Lord Louis Mountbatten’s letter regarding Anna Anderson

PHOTO: Lord Louis Mountbatten, Anna Anderson,
the Imperial Family and Grand Duchess Anastasia Nikolaevna

The story of the death of the last Russian emperor and his family gave rise to one of the most tenacious legends of the 20th century – the myth of the miraculous salvation of Grand Duchess Anastasia Nikolaevna. Against this background, dozens of impostors tried to pass themselves off as one of the surviving Romanovs, but none of them caused more of a stir than that of Anna Anderson. And none of the relatives of the Imperial Family fought against her claim as fiercely as did Lord Louis Mountbatten (1900-1979), the nephew of Empress Alexandra Feodorovna and maternal uncle of Prince Philip, Duke of Edinburgh (1921-2021).

Epidemic of imposters following the regicide in Ekaterinburg

Recall that on the night of 16/17 July 1918, the Emperor Nicholas II and his family were brutally murdered by a group of deranged Bolshevik thugs in the basement of the Ipatiev House in Ekaterinburg. For many decades following the regicide, the fate of their remains remained a mystery: the first official excavations began only in 1991, and the remains of two children – Maria and Alexei – were discovered years later, in 2007.

This veil of secrecy was to become fertile ground for myths and conspiracy theories. Throughout the 20th century, as historians note, dozens of “false Alexei’s”, “false Olga’s”, “flase Maria’s” and “false Anastasia’s” appeared. One of the most famous, however, was a certain Anna Anderson, who declared herself the youngest daughter of Nicholas II who had miraculously survived the regicide.

Anastasia or Franziska?

Anna Anderson, who at one time was a patient of a psychiatric hospital in Berlin. According to Anderson’s version, given in the publication ’50 Famous Mysteries of the History of the Twentieth Century’ by V. M. Sklyarenko, I. A. Rudycheva and V. V. Syadro, Anderson, claimed that during the shooting in the Ipatiev House, she lost consciousness, and was saved by a Red Army soldier Alexander Tchaikovsky. Together they fled to Bucharest, Roumania. The book claims that Anderson gave birth to a child from Tchaikovsky. The book further claims that the child was immediately taken from the mother and given to an orphanage. Subsequently, the Red Army soldier was killed in a street fight, and Anna ended up in Germany.

PHOTO: letter from Lord Louis Mountbatten to Mr. Woodcock-Clark,
dated 11th March 1975

Many White Russian emigrants gladly believed in Anna Anderson’s story and supported this “false Anastasia” in every possible way. So, according to Viktor Kuznetsov, the author of the book ‘Russian Golgotha’, the “Grand Duchess” in Anna Anderson was recognized by Gleb (1900-1969) and Tatiana (1898-1986) Botkin – the son and daughter of the Tsar’s personal physician, Dr. Evgeny Botkin (1865-1918). The siblings support empowered Anderson: she desperately defended her relationship with the Romanovs in various European courts for more than one decade.

It was only after the DNA analysis did everything fall into place. It turned out that Anna Anderson, or rather Franziska Schanzkovskaya, was not related to the last Russian Imperial Family. However, there are those who even today doubt the results of the scientific evidence of the DNA analysis and continue to believe that Szankowska was really the youngest daughter of Nicholas II.

The Empress’s Nephew vs. False Cousin

According to Anthony Summers and Tom Mangold, the authors of the book ‘The File on the Tsar’ (published in 1976), one of Anderson’s main opponents was the nephew of Empress Alexandra Feodorovna, Louis Mountbatten. Mountbatten took an active part in gathering evidence to expose Anderson as an imposter. He spent thousands of pounds on legal costs, challenging the claims of the pseudo-Anastasia. Anna Anderson lost in the courts, but thanks to litigation, she became famous. However, Mountbatten tried to prevent Anderson’s fame as well. In 1958, he successfully persuaded the BBC to refuse an interview with her.

Some historians maintain that some of the surviving Romanovs in exile and their British and European royal relatives, who believed Anna Anderson’s claim, but simply did not want to accept “Anastasia” into their circle. However, a letter written by Lord Mountbatten, dated 11th March 1975, puts an end to the controversy regarding the identity of Anna Anderson, and also refutes other conspiracy theories.

In this letter (seen in full, in the above photo), addressed to a certain Mr. Woodcock-Clark a collector from Nottingham, England, but about whom little else is known, Mountbatten stated: “There can be no doubt that my cousin Anastasia was murdered with the rest of her family. However, unlike the others, she did not die immediately, but was finished off with bayonets.”

The letter, according to The Daily Mail, the letter was found among the possessions of the late collector. It sold for £200 GBP [$270 USD] including fees at Unique Auctions of Lincolnshire. in October 2020. Terry Woodcock, auctioneer at Unique Auctions, said: ‘It was a fantastic piece of history and we are pleased it has found a new home. . . . This letter is a useful insight into this facet of his momentous life’

‘Anastasia was Mountbatten’s first cousin and he had stayed with the Tsar and his family in the summer of 1908. Their murder in July 1918 deeply shocked him and he carried out extensive correspondence with investigators and writers on the subject throughout his life.

Lord Mountbatten was known to have a particular soft spot for Anastasia’s sister Maria – the third daughter of Nicholas II – and kept a photo of her all his life.

He and his family, especially his mother Princess Victoria of Hesse and by Rhine (1863-1950), who was a sister of both Empress Alexandra Feodorovna (1872-1918) and Grand Duchess Elizabeth Feodorovna (1864-1918), felt great bitterness that the Nicholas II and his family had been allowed by their Allies to perish and he held strong views about the Bolsheviks as a result.

In 1975 – the same year he wrote the letter – he visited Russia. He later wrote: ‘I was over-powered by the emotion of going back to a country I had known fairly well as a child, where so many of my closest family had lived in such tremendous splendour, and then been murdered in this ghastly way. ‘I felt it all the way through, and I was quite exhausted when I came back.’

© Paul Gilbert. 13 September 2025

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I am committed to clearing the name of Russia’s much slandered Tsar. In exchange for this 18-page booklet, please consider making a small $5 or $10 donation in aid of my research. These donations are of great assistance in helping me offset the cost of obtaining and translating documents from Russian archival sources, which are often paid for out of my own pocket. It is these documents which help present new facts and information on the life and reign of Nicholas II. In addition, my research continues to debunking many of the myths and lies which exist more than a century after his death and martyrdom.

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Portraits of Nicholas II by the contemporary Russian artist Yuri Ashikov

It is very rare for a new Romanov exhibition to escape my notice, however, I only just recently learned of a very interesting exhibition of a contemporary Russian artist’s portraits of Emperor Nicholas II, which was held in Moscow in the Spring of 2024.

The Romanovs. Cultural Heritage exhibition showcased portraits of the last Tsar by Yuri Ashikov, a contemporary artist, who is virtually unknown of in the West. The exhibition was held from 28th April to 15th May 2024, in the Museum of Emperor Nicholas II in Moscow.

On display were the artist’s portraits of members of Emperor Nicholas II and his family, painted or drawn in the revived and almost lost, rare school of Russian realism in the portrait class, made popular during the late 19th and early 20th century by the famous Russian artist Valentin Alexandrovich Serov (1865-1911).

It is significant that Valentin Serov was the last artist to paint Emperor Nicholas II. In Yuri Ashikov’s paintings and drawings, you see the whole essence and beauty of the School of Russian Realism in a modern interpretation.

The culture of the late 19th century is directly and very closely related to the style in which the artist’s works are painted. Ashikov has managed to capture his August subject from iconic vintage photographs and paintings of the Tsar and his family. For instance, the portrait used for the exhibition poster (seen above) is based on a 1905 photograph of Nicholas II holding his infant son Alexei on his lap (see photo below) – it is truly beautiful beyond words!

I posted the above photo on my Facebook page several years ago, it was one of a series of four or five similar photos (though there are probably others?), but this one in particular, touched my heart.

This endearing image shows the Emperor Nicholas II seated on the porch of the Lower Dacha, Peterhof, while holding his infant son and heir Tsesarevich Alexei, c. 1905.

The Emperor is seen as a ‘proud papa’ pointing at something which has caught his eye in the garden, and he wants to share with Alexei.

Tsesarevich Alexei Nikolaevich was born in the Lower Dacha at Peterhof on 12th August (O.S. 30th July) 1904. He was named Alexei – in honour of St. Alexius of Moscow (1296–1378).

About the artist – Yuri Ashikov

PHOTO: the contemporary Russian artist Yuri Ashikov visiting his “favourite museum”, while posing in front of a portrait of Emperor Nicholas II

Born in 1994, Yuri Ashikov is a contemporary Russian painter, photographer, sculptor, architect and art designer. He graduated, from the Stroganov School Faculty of Design in Moscow, trained in London and Japan, Latvia and Italy, studying not only drawing, but also design and architecture.

For three years, the artist worked on the “Romanov project”, creating a number of both paintings and charcoal drawings of the Tsar, his wife and children. Yuri wrote: “… I want the paintings to be alive, and each work to evoke emotions in the person… Each new project sets its own style, technique and materials. But most of my work I start in the traditional style – with charcoal.”

His exquisite paintings, which are recreated from iconic photographs and paintings of Russia’s last Tsar. They have been exhibited in cities across the Russian Federation, including Moscow and St. Petersburg.

Below, are some of Yuri Ashikov’s portraits of Emperor Nicholas II . . .

© Paul Gilbert. 11 September 2025

New film-series: Chronicles of the Russian Revolution

The premiere of the new Russian historical film-series Телесериал рассказывает о событиях / Chronicles of the Russian Revolution will take place in October 2025. The series will be aired on the Russian television Россия-1 / Russia-1 and the START streaming service. The project is the work of Russian director Andrei Sergeevich Konchalovsky [b.1937, Moscow].

The 16-episode series is the most ambitious work of Konchalovsky’s career. The Russian-language series explores historical events beginning with Bloody Sunday and the First Russian Revolution in 1905 to Lenin’s death and Stalin’s rise to power in 1924. Filming began in September 2022 and lasted almost a year in August 2023.

The script was written on a documentary basis, which required an in-depth study of archival materials. But rather than a detailed reproduction of historical events, the director instead has focused on the human destinies during a critical period of Russian history.

PHOTO: Nikita Efremov as Emperor Nicholas II

As Konchalovsky himself notes: “This film-series is an attempt to understand something about early 20th century Russia, about those who moved the revolution, and about those whom it swept away. Both had the right to be wrong. It is very important for me that the historical figures in this film evoke an emotional response: not the Emperor or Lenin as a leader and tribune, but simply as people with human weaknesses, dreams and hopes. But it was not easy, because there are many patterns, stereotypes, archetypes attached to each.”

“Nicholas II seemed to know that death awaited him.” And it is very interesting to look at a person through this prism” Konchalovsky added.

The main characters (both fictional), Mikhail Prokhorov played by Yura Borisov, a young officer of the security department, who is on duty trying to unravel the tangle of conspiracies against the Tsar, and the central female role of Ariadne played by Yulia Vysotskaya, a society lady and revolutionary. Among the main real-life characters are Emperor Nicholas II played by Nikita Efremov, the leader of the revolution Vladimir Lenin played by Yevgeny Tkachuk, Joseph Stalin played by Timofey Okroev.

CLICK on the image above to watch the Russian-language trailer
Duration: 1 minute 30 seconds
NOTE: click on auto-translate and CC (close captioning) for English subtitles

© Paul Gilbert. 9 September 2025

Photo exhibition “Romanovs: 23 Steps to Immortality” opens in Karabash

On 5th September 2025, a travelling photo exhibition The Romanovs: 23 Steps[1] to Immortality, opened at the Central City Library in the town of Karabash, situated in the south Urals. The collection of photographs of the Imperial Family was provided from the funds of the State Historical Museum of the South Urals. The exposition is timed to coincide with the 107th anniversary of the death and martyrdom of Russia’s last Tsar and his family.

On the night of 16/17 July 1918, Emperor Nicholas II, his wife Alexandra Feodorovna, Grand Duchesses Olga, Tatiana, Maria, Anastasia, Tsesarevich Alexei, as well as four servants were murdered in the basement of the Ipatiev House in Ekaterinburg.

The exhibition presents unique photographs of members of the Imperial Family, diary entries of Nicholas II, anecdotes from the memoirs of people who knew the Imperial Family intimately, as well as materials related to the abdication of the Emperor in March 1917, their private life in the Alexander Palace at Tsarskoye Selo, Tobolsk and Ekaterinburg. The exposition tells not only about the Romanov family, but also includes notes and memoirs of regicides, which allows visitors to look at the events from different angles.

The travelling exhibition The Romanovs: 23 Steps to Immortality was initially launched in 2018, the year marking the 100th anniversary of the death and martyrdom of Emperor Nicholas II and his family. It has since, toured towns and cities in the Urals, as well as other cities in the Russian Federation.

NOTES:

[1] Referring to the staircase – which consisted of 23 steps – in the Ipatiev House, in which, on the night of 16/17 July 1918, the Imperial Family and their four faithful retainers descended to their death and martyrdom in the Ipatiev House in Ekaterinburg.

There is a monument which depicts the Imperial Family descending 23 steps on the grounds of the Church on the Blood in Ekaterinburg.

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*As I have noted in previous posts, I support any initiative – big or small – to help keep the memory of Nicholas II and his family alive in 21st century Russia – PG

© Paul Gilbert. 8 September 2025

New Book – Memories of Russia 1916-1919

*This title is available from AMAZON in the USA, UK, Canada, Australia,
France, Germany, Spain, Italy, Netherlands, Poland, Sweden and Japan

CLICK HERE TO ORDER THE PAPERBACK EDITION @ $20.00 USD

CLICK HERE TO ORDER THE EBOOK EDITION @ $12.99 USD

Paperback and eBook editions. 304 pages

Originally published in 1924, this new edition of ‘Memories of Russia 1916-1919’, features a new introduction by Romanov historian Paul Gilbert

Every victim of the Bolshevik Revolution of 1917 had a story to tell. One of the most tragic was that of Princess Olga Valerianovna Paley (1865-1929) the morganatic second wife of Grand Duke Paul Alexandrovich (1860-1919).

Born in 1865, she married an officer of the Russian Imperial Guard, Erich Augustinovitch von Pistohlkors, the couple had four children.

Grand Duke Paul Alexandrovich, a long-time friend of Pistohlkors, often spent his evenings with the Pistohlkors couple in Tsarskoye Selo; where he became smitten with Olga’s beauty, elegance, and her worldly and lively spirit. Their affair resulted in the birth of a son, Vladimir

Their affair created a scandal at Court and the Emperor forbid his uncle to marry Olga. Following her divorce from Pistolkors, Olga and Paul defied Nicholas II, resulting in their expulsion from Russia. They married in Livorno, Italy, and settled in an elegant mansion built in Boulogne-sur-Seine, France for several years. It was here that Olga gave birth to two more daughters,

In 1904, Prince-Regent Leopold of Bavaria titled Olga Countess of Hohenfelsen, and upon their return to Russia, the Tsar created the title of Princess Paley for her and their children.

During the revolution, her husband the Grand Duke and their son Vladimir were arrested and subsequently murdered by the Bolsheviks. Olga and her daughters escaped to Finland and then returned to Paris, where she died in 1929.

© Paul Gilbert. 1 September 2025