Video tour of the Museum of the Family of Emperor Nicholas II in Tobolsk

CLICK on the IMAGE above to watch VIDEO (in Russian ONLY). Duration: 13 minutes

The Tobolsk Historical and Architectural Museum-Reserve have created a 13-minute video tour of the Museum of the Family of Emperor Nicholas II.

NOTE: this video is in Russian only, there is no English version. If you do not speak Russian, please do not allow this to deter you from watching this video. For those of you who will never have an opportunity to visit Tobolsk, this video is the next best thing, as it affords a virtual tour of the interiors of this very important museum, one which reflects the final years of Nicholas II and his family – PG

This virtual tour of the museum is presented in Russian by historian and writer Peter Valentinovich Multatuli, who was born in Leningrad on 17 November 1969. Multatuli is considered by many as Russia’s leading authority on the life and reign of Emperor Nicholas II.

He is the great-grandson of Ivan Mikhailovich Kharitonov (1872-1918), who served as the Head Cook of the Imperial family. He followed the tsar and his family into exile, and was murdered along with them in the Ipatiev House on 17th July 1918.

Multatuli takes viewers on a virtual tour of the former Governor’s House in Tobolsk, where Nicholas II, his family and entourage of those who followed the Imperial family into exile lived under house arrest from August 1917 to April 1918. Each room features unique exhibits from their daily life complemented with Multatuli’s vast knowledge of Russia last emperor and tsar.

NOTE: the large white circle located in the upper left hand corner of the video has 4 arrows, which allow you to move the camera to view the entire room and their respective displays – PG

The Museum of the Family of Emperor Nicholas II opened on 26th April 2018, in the former Governor’s Mansion in Tobolsk

PHOTO: Peter Multatuli in the Museum of the Family of Emperor Nicholas II, Tobolsk

***

Emperor Nicholas II and his family arrived in Tobolsk on 19th August (O.S. 6th August) 1917.

Upon arrival the Imperial family had to live for several days on the steamer Rus, waiting for the renovation of the “House of Freedom” – the former governor’s mansion – to be completed. They moved into the house on 24th August (O.S. 11th August).

Within a few days of their moving in, part of the square in front of the house was fenced off with a tall wooden fence, allowing for the family to take in fresh air and exercise. Some of the guards and those who accompanied the Imperial family into exile from Tsarskoye Selo were settled in the Kornilov house on the opposite side of the street.

In the beginning, the Imperial family were allowed to walk to the nearby Church of the Annunciation for worship, however, this was halted due to “concerns for their safety”. Despite this, the security regime in Tobolsk was more relaxed than in Tsarskoye Selo, allowing the family to lead a fairly calm life.

The Imperial family were housed in the former governor’s house until April, 1918, when they were transferred to Ekaterinburg, and subsequently murdered by the Ural Soviet on 17th July 1918.

© Paul Gilbert. 11 November 2020

The history and restoration of the Pallisander (Rosewood) Drawing Room in the Alexander Palace

PHOTO: view of the Pallisander (Rosewood) Drawing Room, as it looked in 1917

Among the living quarters of Empress Alexandra Feodorovna located in the eastern wing of the Alexander Palace is the Pallisander or Rosewood Drawing Room. The room got its name from its elegant rosewood interiors. Rosewood is a valuable tropical tree species of the genus Dalbergia, which has a high density and rich colour range, which can vary from light brown with a pinkish tint to dark brown with purple veins. A characteristic feature of this particular tree is its extreme slow growth – a full-fledged mature trunk taking almost two hundred years to mature. Rosewood has high moisture and wear resistance, high decorative qualities, and lends itself well to mechanical processing. The wall panels, fireplace, cornices and furniture were made of this material for the interiors in the Empress’s living room.

The upper part of the walls of the interior was covered with a yellowish silk fabric without a pattern, which was specially ordered in France from the famous Charles Burger company. The work carried out by Roman Feodorovich Meltser’s (1860-1943) firm was completed in 1895.

PHOTO: view of the Pallisander (Rosewood) Drawing Room, as it looked in 1917

The shelves and tables in the living room, were filled with collectibles and memorabilia, among which were figurines and vases. In addition, the interior was decorated with family photographs, paintings and watercolours with views of Hesse-Darmstadt – the Empress’s homeland.

Books in German, English and French, arranged on shelves, were mainly classics of foreign literature. Among them – The Necklace of Princess Fiorimonde by Mary de Morgan, Miss Esperance and Mr. Wycherly by Lizzie Allan Parker, The Innocence of Father Brown by G. K. Chesterton, The Side Of the Angels: A Novel by Basil King, Rosalind in Arden by Henry Marriott-Watson, The Valley of Fear by Arthur Conan Doyle, The Antiquary by Sir Walter Scott, and Laocoon: An Essay on the Limits of Painting and Poetry by Gotthold Lessing.

Two telephones were installed in the Pallisander Drawing Room, one of which connected the palace with the Headquarters during the First World War.

Since the dining room in the Emperor’s half of the eastern wing of the Alexander Palace was converted to the Reception Room, family dinners were often served in the Pallisander Drawing Room.

PHOTOS: detail of the Pallisander (Rosewood) Drawing Room fireplace

The recreation of the interior of the Pallisander Drawing Room is based on historical samples preserved in the palace-museum’s archives, including samples of wall fabric, curtains, and panels. The rosewood fireplace which once dominated the interior, decorated with bevelled mirrors has been recreated. Colour autochromes as well as vintage black and white photos also helped recreate the interiors.

During the restoration, a decision was made to recreate the frames for the paintings that were in this living room and preserved in the palace-museum collection. The difficulty in reconstructing these frames was that, like many frames in the palace, they were made according to individual orders of artists, and their sketches or drawings were not preserved, therefore, historical documents, photographs and descriptions were used to recreate them. Click HERE to read my article Original works of art will decorate recreated rooms in the Alexander Palace, published on 9th January 2020

PHOTO: the current look of the recreated Pallisander (Rosewood) Drawing Room

Work on the interiors of the Pallisander (Rosewood) Drawing Room continues. The production of a set of furniture for the living room will soon begin. The scientific staff of the museum are currently engaged in the search and selection of household items, porcelain, paintings, interior sculptures to replace those lost during the Great Patriotic War and the occupation.

***

The Pallisander (Rosewood) Drawing Room is now one of 15 interiors in the eastern wing of the palace, scheduled to open in 2021. Among the other interiors are the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Alexandra’s Corner Reception Room, the Imperial Bedroom, among others.

In the future, the Alexander Palace will become a memorial museum of the Romanov family – from Catherine the Great to Nicholas II, showcasing the private, domestic life of the Russian monarchs who used the palace as an official residence. The eastern wing of the palace will be known as the Museum of the Russian Imperial Family. The multi-museum complex, which includes the Western wing is scheduled for completion no earlier than 2024.

***

Dear Reader: If you enjoy all my updates on the restoration of the Alexander Palace, then please help support my research by making a donation in US or Canadian dollars – donations can be made by GoFundMe, PayPal, credit card, personal check or money order. Click HERE to make a donation. Thank you for your consideration – PG

© Paul Gilbert. 11 November 2020

New monument to Nicholas II opens in Penza Region

On 15th October, a new monument-bust to Nicholas II was unveiled and consecrated in the Penza region.

The monument was installed on the grounds of the Church of the “Quick to Hearken” Icon of the Mother of God in the Russian village of Proletarsky Zemetchinsky.

“The money for the monument to the Tsar-Martyr was collected in the form of donations from all over Russia” said Anatoly Tashkin-Bury, one of the two initiators of the project.

According to him, the initiative received the blessing of the hierarchy of the Penza diocese. The unveiling and consecration ceremony of the monument was attended by more than 100 people.

Tashkin-Bury added that the event was also attended by a small group of local Communists, carrying posters with provocative slogans such as “Bloody Nicholas”.

© Paul Gilbert. 10 November 2020

The history and restoration of the Mauve (Lilac) Boudoir in the Alexander Palace

PHOTO: View of the Mauve (Lilac) Boudoir in the Alexander Palace, as it looked in 1917
Popillon’s painting “The Dream of the Virgin” can be seen hanging on the wall 

The favourite room of Empress Alexandra Feodorovna in the Alexander Palace was the Mauve (aka Lilac) Boudoir. This interior was designed by Roman Feodorovich Meltser (1860-1943). According to legend, the empress gave him a lilac branch, her favourite flower, so that the architect could choose the colour scheme for the decoration of the room.

As a result, the walls were upholstered in mauve silk and crowned with a frieze decorated with an iris styled pattern. An ornamental Louis XV style painting decorated the ceiling of the room.

PHOTOS: views of the Mauve (Liliac) Boudoir in the Alexander Palace, as it looked in 1917

The furniture and upright piano by J. Becker were been painted with ivory enamel paint. Some of the furniture items were included in the composition of the walls and fastened to the wall panels. On the shelves, cabinets and fireplace were glass vases, mainly produced by the workshop of Emile Gallé, porcelain figurines and handmade souvenirs presented as gifts to the Empress, as well as family photographs. The room was decorated year-round with fresh flowers from the gardens or hothouses at Tsarskoye Selo.

Alexandra Feodorovna spent a lot of time in the Mauve Boudoir: it was here that she rested, read, and carried out her correspondence. In the evening, the whole family gathered here. The cabinets contained books from the empress’s personal library, sheet music, drawing supplies, and board games.

Thus, at the beginning of the 20th century, the room personified the comfort of a home.

Like many other rooms in the Alexander Palace, the Mauve Boudoir suffered a sad fate – the decoration and the interior were lost during the Great Patriotic War (1941-45).

PHOTO: the current look of the Mauve (Lilac) Boudoir after an extensive restoration

PHOTO: Recreated doors of the Mauve (Lilac) Boudoir in the Alexander Palace

During the current restoration, fabric upholstery for the walls and curtains (fragments of fabric had been preserved in the Pavlovsk State Museum-Reserve), furniture, carpets, wood panels, a fireplace, and a picturesque frieze were recreated, based on historical samples, archival documents and photographs.

A huge amount of work has been done to recreate the doors: first, models were made, then the doors were recreated from wood.

The collection of the Alexander Palace Museum contains Alexandra’s writing table from the Mauve Boudoir, found in the park in a ruined state after the war. In 2018, test cleanings of a paint layer of the writing table were carried out, thanks to which the initial colour of the finishing of the entire interior was determined, as well as the colour scheme for the panels, built-in furniture and cabinet doors. The museum plans to restore Alexandra’s writing table to its original, thanks to descriptions and old photographs.

A painting (see first photo above in this article) by the French artist Edouard Jerome Popillon “The Dream of the Virgin” which once hung in the Mauve Boudoir will be returned to the Alexander Palace from the Pavlovsk Museum-Reserve, where it has been held for many decades. Upon the reopening of the palace next year, the painting will be on display in the room for visitors to enjoy.

PHOTO: Nicholas II and Alexandra Feodorovna seated in the corner of the Mauve Boudoir

***

The Mauve Boudoir is now one of 15 interiors in the eastern wing of the palace, scheduled to open in 2021. Among the other interiors are the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Alexandra’s Corner Reception Room, the Imperial Bedroom, among others.

In the future, the Alexander Palace will become a memorial museum of the Romanov family – from Catherine the Great to Nicholas II, showcasing the private, domestic life of the Russian monarchs who used the palace as an official residence. The eastern wing of the palace will be known as the Museum of the Russian Imperial Family. The multi-museum complex, which includes the Western wing is scheduled for completion no earlier than 2024.

***

Dear Reader: If you enjoy all my updates on the restoration of the Alexander Palace, then please help support my research by making a donation in US or Canadian dollars – donations can be made by GoFundMe, PayPal, credit card, personal check or money order. Click HERE to make a donation. Thank you for your consideration – PG

© Paul Gilbert. 4 November 2020

A peek inside the ‘Nicholas II 2021 Calendar’

 

CLICK ON THE IMAGE ABOVE TO ORDER MY 2021 CALENDAR

I am reaching out to friends and followers of my 26+ years of researching and writing about the life, reign and era of Emperor Nicholas II (1868-118).

If you enjoy my articles, news, photos and videos about Russia’s last emperor and tsar, please support my research in the coming new year ahead, by purchasing a copy of ‘Nicholas II 2021 Calendar’.

Each month features an iconic full-page photograph of Nicholas II (see images below), printed on glossy stock.

Each month features an iconic full-page photo
of Nicholas II printed on glossy stock

 

Each month features an iconic full-page photo
of Nicholas II printed on glossy stock

The entire net proceeds from the sale of each calendar goes towards my research, which includes the costly translation of articles and news from Russian media and archival sources, and more.

The price is only $10 + postage. Payment can be made by credit card or PayPal online or by personal check or money order (Click HERE to download and print an order form to pay be check or money order )

THANK YOU to those of you who have already purchased a copy,
your interest and support of my research is much appreciated – PG

© Paul Gilbert. 2 November 2020

The development of the Russian Empire during the reign of Nicholas II

Unlike those who talk about the unpreparedness, weakness and lack of will of Nicholas II, Russian historian Andrei Anatolyevich Borisyuk, is convinced that the Emperor knew what the country needed during the first years of his reign, and brilliantly fulfilled his mission as sovereign.

“He immediately took effective and ingenious steps for the development of the state,” says the historian. – The economy, bolstered by a growing railway system, was rapidly being developed. Metallurgy was being completely rebuilt. The Urals which was considered the main center of metallurgy, was soon outpaced by the Donbass region, where seven metallurgical plants were built under Nicholas II. Nearby were huge coal reserves, located in the Krivoy Rog iron ore basin. While firewood was being used to smelt metal in the Urals, coal was used in the Donbass. Before 1914, metalworking and mechanical engineering were developing at a record pace in the Empire. These rates even exceeded those of Stalin’s five-year plans.

Double-decker trains and aeroplanes

Recently a double-decker train was put into service between Moscow and Bryansk, but the implementation of the new railcars was delayed by a hundred years. Historic photographs prove that already in 1905, modern-looking double-decker cars, produced in Tver, were already running on Russian rails. It is clear that it was impossible to build them without a very high technological level of production.

During the reign of Nicholas II, the Empire began to produce aeroplanes and cars. During the First World War, 6,300 aircraft were built in “backward” Russia. At the same time, the production of submarines and other high-tech products was developing.

The production of cement increased 15 fold, which was necessary for the rapidly gaining momentum in the construction industry. Such an increase was a result of the changes to urban construction and development. For the first time, the construction of seven- and eight-story apartment buildings was underway in Russia. Many of these buildings have survived to this day in Moscow, where they are often mistaken for Stalinist ones, but in reality they were built during the reign of Emperor Nicholas II.

Agriculture was also increasing. In terms of the harvest of wheat and sugar beet, Russia ranked first in the world, in terms of the total volume of grain harvest – the United States ranking second. This growth was not accidental, it was the result of the reforms of Pyotr Stolypin (1882-1911), who served as Prime Minister of Russia, and Minister of Internal Affairs of the Russian Empire from 1906 to his assassination in 1911. But it is interesting to note that many of these reforms were already in place by the time the brilliant statesman came to head the government. The essence of the reforms resulted in the peasants having the right to personal ownership, giving a person the opportunity to buy and sell land without being constrained by any conditions. The Bolsheviks, on the other hand, drove everyone into collective farms, again turning people into disenfranchised slaves.

Huge sums of money were allocated for the creation of experimental agricultural enterprises. Farms, and experimental stations were emerging, and agronomy was developing. It was at this time that the first tractors appeared in villages.

1908: universal education program

The actions and decisions of the Emperor lead to a huge economic recovery. The state began to finance subsidized sectors of the economy, such as the social sector. The standard of living of the population was increasing. Education received tremendous support. In 1908, a universal education program was launched in the Russian Empire. During the reign of Nicholas II, more than 65 thousand schools were built.

“The pre-revolutionary program of universal education was denied in Soviet times,” says Andrei Borisyuk. – “The creation of this system was attributed exclusively to the Soviet Union, but documentary sources provide an unambiguous understanding that the universal education program began during the reign of Nicholas II. I researched the documents of the Ministry of Public Education of the Russian Empire, which are in the Russian State Historical Archives, and they prove that the program created 65 thousand new schools.”

The population was growing at a record pace, while mortality was decreasing. One of the many myths regarding the Russian Empire was that the population was allegedly starving, that every few years there was a terrible famine that claimed the lives of millions of people. Hunger in any case is reflected in the statistics, if there was one. But we know two peaks – the famine of the 1920s and 1930s. There were no such peaks in the Russian Empire; the mortality rate was consistently decreasing due to an increase in living standards. The claim that the revolution saved people from hunger does not stand up to scrutiny. At the beginning of the 20th century, the Russian Empire was an advanced high-tech country with rapidly developing industrialization and education.

Science was also developing. It was during the reign of Nicholas II, that the scientist Alexander Stepanovich Popov (1859-1906) invented the radio in 1895. In 1911, the world’s first broadcast of television data was carried out in Russia by Boris Lvovich Rosing (1869-1933). 

It is interesting to note that Rosing was one of the many talented pupils of the Russian education system. The Ministry of Public Education, which was established in 1802 by Emperor Alexander I, stated that any citizen of the Russian Empire, regardless of class, could receive an education. Some were able to finish one class of the primary parish school, others – three classes of the district school. There was further opportunity to study in gymnasiums, provincial schools, universities. Primary school education was free.

Another pupil Vladimir Ivanovich Vernadsky (1863-1945), went on to study the atom, and later said that nuclear energy will soon overshadow the power of the owners of gold, land and capital. The first radium laboratory was created and a radium mine under development.

Also noteworthy is Konstantin Eduardovich Tsiolkovsky (1857-1935) who is considered to be one of the founding fathers of modern rocketry and astronautics. His works later inspired leading Soviet rocket engineers such as Sergei Korolev and Valentin Glushko and contributed to the success of the Soviet space program. Tsiolkovsky was also one of the many talented pupils of the education system of the Russian Empire.

Choosing between Liberalism and Communism

“The development of Russian civilization evolved over many centuries, reaching amazing heights,” says Andrei Borisyuk. – From the birth of this civilization, we can say that Russia was a country of high values ​​and technology. Here churches and monasteries were being built, but at the same time industrial enterprises were opening, factories being built, radio was created, and advanced technological developments carried out. This is the land of scholars and holy ascetics. Why is this important to us now? In his book The Clash of Civilizations and the Remaking of World Order the American political scientist Samuel P. Huntington writes that modern geopolitics is built more along the borders of civilizations than along the geographical borders of countries. That is, civilization is primary for explaining the logic of historical processes. Civilization is a global space built on certain values. An understanding of basic values, that underlie our civilization is literally a matter of national security. What values ​​are at the heart of Russia? On what did the Russian people assert themselves? An appeal to historical Russia shows that these were the traditional values ​​of Faith, Motherland and Family. Relying on them, our country achieved maximum results and victories. Any attempt to deviate from these values resulted in very grave consequences for Russia. This ultimately happened in 1917. During that year the Russian people made a choice between Western European liberalism (February Revolution) and Western communism (October Revolution). The choice of the latter to deviate from the Russian Empire’s historical path of development, ended in failure. By putting pragmatic values ​​first, the economy began to develop more slowly under the Bolsheviks.

Vintage newsreels and old photographs captured many of the Empire’s achievements. The Sormovo machine-building plant, and the Putilovsky plant which produced steam locomotives are just two examples which speak otherwise. Both workshops have survived to this day. And then there are the oil refineries, the power plant in St. Petersburg which is considered a masterpiece of architecture in comparison with the present industrial buildings. It is interesting to note that the same tower cranes used during the construction of the Russian-Baltic Shipyard in 1913, are still in use today. “Backward Russia?”

One photo captured the agricultural equipment of the “joint-stock company of Bryansk factories”, which the then “marketers” brought to an agricultural fair in the Amur region. By 1916, the peasants in the Samara region rejoiced at the arrival of the first tractors which they used to plow the land at their experimental station.

The skylines of both St. Petersburg and Moscow were dotted by the cupolas of beautiful churches and cathedrals. In the village of Pidma, a two-story school was built, which even today stands out with its severity and grace. A post office and a rural store in the Arkhangelsk hinterland more resemble a village palace even today. And the houses in Borodino, near Moscow, are examples of design and style which reflect the beauty of the Russian Empire.

Civilization is life. The Russian Empire in this sense was much more civilized than the modern world, which distorts the concept of the family and imposes destructive ideas. During the reign of Nicholas II, the population of Russia grew by 50 million people. In the pre-revolutionary years, the country’s population increased by 3.6 million people annually. This population growth in itself refutes the assertions of the Bolshevik propaganda that both hunger and want reigned in the Empire. Sadly, of course, diseases were present, and class inequality was still visible, but the fact that the number of inhabitants of Russia was growing also testifies to its prosperity,

***

Born in Moscow on 15th November 1989, Andrey Anatolyevich Borisyuk is one of a new generation of post-Soviet researcher and historian dedicated to challenging the popular held negative myths and lies about Russia’s last emperor and tsar.

He studied at the Orthodox St. Tikhon University, where he earned bachelor’s and master’s degrees, in Russian history.

He is the author of 2 Russian language books on Nicholas II: История России, которую приказали забыть. Николай II и его время.2018; and Рекорды Империи. Эпоха Николая II. 2020.

© Paul Gilbert. 1 November 2020

The October Revolution 1917 in the International Context. Interview with Professor Dominic Lieven

CLICK on the IMAGE above to watch VIDEO in English. Duration: 24 minutes.

A remarkable interview with Cambridge Research Professor D. Lieven (born 19 January 1952) about the reasons for and the outcomes of the 1917 October Revolution, as well as his family’s personal experience with it. He also speaks about Russia’s involvement in WW1, the Russian-German relationships, and gives an extraordinarily objective evaluation of Tsar Nicholas II’s abilities as a ruler, and comments on the most important decisions during his reign. Dominic Lieven is a research professor at Cambridge University (Senior Research Fellow, Trinity College) and a Fellow of the British Academy and of Trinity College, Cambridge.

Professor Lieven is the third child, of five children, of Alexander Lieven, of the Baltic German princely family, tracing ancestry to Liv chieftain Kaupo. He is the elder brother of Anatol Lieven, British author, Orwell Prize-winning journalist, and policy analyst, and he is distantly related to Christopher Lieven (1774–1839), who was Ambassador to the Court of St James from Imperial Russia over the period 1812 to 1834, and whose wife was Dorothea von Benckendorff, later Princess Lieven (1785–1857), a notable society hostess in Saint Petersburg and influential figure among many of the diplomatic, political, and social circles of 19th-century Europe. Lieven is a great-grandson of the Lord Chamberlain of the Imperial Court of Russia.

He is the author of numerous books on on Russian history, on empires and emperors, on the Napoleonic era and the First World War, and on European aristocracy, including: Russia’s Rulers Under the Old Regime, Yale University Press (1989); The Aristocracy in Europe 1815/1914, Macmillan/Columbia University Press (1992); Nicholas II: Emperor of all the Russias, John Murray/St Martin’s Press/Pimlico (1993); and The End of Tsarist Russia: The March to World War I and Revolution, Penguin Random House (2015).

***

This video is produced as part of the project for the book The Romanov Royal Martyrs, which is an impressive 512-page book, featuring nearly 200 black & white photographs, and a 56-page photo insert of more than 80 high-quality images, colorized by the acclaimed Russian artist Olga Shirnina (Klimbim) and appearing here in print for the first time. EXPLORE the book / ORDER the book.

© Mesa Potamos Monastery. 30 October 2020

Monument to the meeting of Nicholas II and Alexandra Feodorovna in Russia unveiled in Crimea

PHOTO: Grand Duke Sergei Alexandrovich, Tsesarevich Nicholas Alexandrovich,
Grand Duchess Elizabeth Feodorovna and Princess Alix of Hesse-Darmstadt and Rhine

On 30th October 2020, a monument dedicated to the meeting of Tsesarevich Nicholas Alexandrovich (future Emperor Nicholas II) and his future bride Princess Alix of Hesse-Darmstadt and Rhine (future Empress Alexandra Feodorovna) – the latter’s first visit to Russia following the couple’s engagement and just prior to the death of Emperor Alexander III – was unveiled and consecrated in the courtyard of the Central Library in the Crimean city of Alushta, .

Sculptors Irina Makarova and her husband Maxim Bataev, began work on the monument in February. Together, they created a composition consisting of four bronze sculptures. each a little over two meters high, a granite pedestal and an arch.

The funds for the monument were allocated by the St. Basil the Great Charitable Foundation and the Double-Headed Eagle Society for the Development of Russian Historical Education.

“Our composition was not easy. The arch unites two loving hearts – Nicholas and Alix, and is also crowned with an Orthodox cross,” said the sculptor Irina Makarova. – “In addition, there are other persons – Nicholas’ uncle Grand Duke Sergei Alexandrovich, and his wife, the sister of the bride, Grand Duchess Elizabeth Feodorovna, who helped unite the two loving hearts. They were all together in Alushta on that day in 1894.”

PHOTO: The consecration of the monument to Nicholas and Alexandra in Alushta

“We decided to portray Nicholas Alexandrovich in a Hussar uniform – it was in this outfit that he got married,” added Irina Makarova. “In her hands Elizabeth Feodorovna is depicted holding a small icon of the Saviour as the personification of spirituality. After all, she supported her sister when Alix doubted whether to change her faith The arch is also a symbol of Orthodoxy and Holy Russia.”

“My husband and I worked together on every detail,” – said Irina Makarova. – “We argued for a long time over the likeness of the future Emperor. We took the advice of Konstantin Valerievich, slightly changing the shape of the eyes and nose so that Nicholas II would become recognizable in his youth. After that we managed to achieve maximum realism.”

According to local residents, this monument will immortalize not only the meeting of two loving hearts, but also their loyalty for one another.

“I kiss and caress you endlessly, I want to show you all the power of my love for you,” wrote Alexandra Feodorovna to her husband. “Always yours to death and beyond …”

Click HERE to read 3 additional articles (with photos) about the Monument to Nicholas and Alexandra in Alushta

© Paul Gilbert. 30 October 2020

Lost and Found: the Discovery of a Romanov Photo Album in Siberia

PHOTO: photo album belonging to Nicholas II in the Museum of Local Lore in Zlatoust

One of the most unique exhibits of the Museum of Local Lore in Zlatoust (270 kilometers (168 mi) south of Ekaterinburg) is a photo album containing photographs of Emperor Nicholas II and his family. How this album ended up in the museum remains a mystery. There are no embossed crowns, monograms or emblems on the album’s cover. There are also no inscriptions accompanying any of the photographs either. Only on the reverse of the photos of the tsar’s daughters was it possible to find inscriptions scribbled in pencil: “The Grand Duchess Olga (Tatiana, Maria, Anastasia).”

When the emperor and his family were sent into exile on 1st August 1917, to the Siberian city of Tobolsk, they took with them their entire personal photo archive. The archive included many albums, many of which are today stored in various Russian archives. Museum staff believe that it was there, in Tobolsk, that the last photographs were pasted into this particular album.

It is a well known fact that all the members of the Imperial family took an avid interest in photography, and each of them had their own camera and collections of photographs. According to museum staff, this album, judging by its content, belonged to the emperor himself. One of the photographs clearly shows his shadow with a camera in his hands. In the diaries of the emperor, he repeatedly noted that he personally organized his photo albums:

“On 4th September 1914, I got up early and took a longer walk. Between the reports I received a deputation of Czechs living in Russia. Walked with Alix and the children, and then went for a ride with Alexei to Gatchina. After tea I read. In the evening I pasted photographs of Crimea into an album”.

“On 27th March 1915, I took a walk in the morning. It started raining in the afternoon. I spent 2 hours chopping the ice with a crowbar using two hands, which is why my hand is trembling. I read before lunch, and in the evening with Olga’s help I pasted photos into an album.”

PHOTO: In 2013, the Zlatoust photo album was exhibited at the Museum of the
Holy Royal Family, located in the Patriarchal Compound in Ekaterinburg. 

“On 24th May, 1915 Alix came in the morning. Then we drove to mass. After breakfast, I received 18 professors of Russian history and Russian law with an address. I took a walk with my daughters and rode to Gatchina in the rain. I worked until 8 o’clock. Dined in my reception, like in the good old days. In the evening, with the help of Maria, I pasted photos of our last trip in the album.”

The Zlatoust photo album contains 210 photographs taken between 1914-1917. The photographs are not placed in any chronological order – on the first pages there are a series of photographs related to the beginning of the First World War in 1914, while pre-war photos are mixed with those taken in later years. On the last pages are photos from 1914, 1916, and 1917. Most of these photos were taken during the Emperor’s visit to the Supreme Command Headquarters in Mogilev and the review of the troops. Others are purely family-oriented, taken in Tsarskoye Selo, in Livadia, on the Imperial Yacht Standart and other places. It is interesting to note that there are very few photographs of Empress Alexandra Feodorovna in this album.

The fact that the photo album survived the revolution, civil war can itself be considered nothing short of a miracle. It is no less a miracle that the exhibit, registered under the number F-52, as the album “Nicholas II and His Family”, survived in the funds of the Zlatoust Museum of Local Lore during the Stalin era, when many documents and photographs which depicted the last tsar were seized and destroyed, as they were deemed as “ideologically harmful”.

“How the album ended up in Zlatoust is a mystery,” says Nadezhda Prikhodko, director of the Museum of Local Lore in Zlatoust. – “Everyone knows that the Imperial family spent their last days in Ekaterinburg. There are two theories with regard to this mystery: The first is that the album was brought from Ekaterinburg by the director of the Museum of the Revolution, Comrade Chevardin. The museum was located in the Ipatiev House. In 1933, Chevardin was transferred to Zlatoust, taking the album with him to save it from destruction. According to the second, the album was transported by the revolutionary Dmitry Mikhailovich Chudinov – one of the guards who escorted the Imperial family from Tobolsk to Ekaterinburg. He lived in Zlatoust, and after the murder of the Romanovs, he stole some of their personal belongings, including the photo album”.

In 1980, the album was found in the funds of the Zlatoust Museum of Local Lore. Russia was still under the yoke of communism, so the album remained hidden for another 9 years before the first announcement of the album’s existence was made public. In subsequent years, a small number of the photographs appeared in the pages of magazines, books and presented at museum exhibitions. The staff at the Zlatoust Museum carried out a lot of painstaking work to identify the more than 200 photographs. Research carried out with the help of the emperor’s diaries and other publications, made it possible to establish, in most cases, when and where the photographs were taken, as well as which members of the Imperial family appear in the photos.

PHOTO: interactive copies of the album can now be seen in Zlatoust and Ganina Yama

In April 2013, the Russian online media outlet Komsomolskaya Pravda published a number of the photographs from the Zlatoust album, which generated tremendous interest in Russia and abroad. Sadly, a number of the captions were incorrect, mostly the misidentification of the grand duchesses, etc.

The following month, the Zlatoust photo album was exhibited at the Museum of the Holy Royal Family, located in the Patriarchal Compound in Ekaterinburg. Among those who had an opportunity to view the album were the Head of the Russian Imperial House HIH Grand Duchess Maria Vladimirovna, His Holiness Patriarch Kirill of Moscow and All Russia, and Mrs. Olga Kulikovsky (wife of Tikhon Kulikovsky, the eldest son of Grand Duchess Olga Alexandrovna) – see 2nd photo.

In recent year, the Zlatoust photo album was digitalized. “Natural light is harmful to the pages and black and white photographs – they turn yellow,” said Anastasia Malakhova, Deputy Director for Research at the Zlatoust Museum of Local Lore. – “They cannot be on permanent display, so we created an electronic copy. The expensive multimedia equipment for the interactive album was donated by the Museum and Exhibition Center in Ekaterinburg”.

In total, 88 photographs were digitized – mostly from the war period. There were no photo captions in this album. The interactive album in the Zlatoust Museum of Local Lore is available to visitors any day.

A copy of the interactive album was also presented to the Museum and Exhibition Center of the Monastery of the Holy Royal Martyrs in Ganina Yama, which I had an opportunity to see firsthand, during my visit to Ekaterinburg in 2018 – PG..

Click HERE to read my articles Nicholas II: the amateur photographer, published on 15th July 2020; and The Romanov Family Photo Albums at Yale University, published on 19th August 2020

© Paul Gilbert. 25 October 2020

Excavations at the site of the Ipatiev House in Ekaterinburg in the early 2000s

PHOTO: A simple wooden cross was installed on the site of the Ipatiev House in the 1990s

Prior to the construction of the Church on the Blood in Ekaterinburg, local archaeologists took a particular interest in the site where the 18th century mansion once stood.

An excavation of the site was organized by archaeologist Sergey Nikolaevich Pogorelov in 2000. At that time, he headed the Department for the Study of Historical Monuments in the Regional Research and Production Center.

The area where the Ipatiev House was located stood on land once owned by the Ural-Siberian Factory. In 1766-1808 the wooden Old Ascension Church stood on the site of the house, which included a small cemetery. Later, residential quarters were constructed, including the Ipatiev House in the 1880s. 

According to Pogorelov, in 2000, when the question arose about the construction of the Church on the Blood, city and regional authorities were notified that a decree issued in 1990 stipulated that no construction could take place on historic sites without historical and archaeological research being carried out first.

Excavations began in early June through September of 2000, and then continued in the summer of 2001. During that time, nearly 600 people took part in them. They made some interesting discoveries. For instance, during the excavations it turned out that the Soviet authorities had removed the remains of the basement walls of the Ipatiev House many years prior.

When archaeologists found the place where the basement execution room was located, they discovered that in its place, a concrete bunker had been built. They then referred to the city plans which were given them by the administration. As it turned out a government communication line had been laid along Klara Zetkin Street (former Voznesensky Prospekt and Voznesensky Lane, respectively), . When the cables were laid near where the Ipatiev House stood, they turned sharply 90 degrees, passing through where the execution room was located, and into the bunker, and then back to Klara Zetkin towards Voznesenskaya Gorka. Archaeologists learned that in the early 1970s, the local Soviet had set up the bunker with the intent of destroying the place where the Imperial family had been murdered.

However, an even greater discovery for archaeologists was what they found under the bunker when they began to dig deeper. Under the concrete structure was a grave, partially carved into the rock. Inside, in a coffin with forged nails, lay the remains of a woman and a baby.

Archaeologists had discovered the 18th century Orthodox cemetery, proving that the Ipatiev House was partly built on the site of the Church of the Ascension, and partly on the churchyard. The police were called in and the remains of the woman and her child were taken away.

Pogorelov noted that many graves must have been lost in the 1980s when part of the slope of the Voznesenskaya Gorka, was cut back during the reconstruction of Karl Liebknecht Street.

During their excavations, archaeologists uncovered an area of ​​more than 500 square meters at a depth of about 2 meters.

PHOTO: Archaeologist Sergey Nikolaevich Pogorelov shows fragments
of ceramic vessels found at Porosenkov Log in 2010

They found an underground stone structure with an area of ​​5 by 5 meters with granite walls in the foundation and stone granite slabs of the floor. Inside were the remains of the shelves of the party archives. It was here that the trunks belonging to the Imperial family were stored after their transfer from Tobolsk in April 1918.

On the western side of the estate grounds stood several poplars. There was some speculation that the trees had been planted during the Soviet years. Experts from the Institute of Plant and Animal Ecology conducted a dendrochronological analysis and found that they are more than 100 years old. Thus, it was determined that the trees were there when the Imperial family were living there under house arrest.

Among the trees a hole was discovered. They thought it was a cellar, but it turned out to be a well. It had been pierced into the monolithic rock of the Voznesenskaya hill using mining tools.

Archaeologists found a mention of this well in the notes of Yakov Yurovsky, who led the execution of the Imperial family. He wrote that he was repairing it at the moment when Nicholas II approached him. The well itself was filled with many artefacts, among them items belonging to the Imperial family.

The following year, when construction on the Church on the Blood was already underway, and two underground floors were planned on the site, the well suddenly filled with water. The builders wanted to fill it with concrete, however, a decision was made to preserve it. Today, the former well named “Tsarskoe” of the Ipatiev House is now located in the lower underground floors of the Church on the Blood.

As a result of the excavation of the estate, archaeologists managed to collect about 64 thousand artefacts. There were no precious items among them – only those that are of interest from a historical point of view. Fragments of dishes, buttons, metal objects … Everything that fell to the ground or tossed into the well since the 18th century. 

Pogorelov found pieces of china with the emblems of the Imperial Porcelain Factory bearing the initials of Nicholas II, from the coronation porcelain service of 1896. He later discovered that part of the service had been stolen by the Bolsheviks after the murder of the Imperial family. Their whereabouts remain unknown to this day.

It took 300 crates to pack the 64,000 artefacts, and stored in different places until 2013. According to Pogorelov “nobody provided help, nor were the legislation requirements fulfilled”. The crates were subsequently transferred to the Museum of the History of Ekaterinburg. Today, the famous Russian archaeologies does not know what happened to the collection.

The Museum of the History of Ekaterinburg would not comment on what happened to the collection further nor whether the artefacts from the excavations at the site of the Ipatiev House are still in their funds.

© Paul Gilbert. 23 October 2020

***

Dear Reader: It is always a pleasure for me to present new articles based on my own research from Russian archival sources, offering first English translations of new works from Russian media sources on my Nicholas II blog and Facebook pages. Many of these articles and topics seldom (if ever) attract the attention of the Western media. Please note that I personally translate the articles, and complement them further with additional materials, photographs, videos and links.

If you found this article interesting, then please help support my research by making a donation in US or Canadian dollars to my project The Truth About Nicholas II – please note that donations can be made by GoFundMe, PayPal, credit card, personal check or money order. Thank you for your consideration – PG