On Thursday, 10th April 2025, the Société des amis du Louvre [Society of Friends of the Louvre] in Paris announced that it had acquired and donated to the Louvre Museum, a triptych icon that belonged to Russia’s last Tsar.
Created in 1895 by Mikhail Evlampievich Perkhin (1860-1903), a leading workmaster of the House of Fabergé, the icon and adorned with precious stones was presented by members of the Russian aristocracy to Emperor Nicholas II and Empress Alexandra Feodorovna on the occasion of the birth of their daughter and first child Grand Duchess Olga Nikolaevna [16th (O.S. 3rd) November 1895].
The 30 cm [12 in.] triptych icon was purchased for 2.2 million euros [$2.5 million USD]. It is made of various materials: Karelian birch, oil painting, gilded silver, gold with enamel, pearls, emerald, ruby and sapphires.
It has been exhibited only once, at the Victoria and Albert Museum in London in 1977, after which it was stored in the collection of the art dealer Leon Greenberg.
The Society of Friends of the Louvre decided to acquire and donate the icon to the museum “as part of a wider €4 million sponsorship programme aimed at supporting the museum’s major projects, including the creation of a new Department of Byzantine and Christian Oriental Arts”, which is scheduled to open in 2027.
“It will be one of the major works of the new department of the museum, because of its history and its creation by one of the most prestigious goldsmiths of the House of Fabergé, famous for his decorative eggs that marked the end of the Romanov reign,” said a spokesperson for the Louvre Museum
Based in Paris, France the Société des amis du Louvre is a voluntary association created in 1897 whose purpose is to purchase objects of artistic, archaeological or historical value for the museum. It is the largest private patron of the Louvre: today the Society has 67,000 members, , mostly in France, whose contributions and donations allow it to have an annual budget for the acquisition of works of art in the amount of about 3 million euros.
PHOTO: “The Testament of Peter the Great. Revival” by Sergei Malinovsky
On 1st April 2025, Metropolitan Georgy of Nizhny Novgorod and Arzamas attended the official unveiling cermony of the painting “The Testament of Peter the Great. Revival”, in the restored bell tower of the Transfiguration Cathedral situated of the Nizhny Novgorod Kremlin.
The head of the Nizhny Novgorod Metropolia was accompanied by the artist Sergei Viktorovich Malinovsky [b. 1959], who is a member of the Union of Artists of Russia.
The ceremony was dedicated to the 25th anniversary of the revival of the historical tradition established by Emperor Peter the Great of honouring the memory of Kuzma Minin (1570s-1615), a nobleman, who in 1612 headed the militia which liberated Moscow from foreign invaders.
PHOTO: detail of “The Testament of Peter the Great. Revival” which depicts President Vladimir Putin, Emperor Nicholas II and Peter the Great, among others.
Sergei Malinovsky conducted a study of the activities of Peter the Great, bringing together the patriotic deeds of other Russian rulers, who honoured the memory of Kuzma Minin, the Russian national hero, who united the people and the government in the defense of the country and its historical memory.
The painting “The Testament of Peter the Great. Revival” was painted in oil on canvas, measuring 160 x 100 centimeters [5.3 ft. x 3.3 ft.].
In the foreground are Russian President Vladimir Putin and Emperor Peter the Great, who, kneeling, lights a candle on the tombstone of Kuzma Minin’s grave. Numerous other Russian historical leaders are also depicted.
In life, Emperor Nicholas I, Emperor Alexander III, Emperor Nicholas II and Empress Alexandra Feodorovna, all honored the memory of Kuzma Minin.
PHOTO: Metropolitan Georgy of Nizhny Novgorod and Arzamas (left) attends the unveiling ceremony of “The Testament of Peter the Great. Revival” by Sergei Malinovsky in the Nizhny Novgorod Kremlin
The canvas also contains the banners of the militia of 1612, 1812, 1855 and the Victory Banner of 1945. Above the crucifixion which includes a piece of the Cross of the Lord, donated by Prince Dmitry Pozharsky to the Transfiguration Monastery in the village of Pureh, the following are depicted in the golden heavenly light: Kuzma Minin, holding the cap of Monomakh, as a symbol of the people who did not allow the fall of Russian statehood; St. Sergius of Radonezh, who appeared three times in visions to Minin, calling him to podvig; the “initial man” of the Muscovite state of that time, representing the spiritual power, the Hieromartyr Patriarch Germogen, according to whose charters the first (Lyapunov-Ryazan) and second (Minin-Nizhny Novgorod) people’s militias were raised; Archangel Michael, the heavenly patron of Nizhny Novgorod.
Portrait of Major General Vladimir Nikolaevich Voeikov (1913-14) Artist: unknown. Private Collection.
Vladimir Nikolaevich Voeikov (1868-1947) was a member of His Imperial Majesty’s Retinue, and served as Palace Commandant from 1913 to 1917. He was one of the most trusted associates of Emperor Nicholas II.
Vladimir was born in Tsarskoye Selo on 15th (O.S. 2nd) August 1868, to the family of cavalry general Nikolai Vasilievich Voeikov (1832-1898) and Princess Varvara Vladimirovna Dolgorukova (1840-1909), daughter of the Moscow Governor-General Vladimir Andreevich Dolgorukov (1810-1891).
He was educated in the Corps of Pages, after which, on 7th August 1887, he was released as a cornet in the Chevalier Guard Regiment.
In 1894, he married Eugenia Vladimirovna Frederiks (1867-1950), a maid of honour at the Russian Imperial Court (1890); and the eldest daughter of the Minister of the Imperial Court Vladimir Fredericks (1838-1927). In society, everyone called her Nina. The couple had no children.
PHOTO: Minister of the Imperial Court Vladimir Fredericks (left), with his son-in-law Vladimir Voeikov(right), Livadia1914
PHOTO: Emperor Nicholas II with Vladimir Voeikov. Livadia1914
Vladimir Voeikov enjoyed a successful and prestigious career, in which he received numerous promotions. In August 1891, he was appointed lieutenant, from April 1898 as headquarters captain and from May 1901 he was promoted to the rank of captain. He served as squadron commander for 5 years and 1 month, then as head of the education school for 5 years and 6 months.
From November 1905, he served as assistant commander of the Chevalier Guard Regiment, and in December 1905, he was promoted to colonel. In 1906 he was appointed adjutant wing to His Imperial Majesty.
From August 1907, Vladimir served as Commander of His Majesty’s Life Guards Hussar Regiment. In December 1909, Emperor Nicholas II promoted him to the position of major general and enrollment in His Imperial Majesty’s retinue.
Upon the birth of the Tsesarevich Alexei Nikolaevich (1904-1918), Voeikov was named godfather to the Emperor’s only son and heir. In 1910 Vladimir began the construction of a summer residence for his godson, located on his estate, located in the Penza region.
PHOTO: after decades of neglect by its Soviet caretakers, Vladimir Voeikov’s unfinished palace for his godson Tsesarevich Alexei Nikolaevich, today lies in ruins
The general plan of the estate initially consisted of three buildings (palace, a secondary building, and stables). The palace was designed in the style of an Italian villa, which included a park with rare trees and fountains. The palace consisted of two stories high, made in the neoclassical style, with a rotunda, surrounded by a balustrade and sloping stairs which led to the front entrance.
In 1917, the still unfinished palace was nationalized and placed at the disposal of the local Soviets, who used the building for a variety of purposes up until the fall of the Soviet Union in 1991. The building has survived to the present day, however, it is in a terrible state of disrepair, despite the fact that the palace is recognized as a monument of history and culture of regional significance.
After the formation of the Russian Olympic Committee in 1912, Vladimir Voikov was elected its honorary chairmanm on 24th December 1913.
In 1913, Voeikov founded a mineral water bottling plant on his Kuvaka estate in the Penza region, with an annual production of 100 thousand bottles of water. The Voeikov estate was located on the territory of the modern city of Kamenka (Penza region) . During the war, Vladimir won a contract for the supply of his mineral water to the front and to hospitals.
PHOTO: in happier times, Vladimir and his wife Eugenia, wearing 17th century dress for the Costume Ball, held in February 1903, at the Winter Palace, St. Petersburg
During the February Revolution, Vladimir was arrested, and held under arrest, first in the Tauride Palace, then in the Peter and Paul Fortress in Petrograd, where he was interrogated by the Extraordinary Investigative Commission of the Provisional Government. He was subsequently released, but in the summer of 1918, under the threat of arrest by the Bolsheviks, he hid in the hospital of St. Panteleimon for the mentally ill, from where he kept in touch with his relatives.
In September 1918, having learned about the arrest of his wife, he fled to the Crimea , from where he went into exile, first to Romania, and then to Finland, where he lived at Dr. Botkin’s dacha in Terijoki (Terijoki), now Zelenogorsk. After leaving Finland, Voeikov moved to Sweden. During his years in exile, Voeikov wrote his memoirs С царем и без царя / With the Tsar and Without the Tsar [see below], published in in Helsinki in Russian in 1936.
In June 1919, during the offensive of General N. N. Yudenich on Petrograd, Vladimir’s wife Eugenia was arrested and transported to Moscow. She was held in a concentration camp in the Ivanovsky Monastery. [situated in central Moscow, inside the Boulevard Ring, to the west of Kitai-gorod]. In 1925 she received permission to leave the USSR, whereupon she moved to Finland with her father and sister. From 1939 she lived with her husband in Helsinki. In 1946 they moved to Sweden and settled in Danderyd.
Vladimir Voeikov died on 8th October 1947, and was buried in a local cemetery in the town of Djursholm, situated in the suburbs of Stockholm. Eugenia died in 1950 and was buried next to her husband. Later, their remains were reburied at the Kauniainen City Cemetery, in the same grave of Count Vladimir Fredericks – who died in 1927.
PHOTO: the proposed cover of the English translation, features this photo of Emperor Nicholas II and Vladimir Voeikov at the Stavka, the headquarters of the Russian Imperial Army, in Mogilev. 1915-1916
I am currently in the process of having WITH THE TSAR AND WITHOUT THE TSAR by Major General Vladimir Nikolaevich Voeikov (1868-1947), translated from Russian to English.
Originally published in Russian in 1936, this will be the first English translation of the sad but captivating story, about the man who, from 1913-1917, served as the last palace commandant to Emperor Nicholas II. Voeikov was the son-in-law of the Minister of the Imperial Court Vladimir Borisovich Frederiks (1838-1927). He was one of the few men at Court, who remained faithful to the Tsar.
His memoirs describe the events the February and October 1917 revolutions and their consequences for the Russian Empire and the Tsar; foreign policy intrigues and the chain of events that led to the First World War and Russia’s participation in it; Court vanity and envy; the private lives of the Tsar and his family at Peterhof, Tsarskoye Selo and Livadia; and Voeikov’s ordeals as he fled Bolshevik Russia.
Translations are very costly – this book is 330 pages – which is why I am reaching out to those who share an interest in the life and reign of Nicholas II.
Please consider making a donation to help fund the translation of Voeikov’s memoirs, a very important historical record on the life and reign of Russia’s much slandered Tsar.
Konstantin Petrovich Pobedonostsev was born in Moscow on 30th (O.S. 18th) November 1827. He remains one of the most interesting, yet controversial persons from the life and reign of Emperor Nicholas II.
Pobedonostsev was a Russian jurist, statesman, and adviser to three Tsars: Alexander II, Alexander III and Nicholas II. Nicknamed the “Grand Inquisitor,” he came to be the symbol of Russian monarchal absolutism.
Pobedonostsev and Tsesarevich Alexander Alexandrovich [future Emperor Alexander III] remained very close for almost thirty years, through Alexander’s ascension as Tsar in 1881 and until his death in 1894.
During the reign of Alexander III he was one of the most influential men in the Russian Empire. He was the mastermind of Alexander III’s Manifesto of 29th April 1881, written about two months after the assassination of his father, Alexander II. ‘The Manifesto on Unshakeable Autocracy’ proclaimed that the absolute power of the Tsar was unshakable thus putting an end to Loris-Melikov’s endeavours to establish a representative body in the empire. The manifesto rejected the more liberal reforms of Alexander II (and some of his father’s ministers) in favor of “unshakable autocracy” which had been given to the tsars as a sacred duty from God. The document summed up Alexander’s counter reform policies, which were strongly influenced by Pobedonostsev.
PHOTO: Konstantin Pobedonostsev drinking tea in the garden of the Cottage Palace, the Peterhof residence of Dowager Empress Maria Feodorovna, July 1898
Pobedonostsev was the chief spokesman for reactionary positions. He was the “éminence grise” of imperial politics during the reign of Alexander III, holding the distinguished position of Chief Procurator of the Most Holy Synod, the non-clerical Russian official who supervised the Russian Orthodox Church [from 1880 to 1905].
In 1883, Emperor Alexander III appointed Konstantin Pobedonostsev, as chief tutor to his son and heir Nicholas Alexandrodovich [future Emperor Nicholas II].
Nicholas received a thorough training under the direction of the best teachers in Russia. Among his teachers, the one who exerted the greatest influence on him was undoubtedly the ultra-conservative Russian academic Konstantin Pobedonostsev, who was highly intelligent, widely read and very hardworking. Pobedonstsev believed that only the power and symbolism of an autocratic monarchy, advised by an elite of rational expert officials, could run the country effectively.
Pobedonostsev’s guidance and influence imbibed the principles of absolutism, dynasty, military greatness and the official religious tradition on the future Tsar. He constantly reminded Nicholas Alexandrovich that the Tsar was anointed by God and was a divinely inspired source of wisdom and order.
PHOTO: Emperor Nicholas II with Konstantin Pobedonostsev (far right). Empress Alexandra Feodorovna and Grand Duchess Olga Alexandrovna, both dressed in white (center) standing next to the Tsar. This photo was taken on the steps of the Cottage Palace, the Peterhof residence of Dowager Empress Maria Feodorovna, July 1898
Following the death of Alexander III on 1st November [O.S. 20 October] 1894, Pobedonostev remained an aide to Nicholas II, although he lost much of his influence. While the new Tsar adhered to his father’s Russification policy and even extending it to Finland, he generally disliked the idea of systematic religious persecution, and was not wholly averse to the partial emancipation of the Church from civil control.
In 1901, Nikolai Lagovski, a socialist, tried to assassinate Pobedonostsev, shooting through the window of Pobedonostsev’s office, but missing. Lagovski was sentenced to 6 years.
It was Pobedonostsev who ordered the excommunication of the great Russian writer Leo Tolstoy in 1901.
As the Chief Prosecutor of the Holy Synod – a position he held until 1905 – Pobedonostsev opposed the canonization of the Monk Seraphim of Sarov in 1903. Standing firm in his beliefs, Emperor Nicholas II ordered the canonization of Seraphim of Sarov.
PHOTO: Konstantin Pobedonostsev’s grave, St. Vladimir Church in St. Petersburg
Konstatnin Pobedonostsev died in St. Petersburg on 23rd March (O.S. 10th March) 1907. He was survived by his wife Ekaterina Alexandrovna, née Engelhardt (1848-1932), and their adopted daughter Martha (1897-1964).
Pobedonostsev’s funeral took place on 26th March (O.S. 13th March) 1907 at the Novo-Devichsky Convent; members of the Imperial Family were not present. He was buried at St. Vladimir Church in St. Petersburg. The church has not survived, however, the grave has survived to the present day.
The only known film-clip of Emperor Nicholas II and Empress Alexandra Feodorovna visiting Queen Victoria is available to view on YouTube. It is the earliest known film of the Tsar and Queen Victoria at Balmoral. The recording lasts only 1 minute and 10 seconds, but is of great historical value.
The film-clip featuring members of the British Royal Family and the Russian Imperial Family was shot on 3rd October 1896 at Balmoral Castle, a favourite residence of Queen Victoria in the Scottish Highlands. It was filmed by William Edward Downey (1829-1915) of W. & D. Downey Studios (London).
In the recording, Queen Victoria can be seen in an open carriage pulled by a pony. In her arms, the Queen holds her favorite Pomeranian “Turi”. The Queen is accompanied by numerous family members and relatives, including her granddaughter, Empress Alexandra Feodorovna [daughter of Princess Alice of Great Britain, later Grand Duchess if Hesse and by Rhine (1843-1878)], and her granddaughter’s husband, Emperor Nicholas II, dressed in a casual three-piece suit and a Homberg felt hat. The procession is completed by the Queen’s favorite, Abdul Karim (1863-1909), who served Her Majesty during the final fourteen years of her reign, gaining her maternal affection over that time.
William Downey showed the film to Queen Victoria at Windsor Castle on 23rd November 1896. For more than a century, the recording had been gathering dust in the archives, it was discovered and shown to the general public in 2013.
Pages from Princess Alexandra’s Photo Albums (1896) CLICK on each image to enlarge and see photos in greater detail
The Royal Foundation of Great Britain also published several pages from the album of Princess Alexandra of Wales [Alexandra of Denmark, 1844-1925] – the daughter-in-law of Queen Victoria and the maternal aunt of Nicholas II. Alexandra was fond of photography and made a detailed album on her nephew’s stay at Balmoral. The photos are round – this was the format produced by the first Kodak cameras.
In the pictures, we see the happy newlyweds and their newborn daughter Olga, about whom the queen said: “A beautiful child, and so big!”
Photos from Princess Alexandra’s Photo Albums (1896) CLICK on each image to enlarge and see photos in greater detail
The Queen talked a lot with Nicholas II about politics, in particular, about the crisis in Turkey, where mass crimes against Armenians had taken place. Over a cup of tea, Nicholas II and Queen Victoria decided the fate of the Ottoman Sultan. And Alexandra Feodorovna told Granny Victoria about her new life in St. Petersburg and her worries about motherhood.
The Queen enjoyed watching the bathing of Olga, whom she described as “a cute fat baby, cheerful and full of life.” Newlyweds Nicholas and Alix walked with their dogs in Balmoral Park – without retinue and without worries. Another photo (see below) depicts Nicholas II in the uniform of Colonel-in-Chief of the 2nd Dragoons (Royal Scots Grays), bestowed upon him by Queen Victoria.
Photos from Princess Alexandra’s Photo Albums (1896) CLICK on each image to enlarge and see photos in greater detail
They took photographs of each other in the courtyard of the castle. Alexandra Feodorovna also had her own camera, but her photos have not been preserved. But we can leaf through the diary of Nicholas II for their visit to Balmoral, in which the Tsar mainly describes his hunting excursions:
“At 9 1/2 we went on a round-up of the famous grouse [hazel grouse] in the mountains near Birkhall and Glenmuick. I killed only two of them, because shooting at these birds is very difficult. We had breakfast in the tent provided by the generosity of Lord Glenesk, where we drank tea in a large company after the hunt. We returned home at 7 1/2. I’m pretty tired of climbing mountains and standing for a long time on NoNo [numbers, i.e. designated positions] inside earthen towers!”
The day of 3rd October (O.S. 21st September) according to Nicholas’s diary was marked not only by a “whirling shooting”, but also by an important symbolic event. Nicholas and Alexander planted a pine tree each in Balmoral Park.
PHOTO: the Garden Cottage at Balmoral (1913)
The Emperor dug a hole with his own hands, covered the roots of the tree with earth and watered the pine tree. Since Balmoral has been carefully maintained and preserved over the years, it is safe to say that the pines more than likely have survived to the present day. There are no special plaques on the trunks, but the Queen wrote in her diary that Nicholas and Alexandra planted pine trees “not far from the Garden Cottage.”
PHOTO: memorial plaque installed on the wall of the Chapel of St. Nicholas the Wonderworker in Sestroretsk, dedicated to Nicholas II, founder of the Russian submarine fleet
On 19th March 2025, on the day marking ‘The Day of the Submariner’ in the Russian Federation, two memorial plaques were installed on the walls of the Chapel of St. Nicholas the Wonderworker in Sestroretsk. The first IS a portrait depicting the Holy Emperor Nicholas II, the founder of the Russian submarine fleet.
The second features a text about the event of 19th March (O.S. 6th March) 1906, when by decree of Emperor Nicholas II, a new class of warship was created in the Imperial Russian Navy – a submarine fleet, which consisted of 10 submarines.
The chapel is located on the grounds of the Church of the Holy Apostles Peter and Paul. Situated on the shore of Lake Razliv, near St. Petersburg it is the birthplace of the submarine in Imperial Russia. It was here, in the presence of Emperor Peter I, that the first test of the “secret vessel” of the inventor of Russia’s first submarine Efim Prokopyevich Nikonov took place. Since 2001, it has been recognized as the spiritual and historical ensemble in honour of the Russian submarine fleet.
PHOTO: the Chapel of St. Nicholas the Wonderworker in Sestroretsk
The dean of the Kurortny District, the rector of the church, Archpriest Mikhail Petropavlovsky, served a Divine Liturgy in honour of all generations of submariners. Bells rang in memory of the Russian sailors who died while serving on submarines. A panikhida[prayer for the dead] was then served at the wall of memory inscribed with the names of all the sunken submarines and the names of the submarine heroes.
“As long as the Lord grants us life, we must lift up prayers of thanksgiving for the living and pray for those who died at sea – many of them have no graves, no relatives are alive, some are completely forgotten, but with God everyone is alive,” said Father Michael.
PHOTO: modern-day icon painted in St. Petersburg, by order of modern day submariners of the Russian Federation
The plaque installed on the wall of the Chapel of St. Nicholas the Wonderworker in Sestroretsk is based on the icon depicted in the above photo. It was painted in St. Petersburg, by order of modern day submariners of the Russian Federation.
Up until the October Revolution of 1917, ‘The Day of the Submariner’ was celebrated in Russia as a professional holiday, but abolished during the Soviet years. The holiday was revived almost eight decades later, in 1996, by order of the Commander-in-Chief of the Navy, Admiral of the Fleet Felix Gromov. Since then ‘The Day of the Submariner’ is once again celebrated on 19th March, by military personnel, veterans and civilian personnel of the submarine forces of the Navy of the Russian Federation.
PHOTO: Emperor Nicholas II, Bolshevik leader Vladimir Lenin and Russian president Boris Yeltsin
This year – 2025 – marks the 155th anniversary of the birth of Vladimir Lenin, the 35th anniversary of the election of Boris Yeltsin as Chairman of the Supreme Soviet of the RSFSR and the 25th anniversary of the glorification of Tsar Nicholas II as a saint. In recognition of these three historical figures a joint monument entitled “The Great Three” will be erected in St. Petersburg.
The sculptors will create a bronze monument depicting the life-size figures of Nicholas II, Lenin and Yeltsin, which will be installed on the coast of the Gulf of Finland, opposite the flags of the Russian Empire, the USSR and the Russian Federation. They will be depicted holding each other by the shoulders and proudly looking towards the state symbols of the three eras.
The installation of the monument is supported by the Ministry of Culture, the Communist Party of the Russian Federation, the Russian Orthodox Church and the Yeltsin Center in Ekaterinburg. It is their hope that the monument will contribute to reconciliation in society and will become a symbol of the continuity of Russia’s national history.
Reconciliation is a noble ideal but Lenin’s hand on the last Tsar’s shoulder is somewhat disturbing. One simply cannot “reconcile” with the man who ordered the murder of Nicholas II and his family. The very idea of a monument depicting the Bolshevik leader standing next to the Tsar, with his hand on the Tsar’s shoulder is simply wrong!
The date and location of the installation of “The Great Three” monument has yet to be announced.
This third video features another tune, which was apparently a favourite of Emperor Nicholas II and his Family. Click on the image above to listen to Осенний сон / Autumn Dream, a waltz. [Duration: 3 minutes, 27 seconds].
The music of the waltz “Autumn Dream” was written by the English pianist and composer Archibald Joyce (1873-1963) in 1908, who wrote a whole series of waltzes loved by listeners and even received the unspoken title of “King of Waltzes”.
In 1909, he came to Russia where he performed concerts, after which “Autumn Dream” immediately gained popularity. A few years later, records were released in huge editions, and “Autumn Dream”, along with other popular works by Joyce, began to be referred to as “old Russian waltzes”.
Several attempts were made to write lyrics to this music. The first to do this was Prince Feodor Nikolaevich Kasatkin-Rostovsky (1875-1940), who dedicated poems to Baroness Olga Nikolaevna Taube. But they did not receive recognition among the public. In the pre-war years, other poets tried to write lyrics to this opera, but the most popular was the version of Vasily Ivanovich Lebedev-Kumach (1898-1949).
NOTE: the translation is not perfect, but it will give you the gist of the lyrics – ENJOY!
The autumn wind blows off the leaves, All nature is full of sadness. Only hope does not die — The heart knows: spring will come.
And sorrows, and bad weather — Everything will pass like autumn rain. There will be joy, there will be happiness, And the warm sun will rise!
You have had enough of crying, maples, birches, You can’t collect old leaves. It’s enough to shed big tears for you, The spring day will come again.
Soon the autumn of separation will pass, The green leaf will grow again, Dear hands will embrace us again, There will be joy, love will come.
Set against the background of this opera are a number of images (some of which have been photoshopped) depicting Emperor Nicholas II and Empress Alexandra Feodorovna set against the autumn colours of the Alexander Park at Tsarskoye Selo. In addition are vintage newsreels and photos of the Imperial Family.
The vocals of this waltz is performed by the famous Russian soloist Irina Krutova, who perform Russian romances and classical music, accompanied by soloists of the State Academic Russian Concert Orchestra. The video was created by Irina Koroteeva (Moscow).
NOTE: Stay tuned for additional videos, featuring more favourite tunes of Nicholas II and his family.
More favourite tunes of Nicholas II and his family:
Earlier this week, a new exhibition opened in St. Petersburg, featuring items from the Imperial Porcelain Factory. The exhibition was organized by the Russian State Historical Archive (RGIA) in St. Petersburg and the Imperial Porcelain Factory [established in 1744].
The highlight of the exhibition is a unique porcelain series “Peoples of Russia”, which represents the peoples of the former Russian Empire. The series was and remains the largest project in the history of the Imperial Porcelain Factory, created by the personal order of Emperor Nicholas II.
In addition, are more than 200 archival documents dedicated to the history of the Imperial Porcelain Factory and the author of the “Peoples of Russia” series, sculptor Pavel Pavlovich Kamensky (1858-1922). The documents include Kamensky’s personal files, letters, and documents on the procedure for making the porcelain series. Many of these documents are exhibited for the first time.
The “Peoples of Russia” series of porcelain figurines was created between 1907-1917 by order of Emperor Nicholas II. The series was created to mark the celebration of the 300th anniversary of the Romanov Dynasty in 1913. The series represents the 73 nationalities of the Russian Empire, according to the results of the first General Population Census of 1897.
Kamensky managed to create over 150 figures, depicted in their respective national costumes. The sculptor relied on a wide range of historical, ethnographic and anthropological materials from the collections of the Kunstkamera and the Museum of Alexander III [State Russian Museum]. He was assisted by a team of molders and painters – Anatoly Lukin, Pavel Shmakov, Ivan Zotov, Andrei Dietrich, Lyudmila Midina and others.
Nicholas II personally evaluated the new statuettes of the series. Every year before the Christmas holiday from 1907 to 1914, several new figures were brought to the Alexander Palace at Tsarskoye Selo, and shown to the Emperor.
The majority of the original “Peoples of Russia” figurines are today in Collection the Porcelain Museum of the State Hermitage in St. Petersburg. In addition, there are 47 figurines in the collection of the Russian Museum of Ethnography in St. Petersburg.
Copies of these beautiful figurines are still manufactured at the Imperial Porcelain Factory in St. Petersburg, and available to purchase by collectors.
On this day – 10th February (O.S. 28th January) 1897 – the First General Census of the Population of the Russian Empire took place.
Emperor Nicholas II took part in the First General Census of the Population of the Russian Empire (1897). He personally filled in the form, under name he wrote “Nicholas II Alexandrovich Romanov”. In the column “Occupation, position or trade” he wrote “Master of the Russian land.”
This important historical document [seen in the photo above], has been preserved to this day in a velvet cover. It is now in the funds of the State Archive of the Russian Federation (GARF) in Moscow.
Enumerators and organizers of the first general population census of the Russian Empire in 1897, who volunteered their time were awarded this bronze medal (29 mm). It was established on 3rd December (O.S. 21st November) 1896 by decree of Emperor Nicholas II.
The obverse of the medal [above] depicts the monogram of Nicholas II crowned with the Russian Imperial Crown in the center. Around the monogram there is a laurel wreath of two branches. Between the laurel wreath and the border, from the edge of the medal is an inscription along the circumference: “FIRST GENERAL CENSUS OF THE POPULATION”.
On the reverse side [seen above] there is a horizontal inscription in five lines:
ЗА ТРУДЫ ПО ПЕРВОЙ ВСЕОБЩЕЙ ПЕРЕПИСИ НАСЕЛЕНІЯ 1897
FOR WORK ACCORDING TO THE FIRST GENERAL CENSUS POPULATION 1897
The medal had to be worn on the chest. The ribbon of the medal is white-blue-red, in the colours of the flag of the Russian Empire.
The Minister of Internal Affairs, Ivan Logginovich Goremykin (1839-1917), was given the authority to determine the right of individuals to wear the medal. The awardees were issued a certificate for the right to wear the medal.
Nicholas II 
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