PHOTO: Chandelier for the Reception Room of Nicholas II

According to a press release from the Tsarskoye Selo State Museum, workers have now completed the restoration and recreation of the historic interiors of the private apartments of Nicholas II and Alexandra Feodorovna, situated in the eastern wing of the Alexander Palace.

Objects for the decoration of the interiors are now being moved into the palace. One of the first items of decoration to take their place are the lighting fixtures. Many of the graceful chandeliers and lanterns created in the St. Petersburg workshops during the 18th to 19th centuries have been preserved in the historical collection of the museum for more than a century.

PHOTO © Tsarskoe Selo State Museum-Reserve

Among the lamps characteristic of the era of Catherine II’s reign, one can distinguish chandeliers of the late 18th century by their crystal headgear and coloured glass; their main feature is a multitude of faceted pendants of various shapes, connected in garlands, crystal obelisks and a “fountain” crowning the chandelier, reminiscent of a column of water … Such chandeliers adorn the Empress’s Mauve (Lilac) Boudoir, Alexandra Feodorovna’s Corner Reception Room and the Large Library.

PHOTO © Tsarskoe Selo State Museum-Reserve

Among the unique lighting fixtures s is a chandelier from the Reception Room of Nicholas II. This interior was designed by the architect Roman Melzer in 1895-1896: walls and ceiling are finished with oak panels and furniture ordered from the F. Melzer & Co. factory. An electric chandelier was installed, with twelve bulbs in the form of a hanging openwork rim on six chains with hemispherical shades decorated with a fringe of yellow beads. The chandelier was not evacuated during the war years and remained in its place for almost a hundred years: it was removed in 1997. In 2015, specialists of the Yuzhakova Studio workshop in St. Petersburg carried out a restoration of the chandelier, which involved cleaning the metal surface, replaced the lost beads and installed new electrical wiring.

PHOTO © Tsarskoe Selo State Museum-Reserve

The pride of the collection are three chandeliers for a hundred candles each – from the State Halls of the Alexander Palace, which have been preserved in the museum’s funds. In 1796, an order for the production of eight identical chandeliers according to the design of the architect Giacomo Quarenghi was received by the St. Petersburg bronze-maker Johann Zech. They were intended for the St. George Hall of the Winter Palace. The master managed to make only three chandeliers, which adorned one of the halls of the Mikhailovsky Castle; subsequently they were transferred to the Alexander Palace. An interesting fact is that the “Karengiev” chandeliers were made for 50 candles each, but in 1829 the number of horns was increased to one hundred for better lighting of the halls. These large two-tiered chandeliers with ruby ​​glass balusters will take their historical place after the completion of the restoration of the central building of the palace.

Click HERE to read my article Restoration of Lighting Fixtures for the Alexander Palace, published on 16th December 2020

© Paul Gilbert. 14 April 2021

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Fifteen interiors situated in the eastern wing of the palace, are now scheduled to open to visitors in the Spring of 2021. Among the recreated interiors are the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Maple Drawing Room, Alexandra’s Corner Reception Room, the Imperial Bedroom, among others.

In the future, the Alexander Palace will become a memorial museum of the Romanov family – from Catherine the Great to Nicholas II, showcasing the private, domestic life of the Russian monarchs who used the palace as an official residence. The eastern wing of the palace will be known as the Museum of the Russian Imperial Family. The multi-museum complex, which includes the Western wing is scheduled for completion no earlier than 2024.

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