a case with a metal plaque on which dedicatory inscriptions were engraved. They were kept in the children’s rooms, located on the second floor of the Eastern Wing of the Alexander Palace at Tsarskoye Selo.

What happened to the kokoshniks after the 1917 Revolition? The Kokoshniks of Grand Duchesses Olga and Maria, were sold abroad in the 1930s. The kokoshniks of Grand Duchesses Tatiana and Anastasia, were evacuated during the Great Patriotic War (1941-45). All four kokoshniks have miraculously survived to the present day.

The kokoshniks of Grand Duchesses Tatiana and Anastasia are today in the collection of the Pavlovsk State Museum; the kokoshnik of Grand Duchess Olga Nikolaevna is in the collection of the Tsarskoye Selo State Museum; and the kokosnkik of Grand Duchess Maria Nikolaevna is today in a private collection in the United States. Many years back, the author of this article saw a photo of Maria’s kokoshnik, but it has since been lost.

PHOTO: the kokoshniks of Grand Duchesses Tatiana and Anastasia Nikolaevna

The first time the author of this article saw the kokoshniks of Grand Duchesses Tatiana and Anastasia was in the Costume Museum, which is located in one of the wings of Pavlovsk Palace. The museum showcases elegant evening gowns, dresses, fans, shoes and other personal items of members of the Russian Imperial Family, from the 18th to early 20th centuries.

It was here, that the kokoshniks were displayed, surrounded by glass display cases containing a number of elegant gowns and dresses from the wardrobes of the Dowager Empress Maria Feodorovna and Empress Alexandra Feodorovna. I thought it odd that they were among the collection of Pavlovsk Museum, especially given that neither the Dowager Empress, nor her son Nicholas II and his family, ever lived at Pavlovsk. As it turns out, they are all part of the collection of the Alexander Palace at Tsarskoye Selo.

PHOTO: the kokoshnik of Grand Duchess Olga Nikolaevna

In 2014, the kokoshnik belonging to Grand Duchess Olga Nikolaevna came up for auction in New York. It was purchased by the Tsarskoye Selo State Museum for $15,000 USD. The Sotheby’s auction house acted as an intermediary in this deal between the private collector and the museum.

Like the others, the headdress is made in a traditional Russian style in the shape of a crown, covered with peach-coloured velvet, embroidered with silk and silver threads and decorated with precious stones: rubies, emeralds, moonstone and mother-of-pearl. In the center of the crown there is an embroidered double-headed eagle. On the inside, the kokoshnik is covered with peach-coloured silk fabric, with long satin ribbons along the edges.

The packaging of the headdress with the Cyrillic inscription has also been preserved: “To the Grand Duchess Olga Nikolaevna, Nikolaevsky Starotorzhsky Convent, the city of Galich, Kostroma province. 1913».

“The acquisition of this relic is of particular importance for our museum, since the collection of memorial items of members of the last Tsar and his family is a priority for us. This kokoshnik will be displayed in the exposition of the Alexander Palace,” says Ekaterina Potselueva, curator of the women’s costume collection of the Tsarskoye Selo State Museum.

It is hoped that the kokoshnik of Grand Duchess Maria Nikolaevna will one day be returned to Russia, and that the two kokoshniks in the collection of Pavlovsk Palace will also be returned to the Alexander Palace at Tsarskoye Selo, from where they were all originally kept before the Revolution and the Great Patriotic War.

NOTES:

[1] The Te Deum is an early Christian hymn of praise. The title is taken from its opening Latin words, Te Deum laudamus, rendered as “Thee, O God, we praise”. In the Orthodox Church, it is sung as part of the moleben of thanksgiving.

[2] When important, respected, or admired guests arrive, they are presented with a loaf of bread (usually a korovai) placed on a rushnyk (embroidered ritual cloth). A salt holder or a salt cellar is placed on top of the bread loaf or secured in a hole on the top of the loaf.

[3] The Nikolaevsky Starotorzhsky Monastery has not survived to the present day. In 1936, the monastery was closed by the Soviet authorities. In the 1950s, the monastery buildings were transferred to the Galich Pedagogical School. In 1994 work began on the restoration of the monastery’s Trinity Cathedral, based on archival drawing, documents and photographs. Sadly, work was suspended due to lack of funding.

© Paul Gilbert. 10 November 2025

***

While my research is dedicated to clearing the name of Russia’s much slandered Tsar, I am also actively looking for articles and news stories on the Romanovs, from Russian archival and media sources, which may be of interest to my readers.

In exchange for this 18-page booklet, please consider making a small $5 or $10 donation in aid of my research. These donations are of great assistance in helping me offset the cost of obtaining and translating documents from Russian archival sources, which are often paid for out of my own pocket. It is these documents which help present new facts and information on the life and reign of Nicholas II. In addition, my research continues to debunking many of the myths and lies which exist more than a century after his death and martyrdom.

Please note, that there is NO obligation, thank you for your consideration!

CLICK HERE TO MAKE A DONATION

Restoration of interiors of the Imperial Railway Pavilion at Tsarskoye Selo

PHOTO: the Imperial Railway Pavilion is currently covered with a false building cover

The Imperial Railway Pavilion at Tsarskoye Selo is currently covered with a temporary false building cover, but inside, great progress is being made on the restoration of the building’s interiors to their historic original.

Recall that in the summer of 2023, work began on the restoration of the Imperial Railway Pavilion to it’s historic original, under the direction of  the Tsarskoye Selo Station Foundation.

Earlier this year the Contractor, Heritage-Project Restoration Workshop LLC, received permission from the Committee on State Use and Protection of Historical and Cultural Monuments of St. Petersburg to carry out work at the Imperial Train Pavilion’s interiors.

The richly decorated interiors were originally stylized as chambers with heavy stone vaults. The decoration of the facades and interiors corresponded to the grand presentation of the station, being an example of a synthesis of architecture, monumental painting and decorative art, which successfully combined the forms of ancient Russian architecture of the 17th century. The imperial chambers of the pavilion were painted by the artist M. I. Kurilko, reflecting the chambers of the beloved suburban palace of Tsar Alexei Mikhailovich.

According to restorers, many of the building’s original details have surprisingly been well preserved. The historical painting of the dome of the main entrance to the Tsar’s Station has been miraculously preserved – a photograph shows an area which had been cleaned, revealing the colourful painting underneath. Early 20th century watercolours, drawings and photographs of the interiors – which have been preserved in archives – will be of great assistance to artists in their efforts to restore the once beautiful interiors to their historic original.

Once the restoration is completed, the building were serve as a mutli-purpose museum. There are plans to use the Imperial Pavilion for other purposes, including a Wedding Palace. In addition, the façade of the building, it’s rich interiors and painted vaults will be offered as an ideal place for celebrations and photo shoots.

As you can see from the photos below, great orogress is being made on the restoration of the interiors, the goal being to restore them to their historic appearance.

PHOTOS © Tsarskoye Selo Station Foundation

PHOTOS © Tsarskoye Selo Station Foundation

PHOTOS © Tsarskoye Selo Station Foundation

FURTHER READING:

This author has been closely following the progress of this project since August 2023. Below are my articles which provide details on the restoration of this historic building, the Imperial Train of the last Russian Emperor, among others . . . .

Reconstruction of the Imperial Pavilion in Tsarskoye Selo – features 9 photos

Imperial Railway Pavilion in Tsarskoye Selo is being restored – features 13 photos of the initial restoration work

Update on the restoration of the Imperial Railway Pavilion at Tsarskoye Selo

Artist concept of Imperial Railway Pavilion restoration project at Tsarskoye Selo – features VIDEO

The sad state of the Imperial Railway Pavilion at Tsarskoye Selo – features 20 photos!

Imperial Railway Pavilions during the reign of Nicholas II

The fate of Nicholas II’s Imperial Train – features 8 historic photos

© Paul Gilbert. 5 November 2025

Armchair recreated for Nicholas II’s Working Study

Photo © Tsarskoye Selo Restoration Workshop

The Tsarskoye Selo State Museum continue to recreate items lost from the Alexander Palace during the Second World War . . . the Tsarskoye Selo Restoration Workshop are currently recreating the armchair for the large desk in the Working Study of Emperor Nicholas II.

The chair is being recreated from a vintage 1917 photograph by masters of the Tsarskoye Selo Restoration Workshop, who during the past few years recreated other items of furniture for this interior, as well as other interiors in the recreated Private Apartments of Emperor Nicholas II and Empress Alexandra Feodorovna, located in the Eastern Wing of the Alexander Palace.

Furniture items which have been recreated for the Working Study of Emperor Nicholas II include a large table with a lamp; in June 2023, a beautiful Ottoman and a large Persian Farahan carpet was recreated to upholster the Large Ottoman sofa; in December 2024, a table and chair, among other pieces. Upon completion, each piece was returned to it’s original historic place in the Study.

PHOTO: Nicholas II seated in the armchair (currently being recreated) in 1901

Recall that the Alexander Palace closed in the Autumn of 2015 for an extensive restoration, which saw the reconstruction of the Private Apartments of Emperor Nicholas II and Empress Alexandra Feodorovna, situated in the Eastern Wing of the palace. Work on the project took 6 years to complete. The Alexander Palace reopened it’s doors to visitors in August 2021.

According to the TASS News Agency, the Western Wing of the Alexander Palace at Tsarskoye Selo is now scheduled to open to the public in late 2025.

© Paul Gilbert. 23 September 2025

Chinese Theater at Tsarskoye Selo to be restored

PHOTO: Early 20th century view of the Chinese Theater of Catherine the Great, situated in the Alexander Park at Tsarskoye Selo

More exciting news from Tsarskoye Selo . . .

On 12th September 2025, the Tsarskoye Selo State Museum and Gazprom’s Cultural Initiatives Support Foundation signed an agreement for the restoration of the 18th-century Chinese Theater and its adaptation for modern use. The theater is situated in the New Garden of the Alexander Park at Tsarskoye Selo.

The restoration of the architectural monument will require at least three billion rubles ($39 millions USD), and take at least eight years to complete. In the next two years, the ruins which have survived to this day will be mothballed, whereupon, specialists will begin reconstruction.

The building is planned to have a large exhibition hall with an area of ​​about 600 square meters, which will host exhibitions and theatrical performances. In addition, the depository of the Tsarskoye Selo State Museum-Reserve will be located here.

PHOTO: A current view of the burned out ruins of the Chinese Theater in the Alexander Park at Tsarskoye Selo

The Chinese Theater was constructed in 1778 by the famous architect Antonio Rinaldi (1709-1794). The first performance was given in the Chinese Theater on 13th June 1779, when the composer Giovanni Paisiello presented his opera ‘Demetrios’ for Empress Catherine II.

In 1892, the premiere of Leo Tolstoy’s play ‘The Fruits of Enlightenment’ was staged here. In the early 20th century, the famous parody ‘Crooked Mirror’ by Alexander Izmailov (1873-1921), was performed here for Emperor Nicholas II and his family.

In 1908-1909, the building was overhauled: the stage was re-equipped with the latest technology for staging large opera and ballet performances. With the outbreak of the First World War, the activities of the Chinese Theater ceased for a long time, the performances resumed only in the summer of 1930.

PHOTO: Artist concept of what the the Chinese Theater in the Alexander Park at Tsarskoye Selo, will look like after the reconstruction, which will begin in 2022, and last about eight years.

On 15th September 1941, when the city of Pushkin (Tsarskoye Selo) was being shelled by the Nazis, the Chinese Theater was completely burnt out. It has remained in a terrible state of neglect and disrepair since – see photo on this page.

Recall that in March 2021, the museum announced plans for the reconstruction of the Chinese Theater, however, the project was put on hold due to lack of financing. Now that financing is in place – thanks to Gazprom – the revival of this beautiful building will once again be the venue for theatrical performances.

© Paul Gilbert. 19 September 2025

Restoration of the Horse Cemetery at Tsarskoye Selo completed

PHOTO: Pensioner’s Stable Pavilion and Horse Cemetery at Tsarskoye Selo

The Tsarskoye Selo State Museum-Reserve has announced the completion of restoration work in the Pensioners’ Stable Pavilion and the adjacent 19th-century cemetery, where more than 120 horses of the Russian emperors are buried.

Click HERE to read my article Pensioner’s Stable Pavilion and Horse Cemetery at Tsarskoye Selo to open end of 2025, which includes photos and drawings, published on 24th May 2025

Guided tours (in Russian only) of the complex will be offered to visitors beginning 30th August, on weekends only. The route includes a talk on the history of the Pensioner’s Stable Pavilion, followed by a rour of the world’s first Imperial Horse cemetery and the nearby Imperial Farm [Note: restoration was completed in January of this year].

The restoration work has been ongoing since 2019 at the expense of the museum’s extra-budgetary funds. During this time, the general layout of the site was restored, the bases of the tombstones were restored and the gravestones were returned to their historical places. According to archival data, the museum staff established the names of the horses buried in each grave, and craftsmen recreated the lost plates with inscriptions.

In the building of the Pensioner’s Stable, façade and general construction work was carried out, utilities were laid and carpentry fillings were restored. The museum has begun work on the creation of a permanent exhibition dedicated to imperial horses, which is scheduled to open in the spring of 2026. Among the exhibits is a decorative harness for Tsesarevich Alexei Nikolaevich’s favourite donkey, presented by King Victor Emmanuel III to Emperor Nicholas II, during the latter’s visit to Italy in October 1909.

The Pensioner’s Stable was built in 1827-1830 according to the project of the architect and landscape designer Adam Menelaws (1753-1831), to serve as a “retirement home” for horses that had left the service of their Imperial masters “due to old age and illness”.

The first burial dates back to 1834, the last to 1915. Horses of the emperors of the 19th century are buried in the adjacent cemetery, including animals from the stables of Emperors Alexander I, Nicholas I, Alexander II and Alexander III.

The horses belonging to Emperor Nicholas II, which are buried in the cemetery, include his gray gelding “Serko“, presented to Tsesarevich Nikolai Alexandrovich (future Emperor Nicholas II) in 1890. In 1901, Emperor Nicholas II’s favourite horse “Bluebell”, from 1875, died at the age of 30. After her death, Nicholas II issued an edict for “Bluebell” to be buried in the Imperial Horse Cemetery. 

During the Great Patriotic War, the Pensioner’s Pavilion was slightly damaged, but in the following decades it fell into a terrible state of neglect and disrepair, as did the Imperial Horse Cemetery. The repair of individual slabs on the graves was carried out in the early 2000s with the financial support of the French writer and horse specialist Jean-Louis Gouraud [b.1943]. Restoration work was interrupted during the COVID pandemic. The museum has since carried out comprehensive restoration at its own expense.

© Paul Gilbert. 25 August 2025

Three ceremonial halls of the Alexander Palace reopened after restoration

Photo © Tsarskoye Selo State Museum

The restoration of the Alexander Palace at Tsarskoye Selo continues . . . on 19th July 2025, the Tsarskoye Selo Museum-Reserve opened three ceremonial halls of the Alexander Palace, after additional restoration work was carried out.

The Semi-circular, Portrait Hall and Marble Drawing Room are once again open to visitors and guided tours. The visitor route through the Alexander Palace now includes 17 interiors, which include the private apartments of Emperor Nicholas II and Empress Alexandra Feodorovna, as well as the interiors of the State Enfilade.

NOTE: the photos show the interiors as they looked following the recent restoration. They lack many of the decorative and applied art pieces, which have now since been returned to their original places – PG

Recall that in 2012, “cosmetic repairs” were carried out in the Portrait Hall, the Semi-Circular Hall and the Marble Drawing (the former Billiard) Room. In June 2010, the State Halls, which are situated in the central part of the palace – between the east and west wings – were solemnly opened to visitors, as part of events marking the 300th anniversary of Tsarskoye Selo.

However, despite the best efforts of curators, limited funds for restoration, and dispersed collections, meant that the presentations were somewhat sparse and of varying quality. The State Halls were closed again in the Autumn of 2015 for additional restoration work. The State Enfilade reopened in 2021.

Photo © Tsarskoye Selo State Museum

Photo © Tsarskoye Selo State Museum

The State Halls were closed yet again in 2023, and during the next year+, craftsmen carried out additional restoration work in the interiors. During this time, engineering and technical support systems (heat and power supplies, exposure lighting, ventilation, air conditioning) and low-current systems (security and alarm systems, video surveillance systems, warning and evacuation control, automatic fire alarms) were completely updated.

Specialists carried out large-scale restoration work which included repairs on the parquet floors, ceilings and window fittings. In addition, the mahogany doors with gilded bronze décor were also restored.

About 70 original works of paintings and decorative and applied art are showcased in the State Halls, including two portraits transferred on loan from the Pavlovsk State Museum: the first, of Empress Alexandra Feodorovna (wife of Emperor Nicholas I) and the second, of Queen Victoria of Great Britain. The works were returned to their historical places in the Marble Drawing Room [not to be confused with the Marble (Mountain) Hall.

Note: in 1951, thousands of items from the Alexander Palace were transferred to Pavlovsk. To date, they have not been returned – PG.

© Tsarskoye Selo State Museum

Visitors can also see three 18th-century chandeliers, created according to drawings by the architect Giacomo Quarenghi (1744-1817). They are made of bronze, glass and crystal and impress with their size: 3.5 meters high, each weighing more than 240 kilograms. The chandeliers were restored in March 2025.

Complementing the halls are four marble fireplaces, two of which are decorated with large vases created at the Imperial Porcelain Factory in the second quarter of the 19th century. On eleven consoles there are vases and candelabra. On the walls there are portraits of emperors and members of their families by artists Alexander Roslin, Franz Krüger, Timofey Neff, as well as urban and seascapes by Ivan Aivazovsky, Fyodor Alexeev, Maxim Vorobyov and Franz Ludwig Katel. In addition, are two large floor vases made of cloisonné enamel on copper, which were presented to Emperor Nicholas II in 1916 by Prince Kotohito on behalf of Emperor Yoshihito of Japan.

The Semi-circular Hall (see below). Photo © Tsarskoye Selo State Museum

The Semi-Circular Hall (pictured above) is associated with an important event in early 20th century Russian history. It was from this hall, on the night of 31st July / 1st August 1917, that Emperor Nicholas II, along with his family and an enormous retinue left the Alexander Palace and went into exile to Tobolsk, Siberia. They passed through the doors (seen in the photo above), and never saw their beloved home again. From 1905, the Alexander Palace had been the preferred Imperial residence of Nicholas and his family.

Photos © Tsarskoye Selo State Museum

At the time of this writing, the restoration of the Alexander Palace continues, funded by the Ministry of Culture of the Russian Federation, and philanthropists, and the Tsarskoye Selo State Museum. The restoration of the Western Wing of the palace is expected to be completed by the end of 2025. Work is now underway to recreate the famous Crimson [aka Raspberry] Drawing Room. The work is planned to be completed in 2027.

© Paul Gilbert. 18 July 2025

Large-scale Cossack exhibition opens in Tsarskoye Selo

On 11th July 2025, the exhibition “Cossacks in the Service of the Tsar and the Fatherland. 16th Century – 1917” opened in the Cameron Gallery, which is adjacent to the Catherine Palace at Tsarskoye Selo.

The large-scale exhibition brings together more than 800 items from the collections of 13 museums and archives, as well as six private collections. Their geography covers almost all of Russia: Moscow, St. Petersburg, Gatchina, Novocherkassk, Ekaterinburg, Orenburg, Khabarovsk. Cossack troops and their units were stationed here for hundreds of years. Many of the items featured are being exhibited for the very first time.

Photo © Tsarskoye Selo State Museum

Photo © Tsarskoye Selo State Museum

Photo © Tsarskoye Selo State Museum

Visitors will learn about the origin of the life of the Cossacks during peacetime, their uniforms, equipment, the weapons and regalia of the Cossack troops, the Cossack guards, the august atamans and military leaders, the Cossacks at the Imperial Court, as well as the participation of the Cossacks during the wars of the 18th – early 20th centuries.

“We have been preparing this exhibition for more than two years. It is symbolic that it opens in the year of the 250th anniversary of the formation of the Don and Chuguev court convoy Cossacks, who were stationed in Tsarskoye Selo, served the Empress Catherine II and became the basis for the creation of the Life Guards Cossack Regiment, which guarded the Imperial Family until 1917,” said Dmitry Klochkov, head of the military-historical department of the Tsarskoye Selo State Museum.

Photo © Tsarskoye Selo State Museum

Photo © Tsarskoye Selo State Museum

Photo © Tsarskoye Selo State Museum

“The history of the Cossacks is a separate, unique world, inextricably linked with the fate of Russia. The service of the Cossacks covers several centuries, and at all times they stood on the most dangerous borders of the country. We hope that the exhibition will become not only a cultural, but also an educational event that will awaken interest in the history and exploits of the defenders of the Fatherland,” said Alexei Gnedovsky, CEO of VELES Capital, philanthropist.

Among the exhibits are Cossack weapons (sabers, daggers, pikes and even cannons), exquisite uniforms, equipment, regalia (badges, banners, and maces, St. George trumpets, award weapons, bratins, prize cups), household items and costumes of Cossack wives, sculptures, paintings, drawings, engravings, lithographs, printed graphics, personal belongings and rare photographs. The events of the First World War on the Caucasian front are demonstrated by a large model-diorama “Plastuns in the Trebizond Operation in the Spring of 1916” specially created for the exhibition.

Photo © Tsarskoye Selo State Museum

Photo © Tsarskoye Selo State Museum

Photo © Tsarskoye Selo State Museum

The exhibition tells about the participation of the Cossacks in the annexation of Siberia. This subject is widely known thanks to Vasily Surikov’s 1895 painting “The Conquest of Siberia by Yermak” – sketches for the famous canvas from the collection of the State Russian Museum (St. Petersburg) are featured in the exhibition.

Among the rare exhibits are a rifle that belonged to the ataman of the Azov Cossack Army Osip (Yosip) Mikhailovich Gladky (c. 1789-1866) from the collection of the Military Historical Museum of Artillery, Engineers and Signal Corps (St. Petersburg); granted kovshs (ladles) of the 18th century for Cossack atamans and noble Cossacks, sabers granted from emperors and empresses from the collection of the State Historical Museum (Moscow); children’s Cossack toys from the collection of the Russian Museum of Ethnography (St. Petersburg); uniforms of the last ataman of all Cossack troops, Tsesarevich Alexei Nikolaevich, from the collection of the Tsarskoye Selo State Museum. One of the priceless relics is the jubilee banner with the Alexander ribbon of the 7th Orenburg Cossack Regiment from the collection of the State Hermitage Museum (St. Petersburg).

Photo © Tsarskoye Selo State Museum

Photo © Tsarskoye Selo State Museum

The exhibition “Cossacks in the Service of the Tsar and the Fatherland. 16th Century – 1917” runs until 8th October 2025 in the Cameron Gallery, which is adjacent to the Cather Palace at Tsarskoye Selo.

© Paul Gilbert. 10 July 2025

Nicholas II’s menu: culinary preferences of Russia’s last Tsar

NOTE: the dishes highlighted in red below feature a link to a dozen recipes, and while they may not be the exact recipe enjoyed by the Tsar, it will give you an idea of his favourite dishes. If you know of a more authentic traditional Russian recipe for any of the dishes noted below, please email me at royalrussia@yahoo.com – PG

The kitchens for the Alexander Palace were located in a separate building, situated a few hundred feet away from the palace, on Dvortsovaya [Palace] Street. Meals were prepared in this building, and taken to the palace through an underground tunnel, built in 1902 – see original plan.

The kitchen building itself was a two-story, U-shaped structure with distinct architectural features on each floor. This building contained numerous rooms, including kitchens, linen room, a copper pantry, and a rooms for the cooks.

The purpose of having the kitchens in a separate building was likely due to fire safety and sanitation concerns, as was common practice for Russian palaces.

PHOTO: The former Kitchen Building of the Alexander Palace at Tsarskoye Selo, as it looks today

Meals were brought to the palace via a tunnel and served in one of the rooms, usually the Semi-Circular Hall. When Nicholas and Alexandra dined alone, they dined in a more intimate setting, such as the Pallisander [aka Rosewood] Drawing Room [see photo below] or in the Empress’s Corner Reception Room.

The Palisander Drawing Room, was a cozy space with rosewood paneling and a fireplace. It was the room where Nicholas II and Alexandra Feodorovna spent time with their children and enjoyed family dinners. 

The Imperial family often invited close family members, trusted courtiers, and sometimes foreign dignitaries to dine with them. The Imperial children usually dined separately from their parents in their own dining room, situated on the second floor of the eastern wing of the palace.

For larger gatherings, the Semi-Circular Hall was the preferred space. It was in this interior, that a long table in the shape of a squared off U was used on more formal occasions. It was described as a room with a glittering chandelier, where guests could dine at round tables while listening to music.

While the Alexander Palace did not have a dedicated dining room, these two spaces served as the primary locations for meals, both casual and more formal. 

PHOTO: Emperor Nicholas II and Empress Alexandra Feodorovna, taking tea in the Pallisander [aka the Rosewood] Drawing Room, in the Alexander Palace

***

Royalty is often associated with luxurious living and dining. Throughout history the early Russian tsars, tsarinas, emperors and empresses dined lavishly. One has only to visit the elegant Baroque Style Hermitage Pavilion at Tsarskoye Selo for evidence of the grand scale in which the Empresses Elizabeth and Catherine the Great dined and entertained their guests.

Despite the opulent surroundings of the Russian Imperial Court, Emperor Nicholas II was known for his love of simple, traditional Russian food, and unlike his ancestors and some of Europe’s royal family’s, avoided excessive luxury in food. He preferred a straightforward approach to dining, even when elaborate menus were prepared. Evidence of Nicholas II’s culinary preferences are indeed, often found in the surviving menus of that time.

Nicholas II started the day with rye bread with butter, boiled eggs and some sort of sliced meat, such as ham or bacon. 

Among his favorite breakfast dishes was Dragomirovskaya porridge – named after the Russian military general Mikhail Ivanovich Dragomirov (1830-1905). Historian of Russian cuisine Pavel Syutkin explains that “Dragomirov porridge is… Buckwheat with mushrooms! However, there are a few secrets in the recipe. First, cook porridge by adding cream. Secondly, it is served in layers, like a pie. And thirdly, an indispensable addition to porridge is wild mushroom sauce.”

Lunch was the main meal of the day, and began with soup, such as solyanka [a thick and sour soup], ukha [fish soup] or shchi [cabbage soup]. Nicholas also had a fondness for cold Russian soups, like Botvinya, made with kvass, spinach, sorrel, and beetroot leaves. Soup was served with small vol-au-vents [small round pastry shells filled with a creamy mixture of meat or fish], rasstegai [small pies with fish or meat] or small croutons with cheese. 

Nicholas also enjoyed pelmeni [meat dumplings] and vareniki [types of dumplings]. On the Imperial Yacht Shtandart, he often ate pan-fried dumplings.

Then came fish [pike perch or trout], roast [wild game or chicken], vegetables, Other favorites were Yalta-style Roasted Suckling Pig served with buckwheat stuffing and horseradish on the side, Mikhailovsky cutlets [later known as chicken Kiev] or Skobelev meatballs [Swedish meatballs], served with white sauce.

It is known that Nicholas II loved potatoes. Once in Crimea, he saw one of the officials carrying a sack of new potatoes from the market, and asked to sell him his purchase. In his youth, Nicholas II baked potatoes with his brothers and sisters in the Anichkov Palace park in St. Petersburg, and later with his son Tsesarevich Alexei in the Alexander Park.

It is interesting to note, that unlike many Russians, Nicholas did not like caviar. The officers of the Imperial Yacht Shtandart noted that “the Tsar was very fond of appetizers, except for caviar, salmon and salted fish.” There was a simple explanation for this – once while returning from the East in 1891, Nicholas was traveling along the Siberian route. At the stations, he was greeted with the traditional bread and salt, salted fish and caviar. The excessive summer heat coupled with all the salt, made him all the more thirsty. Needless to say, he developed a dislike for salted fish and caviar.

Dessert consisted of fruits, sweets, ice cream, jam, honey, as well as dishes such as pears in sherry or pie with rice porridge and lingonberries could be served. Lunch as a rule ended with delicious coffee.

PHOTO: сладости из империи / Sweets from the Empire

Nicholas II’s love of ice cream deserves special note in this article. Ice cream was especially popular at table of the last Emperor and his family. The recipe for “Romanov ice cream”, which was invented specifically for Nicholas II, has been preserved to this day. It included sugar, 10 egg yolks, heavy cream, whipping cream and vanilla. “I remember ice cream, the like of which I have never eaten anywhere else,” wrote the daughter of Grigorii Rasputin, Maria (1898-1977).

As far as alcohol, Nicholas was known as a teetotaler, despite the false allegations that he was a drunkard. As for wines, he only drank port at table. At first, the Emperor had his port brought from Portugal, but after he tried Crimean port wine, he switched. He rarely drank vodka and champagne.

At the same time, wines were served at the ceremonial dinners hosted in the palace, including Madeira, sherry, Bordeaux and Chablis wines, as well as Crimean wines, all from the well stocked cellars of the Alexander Palace.

FURTHER READING:

Imperial Dining – History of Court Dining: Dining with the Tsars

An Imperial Lunch in the Crimea

© Paul Gilbert. 7 July 2025

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Pensioner’s Stable Pavilion and Horse Cemetery at Tsarskoye Selo to open end of 2025

Photo: Press Service of the Tsarskoye Selo State Museum-Reserve

The Tsarskoye Selo State Museum-Reserve have announced plans to complete the restoration of the Pensioner’s Stable Pavilion and Imperial Horse Cemetery, situated in the Alexander Park. The opening is scheduled for the end of 2025.

“This is a unique place where you can study the history of horses that served the Russian emperors and empresses. We managed to research the names of the horses, and we will recreate nameplates for each of the graves. For the first time, the current generation will see this place as it looked during Tsarist times,” said the director of the museum Olga Taratynova.

The idea for an equine graveyard was conceived by Emperor Nicholas I (1796-1855) when he commissioned the Scottish-born architect and landscape designer Adam Menelaws (1753-1831), to build a retirement home for his favourite horses in 1826.

Between 1827-1830, Menelas constructed a red-brick gothic fantasy in an English style quite out of keeping with the baroque and Russian-style buildings found throughout the Alexander and Catherine Parks. The Pavilion included a single tower with rooms for the stable boys, and low, arched windows in the stables, through which the elderly horses could peer. There was room for eight horses to live out their pension years in peace. The old horses were allowed to walk about in the meadow during summer.

It was upon the death of his wife Empress Alexandra Feodorovna’s (1798-1860) beloved horse “Beauty”, which belonged to her for 24 years, that Emperor Nicholas I issued an imperial edict stating that the horse should be buried there. The cemetery became the final resting place for the horses of Emperors Alexander I, Nicholas I, his wife Alexandra Feodorovna, Alexander III and Nicholas II.

PHOTOS: 19th century drawings of the layout of the Pensioner’s Stable Pavilion and Imperial Horse Cemetery. The bottom drawing shows the graves (filled in red, with a number), the list on the lower right, gives the name of the horse buried in each grave.

Marble slabs mark the final resting places of the favorite horses of the Russian emperors and empresses. Here lies “L’Ami”, the horse on which Emperor Alexander I rode triumphantly into Paris at the end of the Napoleonic wars; “Flora”, the horse that carried the Emperor Nicholas I during the Siege of Varna in 1828; and “Cob” the horse, which the Emperor Alexander III used to ride, when he reviewed his troops.

In 1901, Emperor Nicholas II’s favourite horse “Bluebell”, from 1875, died at the age of 30. After her death, Nicholas II issued an edict for “Bluebell” to be buried in the Imperial Horse Cemetery. 

In total, there are more than 110 graves in the cemetery. Each slightly larger than a human grave, the plots were originally decorated with gold leaf lettering. But the gilt paste has long since washed away as the headstones disintegrated over the years, due the harsh elements and from neglect.

PHOTOS: For decades, the gravestones were barely visible beyond heaps
of crumpled junk metal, through a haze of long grass and spring flowers.

Following the 1917 Revolution, the Bolsheviks used the Imperial Horse Cemetery for propaganda purposes, citing the exaggerated nonsense – which the Bolsheviks were famous for – that the Romanovs treated their horses better than they did the peasants.

During the Great Patriotic War (1941-45), the stable building was slightly damaged, and over time it fell into disrepair. For decades, the gravestones were barely visible beyond the broken iron fences, heaps of crumpled junk metal, and through a haze of long uncut grass and weeds. There were calls for the pavilion and cemetery’s restoration, but with so many of the city’s more mainstream museums in desperate need of funding, the Pensioner’s Stable Pavilion and horse cemetery was not considered a priority.

In 2001, work began on the excavation of some of the graves. Money had been raised abroad by French writer Jean-Louis Gouraud [b. 1943], who was so intrigued by the cemetery when he first saw it that he dedicated himself to campaigning for its restoration. Nearly $400,000 USD was raised. “It is an incredibly important historical site because it tells us so much about the Imperial Family, who loved their horses,” he said.

Work was temporarily halted, due to lack of funds, however, work resumed in 2019, when a comprehensive restoration project funded by the museum began. The facades of Pensioner’s Stable Pavilion were restored, general construction work was carried out, utilities and joinery elements were recreated.

In 2025, the restoration of the layout of the Imperial Horse Cemetery and tombstones began, as well as the recreation of marble nameplates with inscriptions for each grave will be completed.

After the restoration is completed, a new museum dedicated to the Imperial Horse Stable and Cemetery will open in the Pensioner’s Stable Pavilion. Among the exhibits will be a decorative harness and its festive trimmings for a donkey and cart presented to Tsesarevich Alexei Nikolaevich, by the Italian King Victor Emmanuel III (1869-1947) and his wife Queen Elena (1873-1952), during the visit of Nicholas II to Italy in October 1909.

© Paul Gilbert. 24 May 2025