‘The Russian Imperial Award System 1894-1917’ by Ulla Tillander-Godenhielm

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One of the perks of my job over the past 25 years, is that I receive a copy of each new book published on the Romanovs and Imperial Russia. This is just one reason why my personal library is as large as it is – over 2,000 volumes.

One of the gems of my collection is The Russian Imperial Award System 1894-1917 by Ulla Tillander-Godenhielm, published by the Finnish Antiquarian Society in Helsinki (2005)

It is a massive heavy book: it measures 8-1/2” x 11″ x 1-1/2” in diameter, weighs over 2 kg., 566 pages, more than 160 colour and black & white photos, with extensive notes and bibliography. Text is in ENGLISH!

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Ulla Tillander-Godenhielm

Ulla Tillander-Godenhielm, Ph.D., is the great-granddaughter of the St. Petersburg goldsmith Alexander Tillander, a leading supplier to the Imperial Russian Court of Nicholas II. She has been researching the oeuvre of Russian jewellers for many years. Her doctoral dissertation was on the labrinthe and intriguing award system of Imperial Russia. Her work takes her around the world: lecturing, consulting for art exhibitions and writing in exhibition catalogues and for art publications. She has published several books on her speciality, the art of the jewellers of Imperial St. Petersburg.

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Arja-Leena Paavola offers the following review of this book in the Spring 2006 issue of Universitas Helsingiensis the quarterly of the University of Helsinki:

The practice of rewarding citizens for good work and loyalty proved an efficient way of strengthening the bonds between subject and monarch. In many respects the system was defined by the service hierarchy created by Peter the Great known as the Table of Ranks. Ulla Tillander-Godenhielm, Ph.D., who defended her doctoral dissertation in the field of art history in October, examined the Russian imperial award system during the reign of Russia’s last tsar, Nicholas II.

“A decree of 1898 defined twelve award categories, over half of which were decorations, titles, expression of the emperor’s favour, grants of money, and gifts made of precious materials. For over one hundred years, the system was also in use in the Grand Duchy of Finland, whose subjects were entitled to the same honours as any other individual in the service of the empire,” says Tillander-Godenhielm.

Subsequent generations have often created an image of a system of unsurpassed luxury and opulence that catered exclusively to the elite of the country. In reality, the value of an award could not exceed an individual’s yearly salary. In addition, there were many awards designed specifically for the lower echelons, including factory workers. Each of the twelve categories had an internal hierarchy. A young man who started his career at the lowest rung of the hierarchical ladder, through diligent service, could earn for himself the highest honours the empire had to offer.

Tillander-Godenhielm points out that the gift items bestowed were not merely symbolic tokens but were in fact a subtle means of remuneration. These gifts were luxurious and often quite elaborate. While they did speak of one’s importance and position within Russia’s service hierarchy – which consisted of fourteen classes, or ranks – they also were a means of augmenting an individual’s wages, which were frequently low. A general, for example, could not always support the lifestyle his position demanded on his official salary. If this was the case, he had the option of returning his gift to the Cabinet of His Imperial Majesty for its full value in cash. In fact, over sixty percent of gifts presented to ranks five and lower were sold back in this way. The widows or children of the original recipients could also return them; thus, they served as a kind of pension or life insurance.

“A fine silver or gold pocket watch was a typical gift. When travelling by sea to Finland, the Russian emperors would present watches to the pilot boat captains, and when travelling by train, every station manager along the way would receive one, as would the policemen responsible for the safety of the imperial family.”

Tillander-Godenhielm is herself a fourth generation member of a goldsmith family with Russian connections. Several Finnish goldsmiths were employed as suppliers by the Cabinet of His Imperial Majesty, and Tillander-Godenhielm’s grandfather was one of them. While working in the family business, she became interested in Russian gold and silver objects, many of which have remained in Finland, some still in the possession of the original recipient’s family.

Sometimes orders for multiples of the same gift item were placed. “Archival research has revealed account books showing requests for ten silver cigarette cases decorated with a double-headed eagle of a specific design, or twelve rings set with specific gemstones. This type of gift was destined for lower-ranking servitors. The more valuable gifts intended for higher ranking officials were all unique in design.”

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PHOTO: Cabinet of His Imperial Majesty, St. Petersburg

Coveted investments

The Cabinet of His Imperial Majesty had inspectors to ensure that the gold and silver objects it received were of the highest quality. Many of these items were bestowed upon foreign dignitaries and thus served as a means of showcasing the skill of Russian craftsmen. During state visits, these valuable gifts were written about in papers and put on public display.

These award items – especially those with a known provenance – have increased steadily in value since the Revolution and nowadays can fetch astronomical sums. For example, a table portrait of Nicholas II presented to the French prime minister René Viviani in 1914 sold at Sotheby’s last year for £350,000. As a result, however, they have become the object of numerous forgeries.

A substantial number of the surviving objects made for the Russian imperial award system are today in museums or in the private collections of various European monarchs and American millionaires. In the 1930s, Stalin had many of these items sold in the West in order to obtain much needed foreign currency.

Ulla Tillander-Godenhielm has had the privilege of personally handling many of the items she discusses in her dissertation. “You cannot really study objects such as these without examining them up close.

A known provenance of course greatly in-creases the interest of an object. Those pieces really make my heart skip a beat. Fortunately, Russian archives have now been opened up to researchers and it has become possible to trace the origins of many of these items.”

The real story uncovered

In the 1930s, all kinds of stories were concocted in order to increase the value of these objects and boost sales. “The empress gave her obstetrician, Professor Ott, a monogrammed snuffbox for every child he helped deliver. Many of these have been sold in the United States as gifts from the emperor to the empress. “But who would seriously believe that a man would give a snuffbox to his wife for giving birth to their baby?” Tillander-Godenhielm chuckles. “I think true stories about the real officials and servitors of the time are much more interesting.”

It is not, after all, that long ago. While in St Petersburg, Tillander-Godenhielm discovered that a hospital built by Dr. Ott was still in operation. “When visiting the hospital, I was asked if I would like to meet the great-granddaughter of the good doctor, who as chance would have it works as an obstetrician there. I met this young woman who told me a great deal about her great-grandfather. The family no longer possessed any of the awards he had been given, so she was delighted when I showed her pictures of two of the thirteen snuffboxes Dr. Ott had received for his services.”

Tillander-Godenhielm’s study has raised interest all over the world, and for once, a dissertation has proved to be a “best seller”, but only 1,200 copies of her book were published.

“A great deal has been written about the Russian nobility and Russian orders and decorations in isolation. My study examines these subjects within the context of the larger system of which they were but one part.”

© Arja-Leena Paavola & Paul Gilbert. 24 August 2019

 

NICHOLAS II 2020 CALENDAR

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LIMITED PRINTING OF ONLY 200 COPIES!

I am pleased to offer copies of my 2020 calendar, dedicated to Emperor, Tsar and Saint Nicholas II, with a limited printing of only 200 copies!

Each month features an iconic full-page black and white photograph of Russia’s last monarch, printed on quality glossy stock.

Nearly 70 major holidays in the United States, Canada, Great Britain, Australia and Russia are featured, with room to write in your own special dates and events.

ALL net proceeds from the sale of each calendar will go into my research, including the cost of translating articles and news from Russian archival and media sources.

The price of each calendar is $10 + postage (rates are noted on the order page, link below). I can ship to any country by Canada Post

NOTE: the postage rates quoted are for SINGLE copies ONLY! If you want to order more than one calendar, then please contact me by email at royalrussia@yahoo.com

Payment can be made securely online with a credit card or PayPal or by personal check, money order or cash – click HERE to download and print a mail order form

Thank you for your support of my research and dedication to clearing the name of Russia’s much slandered tsar

© Paul Gilbert. 21 August 2019

Controversy over portrait of Empress Alexandra Fedorovna in Pavlovsk

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Portrait of Empress Alexandra Feodorovna. Artist: A. Muller-Norden. Canvas, oil. 1896

This lovely portrait of the Empress Alexandra Fedorovna is among my favourites. It reflects the Empress’s youth and beauty, years before the burdens of Court life and her son’s illness took their toll on her health.

Before the 1917 Revolution, the portrait hung in the Tsar’s Reception Room in the Alexander Palace at Tsarskoye Selo. It is currently in the collection of the Pavlovsk State Museum.

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Muller-Norden originally hung in the tsar’s Reception Room in the Alexander Palace

Given that neither Nicholas II and Alexandra Feodorovna lived at Pavlovsk, how did this portrait end up the palace-museum collection?

‘In 1951 a government decision handed the Alexander Palace to the Ministry of Defense. The Naval Department used the building as a top-secret, submarine tracking research institute of the Baltic Fleet. As a result, the former palace would be strictly off-limits to visitors for the next 45 years.

‘The palace’s stocks that were among the evacuated items in the Central Repository of Museum Stocks from the Suburban Palace-Museums passed to the Pavlovsk Palace Museum. A total of 5,615 items were moved from the palace to Pavlovsk. Of these, nearly 200 pieces were originally from the Alexander Palaces’ three ceremonial halls: the Portrait, Semi-Circular and Marble Halls. These include 39 pieces of porcelain, 41 paintings, 73 decorative bronze pieces, and 28 pieces of furniture.’

Source: ‘My Russia. The Rebirth of the Alexander Palace’ by Paul Gilbert. Published in ‘Royal Russia No. 3 (2013), pgs. 1-11

Since the fall of the Soviet Union in 1991, and in particular since the restoration of the Alexander Palace, the return of these objects has been a bone of contention between the two palace-museums. During a visit to Pavlovsk several years ago, I raised the subject with one of the Directors at Pavlovsk. “If we return these exhibits to the Alexander Palace, then we [Pavlovsk] will have nothing,” he declared.

Personally, I believe that Pavlovsk have a moral responsibility to return all of the items transferred there in 1951. Their history belongs to the Alexander Palace. It seems that the Minister of Culture of the Russian Federation Vladimir Medinsky will have the final say. Let us hope that he does the right thing, and order the return of these items to the Alexander Palace, where they can be put on display in the rooms from which they originated.

© Paul Gilbert. 20 August 2019

2nd International Nicholas II Conference – UPDATE!

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Today, I have received the blessing of His Grace Bishop Luke of Syracuse, Abbot of Holy Trinity Monastery, to host the 2nd International Nicholas II Conference at the Holy Trinity Monastery in Jordanville, New York in the Spring of 2021.

A number of historians and writers have already expressed interest in speaking at the Conference. I hope to confirm the actual date within the next few weeks.

The Holy Trinity Monastery is home to the Foundation of Russian History Museum, located in the Seminary. The conference, the museum and the beautiful Holy Trinity Cathedral combined will make a memorable visit for all who attend.

Truly, my prayers have been answered. I am so pleased that we can now honour Tsar-Martyr Nicholas II at the Holy Trinity Monastery in Jordanville.

While the event is still more than a year away, I wanted to share this wonderful news with all of you! I will continue to keep you posted of any new developments.

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«Прости нас, Государь»  «Forgive us, Sovereign»

Click HERE to read the summary + PHOTOS about the 1st International Nicholas II Conference, held on Saturday, 27th October 2018, in Colchester, England.

© Paul Gilbert. 8 August 2019

The Alexander Palace as a Museum 1918-1951

During the Soviet years, the Alexander Palace was established as a museum. This video shows a group walking through the former rooms of Nicholas II and his family. The year of 1918 is noted in the video, however, this is incorrect – PG

In 1918 the former residence of Tsar Nicholas II and his family was established as a museum and open to the public. The exhibit included the historical interiors
in the central part of the building and the private apartments of the last tsar and his family located in the east wing of the palace.

In 1919, the west wing was turned into a rest home for staff of the People’s commissariat for Internal Affairs (NKVD), while on the second floor of the east wing the former rooms of Nicholas II’s children became an orphanage named after the “Young Communards”.

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Enfilade of ceremonial halls of the Alexander Palace. 1920s

The Soviet regime were hostile towards the ‘Romanov Museum,’ and made constant threats throughout the 1930s to close the museum and sell off its treasures. Luckily, the museum staff managed to dissuade the government from this step and the museum operated up until the beginning of the Second World War.

In the first months after the Nazi invasion chandeliers, carpets, some items of furniture, eighteenth-century marble and porcelain articles were evacuated from the Alexander Palace. Most of the palace furnishings remained in the halls.

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A cemetery for members of the SS was established in front of the Alexander Palace 

During the occupation of Pushkin the palace housed the German army staff and the Gestapo. The cellars became a prison and the square in front of the palace a cemetery for members of the SS.

The palace survived World War II with minor damage, according to military records—unlike the Catherine Palace, the Palace of Pavlovsk and the Grand Palace of Peterhof, which were almost completely destroyed during the German occupation. Although the exterior was damaged, the majority of the interiors were reported as unharmed, with the exception of some rooms which received moderate to serious shell damage.

The palace had been looted by the retreating Nazi’s which resulted in many of the palaces works of art, furniture and other items being stolen. According to the Ministry of Cultural Affairs of the Russian Federation, registered inventory for the Alexander Palace had—30,382 items, of which 22,628 items were recorded as lost or stolen at the end of World War II.

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Representatives of the State Emergency Commission and museum workers examine the destruction of the large central hall of the Alexander Palace. Photo by S. G. Gasilov. May 1944.

At the end of the war the Alexander Palace was mothballed. Conservation work was carried out in the palace and in 1946 it was handed over to the USSR Academy of Sciences for the storage of the collections of its Institute of Russian Literature and to house a display of the All-Union Pushkin Museum. As a consequence in 1947-51 refurbishment began in the palace, in the course of which it was intended to restore the surviving Quarenghi interiors and extant fragments of décor and also to recreate the interiors from the time of Nicholas I and Nicholas II. However, during the work many elements in the décor of Empress Alexandra Feodorovna’s Maple and Palisander Drawing-Rooms, as well as Nicholas II’s (Moresque) Dressing-Room were actually destroyed. These rooms of the palace were recreated to a project by the architect L.M. Bezverkhny (1908–1963) “in accordance with the architectural norms of the time of Quarenghi and Pushkin”.

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Opening day of the All-Union Museum of A. S. Pushkin (Alexander Palace), on
10th June 1949

In 1951 a government decision handed the Alexander Palace to the Ministry of Defense. The Naval Department used the building as a top-secret, submarine tracking research institute of the Baltic Fleet. As a result, the former palace would be strictly off-limits to visitors for the next 45 years.

The palace’s stocks that were among the evacuated items in the Central Repository of Museum Stocks from the Suburban Palace-Museums passed to the Pavlovsk Palace Museum. A total of 5,615 items were moved from the palace to Pavlovsk. Of these, nearly 200 pieces were originally from the Alexander Palaces’ three ceremonial halls: the Portrait, Semi-Circular and Marble Halls. These include 39 pieces of porcelain, 41 paintings, 73 decorative bronze pieces, and 28 pieces of furniture.

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Pavlovsk’s collection today includes Imperial gowns originally from the Alexander Palace

It is also interesting to note that the Pavlovsk Palace Museum also have a large number of elegant evening gowns, dresses, shoes, hats, umbrellas, gloves, handbags, fans among other personal items of the Dowager Empress Maria Feodorovna and the Empress Alexandra Feodorovna, neither of whom ever resided in Pavlovsk. They are from the Alexander Palace, however, they are now on permanent display in the Museum of the Emperor’s Dress, which is located on the ground floor, of the northern semicircular wing of Pavlovsk Palace, the ground floor.

NOTE: this text has been excerpted from ’My Russia. The Rebirth of the Alexander Palace,’ published in Royal Russia No. 3 (2013), pgs. 1-11.

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The Museum of the Russian Imperial Family in the Alexander Palace is expected to reopen at the end of 2019, or early 2020. Under restoration since August 2015, the new multi-museum complex will feature a number of reconstructed historic interiors of Nicholas II and Alexandra Feodorovna. 

© Paul Gilbert. 8 August 2019

The Conspiracy Against Nicholas II, an interview with Paul Gilbert

CLICK ON THE IMAGE ABOVE TO WATCH MY INTERVIEW

One year ago today – 7th August 2018 – my interview The Conspiracy Against Nicholas II, aired on YouTube, which to date has been viewed by nearly 20,000 people.

My seven-minute interview was one of a special six-part video series commemorating the Romanovs Martyrdom Centennial in 2018, prepared by the Monastery of St John the Forerunner Mesa Potamos in Cyprus.

During my interview I speak about the Tsar’s abdication in 1917, and the only two generals who remained faithful to their Sovereign. I go on to discuss the main plots which aimed to overthrow Nicholas II from his throne, and the betrayal by his ministers, generals, and even members of his own family.

Among the members of the Imperial family who were plotting against Nicholas II, were the Grand Dukes Nicholas Nicholaevich (1856-1929) and Nicholas Mikhailovich (1859-1919), and the Vladimirovich branch of the family, led by the power hungry Grand Duchess Maria Pavlovna (1854-1920), the widow of Grand Duke Vladimir Alexandrovich.

I also talk about some of the myths and lies regarding Nicholas’ II, such as his alleged weakness as a ruler, and the popular myth that his death at the hands of the Bolsheviks was met by indifference by the Russian people.

The video features beautiful colourized pictures of the Romanovs and other historical figures, by acclaimed Russian colourist Olga Shirnina, from the forthcoming book The Romanov Royal Martyrs, due to be published in September 2019.

© Paul Gilbert. 7 August 2019

“Ekaterinburg was the last capital of the Russian Empire” – says Russian historian

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The Church on the Blood, built on the site of the Ipatiev House in Ekaterinburg

The Ural city of Ekaterinburg occupies an important place in the modern spiritual life of Russia. This conclusion was reached by Russian historian *Peter Multatuli following the results of the International Festival of Orthodox Culture Tsar’s Days 2019.

“On a spiritual level, Ekaterinburg is the last capital of the Russian Empire, because the residence of the Sovereign was always considered the capital in Russia. Peter the Great never officially transferred the capital from Moscow to St. Petersburg, but since he lived there, it was the capital,” said Multatuli.

He noted that in 1918, for 78 days, Emperor Nicholas II and his family lived in Ekaterinburg, and that is why the Ural capital can be considered the last capital of the Russian Empire.

[It is important to note that many historians – myself included – firmly believe that the Tsar’s signing of the instrument of abdication, his status as Tsar remained inviolate and unassailable – PG]

“Petrograd and Moscow to one degree or another welcomed his overthrow, and they bear a greater responsibility in this than any other Russian city. No matter what anyone says, it was Ekaterinburg that served as the last Imperial residence, which, according to God’s special plan, became the Royal Golgotha,” added Peter Multatuli.

According to him, in the near future, Ekaterinburg will play a great role in the history of Russia, because “the city named after St. Catherine and becoming the Royal Golgotha ​​will be the city of Russian resurrection.”

[Once a bastion of Bolshevism, Ekaterinburg has slowly shed its status as the “capital of atheism”. Since the fall of the Soviet Union in 1991, the Urals has experienced a revival of faith, with Ekaterinburg at the into the center of Orthodox Russia in the Urals. Ekaterinburg has done more to honour Nicholas II and his family than any other city in Russia. Thanks to my visits to Ekaterinburg in 2012, 2016 and 2018, it is a city which I have grown to admire and love – PG]

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Peter Valentinovich Multatuli

*Peter Valentinovich Multatuli was born in Leningrad on 17 November 1969. He is a Russian journalist, historian and biographer. Multatuli is the author of numerous books and articles about the reign of Emperor Nicholas II. He is the great-grandson of Ivan Kharitonov (1872-1918), who served as the Head Cook of the Imperial family. He followed the tsar and his family into exile, and was murdered along with them in the Ipatiev House on 17th July 1918.

Multatuli’s comprehensive Russian language studies of the life and reign of Emperor Nicholas II are often overlooked or simply ignored by his Western counterparts.

© Paul Gilbert. 26 July 2019

New Exhibits Dedicated to the Holy Royal Martyrs Open in Ganina Yama

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New permanent outdoor exhibit on the grounds of the Monastery of the Holy Royal Martyrs

A photo exhibition “We” presents the work of Ekaterinburg photographer Yaroslav Kulakov, opened this week in the Museum and Exhibition Center of the Monastery of the Holy Royal Martyrs in Ganina Yama. The exhibit features photos of the participants of the Tsar’s Days and the Cross Procession over a 20-year period from 1998 to 2018.

“The Lord has not created anything more beautiful than a spiritual and joyful human face,” said Yaroslav Kulakov. Many of his photographs have become historical. The photographs include the first designer of the monastery, Tatiana Alekseevna Petkevich, icon painter Tatiana Fedorovna Vodicheva, the confessor of the monasteryAbel (Odintsev) among many others.

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New permanent outdoor exhibit on the grounds of the Monastery of the Holy Royal Martyrs

A second exhibit, a permanent outdoor exhibition dedicated to the Imperial Family and their faithful companions who perished with them on the night of 16/17 July 1918, also opened on the grounds of the monastery.

The exhibition which is located near the monument to Emperor Nicholas II, includes 12 stands featuring a photo and biography of members of the Imperial family and their faithful retainers.

This brief, yet information excursion into Russian history will help those who are just starting to get acquainted with the history of the Holy Royal Family.

The photo exhibition “We” will run until 13th September 2019, in the Museum and Exhibition Center of the Monastery of the Holy Royal Martyrs in Ganina Yama, from 10:30 to 16:30 daily, except Monday.

© Ekaterinburg Diocese / Paul Gilbert. 26 July 2019

“We have to search for more remains of Alexei and Maria,” says US researcher

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Tsesarevich Alexei and Grand Duchess Maria

The search for additional remains of two of Emperor Nicholas II’s five children, Tsesarevich Alexei and Grand Duchess Maria, should continue until all their remains have been found, said Peter Sarandinaki, president of the SEARCH Foundation.

It is important to note that Sarandinaki is not the first to call for a new search for more remains of the Alexei and Maria. In 2016: “the search for the remains of Tsesarevich Alexei and Grand Duchess Maria should continue in and around the Koptyaki Road area near Ekaterinburg,” said Archpriest Oleg Mitrov at a 2016 conference. Mitrov, who is a member of the Synodal Commission for the Canonization of Saints, is also engaged in the study of the issues surrounding the murders of the Imperial family.

On 17th July 1918, the Bolsheviks murdered the Russian Imperial family and secretly buried their bodies at an enormous site Porosenkov Log, near Ekaterinburg. The grave of Alexei and Maria was discovered in 2007, and an Investigative Committee of Russia’s Public Prosecutor’s Office confirmed the authenticity of the discovery.

“We have to search for more remains of Alexei and Maria,” Sarandinaki said, adding that only 44 pieces of their bones had been found at the site. “The rest of the area of that forest glade will need to be further searched to make sure that all their remains, if they are there, are found.”

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Only 44 pieces of Alexei and Maria’s bones have been found at Porosenkov Log, near Ekaterinburg

Sarandinaki – a native of Argentina, but a citizen and resident of the United States – has been engaged for many years in the search for the remains of the Russian Imperial family.

For the past few years, he has led a team of US and Russian experts who are searching for the remains of Tsar Nicholas II’s brother, Grand Duke Michael Alexandrovich. The Grand Duke along with his secretary Nicholas Johnson were murdered by the Bolsheviks on 13th June 1918 near the city of Perm.

Three years prior to the discovery of the area where the Romanovs were buried, Sarandinaki explored the area and stood at the exact place where some of Alexei’s and Maria’s remains were later discovered.

Sarandinaki emphasized that it is up to the Russian Orthodox Church and the local authorities to make a final decision with respect to continuing the search for Alexei’s and Maria’s remains.

“I think once the Russian Orthodox Church comes to a conclusion [to proceed], a thorough search would need to be done there,” Sarandinaki said.

© Paul Gilbert. 19 July 2019

Reconciliation Begins: Russia’s State Duma honours the memory of Nicholas II with a minute of silence

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Members of the State Duma for the first time observed a minute of silence in memory of the last Russian emperor Nicholas II, and all those killed in the Civil War (1917-1922)

Today – 17th July 2019 – Russia’s State Duma for the first time observed a minute of silence in memory of the last Russian emperor Nicholas II and all those killed in the Civil War. (1917-1922)

According to Duma Speaker Vyacheslav Volodin,”reconciliation begins when we all understand that this cannot be repeated and this is unacceptable.”

“Today we are making a proposal to honour the memory of the last Russian tsar, to honour the memory of the innocent victims – all those who died in the crucible of the Civil War,” the speaker addressed his colleagues, who after these words, rose from their seats.

It should come as no surprise that members of the Communist Party of the Russian Federation, did not comply with the moment of silence.

Step to national consolidation

The first deputy head of United Russia’s Duma Andrei Isaev noted that representatives of all political parties, regardless of their ideological positions, honoured the memory of victims of the Civil War by standing, calling it “a very important step towards national consolidation and reconciliation.” 

“This means that all political forces represented in Russia’s parliament are against civil confrontation, for settling disputes and conflicts arising through a peaceful democratic process,”

In conclusion, Isaev added, “many deputies are in favour of making 17th July, a memorial day, in memory of the deaths of the Imperial family, and to also honour the memory of all those who died as a result of the Civil War in Russia.”

This is the first time in the history of Russia’s State Duma, that they honored the memory of Nicholas II – truly unprecedented!

© Paul Gilbert. 17 July 2019