On 4th November 2023, ‘The Romanovs. The Final Word‘, a new Russian-language documentary series premiered on the Russian YouTube channel ‘Premier’, who have also released a trailer for the documentary – see below. .
The 5-part series – produced and narrated by Sergei Minaev – records the last months of the Imperial Family, while they were under house arrest at the Ipatiev House in Ekaterinburg.
What is different about this documentary, is that the fate of Russia’s last Tsar, his family and four faithful retainers, is told by their killers, notably by Mikhail Aleksandrovich Medvedev (Kudrin) (1891-1964), a devout Bolshevik and one of the executioners of the Imperial Family.
Kudrin died on 13th January 1964, he was buried with military honours at the Novodevichy Cemetery in Moscow. In his will, he asked his son Mikhail to give Nikita Khrushchev (1894-1971) the Browning pistol with which he alleges he had killed the Tsar with. It was following his death, that Krushchev ordered Kusrin’s son Mikhail Mikhailovich Medvedev, to carry out an investigation to the Tsar’s murder.
Not only did Mikhail research his father’s diaries, letters, documents and photographs, he also searched for his father’s old friends to interview. Mikhail attempts to reconstruct the events of the murders of the Imperial Family, through the stories of witnesses and participants in the regicide at Ekaterinburg in 1918. Many testimonies and materials of the investigation are now being made public for the first time. The producers of the documentary series claim that the audio recordings of these interviews were kept secret for decades.
The documentary reconstructs the events of 1918, including the final months of the life of Nicholas II, his family and their retainers during their house arrest in Ekaterinburg, the details of the execution and attempts to hide the bodies. Some scenes were recreated – using actors – from the memories of eyewitnesses in order to show viewers the most reliable picture of the events.
NOTE: the 5-part series is available to view on a pay-per-view only. The current economic sanctions imposed by the West on Russia, make impossible to use a credit card for payment. Should the entire series be made available to view online for free at some point in the future, I will update this article – PG
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WATCH THE TRAILER
CLICK on the PHOTO above to watch the trailer for ‘The Romanovs. The Final Word’ Language: Russian. Duration: 2 minutes
NOTE: the trailer above is in Russian, however, do not allow that to stop you from watching the trailer. You can still follow the gist of the audio in English, by doing the following:
[1] click on the red arrow in the YouTube image above
[2] turn on Google Translator, which will translate the text only
[3] click on the close captioning option [CC] option, located in the banner at the bottom of the video
[4] click START
The closed captioning will appear in English on the video, allowing you a better understanding of the people, places and events presented in the trailer.
NOTE: this page was updated on 9th November 2023, with an ENGLISH-language version – PG
The Museum of Emperor Nicholas II in Moscow have produced a new documentary to mark the 110th anniversary of the pilgrimage ofEmperor Nicholas II to ancient Russian cities during the Romanov Tercentenary in 1913.
“The Great Pilgrimage of Emperor Nicholas II” is a one-hour documentary – featuring seven vintage newsreels filmed filmed between 15th to 28th May 1913, when Nicholas II and his family visited 12 ancient Russian cities, which included Vladimir – Suzdal – Bogolyubovo – Nizhny Novgorod – Kostroma – Yaroslavl – Rostov – Petrovsk – Troitskaya Sloboda – Pereslavl-Zalessky – Sergiev Posad – Moscow. * Watch the video located at the bottom of this post.CLICK on the [cc] for ENGLISH subtitles.
The film is based on the materials of the Russian State Archive of Film and Photo Documents (RGAKFD), the Russian State Historical Archive (RGIA), the State Archive of the Russian Federation (GARF) and the Library of Congress of the United States.
During the Soviet years, a significant part of the pre-revolutionary newsreels of the Imperial Family were destroyed, leaving only small fragments of most of the films. After the fall of the Soviet Union in 1991, the Russian State Archives of Film and Photo Documents carried out painstaking work to restore many of these. This was possible that some of newsreel fragments had been stored on different reels, making it possible to restore and edit many of these historic newsreels. In total, some 300 fragments were restored to their original.
The documentary is complemented by musical accompaniment recorded in in the early 20th century, including “God, Save the Tsar!”. The music for the documentary was taken from old gramophone records and wax rollers. They include segments of marches, hymns, waltzes, operas, folk songs, balalaika, bell ringing and church chants.
If you listen closely to the audio you will hear the voice of Nicholas II at [9:35]thanking the regiment as they march past him in Nizhny Novgorod.
Many detractors of Russia’s much slandered Tsar continue to spread the myth that Nicholas II was not popular with the Russian people. This nonsense is quickly debunked by the newsreel footage which shows thousands of people flocking to get a glimpse of the Tsar in each city visited. You can see them cheering and making the sign of the cross as the Tsar passes by.
CLICK on the image above to watch this video. Duration: 60 minutes. Language: English
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Numerous scenes depicts the Sovereign being greeted with the traditional bread and salt, meeting local dignitaries, kissing icons, visiting churches and monasteries, reviewing his troops, and much more.
NOTE: the numbers in the brackets [ ] below, correspond to their exact location in the newsreels – PG
16 May: Vladimir, Suzdal and and Bogolyubovo [1:12] – in this newsreel, is a splendid view of the Imperial Train.
17 May: Nizhny Novgorod [6:34] – at [7;57] we see the Tsar and his family taking part in a religious procession – at [9:35] if you listen closely to the audio you will hear the voice of Nicholas II thanking the regiment as they march past him.
19 & 20 May: Kostroma [10:51] – in this newsreel, we see the Ipatiev Monastery – the birthplace of the Romanov Dynasty – at [12:10] the Imperial Family arrive in Kostroma on the steamship “Mezhen“, where they see the riverbank lined with people, all of whom have come to get a glimpse of their Batushka Tsar. Many can be seen bowing and making the sign of the cross, some of them even wading into the river – at [15:32] the Imperial Family take part in a religious procession at the Ipatiev Monastery – at [15:46] Emperor Nicholas II and Empress Alexandra Feodorovna descend the staircase of the Trinity Cathedral – at [17:13] the Tsar leaves the Romanov boyar palace – at [17:38] Tsesarevich Alexei is carried in the arms of the Cossack Alexei Petrovich Pilipenko (1887-1972) .
21 May: Yaroslavl [25:41] – at [26:51 the Imperial Family arrive by boat at a specially made pier and pavilion at Yaroslavl.
22 May. Rostov [32:01] – at [35:22] once again, we see Alexei being carried in the arms of the Cossack Alexei Petrovich Pilipenko. He helps the Tsesareich into the awaiting carriage, and you can clearly see that he has trouble walking, and instead hops on one leg to seat himself – the Tsar sits next to him.
23 & 24 May. Petrovsk – Pereslavl-Zalessky – Troitskaya Sloboda – Sergiev Posad [38:33] – at [42:28] Empress Alexandra Feodorovna, Emperor Nicholas II, Tsesarevich Alexei, and one of his sisters get into a waiting carriage at the Trinity Lavra of St. Sergius – the spiritual center of the Russian Orthodox Church – in Sergiev Posad – at [42:57] the other three grand duchesses are joined by their aunt Grand Duchess Elizabeth Feodorovna in the second carriage.
24 to 27 May. Moscow [43:12] – at [43:46] Nicholas II enters Moscow on horseback through the Triumphal Arch – the same gate he entered the city for his coronation in 1896 – at [45:01] “God, Save the Tsar!” is performed – at [47:48] the Tsar and his family stop to pray at the Iverskaya Chapel at the Resurrection Gate, which leads into Red Square. Again, we see Alexei being carried in the arms of the Cossack Alexei Petrovich Pilipenko – at [48:27] Emperor Nicholas II crosses Red Square on horseback – he is greeted by thousands of Muscovites – at [49:26] the Tsar walks past St. Basil’s Cathedral, and enters the Kremlin on foot – at [50:09] is the famous procession seen in many English-language documentaries, of the Imperial Family, their relatives and entourage walking towards the Assumption Cathedral, where Nicholas II was crowned in 1896 – at 51:28] the Imperial procession walks past the Chudov Monastery – at [53:01] the Imperial Family visit the Chambers of the Romanov Boyars – at [55:05] the Imperial Family arrive at the Novospassky Monastery, taking part in a religious procession at [56:25] – Grand Duchess Elizabeth Feodorovna and Grand Duke Kirill Vladimirovich can be seen at [56:45].
“A legacy that defied Bolshevik and Soviet attempts of erasure”
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OBITUARY: the famous Soviet and Russian film director and screenwriter Gleb Anatolyevich Panfilov (1934–2023), died on 26th August 2023, at the age of 89. Memory Eternal! Вечная Память!
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More than a century has passed since the murder of Emperor Nicholas II and his family brought an end to the Russian monarchy and the Russian Empire. The Soviet Union is no more. But the grandeur of pre-Soviet, Tsarist Russia continues to occupy the imagination of people across the world and the last Russian Imperial family has entered the annals of cinema in many a memorable work of moving images.
Among the cinematic works created around the Romanov family who were brutally murdered by the Ural Soviet on 17th July 1918, is the historical drama film ‘The Romanovs: An Imperial Family’. The Russian made which was released in 2000 having premiered at the 22nd Moscow Film Festival. This film is a must watch not only for ‘Romanovophiles’ but also for history buffs and movie lovers who enjoy the historical drama genre. Directed by internationally acclaimed Russian film director Gleb Anatolyevich Panfilov (1934-2023), it is a Russian language movie with Russian actor Aleksandr Galibin as Emperor Nicholas II and British actress Lynda Bellingham as Empress Alexandra Feodorovna.
The directorial craft of the movie brings to life the perceptions and perspectives of Nicholas II and his family during the last stage of their lives and shows how the imperial family perceived and responded to news of the turmoil in the country that was creating a tide of antipathy towards the monarchy. The narrative shows the humaneness of the Tsar and his family bringing to life their humanity which makes this an endearing film.
Contrary to what Soviet propaganda sought to perpetuate during the reign of communism in Russia, that the Imperial family were cold and uncaring towards the masses, Panfilov’s vision shows how the Romanovs were caring people with admirable humane qualities and talents which even their captors could not help but secretly appreciate.
The movie is quite compelling with a cast of good actors and a plot structure that drives forward the drama of events and action principally through the somewhat insular characters of the Imperial family. Galibin delivers a superb performance as His Imperial Majesty Tsar Nicholas. The character that is brought to life in Panfilov’s directorial vision is one who is much a human with his principal weakness being perhaps that he was torn between how to focus and devote himself and his efforts on being a good father while also being a good monarch and to win the love and respect of all.
The Tsar and Tsarina are shown as two loving humans who are solid in their spousal and parental love. The Imperial children are portrayed as children who feel emotions of sadness, fear, anger and love just like any other, and how they are made hapless victims of a political agenda that overawes all forms of governance and power that formed the old order of imperial Russia.
The revolution is not shown in prominence through extensive scenes of armed conflicts but as more a series of events brought to the knowledge of the Tsar and his family at various stages from February 1917 to the fated day of their massacre in Ekaterinburg on 17th July 1918. Their grasp of matters that near their unseen doom, as a gradual and coldly unnerving series of changes in their household brings to life the ‘psychological environment’ the Imperial family inhabited in their last days. The Tsar and his family are meant to endure suffering that is much more psychological than physical and thus the slow torment and torture of the Romanovs at the hands of the communist red army captors are brought to life.
The Ipatiev House, In what is called the ‘House of Special Purpose’ by the Bolsheviks, a residence located in Ekaterinburg in Western Siberia, the Imperial family is kept under guard, after the Tsar’s abdication and monarchical rule ends and the family finds themselves being political prisoners. However, the ‘House of Special Purpose’ becomes the slaughter house where the massacre of the imperial family and their remaining staff takes place past midnight on 17th July 1918. The murder carried out by the Bolsheviks brings the narrative of the Romanovs to an end. The scene which follows as the end of the film is documentary footage of the scene of canonization of the Romanov family in Russiain 2000.
The final scene is a strong message that one sees at the end of the film when reading it in context of post-Soviet Russia. The statues of Lenin who founded the Union of Soviet Socialist Republics (USSR) have been brought down with the end of the Soviet Union and his legacy now enjoys no glory among Russians. The Romanovs, however, have once again been reborn in their nation’s collective heart and soul, to remain adored in the Russian people’s memory.
‘The Romanovs: An Imperial Family’ is presented in this post in 13 x 10 minute videos, with ENGLISH subtitles.
This film presents the most historically accurate version of events available to an English audience to date. Unlike Massie’s ‘Nicholas and Alexandra’ (1971), Panfilov filmed entirely in Russia, with many scenes filmed inside the Alexander Palace at Tsarskoye Selo. Furniture was specially created for this film, which can be seen on display in the palace to this day. The recreation of the private apartments of the Imperial family in the Alexander Palace and the Tsar’s Imperial Train are truly remarkable.Overall, the film is visually stunning!
I invite you to make yourself a cup of tea or pour a glass of your favourite wine, sit back, relax and enjoy ‘The Romanovs: An Imperial Family’ – PG
NOTE: the 6th and final episode ‘Ceremonial and Service‘ was added to this post on 9th August 2023 – PG
The State Hermitage Museum has released 5 short videos about the children of Emperor Nicholas II and Empress Alexandra Feodorovna: Grand Duchesses Olga, Tatiana, Maria, Anastasia Nikolaevna and Tsesarevich Alexei Nikolaevich.
NOTE: all of the videos listed below are in Russian, however, do not allow that to stop you from watching this richly detailed series, featuring vintage newsreel footage and still photographs. You can still follow the gist of the audio in English, by doing the following:
[1] click on the YouTube link, located in the banner at the bottom of the video
[2] turn on Google Translator, which will translate the text only
[2] click on the close captioning option [CC] option, located in the banner at the bottom of the video
The closed captioning will appear in English on your screen, allowing you a better understanding of the people, places and events presented in the video.
Part 1 – Pages of life
Duration: 16 minutes, 46 seconds
Part 1 is based on the memoirs of contemporaries, historical photographs and newsreels, as well as modern video footage of places associated with the life of the family of Nicholas II and Empress Alexandra Feodorovna: the Winter Palace, the Alexander Palace in Tsarskoye Selo and their Crimean residence in Livadia. It presents “portraits” of the Grand Duchesses Olga, Tatiana, Maria, Anastasia and Tsesarevich Alexei, compiled from the memoirs of people who knew them closely. You will learn about the serene childhood and youth of the August children, their upbringing and education, about the family’s summer vacation in Yalta and about traveling on the Imperial Yacht “Shtandart“, as well as their participation in the official side of life: court ceremonies, military parades and Celebrations.
Part 2 – The upbringing and education of the Grand Duchesses
Duration: 8 minutes, 29 seconds
Part 2 focuses on the education of the daughters of Nicholas II – Grand Duchesses Olga, Tatiana, Maria and Anastasia, about their daily routine and what role their mother, Empress Alexandra Feodorovna, played in the upbringing of the girls. The film is based on the memoirs of contemporaries, historical photographs and newsreels, as well as modern video filming of places associated with the day-to-day life of the Imperial family.
Part 3 – In the circle of the family
Duration: 8 minutes, 38 seconds
Part 3 explores the private world of the Imperial family, about the joint leisure activities enjoyed by the Imperial children and their parents, they books they read, what sports they were engaged in, their passion for photography and much more. The film is based on the memoirs of contemporaries, historical photographs and newsreels, as well as modern video filming of places associated with the life of the Imperial family.
Part 4 – Travels on the Imperial Yacht “Shtandart“
Duration: 6 minutes, 56 seconds
In Part 4 we travel on the imperial Yacht “Shtandart” – one of the most favorite pastimes of the family of Nicholas II – including walks along the Finnish skerries, enjoying their summer holidays, their day-today life and activities while living onboard their famous yacht. The film is based on the memoirs of contemporaries, historical photographs and newsreels of the life of the Imperial family. The State Hermitage Museum thanks the State Archives of the Russian Federation for the images provided for the film.
Part 5 – Rest in Livadia
Duration: 9 minutes, 4 seconds
Part 5 explores the day-to-day life of Nicholas II and his family at their Crimean residence Livadia in between 1911-1914: how the Imperial Family traveled to the Crimea, the celebrations marking the 16th anniversary of Grand Duchess Olga and the name day of Tsesarevich Alexei, their participation in charity bazaars, including the “White Flower Day”, in which Empress and her children took part. The film is based on the memoirs of contemporaries, historical photographs and newsreels of the life of the Imperial family, as well as modern filming of the Livadia Palace.
Part 6 – Ceremonial and Service
Duration: 11 minutes, 46 seconds
In the 6th and final part we learn about the duties of the Grand Duchesses and the Tsesarevich, who were trained from childhood to serve Russia. These include their activities and responsibilities as regimental chiefs, their participation in the celebrations marking historical anniversaries and significant events, as well as how their service to the Fatherland changed after the outbreak of the First World War. This film is based on the memoirs of contemporaries, historical photographs and newsreels of the life of the Imperial Family, provided by the State Archives of the Russian Federation.
I have published more than 30 titles to date through AMAZON – featuring one of the largest selections of books on Nicholas II, the Romanov dynasty and the history of Imperial Russia.
The net proceeds from the sale of each book help fund my research in clearing the name of Russia’s much slandered Tsar.
Please CLICK on the BANNER or LINK above to review my current selection of titles in hardcover, paperback and ebook editions. Listings provide a full description for each title, pricing and a Look inside feature.
Cover of Zhanna Bichevskaya;s CD Царь Николай (Tsar Nikolai)
A very happy 81st birthday to Russian folk singer Zhanna Vladimirovna Bichevskaya, who was born in Moscow on 17th June 1944.
Известной певице Жанне Владимiровне Бичевской исполнилось 79 лет!!! Мы сердечно поздравляем её с Днём рождения!!!
Zhanna graduated as a classical guitarist from a Moscow music school. She was a teacher of music in Zagorsk (Sergiev Posad). In the 1970s, Zhanna started to perform Russian folk songs and romances.
Zhanna refers to her bard-style singing as “Russian country-folk”. Her repertoire includes several hundred works – songs of spiritual and social content, Russian folk songs, romances, as well as songs based on poems of Russian poets of the Silver Age. Her records have sold millions of copies in more than 40 countries around the world. She has performed to sell out crowds at the prestigious Olympia Hall in Paris, on eight occasions.
In the late 1980s and early 1990s, Zhanna Bichevskaya’s songs began to have more political, nationalist and spiritual themes, she is a staunch defender of the Holy Emperor Nicholas II and his family.
In 1999, Zhanna also became the host of her own show on Voice of Russia radio station. She was awarded People’s Artist of the RSFSR
CLICK on the links below to listen to two of her most haunting melodies:
[1] Царь Николай / Tsar Nikolai [Duration: 9 mins], which features vintage film footage of Russia’s last tsar:
[2] Святым Царственным мученикам / To the Holy Royal Martyrs [Duration: 7 mins., 34 sec.], which is much more a prayer than a song:
CLICK on the above image to watch this video. ENGLISH. Duration: 43 minutes
This documentary prepared by the Museum in Memory of Emperor Nicholas II’s Family features rare footage, made from 98 fragments of film from 1896-1916 shot in Moscow, Kiev, St. Petersburg, Tsarskoye Selo, Livadia, Chisinau, Yevpatoria, Kostroma, Odessa. Yalta, Nizhny Novgorod, Borodino, Diveyevo, Rostov the Great, Tallinn, Mogilev, Oreanda, and Sevastopol. The material used in the film is from the Russian State Film and Photo Archive, the Russian State Archive of Phonodocuments, and private collections. The music is comprised of fragments from the favorite works of Emperor Nicholas II.
While many people are familiar with photographs of Nicholas II participating in solemn and gala events in cities and towns throughout the Russian Empire, this documentary features some unique vintage footage of Russia’s last Emperor and Tsar.
03:51 – Nicholas II and the grand dukes carry the coffin with the relics of St. Serephim
06:40 – the foundation of the Feodorovsky Sovereign Cathedral in Tsarskoye Selo
07:40 – the Emperor and his family visiting the St. Petersburg Mosque
09:33 – the Emperor and his family taking part in a procession at the Pechersk Lavra Caves Monastery in Kiev
15:10 – Nicholas II and his family at the Chapel of the Iveron Icon of the Mother of God in Moscow
26:08 – the Imperial Children in matching outfits, playing on the deck of the Imperial Yacht Standart
33:15 – Tsesarevich Alexei playing with his dog Joy
33:55 – Nicholas II and his family embarking on a boat ride on the Dnieper River, near Mogilev, August 1916
41:50 – Nicholas II at the celebration of His Majesty’s Imperial Guard on 4th October 1916, the last film of the Imperial Family before the Tsar’s abdication the following year
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VIDEO CHAPTERS and HIGHLIGHTS
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00:00 Intro
00:27 Part 1: Spiritual Life
this part focusts on the piety of Emperor Nicholas II, it includes film footage of the Tsar and his family attending religious ceremonies in various parts of the Russian Empire, the laying of the foundations for new Orthodox churches, visits to monasteries and churches, attending molebens, and more.
19:34 Part 2: His Majesty’s Vacationing
includes film footage of Nicholas II kayaking in the Finnish skerries; playing tennis at Livadia including footage of Empress Alexandra Feodorovna taking part; hunting; motoring in the Tsar’s favourite Delauney-Belleville; sailing on the Imperial Yacht Standart; the Grand Duchesses taking part in games with junior officers; Tsesarevich Alexei playing with his friends, under the watchful eye of his boatswain Derevenko; among others.
35:39 Part 3: Emotional Characteristics
includes an interesting examination of the facial expressions, movements and nervous habits of Nicholas II, which include his constant stroking of his moustache; smooths and adjusts his uniform, touches his cap or crumples his gloves; Empress Alexandra Feodorovna is seen constantly bowing her head low with particular respect to those around her; the Grand Duchesses smiling often and sweetly; various scenes of the Tsar receiving the tradtional bread and salt.
This video is produced as part of the project for the book “The Romanov Royal Martyrs”, which is an impressive 512-page book, featuring nearly 200 black & white photographs, and a 56-page photo insert of more than 80 high-quality images, colorized by the acclaimed Russian artist Olga Shirnina (Klimbim) and appearing here in print for the first time.
God, Save the Tsar! (Russian: Боже, Царя храни!; transliteration: Bozhe, Tsarya khrani!) was the national anthem of the former Russian Empire. The song was chosen from a competition held in 1833 and was first performed on 6th December (O.S. 23 November) 1833. The composer was violinist Alexei Lvov, and the lyrics were by the court poet Vasily Zhukovsky.
In 1833, Tsar Nicholas I (1796-1855) ordered Count Alexey Fyodorovich Lvov (1799-1870), the violinist and army general who was his court composer and aide-de-camp, to compose new music to replace the air that since 1816 had served as the music for the Russian Empire’s Anthem God Save the Tsar, namely Henry Hugh Carey’s God, Save the King. The lyrics of “God Save the Tsar” (Bozhe Tsarya Khranii) date from 1815 and came from Prayers of the Russian People by Vasily Andreyevich Zhukovsky (1783-1852), an officer and poet who served as tutor to the Tsesarevich Alexander Nikolayevich, the future Tsar-Liberator Alexander II.
After some initial creative difficulties, the melody that would serve as the anthem of the Russian Empire for the remainder of its existence came to Lvov in the course of a single night’s inspiration; he succeeded in creating a work of majesty and power that was suitable for the army, the church and the people – indeed, for the entire realm. None other than the great Alexander Pushkin himself reworked Zhukovsky’s verses to adapt them to Lvov’s new hymn. It was the first national anthem in Russian history to feature music and lyrics by Russian authors.
Upon hearing its beautiful strains for the first time, Nicholas I ordered the work repeated several times. At the close of the final rendition, the Tsar – a stern and military-minded ruler who was to be vilified by Karl Marx and Friedrich Engels as the “Gendarme of Europe” for his crushing of the forces of revolution wherever they appeared – clasped the composer’s hand with tears in his eyes and uttered the single word: “Splendid!”
The public premier of God, Save the Tsar took place on 6 December (O.S. 23rd November) 1833 at the Bolshoi Theater in Moscow, where it was performed by a choir of one hundred singers and two military bands. At Christmas that same year, by the Tsar’s personal order it was performed by military bands in every hall of the Winter Palace in Saint Petersburg. A week later, the Emperor issued a decree declaring the anthem a “civil prayer” to be performed at all parades and official ceremonies. As was the case with the Preobrazhensky March, the most widely-used arrangement for military band of God, Save the Tsar was created by Ferdinand Haase; it was the shortest anthem in the world at eight lines.
During the Coronation of Tsar Alexander II in 1855, Lvov led one thousand singers and two thousand musicians in a rendition of God Save the Tsar, the first performance of the anthem at a coronation. As Lvov directed the choir and orchestra, he, by means of galvanic batteries, set off forty-nine cannons, one by one, sometimes on the beat. At the conclusion, hundreds of Roman candles and rockets soared into the sky.
God, Save the Tsar! remained the Russian Empire’s national hymn until the February Revolution of 1917, after which the Worker’s Marseillaise was adopted as the new national anthem until the overthrow of the Russian Provisional Government in October of the same year.
Sources: Brandenburg Historica; Scenarios of Power (Wortman, Richard S.)
LYRICS
Русский
Боже, Царя храни! Сильный, державный, Царствуй на славу, на славу нам!
Царствуй на страх врагам, Царь православный! Боже, Царя храни!
English translation
God, save the Tsar! Strong, sovereign, Reign for glory, For our glory!
Reign to foes’ fear, Orthodox Tsar. God, save the Tsar!
Below, are a selection of videos which present a variety of renditions of God, Save the Tsar! Боже, Царя храни!, performed by Russian Orthodox and professional choir ensembles – courtesy of YouTube:
1. Beautiful rendition of God, Save the Tsar! with vintage newsreels of the Imperial family. Duration: 2 minutes, 38 seconds
2. Performed by the Kuban Cossack Choir. Duration: 1 minute, 38 seconds
3. Performed by the Mikhailovsky Theatre Orchestra and Choir. Duration: 1 minute, 46 seconds
4. Performed by Varya Strizhak. Duration: 3 minutes, 19 seconds
5. Performed by the Moscow Philharmonic Orchestra, and the State Academic Choir. Duration: 2 minutes, 33 seconds
6. Performed by the Orlic Children’s Church Choir (Serbia). Duration: 1 minute, 24 seconds
7. Performed by The Royal Scots Dragoon Guards.
Duration: 55 seconds
8. Performed by the Columbia Military Band in 1914. Duration: 3 minutes, 16 seconds
Click on the image above to watch this 14 minute video [in English]
This is one of the finest videos produced to date by the Mesa Potamos Publications. Thanks to the research of Father Andrew Phillips, it provides viewers with many new facts, which are often overlooked or ignored by Western historians. This video is a “MUST” watch for any one interested in the truth about Russia’s much slandered Tsar.
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Introduction
‘A weak, stupid, incompetent reactionary, who blocked progress towards a Western-style constitutional monarchy or republic. Such is the primitive Western stereotype of the much-slandered and later martyred Tsar Nicholas II, whose only real fault was probably that he was too kind. In actual fact, the above widely- repeated stereotype says very little about him, but far more about the hateful xenophobia and arrogant, hypocritical and self-justifying prejudices of those who hold it.
What they are saying in reality is that the innocent Tsar, who opposed their Western materialist ‘progress’, had to be destroyed, however embarrassing to them the barbaric manner of his and his family’s deaths. The remarkable thing is that this anti-Russian Western historiography coincides perfectly with both Soviet and pre-Revolutionary anti-Orthodox historiography. Why? Simply because its writers have the same sources – in the same anti-Christian, materialist ideology which developed in the West and which the West has spread worldwide. What are some of these myths?
Serfdom
Serfdom was not Russian – it was introduced from the West together with absolutism, i.e. tyrannical monarchism. Serfdom was gradually introduced into Russia by Western rulers or rulers with a Western mentality, notably the Emperor Peter I and the German Empress Catherine II. It lasted only some 200 years and was abolished peacefully before the USA abolished its system of slavery – only in the USA it took a dreadful war and half a million dead before slavery there could be abolished. As regards Western Europe, it should be added in the nineteenth century the condition of its agricultural workers and toiling industrial masses was little better than slavery.
Tsar Nicholas’ Personality
Tsar Nicholas spoke five languages fluently, had travelled the world and was very well-acquainted with European history. To call him stupid or intellectually limited is absurd. True, he was not an ‘intellectual’ – but then has any intellectual ever made a great ruler? If he had been weak, he would have fallen to the stress of being Tsar long before the First World War. If he had been weak, he would never have taken over the command of his Armed Forces from the incompetent in August 1915. He was not incompetent – though many of the generals, ministers, aristocrats and bureaucrats around him, including his Romanov cousins, certainly were incompetent – as well as being futile idlers.
One of the Tsar’s greatest problems here was finding disinterested, trustworthy and competent administrators. It was precisely the treachery of untrustworthy and incompetent careerists that brought about the Tsar’s abdication. To call the Tsar reactionary is also absurd. For instance, it was he who, against all the advice, appointed the brilliant liberal Petr Stolypin as his Prime Minister. He taxed the rich and gave to the poor, turning peasants into landowners – much to the irritation of certain Romanov family members and other over-wealthy aristocrats, who then plotted against the Tsar. The tragedy was that Stolypin was assassinated by a terrorist after only five years at the helm and before his reforms had obtained all the results required.
Tsarina Alexandra’s Personality
The Tsarina was not hysterical, immoral or pro-German. She identified fully with Orthodox Russia; her alienation from decadent St Petersburg society was precisely because she was moral. And having seen her kingdom of Hesse destroyed by Prussianism, she only had dislike for the German militarism that lay behind the Kaiser’s War. She certainly suffered greatly with anguish at her son’s condition, but as for hysterical, how could she have been, when she chose to wash and dress the wounds of soldiers day in, day out for two years?
Khodynka
The quite unforeseen stampede of people at Khodynka Field after the Tsar’s coronation in 1896, in which many hundreds died can hardly be blamed on the Tsar. Like recent stampedes in Western countries, it was a dreadful accident, causing the death of hundreds in a then unprecedented crowd of 500,000. The compassionate Tsar gave the families of those who had suffered large sums of his own money in compensation.
Pogroms
By far the worst anti-Jewish riots (‘pogroms’) at the turn of the century took place not in the Russian Empire, but in Berlin, Vienna and elsewhere in Western Europe. (Who has forgotten Dreyfus?). In Russia these riots were strongly discouraged and involved small numbers in Poland, Bessarabia and the western Ukraine. The Tsar’s government did its utmost to defend the Jews of his Empire, who had moved there, seeking protection from persecution in Western Europe. Thus, the Jews were kept away from large areas of Russia for their own protection from peasants, who felt exploited and aggrieved by the successful commercial genius of the Jews. As we all know, it was not Russians who killed millions of Jews in the 1940s, but Western Europeans – and, it should be said, not only Germans.
The Russo-Japanese War
A belligerent, impatient and imperialistic Japan attacked Russia without warning at Port Arthur in 1905, just as it attacked the USA without warning at Pearl Harbour in 1941. Russian unpreparedness came in part because it had spent so little on its armed forces – unlike the aggressive Western nations and their imitator – Japan. It was Tsar Nicholas who had proposed international disarmament at the Hague. To accuse this peacemaker of starting the war to create national unity is simply a myth of those who know no history. With only about a quarter of Western European and Japanese military spending, a peace-directed Russia was ill-equipped to fight a war thousands of miles from its capital. To blame the Tsar for Japanese aggression or the disastrous inefficiency of individuals in his administration before and during that war is hardly just.
Bloody Sunday
In the absence of the Tsar from St Petersburg (because of the almost successful assassination attempt on him and his family three weeks before), a violent mob (and not ‘peaceful and unarmed’, as the Western propaganda goes), burning and looting vehicles and other property revolted on Bloody Sunday in 1905. It was led by a renegade, twice-married priest, Fr George Gapon, who hanged himself the next year, when it was discovered that he was in fact a secret agent. In order to defend the fearful citizens of St Petersburg, troops opened fire and tragically killed about 100 of the mob, not ‘thousands’, as the Western propaganda goes. The soldiers had to open fire in defence of the people of St Petersburg, who had barricaded themselves inside their homes from terror. The tragedy was that people died.
Russia’s Alleged Backwardness
Russia was not as backward as the Western media make out. In many respects much of Western Europe and the USA were far more backward. In 20 years under Tsar Nicholas II the population of his realm increased from 123 million to 175 million. By 1913 the speed of industrial development in Russia had outstripped that of the USA. By 1913 its grain production had outstripped that of the USA, Canada and Argentina combined by one third. The Russian Empire had become the granary of Europe; its grain production increased by 70% between 1894 and 1914. Between 1894 and 1913 its industrial production quadrupled. In 1914 the French economist Edmond Théry predicted that by 1950 Russia would dominate Europe politically, economically and financially.
Social Insurance was introduced in 1912, and there was a factory inspectorate, but laws banning certain forms of exploitation had been passed for the first time in the world as early as the eighteenth century, including introducing a maximum ten-hour day. 80% of the arable land was in the hands of the peasants by 1914, the Tsar himself freely giving up 40 million hectares of land in Siberia. So many tens of thousands of schools were opened that by 1917 the level of literacy stood at 85% – comparable to that in the USA today. The Tsar’s Russia was not destroyed because it was ‘backward’, but because it was the last bulwark of Christianity and the materialist enemies of the Gospel, Capitalist or Communist, could not tolerate that.
World War I
The aim of the Western Allies was not only to defeat Germany. It was also to weaken and divide Russia. The West knew that with thirty more years of peace, Russia would become the most prosperous nation in the world. The West would not allow this. Thus, as soon as the Western-organised Revolution had taken place in early 1917, the USA entered the War and the American century began. By 1945 all of Western Europe had become the USA’s puppets. This was no coincidence. The Tsar’s loyalty to the Allies forbade him from making any separate peace; sadly, his loyalty and sacrifices for the Allied cause was met by the Allies’ disloyalty to him and his realm. What was remarkable about the outcome of the War was the treachery of the West. At the Tsar’s abdication, Lloyd George actually said in Parliament that through it ‘Britain has achieved one of its major war aims’!
After the coup d’état of the Bolsheviks, who seized power from the incompetent aristocrats and bourgeoisie who had carried out the Revolution, the British landed in the far north and at Baku in the far south of the Russian Empire, giving independence to Azerbaijan, as they were greedy for its oil. The Italians marched into Georgia and created an independent state there, as they were greedy for its manganese. The French occupied Odessa and intrigued for the independence of the Ukraine. Instead of equipping the Whites, the West gave its arms to the Poles, who then invaded and occupied Kiev and Smolensk. Then the Americans and the Japanese landed in Vladivostok. The renegade General Brusilov who had passed from White to Red, remarked that, ‘The Poles are besieging Russian fortresses with the help of the nations whom we rescued from certain defeat at the beginning of the War’. Even though he was a traitor to the Tsar, here he spoke the truth.
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This video is produced as part of the project for the book The Romanov Royal Martyrs, which is an impressive 512-page book, featuring nearly 200 black & white photographs, and a 56-page photo insert of more than 80 high-quality images, colorized by the acclaimed Russian artist Olga Shirnina (Klimbim) and appearing here in print for the first time. EXPLORE the book / ORDER the book.
On 9th July 2021, Russia’s second equestrian monument to Emperor Nicholas II was installed on the grounds of the Church of the Holy Martyr Mikhail (Gusev) in Kulebaki of the Nizhny Novgorod region.
On 17th July – the day marking the 103rd anniversary of the death and martyrdom of Nicholas II – the monument to Russia’s last emperor and tsar was officially unveiled and consecrated by Bishop Barnabas of Vyksa and Pavlovsk.
According to the initiators of the project, the installation of the monument was initially planned for 17th July 2020, however, a lack of funds delayed the project by one year. The cost of the monument was 5 million rubles ($80,000 USD), collected from donations within the diocese.
PHOTO: on 17th July 2021, Russia’s second equestrian monument to Emperor Nicholas II was installed on the grounds of the Church of the Holy Martyr Mikhail (Gusev) in Kulebaki of the Nizhny Novgorod region
PHOTO: the monument was consecrated by Bishop Barnabas of Vyksa and Pavlovsk
The initiators of the minument-project were inspired by the famous dictum of the old man Nikolai Guryanov :
“The reason for the spiritual illness in Russia is the conciliar sin of treason against the Tsar, in allowing the slaughter of the Holy Royal Family and in the unrepentance of hearts … We lost the pure, strengthening grace that poured out on the sacred head of the Anointed One, and through him on all of Russia. By rejecting the Tsar, we raised a hand to everything holy and to the Lord. Without true repentance, there is no true glorification of the Tsar. There must be spiritual awareness. ”
“The Russian people are entirely guilty for the death of the tsar,” said the rector of the Church of the Holy Martyr Mikhail (Gusev) Father Nikolai Boldyrev, who considers the monument a step of repentance “for the sins of the fathers.” He draws parallels between the last tsar and Christ, believing that a curse hangs over Russia, and calls for repentance.
PHOTOS: on 17th July 2021, Russia’s second equestrian monument to Emperor Nicholas II was installed on the grounds of the Church of the Holy Martyr Mikhail (Gusev) in Kulebaki of the Nizhny Novgorod region
“Our goal is to return historical memory, to reveal the true image of Tsar Nicholas, so that the Russian people may know who he was for us. He knew throughout his life that he would have to suffer. Three saints told him about that he would be a martyr and that his family would perish, and that all his nobles, military leaders would betray him” said Father Nikolai – “He died for us, for the Russian people, who betrayed him, to the Russian Golgotha. He forgave everyone who slandered him,” he added.
PHOTOS: on 17th July 2021, Russia’s second equestrian monument to Emperor Nicholas II was installed on the grounds of the Church of the Holy Martyr Mikhail (Gusev) in Kulebaki of the Nizhny Novgorod region
PHOTO: Father Nikolai Boldyrev standing in front of Russia’s second equestrian monument to Emperor Nicholas II on the grounds of the Church of the Holy Martyr Mikhail (Gusev) in Kulebaki of the Nizhny Novgorod region
Below, is a short VIDEO of the official opening and consecration of Russia’s second equestrian monument to Emperor Nicholas II, on the grounds of the Church of the Holy Martyr Mikhail (Gusev) in Kulebaki of the Nizhny Novgorod region. CLICK on the IMAGE below to watch the VIDEO – duration 1 minute, 9 seconds
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Russian news and social media continually claim that the equestrian monument of Nicholas II in Kulebaki is Russia’s first equestrian monument to Nicholas II, however, this is incorrect, Russia’s first equestrian monument to the Tsar was erected in Moscow in December 2014.
PHOTO: Equestrian of Nicholas II dominates the Monument to the Heroes of World War One in Moscow
On 16 December 2014, Russia’s Defense Minister Sergei Shoigu opened a sculptural composition dedicated to the heroes of World Wars I and II on the grounds of the Ministry of Defense on the Frunze Embankment in Moscow. The WWI monument features Nicholas II on horseback, recognizing and honouring his efforts during the Great War.
Dear Reader: If you enjoy my articles, news stories and translations, then please help support my research by making a donation in US dollars to my project The Truth About Nicholas II – please note that donations can be made by PayPal or credit card. Thank you for your consideration – PG
As part of the events marking the anniversary, the brethren of the monastery and the staff of the Museum and Exhibition Center – located in the the Church of the Reigning Mother of God – have prepared a unique gift for all pilgrims who visit the monastery with an excursion – a set of unique postcards with retro style photographs of the monastery taken with a 19th century camera.
In order to receive a set of the postcards, visitors need to obtain a special postcard-flyer at the Tsarsky Cultural and Educational Center – located in the Patriarchal Compound of the Church on the Blood – which must be presented to the guide at the monastery.
At the end of the tour, each visitor receives a set of these unique postcards with retro style photographs of the monastery. The photographs were taken by professional photographer, Candidate of Historical Sciences Vasily Zapariy, who used an old camera with glass plates of the late 19th – early 20th centuries, at the special request of the Museum and Exhibition Center of the Monastery of the Holy Royal Martyrs.
The postcards were issued in a limited edition, and show how the churches, landscapes and brethren of the monastery would look through the lens of old photographic equipment.
The exhibition also features an interesting collection of old cameras. In order for visitors to gain a better understanding of the history of pre-revolutionary photography in Russia, using the example of the August amateur photographers – the family of Emperor Nicholas II.
The postcard promotion is valid until 28th February. The number of gifts is limited to 400 sets.
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CLICK on the IMAGE above to watch the VIDEO – duration 1 minute, 48 seconds
The excursion includes the photo-exhibition “August Photo Amateurs”, which opened on 19th September 2020, in the Museum and Exhibition Center – located in the the Church of the Reigning Mother of God – of the Monastery of the Royal Martyrs in Ganina Yama
The exhibition is one of numerous events marking the 20th anniversary of the founding of the monastery. This particular exhibition presents the history of the development of the Imperial family’s passion for photography.
The exhibit presents a unique selection of photographs of Nicholas II and his family, testifying their deep interest and technical capabilities in the field of photography. The exhibition also features those taken by professional court photographers. Admission is FREE.
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