
The Rosewood (Pallisander) Drawing Room in the Alexander Palace in the 1930s. ‘The Annunciation’
can be seen to the left of the mirror, and ‘The Madonna and Child’ to the right of the mirror.
Photo © Tsarskoye Selo State Museum-Reserve
The Tsarskoye Selo State Museum-Reserve has announced that they will recreate picture frames for paintings, that originally hung in the interiors of the Alexander Palace. The project of creating the frames, will be based on historic photographs and inventory descriptions.
The first two paintings will be The Annunciation by Susanna Renata Granich and The Madonna and Child by Paul Tuman. Both canvases will be placed in the Rosewood (Pallisander) Drawing Room, where they originally hung before the Imperial Family were sent into exile in 1917. The Rosewood Drawing Room is among first eight rooms of Nicholas II and Alexandra Feodorovna, which will open to visitors in the summer of 2020.
The frames for the two paintings from the Rosewood Drawing Room were made by the specialists of the Rokail workshop of Pavel Yankolovich (The Annunciation) and Svetlana Fedorova (The Madonna and Child). Photographs taken in the 1930s from the museum’s collection and descriptions from the 1939 Inventory Book helped in the reconstruction of the picture frames, including the sizes, material, and decor technique. The recreated frames are made of two types of wood – beech and pine, ornament – using the technique of mastic moulding.
The Rosewood Drawing Room of the Alexander Palace was decorated by Roman Meltzer in 1896–1897. The architect chose rosewood as the main finishing material – an expensive wood, which was imported from abroad. High wall panels with a shelf, framing of a fireplace installed in a corner and furniture were also made of rosewood. In the first years of their life in the palace, Nicholas II and Alexandra Feodorovna often spent time in this room. It was here that the Imperial family took breakfast and dinner together. In recent months, the Rosewood Drawing Room has been transformed into its historic original, including wall finishes, drapes, panels and a rosewood fireplace.
The selection and acquisition of porcelain, household items, and paintings to replace those that were lost during the Great Patriotic War (1941-45) is currently underway.
In addition to the two frames recreated for the Rosewood Drawing Room, the museum’s collection was replenished in 2019 with seven additional paintings: six were purchased from their owners along with a seventh painting, which was presented with a photograph.
© Paul Gilbert. 9 January 2020
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