Unique icons associated with the Romanovs to be exhibited in Ekaterinburg

Emperor Nicholas II is well known for his piety and devotion to the Russian Orthodox Church. As part of the Tsar’s Days-2025, a collection of rare icons of the 17th to early 20th centuries, which are stored in church and private collections, will be brought to Ekaterinburg. The exhibition presents icons of the patron saints of the Romanov dynasty, which were commissioned by the Russian emperors.

The icons will be on display at the exhibition “Heavenly Patrons of the House of Romanov” which opens on 15th July 2025, to the Museum of the Holy Tsar’s Family, situated on the second floor of the Patriarchal Compound of the Church on the Blood.

This event was organized by the Altai Diocese together with the Ekaterinburg and Altai branches of the Imperial Orthodox Palestine Society and the Russian Academy of Arts. This is the first time that the Ural capital has hosted such an exhibition.

The organizers of the exhibition shared the history of the exposition:

For more than three hundred years, Russia was under the rule of the Romanov dynasty. The Romanovs’ coming to power is associated with a prayer at the Miraculous Icon of the Mother of God “Feodorovskaya” and was marked by the overcoming of the Time of Troubles. Under the Romanovs, the country acquired the status of an Empire, profound political transformations were carried out, feudalism was replaced by capitalist relations, the peasantry gained freedom, economic and social reforms were implemented, and the population increased. The reign of the Romanovs ended with another time of troubles, in 1917. On 15th (O.S. 2nd) March 1917, the day of the abdication of Nicholas II , the Reigning Icon of the Mother of God was revealed to a peasant woman in Kolomenskoye. Many believe the reappearance of the icon was an indication that the Virgin Mary was displeased with Russia for dethroning Tsar Nicholas II during the February 1917 Revolution.

PHOTO: The original Reigning Icon of the Mother of God in the
Church of Our Lady of Kazan, Kolomenskoye (near Moscow)

According to Byzantine origins, the life of the Imperial Family in Russia was largely determined by Orthodox traditions. The Russian monarchs, following the Byzantine ones, were called God’s anointed. There was a corresponding rite of enthronement, which was performed in the main Assumption Cathedral of the Moscow Kremlin. Solemn events, anniversaries and other holidays of the Emperor’s family were interwoven into the church rites. In churches, Diving Liturgies, public prayers and bell ringing were performed. For these occasions, special icons were ordered, on which the patron saints of representatives of the Imperial Family were painted. Such icons were made for the birth of grand dukes, for the wedding of heirs to the throne, enthronement and anniversaries. If an assassination attempt or accident occurred, and the respective member(s) of the Imperial Family were spared, then praise was given to God throughout the country, thanksgiving prayers were served, chapels and churches were built, or appropriate icons with selected saints were ordered. Moreover, for most people, the tsar was God’s anointed, and therefore, there was a prayer for the well-being of the tsar and his family members. And what is prayer without an icon? This is how new images were born.

After 1917, the Church and the monarchy became the main enemies of the new Bolshevik and later Soviet governments. The heritage of Russia was destroyed with special zeal, and it is not surprising that today such icons have become a rarity, which makes the exhibition a unique event for the spiritual life of the Sverdlovsk region – once a bastion of Bolshevism – and for Russia. The exhibition encourages a new look at the pages of the history of the ruling House of Romanov, which has so significantly influenced the history and modernity of Russia.

In addition, visitors will see the icons of the Most Holy Trinity of the late 19th and early 20th centuries, selected saints, the Intercession of the Most Holy Theotokos, the image of Prince Vladimir Equal-to-the-Apostles of 1888, the version of which was painted specifically for the 900th anniversary of the Baptism of Rus. Particular attention should be paid to the long-suffering Job – he could have been a personal icon of the last Russian Tsar Nicholas II.

The exhibition “Heavenly Patrons of the Imperial House of Romanov” runs from 15th July to 31st August 2025, at the the Tsarsky Cultural and Educational Center, situated in the Patriarchal Compound of the Church on the Blood.

© Paul Gilbert. 11 July 2025

Emperor Nicholas II Foundation in Moscow prepares for Tsar’s Days

The Emperor Nicholas II Foundation in Moscow has prepared a program of events marking Tsar’s Days, 17th and 18th July 2025.

On 17th July – the day marking the death and martyrdom of the Imperial Family – at 08:00, a Divine Liturgy will be performed in the Church of the Ascension of the Lord on the Gorokhovoye Field, built in 1788-1793.

At 10:15 and 18:00 – a guided tour of the Museum of Emperor Nicholas II.

At 19:15 – a screening of the 2023 documentary film by historian and director K.G. Kapkov Великое паломничество императора Николая II 15-28 мая 1913 г / The Great Pilgrimage of Emperor Nicholas II.

Click HERE the above image to watch the documentary film “The Great Pilgrimage of Emperor Nicholas II“. Language: English. Duration: 1 hour

On 18th July – the day marking the death and martyrdom of Grand Duchess Elizabeth Feodorovna – at 08:00, a Divine Liturgy will be performed in the Church of the Ascension of the Lord on Gorokhovoye Field, built in 1788-1793.

At 18:00 – a guided tour of the Museum of Emperor Nicholas II.

At 19:30 – a screening of the 2016 documentary film directed by Elena Belova Белый ангел / White Angel – about the life and death of Grand Duchess Elizabeth Feodorovna.

FURTHER READING:

Emperor Nicholas II Foundation marks 4th anniversary + PHOTOS

Video tour of the Museum of Emperor Nicholas II in Moscow + VIDEO and PHOTOS

© Paul Gilbert. 9 July 2025

Nicholas II’s menu: culinary preferences of Russia’s last Tsar

NOTE: the dishes highlighted in red below feature a link to a dozen recipes, and while they may not be the exact recipe enjoyed by the Tsar, it will give you an idea of his favourite dishes. If you know of a more authentic traditional Russian recipe for any of the dishes noted below, please email me at royalrussia@yahoo.com – PG

The kitchens for the Alexander Palace were located in a separate building, situated a few hundred feet away from the palace, on Dvortsovaya [Palace] Street. Meals were prepared in this building, and taken to the palace through an underground tunnel, built in 1902 – see original plan.

The kitchen building itself was a two-story, U-shaped structure with distinct architectural features on each floor. This building contained numerous rooms, including kitchens, linen room, a copper pantry, and a rooms for the cooks.

The purpose of having the kitchens in a separate building was likely due to fire safety and sanitation concerns, as was common practice for Russian palaces.

PHOTO: The former Kitchen Building of the Alexander Palace at Tsarskoye Selo, as it looks today

Meals were brought to the palace via a tunnel and served in one of the rooms, usually the Semi-Circular Hall. When Nicholas and Alexandra dined alone, they dined in a more intimate setting, such as the Pallisander [aka Rosewood] Drawing Room [see photo below] or in the Empress’s Corner Reception Room.

The Palisander Drawing Room, was a cozy space with rosewood paneling and a fireplace. It was the room where Nicholas II and Alexandra Feodorovna spent time with their children and enjoyed family dinners. 

The Imperial family often invited close family members, trusted courtiers, and sometimes foreign dignitaries to dine with them. The Imperial children usually dined separately from their parents in their own dining room, situated on the second floor of the eastern wing of the palace.

For larger gatherings, the Semi-Circular Hall was the preferred space. It was in this interior, that a long table in the shape of a squared off U was used on more formal occasions. It was described as a room with a glittering chandelier, where guests could dine at round tables while listening to music.

While the Alexander Palace did not have a dedicated dining room, these two spaces served as the primary locations for meals, both casual and more formal. 

PHOTO: Emperor Nicholas II and Empress Alexandra Feodorovna, taking tea in the Pallisander [aka the Rosewood] Drawing Room, in the Alexander Palace

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Royalty is often associated with luxurious living and dining. Throughout history the early Russian tsars, tsarinas, emperors and empresses dined lavishly. One has only to visit the elegant Baroque Style Hermitage Pavilion at Tsarskoye Selo for evidence of the grand scale in which the Empresses Elizabeth and Catherine the Great dined and entertained their guests.

Despite the opulent surroundings of the Russian Imperial Court, Emperor Nicholas II was known for his love of simple, traditional Russian food, and unlike his ancestors and some of Europe’s royal family’s, avoided excessive luxury in food. He preferred a straightforward approach to dining, even when elaborate menus were prepared. Evidence of Nicholas II’s culinary preferences are indeed, often found in the surviving menus of that time.

Nicholas II started the day with rye bread with butter, boiled eggs and some sort of sliced meat, such as ham or bacon. 

Among his favorite breakfast dishes was Dragomirovskaya porridge – named after the Russian military general Mikhail Ivanovich Dragomirov (1830-1905). Historian of Russian cuisine Pavel Syutkin explains that “Dragomirov porridge is… Buckwheat with mushrooms! However, there are a few secrets in the recipe. First, cook porridge by adding cream. Secondly, it is served in layers, like a pie. And thirdly, an indispensable addition to porridge is wild mushroom sauce.”

Lunch was the main meal of the day, and began with soup, such as solyanka [a thick and sour soup], ukha [fish soup] or shchi [cabbage soup]. Nicholas also had a fondness for cold Russian soups, like Botvinya, made with kvass, spinach, sorrel, and beetroot leaves. Soup was served with small vol-au-vents [small round pastry shells filled with a creamy mixture of meat or fish], rasstegai [small pies with fish or meat] or small croutons with cheese. 

Nicholas also enjoyed pelmeni [meat dumplings] and vareniki [types of dumplings]. On the Imperial Yacht Shtandart, he often ate pan-fried dumplings.

Then came fish [pike perch or trout], roast [wild game or chicken], vegetables, Other favorites were Yalta-style Roasted Suckling Pig served with buckwheat stuffing and horseradish on the side, Mikhailovsky cutlets [later known as chicken Kiev] or Skobelev meatballs [Swedish meatballs], served with white sauce.

It is known that Nicholas II loved potatoes. Once in Crimea, he saw one of the officials carrying a sack of new potatoes from the market, and asked to sell him his purchase. In his youth, Nicholas II baked potatoes with his brothers and sisters in the Anichkov Palace park in St. Petersburg, and later with his son Tsesarevich Alexei in the Alexander Park.

It is interesting to note, that unlike many Russians, Nicholas did not like caviar. The officers of the Imperial Yacht Shtandart noted that “the Tsar was very fond of appetizers, except for caviar, salmon and salted fish.” There was a simple explanation for this – once while returning from the East in 1891, Nicholas was traveling along the Siberian route. At the stations, he was greeted with the traditional bread and salt, salted fish and caviar. The excessive summer heat coupled with all the salt, made him all the more thirsty. Needless to say, he developed a dislike for salted fish and caviar.

Dessert consisted of fruits, sweets, ice cream, jam, honey, as well as dishes such as pears in sherry or pie with rice porridge and lingonberries could be served. Lunch as a rule ended with delicious coffee.

PHOTO: сладости из империи / Sweets from the Empire

Nicholas II’s love of ice cream deserves special note in this article. Ice cream was especially popular at table of the last Emperor and his family. The recipe for “Romanov ice cream”, which was invented specifically for Nicholas II, has been preserved to this day. It included sugar, 10 egg yolks, heavy cream, whipping cream and vanilla. “I remember ice cream, the like of which I have never eaten anywhere else,” wrote the daughter of Grigorii Rasputin, Maria (1898-1977).

As far as alcohol, Nicholas was known as a teetotaler, despite the false allegations that he was a drunkard. As for wines, he only drank port at table. At first, the Emperor had his port brought from Portugal, but after he tried Crimean port wine, he switched. He rarely drank vodka and champagne.

At the same time, wines were served at the ceremonial dinners hosted in the palace, including Madeira, sherry, Bordeaux and Chablis wines, as well as Crimean wines, all from the well stocked cellars of the Alexander Palace.

FURTHER READING:

Imperial Dining – History of Court Dining: Dining with the Tsars

An Imperial Lunch in the Crimea

© Paul Gilbert. 7 July 2025

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Exhibition dedicated to Grand Duke Sergei Alexandrovich opens in Moscow

On 3rd July 2025, a new exhibition August Master of Moscow, dedicated to the Grand Duke Sergei Alexandrovich, opened at the Museum of Moscow in the Russian capital. The exhibition is timed to the 120th anniversary of the assassination of the grand duke on 17th February (O.S. 4th February) 1905.

Grand Duke Sergei Alexandrovich (1857-1905) was a son of Emperor Alexander II and Empress Maria Alexandrovna, a younger brother of Emperor Alexander III, uncle of Emperor Nicholas II and husband of Grand Duchess Elizabeth Feodorovna. He is considered one of the most outstanding statesmen of the Russian Empire.

From 1891 to February 1905, he served as Governor-General of Moscow, and in 1896 he was appointed Commander of the Moscow Military District. It was during his years as Governor-General, that Moscow enjoyed one of the greatest periods of the city’s development, turning it from a dirty provincial city into a city that could rival any European capital.

As Governor General of Moscow, Grand Duke Sergei was in charge of overseeing the arrangements for the Holy Coronation of Emperor Nicholas II in May 1896. His reputation was initially tarnished, however, as he was partially blamed for the Khodynka Tragedy during the festivities following the coronation.

Yhe exhibition in three halls of the museum reveals all aspects of the Grand Duke’s activities. Not only his work as Governor-General of Moscow and Commander of the Moscow Military District, but also his piety and spiritual journey with his wife the Grand Duchess Elizabeth Feodorovna. Sergei was also a well-known philanthropist and patron of the arts.

The exposition features more than 500 items from 36 leading museums and archives of the Russian Federation, as well as from libraries and private collections. Among the exhibits are photographs, books from the library of the Grand Duke, personal items, awards of charitable institutions and societies, rare archival documents about his activities as Governor-General of Moscow and Commander of the Moscow Military District, correspondence with family members and statesmen, military uniforms, models of weapons and much more. 

One of the most interesting items on display is a miraculously preserved tablet from the tombstone of the Grand Duke. After the Bolsheviks destroyed the Chudov Monastery [where he was initially buried] in 1928, it was believed that the grave of Sergei Alexandrovich was lost. However, during excavations of the site in the 1990s, a number of historical artifacts were revealed, including the grand duke’s grave. Another item on display is the icon of St. Sergius of Radonezh, also found in the tomb of the Grand Duke in the Chudov Monastery of the Moscow Kremlin.

On display in the first hall, are letters from the earliest years of Grand Duke Sergei Alexandrovich to 1888. And they reflect his marriage, his service, his first trip to the Holy Land, his appointment as commander of the Preobrazhensky Regiment and so on.

The exposition is complemented by a unique documentary newsreel, a film about Grand Duke Sergei Alexandrovich and the history of the Chudov Monastery.

The exhibition was solemnly opened by the Mayor of Moscow Sergei Sobyanin [pictured above] and the Chairman of the Elisabeth-Sergius Educational Society Foundation (ESPO) Anna Gromova.

The grand opening of the exhibition was attended by the head of the Department of Culture of the city of Moscow Alexei Fursin, the Chairman of the Imperial Orthodox Palestine Society Sergey Stepashin, the director of the Museum of Moscow Anna Trapkova, the director of the State Historical Museum Alexei Levykin, the director of the State Archives of the Russian Federation Larisa Rogovaya and the scientific director of the Civil Archive of the Russian Federation Sergey Mironenko. Archpriest Dimitry Roshchin, Head of the Department for Work with Public Organizations of the Synodal Department for Church, Society and Mass Media Relations, representatives of the museums partner of the exhibition, historians, scientists and artists, and representatives of public organizations.

The exhibition August Master of Moscow runs until 21st September 2025 at the Museum of Moscow.

© Paul Gilbert. 4 July 2025

The St. Petersburg Museum of Easter Eggs

Yet another new museum has opened in St. Petersburg: the Museum of Easter Eggs – not to be confused with the Fabergé Museum. The Museum of Easter Eggs, which opened in 2024, showcases the work of Andrey Georgievich Ananov, the famous Soviet and Russian jeweller, and Honoured Artist of the Russian Federation.

As the photos of Ananov’s creations, the jeweller has clearly been inspired by the Imperial Easter Eggs created by by Carl Fabergé.

Ananov’s works have received international recognition, and showcased at prestigious exhibitions in both Russia and abroad. Today his products are in the collections of Russian Presidents Boris Yeltsin and Vladimir Putin, Queen Elizabeth II of Great Britain, Queen Sofia of Spain, Prince Albert of Monaco, and Queen Sirikit of Thailand, among others.

The museum, founded on the basis of the Ananov Jewellery Workshop, is a unique space where history, art and modern technology are combined. The Easter Egg Museum is housed in an Art Nouveau style building, which resembles a small castle. The exposition in two halls introduces guests to the exquisite Easter eggs and jewellery made in Ananov’s workshop in different years.

PHOTO: elaborate display cases showcase Ananov’s Easter eggs
© Andrey Georgievich Ananov

Like the famous Imperial Easter Eggs produced in the late 19th and 20th centuries by Carl Fabergé for Emperors Alexander III and Nicholas II, Ananov’s Easter eggs, each decorated with enamel, precious stones and mosaics, also contain a “surprise” inside. For example, one of them is dedicated to the 400th anniversary of the Romanov dynasty. Inside this egg, the master placed miniature photographs of Emperor Nicholas II and Empress Alexandra Feodorovna – see photo below.

PHOTO: © Andrey Georgievich Ananov

PHOTO: the 400th Anniversary of the Romanov Dynasty Easter Egg. Inside this egg, contains miniature photographs of Emperor Nicholas II and Empress Alexandra Feodorovna in a heart-shaped frame. © Andrey Georgievich Ananov

© Andrey Georgievich Ananov

© Andrey Georgievich Ananov

The Easter Egg Museum is located at No. 7 Michurinskaya, near the Peter and Paul Fortress in St. Petersburg. Individual visits are carried out during the following hours: 11:30, 13:30 and 15:30. Price of admission is 1500 rubles [$20.00 USD].

© Paul Gilbert. 2 July 2025