Nicholas II’s menu: culinary preferences of Russia’s last Tsar

NOTE: the dishes highlighted in red below feature a link to a dozen recipes, and while they may not be the exact recipe enjoyed by the Tsar, it will give you an idea of his favourite dishes. If you know of a more authentic traditional Russian recipe for any of the dishes noted below, please email me at royalrussia@yahoo.com – PG

The kitchens for the Alexander Palace were located in a separate building, situated a few hundred feet away from the palace, on Dvortsovaya [Palace] Street. Meals were prepared in this building, and taken to the palace through an underground tunnel, built in 1902 – see original plan.

The kitchen building itself was a two-story, U-shaped structure with distinct architectural features on each floor. This building contained numerous rooms, including kitchens, linen room, a copper pantry, and a rooms for the cooks.

The purpose of having the kitchens in a separate building was likely due to fire safety and sanitation concerns, as was common practice for Russian palaces.

PHOTO: The former Kitchen Building of the Alexander Palace at Tsarskoye Selo, as it looks today

Meals were brought to the palace via a tunnel and served in one of the rooms, usually the Semi-Circular Hall. When Nicholas and Alexandra dined alone, they dined in a more intimate setting, such as the Pallisander [aka Rosewood] Drawing Room [see photo below] or in the Empress’s Corner Reception Room.

The Palisander Drawing Room, was a cozy space with rosewood paneling and a fireplace. It was the room where Nicholas II and Alexandra Feodorovna spent time with their children and enjoyed family dinners. 

The Imperial family often invited close family members, trusted courtiers, and sometimes foreign dignitaries to dine with them. The Imperial children usually dined separately from their parents in their own dining room, situated on the second floor of the eastern wing of the palace.

For larger gatherings, the Semi-Circular Hall was the preferred space. It was in this interior, that a long table in the shape of a squared off U was used on more formal occasions. It was described as a room with a glittering chandelier, where guests could dine at round tables while listening to music.

While the Alexander Palace did not have a dedicated dining room, these two spaces served as the primary locations for meals, both casual and more formal. 

PHOTO: Emperor Nicholas II and Empress Alexandra Feodorovna, taking tea in the Pallisander [aka the Rosewood] Drawing Room, in the Alexander Palace

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Royalty is often associated with luxurious living and dining. Throughout history the early Russian tsars, tsarinas, emperors and empresses dined lavishly. One has only to visit the elegant Baroque Style Hermitage Pavilion at Tsarskoye Selo for evidence of the grand scale in which the Empresses Elizabeth and Catherine the Great dined and entertained their guests.

Despite the opulent surroundings of the Russian Imperial Court, Emperor Nicholas II was known for his love of simple, traditional Russian food, and unlike his ancestors and some of Europe’s royal family’s, avoided excessive luxury in food. He preferred a straightforward approach to dining, even when elaborate menus were prepared. Evidence of Nicholas II’s culinary preferences are indeed, often found in the surviving menus of that time.

Nicholas II started the day with rye bread with butter, boiled eggs and some sort of sliced meat, such as ham or bacon. 

Among his favorite breakfast dishes was Dragomirovskaya porridge – named after the Russian military general Mikhail Ivanovich Dragomirov (1830-1905). Historian of Russian cuisine Pavel Syutkin explains that “Dragomirov porridge is… Buckwheat with mushrooms! However, there are a few secrets in the recipe. First, cook porridge by adding cream. Secondly, it is served in layers, like a pie. And thirdly, an indispensable addition to porridge is wild mushroom sauce.”

Lunch was the main meal of the day, and began with soup, such as solyanka [a thick and sour soup], ukha [fish soup] or shchi [cabbage soup]. Nicholas also had a fondness for cold Russian soups, like Botvinya, made with kvass, spinach, sorrel, and beetroot leaves. Soup was served with small vol-au-vents [small round pastry shells filled with a creamy mixture of meat or fish], rasstegai [small pies with fish or meat] or small croutons with cheese. 

Nicholas also enjoyed pelmeni [meat dumplings] and vareniki [types of dumplings]. On the Imperial Yacht Shtandart, he often ate pan-fried dumplings.

Then came fish [pike perch or trout], roast [wild game or chicken], vegetables, Other favorites were Yalta-style Roasted Suckling Pig served with buckwheat stuffing and horseradish on the side, Mikhailovsky cutlets [later known as chicken Kiev] or Skobelev meatballs [Swedish meatballs], served with white sauce.

It is known that Nicholas II loved potatoes. Once in Crimea, he saw one of the officials carrying a sack of new potatoes from the market, and asked to sell him his purchase. In his youth, Nicholas II baked potatoes with his brothers and sisters in the Anichkov Palace park in St. Petersburg, and later with his son Tsesarevich Alexei in the Alexander Park.

It is interesting to note, that unlike many Russians, Nicholas did not like caviar. The officers of the Imperial Yacht Shtandart noted that “the Tsar was very fond of appetizers, except for caviar, salmon and salted fish.” There was a simple explanation for this – once while returning from the East in 1891, Nicholas was traveling along the Siberian route. At the stations, he was greeted with the traditional bread and salt, salted fish and caviar. The excessive summer heat coupled with all the salt, made him all the more thirsty. Needless to say, he developed a dislike for salted fish and caviar.

Dessert consisted of fruits, sweets, ice cream, jam, honey, as well as dishes such as pears in sherry or pie with rice porridge and lingonberries could be served. Lunch as a rule ended with delicious coffee.

PHOTO: сладости из империи / Sweets from the Empire

Nicholas II’s love of ice cream deserves special note in this article. Ice cream was especially popular at table of the last Emperor and his family. The recipe for “Romanov ice cream”, which was invented specifically for Nicholas II, has been preserved to this day. It included sugar, 10 egg yolks, heavy cream, whipping cream and vanilla. “I remember ice cream, the like of which I have never eaten anywhere else,” wrote the daughter of Grigorii Rasputin, Maria (1898-1977).

As far as alcohol, Nicholas was known as a teetotaler, despite the false allegations that he was a drunkard. As for wines, he only drank port at table. At first, the Emperor had his port brought from Portugal, but after he tried Crimean port wine, he switched. He rarely drank vodka and champagne.

At the same time, wines were served at the ceremonial dinners hosted in the palace, including Madeira, sherry, Bordeaux and Chablis wines, as well as Crimean wines, all from the well stocked cellars of the Alexander Palace.

FURTHER READING:

Imperial Dining – History of Court Dining: Dining with the Tsars

An Imperial Lunch in the Crimea

© Paul Gilbert. 7 July 2025

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Exhibition dedicated to Grand Duke Sergei Alexandrovich opens in Moscow

On 3rd July 2025, a new exhibition August Master of Moscow, dedicated to the Grand Duke Sergei Alexandrovich, opened at the Museum of Moscow in the Russian capital. The exhibition is timed to the 120th anniversary of the assassination of the grand duke on 17th February (O.S. 4th February) 1905.

Grand Duke Sergei Alexandrovich (1857-1905) was a son of Emperor Alexander II and Empress Maria Alexandrovna, a younger brother of Emperor Alexander III, uncle of Emperor Nicholas II and husband of Grand Duchess Elizabeth Feodorovna. He is considered one of the most outstanding statesmen of the Russian Empire.

From 1891 to February 1905, he served as Governor-General of Moscow, and in 1896 he was appointed Commander of the Moscow Military District. It was during his years as Governor-General, that Moscow enjoyed one of the greatest periods of the city’s development, turning it from a dirty provincial city into a city that could rival any European capital.

As Governor General of Moscow, Grand Duke Sergei was in charge of overseeing the arrangements for the Holy Coronation of Emperor Nicholas II in May 1896. His reputation was initially tarnished, however, as he was partially blamed for the Khodynka Tragedy during the festivities following the coronation.

Yhe exhibition in three halls of the museum reveals all aspects of the Grand Duke’s activities. Not only his work as Governor-General of Moscow and Commander of the Moscow Military District, but also his piety and spiritual journey with his wife the Grand Duchess Elizabeth Feodorovna. Sergei was also a well-known philanthropist and patron of the arts.

The exposition features more than 500 items from 36 leading museums and archives of the Russian Federation, as well as from libraries and private collections. Among the exhibits are photographs, books from the library of the Grand Duke, personal items, awards of charitable institutions and societies, rare archival documents about his activities as Governor-General of Moscow and Commander of the Moscow Military District, correspondence with family members and statesmen, military uniforms, models of weapons and much more. 

One of the most interesting items on display is a miraculously preserved tablet from the tombstone of the Grand Duke. After the Bolsheviks destroyed the Chudov Monastery [where he was initially buried] in 1928, it was believed that the grave of Sergei Alexandrovich was lost. However, during excavations of the site in the 1990s, a number of historical artifacts were revealed, including the grand duke’s grave. Another item on display is the icon of St. Sergius of Radonezh, also found in the tomb of the Grand Duke in the Chudov Monastery of the Moscow Kremlin.

On display in the first hall, are letters from the earliest years of Grand Duke Sergei Alexandrovich to 1888. And they reflect his marriage, his service, his first trip to the Holy Land, his appointment as commander of the Preobrazhensky Regiment and so on.

The exposition is complemented by a unique documentary newsreel, a film about Grand Duke Sergei Alexandrovich and the history of the Chudov Monastery.

The exhibition was solemnly opened by the Mayor of Moscow Sergei Sobyanin [pictured above] and the Chairman of the Elisabeth-Sergius Educational Society Foundation (ESPO) Anna Gromova.

The grand opening of the exhibition was attended by the head of the Department of Culture of the city of Moscow Alexei Fursin, the Chairman of the Imperial Orthodox Palestine Society Sergey Stepashin, the director of the Museum of Moscow Anna Trapkova, the director of the State Historical Museum Alexei Levykin, the director of the State Archives of the Russian Federation Larisa Rogovaya and the scientific director of the Civil Archive of the Russian Federation Sergey Mironenko. Archpriest Dimitry Roshchin, Head of the Department for Work with Public Organizations of the Synodal Department for Church, Society and Mass Media Relations, representatives of the museums partner of the exhibition, historians, scientists and artists, and representatives of public organizations.

The exhibition August Master of Moscow runs until 21st September 2025 at the Museum of Moscow.

© Paul Gilbert. 4 July 2025

The St. Petersburg Museum of Easter Eggs

Yet another new museum has opened in St. Petersburg: the Museum of Easter Eggs – not to be confused with the Fabergé Museum. The Museum of Easter Eggs, which opened in 2024, showcases the work of Andrey Georgievich Ananov, the famous Soviet and Russian jeweller, and Honoured Artist of the Russian Federation.

As the photos of Ananov’s creations, the jeweller has clearly been inspired by the Imperial Easter Eggs created by by Carl Fabergé.

Ananov’s works have received international recognition, and showcased at prestigious exhibitions in both Russia and abroad. Today his products are in the collections of Russian Presidents Boris Yeltsin and Vladimir Putin, Queen Elizabeth II of Great Britain, Queen Sofia of Spain, Prince Albert of Monaco, and Queen Sirikit of Thailand, among others.

The museum, founded on the basis of the Ananov Jewellery Workshop, is a unique space where history, art and modern technology are combined. The Easter Egg Museum is housed in an Art Nouveau style building, which resembles a small castle. The exposition in two halls introduces guests to the exquisite Easter eggs and jewellery made in Ananov’s workshop in different years.

PHOTO: elaborate display cases showcase Ananov’s Easter eggs
© Andrey Georgievich Ananov

Like the famous Imperial Easter Eggs produced in the late 19th and 20th centuries by Carl Fabergé for Emperors Alexander III and Nicholas II, Ananov’s Easter eggs, each decorated with enamel, precious stones and mosaics, also contain a “surprise” inside. For example, one of them is dedicated to the 400th anniversary of the Romanov dynasty. Inside this egg, the master placed miniature photographs of Emperor Nicholas II and Empress Alexandra Feodorovna – see photo below.

PHOTO: © Andrey Georgievich Ananov

PHOTO: the 400th Anniversary of the Romanov Dynasty Easter Egg. Inside this egg, contains miniature photographs of Emperor Nicholas II and Empress Alexandra Feodorovna in a heart-shaped frame. © Andrey Georgievich Ananov

© Andrey Georgievich Ananov

© Andrey Georgievich Ananov

The Easter Egg Museum is located at No. 7 Michurinskaya, near the Peter and Paul Fortress in St. Petersburg. Individual visits are carried out during the following hours: 11:30, 13:30 and 15:30. Price of admission is 1500 rubles [$20.00 USD].

© Paul Gilbert. 2 July 2025

Nicholas II in the News – Spring 2025

Russia’s last Emperor and Tsar Nicholas II, his family, the Romanov dynasty and the history of Imperial Russia, continue to be the subject of books, exhibitions and documentaries. In addition, the continue to generate headlines in the media.

The following articles were published by American and British media services, in April, May and June 2025. Click on the title [highlighted in red] below and follow the link to read each respective article:

This Exiled Romanov Princess Fled Bolshevik Russia and Reinvented Herself as a Fashion Icon + PHOTOS

A new exhibition spotlights Natalia Pavlovna Paley (1905-1981), the daughter of a Grand Duke Paul Alexandrovich and his morganatic wife Princess Olga Paley. She built a new life for herself in France and the U.S., appearing in films and on the pages of glossy magazines.

Source: Smithsonian Magazine. 13th June 2025

The Cossack Museum opens in Moscow + PHOTOS

The new Central Museum of the Russian Cossacks is a branch of the State Historical Museum. It is located in an old 18th-century mansion on Bolshoi Levshinsky Lane and its exhibition covers the entire history of the Cossacks in Russia – from the 16th century to the present day, featuring more than 800 items.

Source: Gateway to Russia. 25th June 2025

Banquet at the Kremlin 1912 + PHOTOS

On 12th June (O.S. 30th May) 1912, Her Imperial Majesty the Dowager Empress Maria Fyodorovna, hosted a lavish dinner at the Grand Kremlin Palace in Moscow. The banquet was in honour of the unveiling and consecration of the monument to Emperor Alexander III, on the grounds of Christ the Saviour Cathedral.

Source: Royal Menus. 22 June 2025

The Russian Time of Troubles, 1905–1907 + PHOTOS
Part 1. On the “First Russian Revolution” and Terrorism

The present essay was born during the writing of the novel The Gapon Case, written by Archpriest Vladimir Vigilyansky, Olesya Nikolaeva, and co-authored with his wife, Olesya Nikolaeva. In their work on the novel, they relied on numerous historical sources. They read hundreds of historical books and studies, archival materials, and memoirs. Fictional prose is quite different from journalistic narrative; its meanings and ideas are usually revealed through artistic imagery—through the actions and words of its characters.

Source: Orthodox Christianity. 18th June 2025

St. Anastasia of Kiev (1838-1900): A Slandered Righteous Woman of Royal Blood + PHOTOS

Grand Duchess Alexandra Petrovna (born Duchess Alexandra Frederica Wilhelmina of Oldenburg, 1838-1900), married Grand Duke Nicholas Nikolaevich of Russia (1831–1891). She is the mother of Grand Dukes Nicholas (1856–1929) and Peter Nikolaevich (1864–1931). In November 1889, Alexandra became a nun, as Sister Anastasia. Up until her death, she worked at a hospital in Kiev performing nursing duties.

Source: Orthodox Christianity. 12th June 2025

How the Romanov descendants lived in the Soviet Union + PHOTOS

After the Bolsheviks came to power in Russia, many members of the Imperial House were murdered by the Bolsheviks or fled the country. But, not all of them. Boris Egorov writes about Natalia and Kirill Iskander, the last of two members of the male line of the House of Romanov to remain alive in the Soviet Union following the Revolution and its aftermath.

Source: Gateway to Russia. 5th June 2025

25 PHOTOS of Tsar Nicholas II you “may” have never seen before

Alexander Yagelsky was a photographer at the Imperial Court of Nicholas II and cameraman for more than 20 years. He took thousands of priceless photos of the last Russian emperor, following him on all his trips, be it yachting, hunting or summer vacationing in the Finnish Skerries or Crimea. This article contains some of these rare shots.

Source: Gateway to Russia. 24th April 2025

How Russian sailors rescued Italians during a horrific earthquake + PHOTOS

“In six days, you have done more in Italy than all of my diplomacy during the years of my reign.” These are the words Emperor Nicholas II greeted Rear Admiral Vladimir Litvinov in 1909 after his return from the Mediterranean campaign. Recall that in 1908, the Emperor ordered ships of the Russian Imperial Navy to Sicily, following a devastating 7.1 magnitude earthquake, which almost completely destroyed the cities of Messina and Reggio Calabria.

Source: Gateway to Russia. 11th April 2025

How the French perfumed all of Tsarist Russia + PHOTOS

Alphonse Rallet’s perfume factory in Moscow, was founded back in the mid-19th century. Its founder and his successors not only supplied fragrances to the Imperial Court, but also created the largest production facility, which is still in operation today. They also gave the world the legendary Chanel No. 5 perfume.

Source: Gateway to Russia. 1st April 2025

© Paul Gilbert. 30th June 2025

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Paul Gilbert’s Romanov Bookshop on AMAZON

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Sovereign: The Life and Reign of Emperor Nicholas II

CLICK on the LINK below for more details, including a full list of the articles found
in each issue + links to ORDER copies of the issues which interest you most:

No. 15 Summer 2025

No. 14 Winter 2025

No. 13 Summer 2024

No. 12 Winter 2024

SOVEREIGN was launched in 2015, by Paul Gilbert, a British-born historian and writer, who has dedicated more than 30 years to researching and writing about Emperor Nicholas II, his family, the Romanov Dynasty and Imperial Russia. Now retired, he focuses his work on clearing the name of Russia’s much slandered Tsar.

He is able to achieve this through his blog, social media, conferences and SOVEREIGN, that he challenges the negative myths and lies about Nicholas II, which have existed for more than a century. He is the author of more than a dozen books, which explore the life and reign of Nicholas II, based on research from Russian archival and media sources.

From 1986 to 2018, he travelled to Russia 29 times, visiting St. Petersburg, Moscow, Ekaterinburg and Crimea. In the 1990s, shortly after the fall of the Soviet Union, Gilbert organized annual Romanov Tours, which offered visits to the Imperial Palaces, palaces of the grand dukes and grand duchesses in and around St. Petersburg, museums, among others.

PHOTO: SOVEREIGN publisher and editor Paul Gilbert. Ekaterinburg. July 2018

These tours featured lectures by leading authors and Romanov historians and museum curators. Several tours included visits to the State Archives of the Russian Federation (GARF) in Moscow, to view photo albums, letters, diaries and personal items of Nicholas II and his family.

Some of the highlights of these tours included the Alexander Palace in 1996 – one of the first groups from the West to explore the interiors of Nicholas and Alexandra’s private apartments; the Grand Kremlin Museum in Moscow; Livadia Palace in Crimea, among others.

One of the highlights of his career, was organizing and hosting the 1st International Nicholas II Conference, held on 27th October 2018, in Colchester, England. It was a memorable event, which brought together more than 100 people from almost a dozen countries. A second conference is in the works.

About SOVEREIGN

There are few monarchs in history about whom opinion has been more divided than the last Emperor and Tsar of Russia, Nicholas II (1868-1918).

Myths and lies about the “weak-willed”, “incompetent”, “bloody” tsar, were created on the basis of gossip, slanderous fabrications and Bolshevik propaganda in the early 20th century. For more than 70 years, the Bolsheviks and the Soviets were perfectly content to allow these myths and lies to stand. Sadly, they remain deeply rooted in the minds of both Westerners and the Russian people to this day.

Since the fall of the Soviet Union in 1991, Nicholas II has undergone nothing short of a renaissance in modern-day Russia. Much of this is thanks to the efforts of the Russian Orthodox Church and monarchist groups. He has been the subject of hundreds of new biographies and historical studies, documentaries, exhibitions, discussion forums, etc. In 2002, Tsar’s Days was revived in Ekaterinburg, an annual event which draws tens of thousands from across Russia and abroad to honour the memory of Nicholas II and his family.

Despite this, many of today’s academically lazy, British and American historians and biographers, prefer to rehash the popular negative myths and lies of Nicholas II’s early 20th century detractors. Few – if any of these “experts” – have traveled to Russia to utilize the vast archival sources now available to researchers. Instead they focus on Nicholas II’s failures, and seldom reflect on the many accomplishments he made during his 22+ year reign.

It was these very myths and lies, which compelled Gilbert to launch SOVEREIGN in 2015.

In 2024, SOVEREIGN was relaunched with a new format, which now features articles researched and written by Paul Gilbert and published on this blog. Gilbert has researched these works from Russian archival and media sources. Beginning with the No. 12 Winter 2024 issue of SOVEREIGN, these articles are now available in a printed format for the first time!

In addition, are a number of First English language works by Russian historians and experts, based on new archival documents discovered since the fall of the Soviet Union in 1991. Thanks to this new generation of post-Soviet historian, we can now review the life and reign of Russia’s last Emperor and Tsar through Russian eyes, instead of Soviet ones! They challenge and put to rest many of the lies and myths presented over the past century by their Western counterparts. Their works are based on facts and information from reliable Russian sources.

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SOVEREIGN was launched in 2015, and has published a total of 15 issues. Please note, that issues No. 1 through 11 are now out of print, although used and second-hand copies are available on eBay and Amazon.

Issues No. 12 to 15 are available exclusively from Amazon – please refer to the links below. The No. 16 Winter 2026 issue will be published in December 2025.

Current issues of SOVEREIGN

– CLICK on the LINK below for more details, including a full list of the articles found in each issue + links to ORDER copies of the issues which interest you most:

No. 15 Summer 2025

No. 14 Winter 2025

No. 13 Summer 2024

No. 12 Winter 2024

© Paul Gilbert. 28 June 2025

‘The Mummy’ – a film about Lenin premieres in Moscow

PHOTO: “V.I. Lenin in a coffin” (1924)
Artist: Kuzma Sergeyevich Petrov-Vodkin (1878-1939)

On 26th June 2025, the premiere of the documentary-film МУМИИ / The Mummy took place at the Oktyabr Cinema[1], located on Novy Arbat in Moscow. The film touches on a painful and controversial topic for modern-day Russian society: the unburied corpse of Vladimir Ilyich Ulyanov (Lenin).

Even before the premiere, the film provoked fierce protests from communists of all stripes, who accused the filmmakers of slandering the Bolshevik leader. Many people believe that it was Lenin, who ordered the murder of Nicholas II and his family, but who committed the monstrous crime of crashing the world’s most powerful nation and killing several million people.

The all-Russian premiere of the film МУМИИ / The Mummy will take place in other Russian cities from 27th to 29th June, with the support of the regional branches of the World Russian People’s Council. These screenings will be supported by a large-scale hours-long telethon live on the SPAS TV channel on Sunday, 29th June, where live broadcasts from all over the country are planned.

The famous historian, writer and TV presenter Felix Razumovsky, who was present at the Moscow premiere, shared his impressions of the film in his Telegram Channel:

МУМИИ / The Mummy premiered yesterday in Moscow at the Oktyabr Cinema. It is an important documentary about the Russian misfortune that has existed for more than a century – about the pagan temple of the communist quasi-religion standing on Red Square, the main square of Russia, the mausoleum with the mummy of Lenin.

The film is relevant, important, and necessary… For many Russians, the problem is a painful one and action on the issue is long overdue, and should have been resolved thirty years ago. The anti-Christian cult of the “eternally living” Bolshevik leader should have been dealt with and removed following the collapse of the Soviet Union in the early 1990s.

Of course, better late than never. For the revival of the country is impossible without deciding the fate of Lenin’s mummy, these “Bolshevik relics” which desecrate the Orthodox Russian pantheon of the Moscow Kremlin!

But over the past thirty years, the situation has changed, and not for the better. Today, the creators of the film МУМИИ / The Mummy go against the tide. In recent years, an active political campaign of re-Sovietization has been launched in the country. The internet and social media is filled with endless justifications for the “Lenin cause” and the obsessive idealization of “Comrade Stalin”. A disturbing plan of “monumental propaganda” is being implemented…

We are talking about the disruption of Russian awareness, about the erosion of Russian consciousness, primarily the consciousness of the Orthodox. The trend is not just dangerous, but truly suicidal for the nation.

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МУМИИ / The Mummy producer Joseph Prigozhin announced that he is willing to provide his own personal funds for the burial of Vladimir Lenin. He considers it necessary to bury the body of the Bolshevik leader and statesman, referring to Orthodox traditions and respect for the memory of the deceased.

“I am ready to provide funds for his burial,” Prigozhin said in a recent interview. During the past thirty years, the question of the possible burial of Lenin has been raised again and again. In 1998, acting Russian president Boris Yeltsin had plans to demolish Lenin’s mausoleum, however, he was persuaded otherwise.

Proponents of the idea believe that the body should be buried in accordance with religious and ethical standards. Opponents, on the contrary, see the preservation of the mausoleum as an important part of the country’s historical and cultural heritage, whereas, more radical elements of Russian society would like to see the monument and Lenin’s mummy destroyed.

Vladimir Lenin died on 21st January 1924. His body was embalmed and placed in a mausoleum on Red Square, which has become one of the symbols of the Soviet era. At the end of May 2025, the Ministry of Culture of the Russian Federation announced the restoration of the mausoleum building, for which 20 million rubles [$250,000 USD] will be allocated from the state budget.

NOTES:

[1] On 29th October 2024, the Oktyabr Cinema in Moscow, was also the venue for the premiere of the documentary-film «Верные» / The Faithful. This 70-minute Russian language documentary explores the lives and fates of the faithful retainers who followed the Imperial Family into exile.

© Paul Gilbert. 27 June 2025

In 2007, General Wrangel’s grandson decried Bolshevism, Lenin and Stalin

PHOTO: General Pyotr Nikolayevich Wrangel

General Pyotr Nikolayevich Wrangel (1878-1928) was a prominent military leader, who served under Emperor Nicholas II. Wrangel was an officer of the Tsarist army and rose to the rank of major general. He took part in the First World War, where he proved himself as a brave and talented military leader, for which he was awarded the Order of St. George, 4th Class. 

Unlike many other Tsarist generals, Wrangel did not play a role in the March 1917 conspiracy against Nicholas II. After the abdication of the Emperor and the outbreak of the Russian Civil War, Wrangel commanded the Volunteer Army and then the White Russian Army in the south of the country, which fought against the Bolsheviks. 

Pyotr Nikolayevich was a devout monarchist, and openly advocated the restoration of the monarchy. Wrangel believed that after the overthrow of the monarchy, Russia plunged into chaos, and only the restoration of the monarchy could restore order and greatness to the country. 

Wrangel, like many other members of the White movement, sought to overthrow the Bolsheviks and restore the old order in Russia, including the monarchy. For Wrangel, the monarchy was not only a form of government, but also a symbol of historical Russia, its culture and traditions.

Wrangel did not support the idea of absolute monarchy, he advocated a constitutional monarchy, where the power of the monarch would be limited by law.

Wrangel, having been defeated by the Red Army, was forced to leave Russia. His actions in the Civil War, which did not lead to the victory of the White movement, left a significant mark on 20th century history. In 1920, he took part in the Russian Exodus, in which more than 145,000 White Russian soldiers and civilians went into exile.

Wrangel first lived in Constantinople and then Serbia, where he came to be known as one of the most prominent White émigrés. In 1927 he relocated to Brussels and died a year later, at the age of 49. On 6th October 1929 his remains reinterred in the Church of the Holy Trinity,  the Russian church in Belgrade, Serbia, according to his wishes..

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PHOTO: the grave of General Wrangel in the Church of the Holy Trinity, Belgrade

In 2007, Sergei Zuev, head of the Foundation for the Perpetuation of the Memory of the Victims of Political Repression in Moscow, sent a letter to General Wrangel’s grandson Pavel Bazilevsky, with a proposal to transfer the general’s remains to Russia. In response, Bazilevsky wrote a powerful and admirable letter, in which he decries the Russian Revolution and Bolshevism, noting that his grandfather’s remains will not be returned to Russia until such time as the remains of Lenin and Stalin’s are removed from the Kremlin walls.

Dear Sergey Sergeevich!

“Thank you for your letter of 29th January 2007 with a proposal to rebury the remains of General Baron Pyotr Nikolaevich Wrangel in the Donskoy Monastery in Moscow. Our family is deeply touched by your appeal and the realization that the desire of thousands of other Russian people support your proposal. Your proposal made us think about the meaning and expediency of such a step, weighing all the pros and cons in order to give a serious, reasoned answer and explanation.

“It is known that the main feature of General Wrangel’s character was his adherence to principles. He fought against Bolshevism and the vicious system it engendered, not out of a sense of class hatred, but out of a deep conviction that Bolshevism was an absolute evil, both for Russia and for humanity as a whole.

“Over the past two decades, there have been tremendous changes in the consciousness of Russians regarding the essence of Bolshevism and Soviet power. However, the main issue remains, and that is the condemnation of this evil at the state level. As a result, the ferment in people’s minds continues, the consequence of which is such a state of affairs that in public opinion polls in recent years, almost half of the population of Russia believe that Stalin remains a popular personality.

PHOTO: Wrangel outside the Church of the Holy Trinity, Belgrade. 1924

“General Wrangel died in Brussels in 1928, but more than a year later, by his own will, expressed during his lifetime, he was buried in the crypt of the Russian church in Belgrade. There he rests to this day, and not far away, in the cemetery, lie thousands of colleagues, ranks of his army, infinitely devoted to him, to whom he also gave his last strength. This mutual trust between the commander-in-chief and his subordinates has no limits – it is not limited either by his death or by the passage of time. Both in life and in death, he is in the ranks, together with his officers, soldiers and Cossacks. To transfer his remains now – alone – for reburial in Moscow, to take him from the ranks of his subordinates devoted to him (and their descendants devoted to his memory), is possible only for a very good reason. Had he lived, it is unlikely that he himself would have agreed to leave his army for the honour of being buried in Moscow, knowing that Lenin and Stalin still occupy an honourable place there next to the Kremlin.

“General Wrangel’s last words on Russian soil in 1920 were about his fulfillment of duty to the end. As the memory of General Wrangel lives in us, his descendants, so does the memory of his comrades-in-arms, to whom the duty and testament of the Commander-in-Chief of the Russian Army will not be fulfilled as long as the mausoleum on Red Square and the remains of the Red Executioners remain within the walls of the Kremlin.

I recall the funeral sermon of Archpriest Vasily Vinogradov, who said at his grave back in 1928, in Belgium: ‘Kissing his sacred remains, let us promise to kindle in ourselves the never-dying love for the destitute homeland and the sacred fire of irreconcilability to the satanic, atheistic regime, without making any compromises or agreements, no matter who they come from. One must live in peace, says St. Theodosius, with one’s enemies, but not with God’s.’

“Appreciating your sincere initiative, we regret with a heavy heart that the time for the reburial of General Wrangel in his homeland has not yet come. General Wrangel was and remains for many a symbol of an irreconcilable, principled struggle. For all their historical significance, neither [Anton] Denikin nor [Vladimir] Kappel is treated in such a way among his subordinates and even among his enemies as a general Wrangel, never was. To this day, the emigration honours his memory and the ideals for which he fought. His struggle is not over, and his premature reburial will only detract from the significance of the feat and sacrifices, both of Wrangel himself and of all the White warriors who gave their lives for the good of Russia.”

Pyotr A. Bazilevsky

© Paul Gilbert. 26 June 2025

Ekaterinburg prepares for Tsar’s Days 2025

The Ekaterinburg Metropolis are currently preparing for Tsar’s Days – 2025, which will be held in the Ural capital and in Alapaevsk from 11th to 21st July. This year marks the 107th anniversary of the death and martyrdom of Emperor Nicholas II, his family and their four faithful retainers on 17th July 1918. It also marks the 107th anniversary of the death and martyrdom of Grand Duchess Eliabeth Feodorovna and other Romanov family members in Alapaevsk on 18th July 1918.

Metropolitan Evgeny of Yekaterinburg and Verkhoturye noted the importance of the upcoming memorial events, which traditionally bring together tens of thousands of faithful from across Russia and abroad.

The central event of Tsar’s Days is the Divine Liturgy held on the night of 16/17 July, followed by a 21-km [13 miles] Cross Procession, from the Church on the Blood in central Ekaterinburg to the Monastery of the Holy Royal Passion-Bearers at Ganina Yama. for which “the whole of Russia gathers” in the Ural capital.

This years’ Tsar’s Days is part of the 24th International Festival of Orthodox Culture, which will be held over a 10-day period from 11-21 July. Aside from divine services and religious processions, the festival will feature many events in honour of the Holy Royal Martyrs, including bell ringing, concerts and musical evenings, as well as exhibitions and conferences hosted by well-known historians, theologians and authors.

Preparations for the Tsar’s Days are being carried out by the Ekaterinburg Metropolia with the support of the regional and city authorities.

Once again, Porosenkov Log will not included in this year’s Cross Procession. Porosenkov Log is where the remains of the Imperial Family were exhumed in two separate graves in 1991 and 2007 respectively. Due to the fact that the Moscow Patriachate does not yet recognize the Ekaterinburg Remains as those of the Imperial Family. Their official recognition rests with the Bishops’ Council of the Russian Orthodox Church.

The veneration of Nicholas II

The veneration of Nicholas II and his family actually began just days after their murder in July 1918. During the Soviet years, such activity would most certainly have been suppressed, forcing the faithful to honour the Holy Royal Passion-Beaers in secret.

After the fall of the Soviet Union in 1991, everything changed, when in 2000, some 300 faithful gathered at the sight of the Ipatiev House in Sverdlovsk [Ekaterinburg]. In 2002, the first Cross Procession in memory of the Holy Royal Martyrs was held in the Ural capitlal, attracting 3,000 faithful. The procession has been held every year since, the most important being in 2018, the year marking the 100th anniversary of the death and martyrdom of the Imperial Family.

FURTHER READING:

What is Tsar’s Days? + PHOTOS and VIDEO

© Paul Gilbert. 25 June 2025

Fabergé Museum launches ‘Stories of St. Petersburg Jewellery Houses’ audio tour

The Fabergé Museum in St. Petersburg and a local tour operator Невские Сезоны / Nevsky Seasons have launched a new audio tour, which explores the heyday of Russian jewellery art and the outstanding masters of the “Fabergé era”.

The audio tour dubbed Бриллиантовая улица / Diamond Street: Stories of St. Petersburg Jewellery Houses in the Late 19th and Early 20th Centuries explores key historical sites in the heart of the city, allowing visitors to immerse themselves in the splendour of pre-revolutionary St. Petersburg.

The tour begins on Ulitsa Bolshaya Morskaya (Street) – aka the “street of jewellers”. It was here that the most prestigious jewellery shops (more than 20 enterprises) were located, including the House of Carl Fabergé. Many of these jewellers were awarded the title of Supplier to the Court of His Imperial Majesty and created jewellery for members of the Imperial Family.

On Bolshaya Morskaya, visitors will learn about the history of the former premises of these shops, among other sites, including the Ovchinnikov Company at No. 35, which specialized in silver products; as well as the Imperial Society for the Encouragement of Artists at No. 42, where the great Russian landscape artist Ivan Shishkin (1832-1898) taught; the building of the Sazikov Company at No. 29, one of the oldest jewellery enterprises in Russia; the shop of the jeweller Friedrich-Daniel Butz; and, of course, the building where the House of Carl Fabergé, at No. 24, is located. The Fabergé building has survived to the present day, however. some visitors will be disappointed to learn, that it is no longer a Fabergé shop.

The tour culminates with a visit to the Fabergé Museum, located in the former Shuvalov Palace on the Fontanka River Embankment. Today, it is one of the most famous cultural sites in St. Petersburg, and one of the TOP-10 most visited museums in Russia. It showcases the world’s largest collection of Fabergé masterpieces in the world – more than 4,000 works (including the former collection of Malcolm Forbes ) of decorative applied and fine arts, including gold and silver items, paintings, porcelain and bronze. The highlight of the museum’s collection are the nine Imperial Easter Eggs created by Fabergé for the last two Russian Tsars Alexander III and Nicholas II. Fabergé’s Imperial Easter Eggs, are considered a symbol of the lost Russian Empire.

The audio tour was developed by the staff at the Fabergé Museum. Tours run twice a week: on Thursdays and Saturdays at 17:00. The starting point of the tour is the Astoria Hotel – the historic five-star luxury hotel, opened in 1912..

© Paul Gilbert. 25 June 2025

Nicholas II: the amateur photographer

Shortly after his Coronation at Moscow in May 1896, Emperor Nicholas II acquired a new camera, for which he began photographing himself and his family. It was also at this time that he began placing his snapshots of family members in his diaries and compiled his first photo album.

Among the many albums of Romanov family photographs held in the Russian archives, at least two of them were Emperor Nicholas II’s personal photo albums, in which he personally selected and pasted the photos.

Nicholas II was a keen amateur photographer. It is widely known that his wife and children all shared his passion, but it is thanks to him that we can enjoy such a vast collection of photographs taken by the Emperor himself and by members of his family, in addition to those taken by official photographers. These photographs not only give us an official portrait of Russia’s last Emperor and Tsar, but also a pictorial record of his private life and reign.

Nicholas II took pictures throughout his life, leaving to posterity a collection of photographs astonishing in their breadth and variety. It is a collection which allows us to study him in all his guises: Emperor, husband and father. As GARF managing director and researcher Alia Iskhakovna Barkovets notes: “Everyone who looks at these photographs will see the last Tsar of Russia in their own way. One feeling, however, unites us: these photographs attract us because in them we see a human life. And regardless of the time and tragedy that separates us from that life, we can comprehend it and identify with it.”

In 1925, the enormous archive of documents and photographs of Nicholas II and his family were transferred to the New Romanov Archive, which formed the basis of the Archive of the October Revolution, and was renamed The Department of the Fall of the Old Regime. It was Joseph Stalin who ordered the Romanov archives closed and sealed. They were even off limits to historians, unless for propaganda purposes. Up until the fall of the Soviet Union in 1991, these private documents and photographs lay effectively untouched.

While it is known that Nicholas II started to take amateur photographs, it is not known where and when the Emperor acquired his first camera, but his personal accounts for November 1896 contain an entry about a payment to the firm ‘London Stereoscopic & Photographic Co,’ for photographic accessories amounting to £9 British pound sterling. In December of the same year an invoice from the owner of a warehouse for photographic and optical accessories in St. Petersburg was paid for 25 roubles to cover photographic work, two boxes of film and a camera cover.

PHOTO: a page from the diary of Nicholas II, dated 31st December 1913, featuring two photos of his eldest daughters Olga and Tatiana, wearing their respective regimental uniforms. 

That Nicholas himself glued photographs into albums is shown by a diary entry 29th October 1896: “Fussed with some photographs, singling them out for gluing into the big album”. It is apparent that he among the members of his family was mostly concerned with their presentation, also ensuring that each photograph was captioned with date and place, all handwritten by the Emperor himself.. This favourite pastime “calmed him and brought him into a state of mental equilibrium,” says Barkovets. 

Beginning in 1896, small amateur photographs began to appear in the pages of his diary alongside the entries. In almost every diary after this year the Emperor illustrated various entries with his own photographs.

Nicholas II’s private album for 1900-1901 is particularly interesting as it highlights the growing confidence of his skills as a photographer. Nicholas had obtained a special camera which allowed panoramic pictures to be taken. The Emperor’s passion for taking panoramic photographs included those of ships, his beloved Standart, and above all, the Crimean countryside and the architecture of Livadia Palace. Although the artistic merit of these photographs is questionable, their historic significance is undeniable.

In August 1917, when the Imperial Family was exiled from Tsarskoye Selo to Tobolsk and later Ekaterinburg, they took with them a camera of the ‘panorama company Kodak from the Karpov shop . . . along with instructions, and two boxes containing 33 negatives’.  These items were found after the murder of the Imperial Family in Ekaterinburg at the apartment of Mikhail Letemin, the guard for the Ipatiev House, during a search by the investigator Alexei Nametkin on 6th August 1918. As well as the items found at the Ipatiev House, three reels of Kodak film were recovered from the stoves and rubbish at the Popov house, where the guards of the Imperial Family were accommodated. So, what were these photos? Who took them? Why were they destroyed? Perhaps they contained the last photographic images of the final days of the Imperial Family, or were they destroyed to conceal evidence which the murderers did not want to fall into the hands of monarchists, the Whites or the Western press? Sadly, we will never know!

In conclusion, Alia Barkovets adds: “the photographs from the Tobolsk period of the family’s house arrest are missing from the State Archive, but a few pictures survive in private collections. There are no known photographs of the Imperial Family during their house arrest in Ekaterinburg. If we believe the evidence of of the guard Mikhail Letemin, Nicholas’s camera was stolen by him from the Ipatiev House after the murder of the Imperial Family. Whether or not it contained film we can only surmise.”

***

Nicholas II was among a handful of famous Russians, who took “selfies”.

The first ‘selfie’ in history was taken by American photographer Robert Cornelius – he took a photo of the reflection of himself in a storefront. That happened in 1839, but the process of taking photos then was very different from the modern one.

A polished silver plate, treated with iodine vapors, was put into a camera obscura and then developed over hot mercury and dipped into a solution of salts – not the easiest of processes.

The tides turned with the emergence of Kodak cameras, designed to be used by non-professionals. Photography didn’t require serious training anymore and gradually turned into a mass hobby. The amount of ‘selfies’ rose dramatically. Russians were also involved.

In this photo, we see the Tsar posing for a “selfie” with his Kodak camera, much to the amusement of his mother Dowager Empress Maria Feodorovna seen seated behind him in this [sadly] grainy image. Year and location unknown.

© Paul Gilbert. 19 August 2022 [Updated 24 June 2025]