In recognition of the 153rd anniversary of the birth of Emperor Nicholas II on 19th (O.S. 6th May) 1868, I am reaching out to friends and supporters for donations to help support me in my research on the life and reign of Nicholas II, and my personal mission to clear the name of Russia’s much slandered Tsar.
There are many web sites, blogs and Facebook pages dedicated to the Romanovs. However, I work very hard searching Russian archival and media sources to bring something new to the table every day. This includes First English translations of articles researched by a new generation of Russian historians; news on the Romanovs, their palaces, exhibitions, etc; + photos, videos and more.
Your donation helps support my work and research, the cost of translations, maintenance of my news blog: Nicholas II. Emperor. Tsar. Saint, and the organization and promotion of Romanov themed events.
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PHOTO: Ceremonial portrait of Nicholas II (1905) in the State Duma. Artist: Ilya Repin
NOTE: this article was updated on 20th May 2021 – PG
When in 1905 the Winter Garden in the Tauride Palace in St. Petersburg was converted into the State Duma Hall, it was decided to decorate it with a huge portrait of Nicholas II. The great Russian portrait artist Ilya Yefimovich Repin (1844-1930) was commissioned for the job. The artist quickly coped with the task, and the treasury paid him a fabulous sum of three thousand rubles. The portrait was installed behind the podium and seats for the leadership of the Duma.
Repin’s portrait depicts the Tsar standing on a balcony [possibly the Lower Dacha at Peterhof?]. Information on this portrait is scant, which is surprising, given that the artist was considered the most renowned Russian artist of the 19th century, and had painted a number of ceremonial portraits of the Emperor.
In 1916 Repin worked on his book of reminiscences, Far and Near, in which he acknowledges that he welcomed the Russian Revolution of February 1917. This is very disappointing to learn, given that he did not seem to mind accepting the enormous sums he was paid for the numerous portraits he did of Nicholas II after he ascended the throne in 1894.
So little is known about this wonderful portrait, however, my efforts to learn more about its fate, left me with practically nothing. I could not find any reference to the portrait in any of the online sites dedicated to Repin’s works. The only reference I could find was an article on the State Duma found on the web site of the Boris Yeltsin Presidential Library in St. Petersburg. Only a handful of photographs exist of the portrait.
In 2019, a large-scale exhibition of Repin’s works was presented at the State Tretyakov Gallery in Moscow. The exhibition, located on 3 floors in the largest exhibition halls, featured more than 180 paintings and more than 130 graphic works. Repin’s ceremonial portrait was absent, nor was there any reference made to it.
In May 1918, the Bolsheviks used the Tauride Palace to hold their 7th Congress, where they first named themselves the Russian Communist Party (Bolsheviks). It is most likely that Nicholas II’s portrait had been removed by the Provisional Government following the February 1917 Revolution. If not, it would most certainly have been destroyed by the Bolsheviks.
After an appeal to readers for information on the fate of the portrait, Mr. Robert Strom reached out to me, providing me with an eyewitness account of the fate of Repin’s ceremonial portrait which hung in the Duma.
The diarist Nikolai Nikolaevich Sukhanov (1882-1940) a Russian Menshevik Internationalist and chronicler of the Russian Revolution was a witness to the fate of the portrait. Sukhanov, who was napping in the gallery of the White Hall of the Tauride Palace was awaken by an unforgettable scene on the dais below:
“I was aroused by strange noises. I realized at once where I was, but could not explain these sounds to myself. I got up and saw two soldiers, their bayonets hooked into the canvas of Repin’s portrait of Nicholas II, rhythmically tugging it down from both sides. A minute later, over the chairman’s seat in the White Hall of the Duma there was an empty frame, which for many months continued to yawn in this revolutionary hall. …Strange ! It never came into my head to worry about the fate of this portrait –to this day I don’t know what happened to it. I was more interested in other things.
“A number of soldiers were standing on the upper levels of the chamber, at the height of my gallery. Leaning on their rifles they watched what their comrades were doing and quietly made their own comments. I went over to them and listened eagerly. …Twenty-four hours before, these rank-and-file soldiers had been the dumb slaves of the despot who was now thrown down, and at this moment the outcome of the revolution depended on them. What had taken place in their heads during those twenty-four hours ? What would they say to the shameful treatment of the portrait of the ‘adored monarch’ of yesterday ? It evidently made no strong impression –there was neither surprise, nor any sign of intense intellectual activity, nor a shadow of that enthusiasm from which even I myself was ready to catch fire. They were making remarks in a tranquil and matter-of-fact way, so down-to-earth they can’t be repeated. The break had been accomplished with a sort of fabulous ease. No better sign was needed of the definitive rottenness of Tsarism and its irremediable ruin. The hands of the large clock over the entrance doors of the hall pointed to 7.30. It was time to begin the ‘Second Day of the Revolution’.”
PHOTO: the ‘gaping yawn of chaos’
I am indebted to Mr. Robert Strom for his much valued assistance with this piece of Russian history.
Tsar’s Days began during the Tsarist era, the idea being very different from that celebrated in the 21st century. In the Russian Empire, holidays were established in honour of solemn events in the lives of members of the Imperial Family.
The Tsar’s Days were divided into two groups – solemn and high solemn days.
The first group included the coronation, accession to the throne, birthdays, as well as the namesake [see below] of the emperor, empress-mother, empress-wife, and the heir to the throne. The second group included birthdays and namesakes of other members of the Imperial Family.
A namesake consists of celebrating a day of the year that is associated with one’s given name. The celebration is similar to a birthday. Russians celebrate name days [именины in Russian] separately from birthdays. Such a celebration begins with attendance at the divine services marking that day [in the Russian tradition, the All-Night Vigil and Divine Liturgy], and usually with a festive party thereafter. Before the October Revolution of 1917, Russians regarded name days as important as, or more important than, the celebration of birthdays, based on the rationale that one’s baptism is the event by which people become “born anew” in Christ. The Russian Imperial family followed a tradition of giving name-day gifts, such as a diamond or a pearl.
On high solemn days, special prayers were held in churches: on birthdays, a general thanksgiving service was performed, and on the day of the namesake, a prayer service to the saint of the same name [i.e. Nicholas II + Saint Nicholas of Myra]. On the day of the accession to the throne of the sovereign-emperor and his coronation, prayers were served for a special rite.
The solemn days, were postponed until the following Sunday. If the solemn day fell on the first week of Great Lent , it was postponed to the Feast of the Triumph of Orthodoxy. If it fell during Holy Week (the last week of Great Lent) or the first day of the celebration of Easter, the solemn day was postponed to Monday of Bright Week.
On 7th March 1917, the Holy Synod, in response to the February Revolution, began to call the “reigning” House of Romanov in the past tense and abolished “Tsar’s Days”. The corresponding decree of the Provisional Government appeared on 16th March of the same year.
Below, is a list of the four high solemn days celebrated for Nicholas II in 1913 [dates are noted in the Old Style Julian Calendar]:
May 6 – Birth of Sovereign Emperor Nicholas Alexandrovich ; May 14 – Sacred Crowning of Their Imperial Majesties; October 20 – Accession to the throne of Sovereign Emperor Nicholas Alexandrovich; December 6 – Namesake of Sovereign Emperor Nicholas Alexandrovich.
Tsar’s Days in Post-Soviet Russia
In the 21st century, Tsar Days have taken on a whole new meaning. The annual holidays are held in mid-July in the Ekaterinburg diocese, during which divine services are held, a cross procession in memory of the death and martyrdom of Emperor Nicholas II and his family, as well as a festival of Orthodox culture, including exhibitions and other social events.
The name is taken from the pre-revolutionary Tsar’s Days, timed to coincide with the anniversaries of solemn events in the lives of members of the Romanov Dynasty. The dates of the modern Tsar’s Days are timed to the dates of 21st July 1613 – the day of the anointing of the first tsar of the Romanov dynasty, Mikhail Fedorovich, and 17th July 1918 – the day of the brutal murders of the last Emperor of Russia Nicholas II and his family, in the Ipatiev House in Ekaterinburg and 18th July – the day of the murders of Grand Duchess Elizabeth Feodorovna, Grand Duke Sergei Mikhailovich, Princes of the Imperial Blood Ioann, Konstantin and Igor Konstantinovich, Prince Vladimir Paley (son of Grand Duke Paul Alexandrovich) in Alapaevsk.
As part of the Tsar’s Days, an all-night vigil is held in the Church on the Blood in Ekaterinburg, which includes a Divine Liturgy followed by a Cross Procession. The Tsar’s Days Festival celebrates Orthodox culture in the Ekaterinburg Diocese. Dozens of religious and secular public events dedicated to the tsarist theme are held, including exhibitions, concerts, conferences and other events.
Some of the city’s museums and churches become venues for exhibitions dedicated to Emperor Nicholas II, his family and other members of the Romanov dynasty, who were murdered in Ekaterinburg and Alapaevsk.
The main event, for which Orthodox pilgrims come to Ekaterinburg, is the solemn divine liturgy, which takes place on the night of the murder of the Holy Royal Murders – 16/17 July, in the Church on the Blood. At the end of the Liturgy, tens of thousands of pilgrims take part in the 21 km Cross procession from the Church on the Blood in Ekaterinburg to the Monastery of the Holy Royal Martyrs in Ganina Yama.
Pilgrims from other cities in Russia organize pilgrimages from their cities to Ekaterinburg to participate in the Tsar’s Days. A growing number of Russian cities [i.e. St. Petersburg, Kazan, etc.] are today organizing their own Tsar’s Days events, but on a much smaller scale than that of Ekaterinburg.
PHOTO: His Holiness Patriarch Kirill delivers a Divine Liturgy outside the Church on the Blood on the night of 16/17 July 2018 (above); His Holiness Patriarch Kirill leads the 21 km Cross Procession from the Church on the Blood in Ekaterinburg to the Monastery of the Holy Royal Martyrs in Ganina Yama (below)
100th anniversary of the death of members of the Romanov family
In 2018, the Tsar’s days in the Ekaterinburg Diocese were timed to coincide with the 100th anniversary of the deaths and martyrdom of members of the Romanov family in Ekaterinburg and Alapaevsk. The centenary celebrations also included the XVII Tsar’s Days Festival of Orthodox Culture, a five-day visit by the head of the Russian Orthodox Church and a meeting of the Holy Synod.
The first procession in memory of the Holy Royal Martyrs, headed by Metropolitan of Ekaterinburg and Verkhoturye Kirill, took place in 2002, in which more than 2 thousand pilgrims and about 100 clerics participated. In 2012, for the first time since the construction of the Church on the Blood in Ekaterinburg, an all-night vigil and Divine Liturgy were performed in the open air.
In 2017 they estimated crowds of up to 60,000 people. In 2019, 60 thousand participated, and in 2020, 10 thousand people [due to COVID]. In addition, up to 2 thousand people gathered an alternative religious procession of the schismatic and tsarist monk Sergius (Romanov) in the Sredneuralsky Nunnery.
In 2018, more than 100,000 Orthodox Christians, monarchists, among others from across Russia and around the world took part in the Patriarchal Liturgy and procession of the cross from the Church on the Blood to the Ganina Yama.
The events marking Tsar’s Days in 2018, fell on the tail end of the 2018 Football World Cup which was held in Ekaterinburg that year. It was estimated that as many as 200,000 people flocked to the city to commemorate the 100th anniversary of the regicide, undoubtedly the largest public demonstration yet of the growing significance of the Russia’s last emperor and tsar in the cultural, historical and spiritual life of modern-day Russia.
*NOTE: due to the fact the Moscow Patriachate does not yet recognize the Ekaterinburg remains as authentic, the Cross Procession does not stop at Porosenkov Log, where the remains of the Imperial family were unearthed in two separate graves in the late 1970s and 2007 – PG
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On the night of 16/17 July 2018, I had the great honour of attending the Patriarchal Liturgy performed at the Church on the Blood in Ekaterinburg by His Holiness Patriarch Kirill of Moscow and All Russia. During my week in the Ural capital, I recorded the Tsar’s Days events, and published them in a ‘SPECIAL ISSUE’ of my bi-annual periodical ‘SOVEREIGN’.
The entire issue of Sovereign No. 7 is dedicated to Tsar’s Days, held in Ekaterinburg in July 2018, the year marking the 100th anniversary of the deaths and martyrdom of Nicholas II and his family.
This issue features 143 pages, and richly illustrated with 150 black and white photographs – many of them taken by me, during my visit to Ekaterinburg in July 2018. Click HERE to order your copy
PHOTO: the miraculous icon of Tsar-Martyr Nicholas II, painted in Serbia
Earlier this week, a large miraculous icon of Tsar-Martyr Nicholas II, painted in Serbia, was brought to the Holy Trinity Cathedral of the Alexander Nevsky Lavra in St. Petersburg. The icon will remain in the Lavra until 15th June.
The icon was written in 2018, however, the icon painter wished to remain anonymous. The icon of Tsar-Martyr Nicholas II was consecrated in the ancient Church of the Holy Prophet Jeremiah in the eastern Serbian town of Vrbovec on 24th February 2019.
The icon was blessed by Father Dushan Popovich, co-served by four priests. There were many believers in the church, and they all knelt down in prayer. This was considered the first miracle from the icon.
For two years, the icon was used in many religious processions blessed by His Holiness Patriarch Irenaeus (1930-2020), in Serbia, Montenegro, Republika Srpska, Kosovo and Metohija. Many people prayed before the icon of the Tsar-Martyr Nicholas II, and bowed to his holy image. In monasteries and churches where the icon was located, the faithful often queued for hours in order to venerate the icon. Many miracles have since been attributed through prayers to the Tsar-Martyr Nicholas II since.
A nun from the Vasily Ostrozhsky Monastery on Mount Rozhay was seriously ill with leukemia. Five years before arriving at the monastery of the Tsar’s Icon, she received a vision. The image of the Tsar was in the monastery church for three weeks. Every day following the liturgy, the nuns read the Akathist to the Holy Tsar. Then the icon was taken away to visit the holy places of Central Serbia. Two weeks later, the nun felt better and visited the doctor. Her analyzes turned out to be as if she had never been sick! The doctor was amazed. And now, thank God, she is healthy.
Nearly thirty churches and monasteries in Serbia have received the icon of the Sovereign, and with it two more royal icons, those of the Holy Tsar Lazar of Serbia and Tsar Ioann the Strong.
The icons where brought to the monastery of the Annunciation of the Most Holy Theotokos on Mount Rudnik for three months, where the faithful came to venerate them, including priests and monks from Central Serbia. Here and in other places, between divine services, the Akathist was incessantly read to Saint Tsar Nicholas II.
PHOTO: Holy Trinity Cathedral of the Alexander Nevsky Lavra in St. Petersburg
There were also icons of the Tsars in Belgrade, in the churches of St. Paraskeva and St. Nicholas. They were undertaken for the sake of strengthening the faith and saving the Serbian and Russian peoples. Many times a fragrance emanated from the icons.
The blessing for bringing icons to Russia was given by the confessors revered in Serbia – Elders John (Ielenko) and Seraphim (Milkovich). This mission was carried out by Mrs. Bilyana Rakovich, the spiritual daughter of Father Seraphim, who dearly loved Russia and the Russian people.
By the grace of God, another miracle took place at the airport in Belgrade. A male employee, who at first coldly declared himself an nonbeliever, was in charge of moving the crates containing the icons to the gangway. The icons were packed in very large cases, which created problems. As the man touched and moved the cases he completely changed, literally transformed. As the crates were being loaded onto the aircraft, the man carefully placing the icons on the conveyor belt with other employees, he stood at attention giving the Tsar-Martyr Nicholas II and the other Tsar a military honour! Those who helped him did the same. His eyes were shining, his fellow airport employees cried, while one knelt down.
The icons arrived in Russia at the beginning of Holy Week this year. The image of Holy Tsar Lazar of Serbia is now in the Rostov region. The faithful come to receive help from above through him.
For a week, with the blessing of the rector Archpriest Konstantin Korolev and the honorary abbot Schema-Archimandrite Barsonofy (Kuzmin), the icon of the Tsar-Martyr Nicholas II was first taken to the Church of All Saints Who Shone in St. Petersburg. Then, with the blessing of Archimandrite Nektariy (Golovkin), the icon was transferred to the Saints Peter and Fevronia Church in Peterhof for more than a week. Here the icon also emitted a fragrance within the church.
Them earlier this week, the Serbian icon of Tsar-Martyr Nicholas II arrived at the Alexander Nevsky Lavra – the main monastery of St. Petersburg, where it will remain until 15th June. The icon arrived at the Lavra on the eve of the 800th anniversary of the birth of the Holy Blessed Prince Alexander Nevsky. The icon has also arrived just a few days before the birthday of the most Holy Tsar Nicholas Alexandrovich on 19th [O.S. 6th] May, and on the eve of the 300th anniversary of the proclamation of the State of the Russian Empire, which took place on the day of the Kazan Icon of the Mother of God.
PHOTO: the miraculous icon of Tsar-Martyr Nicholas II, painted in Serbia
PHOTO: This magnificent icon of Tsar-Martyr Nicholas II, greets both students and visitors as they enter the main building of the Ural State Mining University in Ekaterinburg
Founded on 16 [O.S. 3] July 1914, the Mining Institute in the Ural city of Ekaterinburg was the last educational institution in Russia, to be created by the decree of Emperor Nicholas II.
The solemn act which took place on board the Imperial Yacht Standart, where Nicholas II signed the law on the establishment of the Mining Institute. It was considered an event of great historical significance in the cultural life of not only the Urals, but also the Russian Empire.
Following the consecration held on 30 [O.S. 17] July 1916, the foundation stone was laid. A special copper plate was made on which the date was engraved. On the same day, a telegram was sent to Nicholas II, who was at that time at the Stavka in Mogilev, the headquarters of the Russian Imperial Army, where he was serving as Commander-in-Chief of the Russian Armed Forces:
“To His Imperial Majesty. Gathered for the solemn laying of the building of the Ekaterinburg Mining Institute, after the liturgy performed by His Grace Seraphim, ardent prayers to the Lord God for the precious health of Your Imperial Majesty and the granting of complete victory over the enemy were given. We lay at your feet, All-Merciful Sovereign, loyal for the monarch’s mercy granted to the Urals by the fulfillment of the long-standing aspirations of the Ekaterinburg city public administration and the Perm zemstvo. The Mining School, approved by Your Imperial Majesty at the time of the nationwide struggle against German oppression, gives new strength to the flourishing of the young Russian industry for the glory of Yours, Beloved Sovereign, and our dear Motherland.”
PHOTO: A close-up view of the Icon of Tsar-Martyr Nicholas II reveals its rich detail, made of Ural precious stones: rubies, garnets, sapphires, emeralds, amethysts and other precious gems
The following day the Tsar sent his reply: “I instruct you to convey to His Grace Seraphim and all those who gathered for the ceremony of laying the foundation stone of the building of the Ekaterinburg Mining Institute my heartfelt gratitude for the prayers and the feelings that brought them to life. I hope that this new institute for the study of mining will provide the Motherland with useful workers in this important branch of industry.” Nicholas II.
It was difficult for the institute to take its first steps; it needed reliable help and support. The first director of the institute Pyotr Petrovich von Weymarn (1879-1935), believed that it was best to enlist support from the first person in the state, the Tsar himself. Weymarn believed that it was quite enough if the institute should bear the name of the Sovereign. And so they did. On 6th November 1916, the Construction Commission wrote to Nicholas II with a request to accept the institute under “His Imperial Majesty’s Patronage and to grant it the name “Ural Mining Institute of Emperor Nicholas II”.
The document read: “Your Imperial Majesty! For many years, the vast Urals lacked an institute of higher learning for the study of mining. Only during the reign of Your Imperial Majesty … The Urals are now enriched by two higher leaning schools: the University in Perm and, which is especially important for the mining progress of the Urals, and the Mining Institute in the city of Ekaterinburg. Thus, the higher learning education in the Ural region is now forever historically associated with your Sovereign name. With deep conviction, the Construction Commission … took the courage to loyally ask you, Sovereign, to accept the Mining Institute, which is being built in the city of Ekaterinburg, under its highest patronage and most mercifully command to deign to name it henceforth the Ural Mining Institute of Emperor Nicholas II.”
The Tsar replied on 5th January 1917, granting the institute the right to be named after him.
PHOTO: Olga Nikolaevna Kulikovsky-Romanov (1926-2020) admires the icon of the Tsar-Martyr Nicholas II, situated in the lobby of the main building of the Ural State Mining University. Her proximity to the icon provides us with an idea of just how large this magnificent icon actually is.
Sadly, events in the country forced the Urals from taking advantage of the monarch’s favour. As a result of the February 1917 Revolution, Nicholas II, abdicated on 15 [O.S. 2] March. But the story did not end there. Fate wanted Nicholas II to visit the city, the institute of which he bestowed his name on. On that “warm, wonderful day” of 17th April 1918, the Emperor was brought from Tobolsk to Ekaterinburg where he was held under house arrest. It was here that he and his family spent the last three months of their life until the tragic end.
Following the death of Nicholas II, the institute underwent a number of name changes: Ural Mining Institute (1918); Sverdlovsk Mining Institute (1934); Sverdlovsk Mining Institute named after V.V. Vakhrushev (1947); Ural State Mining and Geological Academy (1993); and the Ural State Mining University (2004) today, a leading university in the Urals, with about 9000 students.
The original building of the Ural State Mining University has survived to the present day, and its administration has not forgotten the historic connection between it and Russia’s last emperor and tsar.
PHOTO: The main building of the Ural State Mining University
Celebrations were held at the Ural State Mining University on 19th May 2008, the day marking the 140th anniversary of the birth of Emperor Nicholas II. A magnificent memorial icon dedicated to Tsar-Martyr Nicholas II was opened in the lobby of the main building of the Ural Mining University.
The Holy Royal Icon was painted by the sisters of the Novo-Tikhvin Monastery in Ekaterinburg. According to the new project, all the plastic elements of the decoration of the original icon were replaced with a mosaic of Ural precious stones: rubies, garnets, sapphires, emeralds, amethysts and other precious gems. Local miners timed its reconstruction to coincide with the date marking Nicholas II’s birth.
The royal crown is made of chased patterned silver with gilding, figured silver lace adorns the icon frame. For the icon case, white and red Pashtun marble was used, the design of which looks as if blood is oozing from the stone, recalling the martyrdom of the Imperial Family.
Karl Karlovich Bulla (1855-1929) was a German-Russian portrait photographer and master of documentary photography, often referred to as the “father of Russian photo-reporting”.
Born on 26th February 1855 in Leobschütz in Prussia (now Głubczyce, Poland), Bulla arrived in St. Petersburg in 1865, at the age of ten. In July 1876 he became a citizen of the Russian Empire. In 1875 Bulla opened his first photography studio in the building of the Passage on Nevsky at 61 Sadovaya Street and soon became a fashionable photographer in the Imperial capital. In 1908, he another studio at 54 Nevsky Prospekt.
Bulla’s photos made a great impression on Emperor Nicholas II, who granted Bulla permission to take photographs “in the presence of His Imperial Majesty”. He accompanied Nicholas II and his family on their travels, photographing them at ceremonial events, military reviews, etc. He was also appointed “Supplier of the Imperial Court” for photography services, which given the Imperial Family’s love of photography, must have been a profitable venture for his studio.
By the 1910s, Bulla’s career was at its peak, the annual revenue of his firm “Bulla and Sons” reached 250 thousand roubles. In 1916 Bulla passed the management of the firm “Bulla and Sons” to his sons Alexander and Viktor and moved to Ösel Island (currently Saaremaa, Estonia), where he lived a quiet life until his death in 1929.
The lives of Bulla’s sons ended tragically. In 1938, during the Great Purge, Viktor was arrested, accused of being a German spy and shot. In the early 1930s, Alexander was arrested and sent to a labour camp. He returned after five years and soon died.
In 1935, Viktor Bulla donated to the State Archive of Leningrad District 132,683 negatives of Bulla’s photographs. The archive grew and his photographic legacy now consists of more than 230 thousand negatives of photographs of Karl Bulla and his sons. All the photographs in the archive are today in the public domain and are a favourite source of illustrations of life in St Petersburg during the late 19th – early 20th centuries.
In 2003, a large exhibition of Bulla’s prints celebrating 300 years of Saint-Petersburg and the 150th birthday of Karl Bulla was held. A bronze sculpture of Karl Bulla was placed near his former studio on Malaya Sadovaya Street. The sculpture shows a photographer with an ancient camera and an umbrella photographing a bulldog.
The unusually crisp images Bulla created were the result of the backpack-sized cameras he used. Unlike the film and digital sensors of today that are measured in millimeters, Bulla’s images were shot on glass plates measuring several inches across.
Bulla is the holder of a number of medals, awards, honorary titles and a cavalier of six foreign orders. In addition, Bulla was often honoured by members of the Russian Imperial Family. For his achievements in photography, Nicholas II presented Bulla with a number of gifts and honours:
On 8th April 1904, Bulla was presented with a gold watch and chain depicting the national emblem for an album of Pskov manoeuvres – a gift from Nicholas II.
On 28th August 1904, Bulla was presented with a silver cigarette case with the national emblem for his album “Seeing Off the Troops to the Far East” – a gift from Nicholas II.
In January 1912, Nicholas II honoured Bulla for the group photo depicting the Tsar with the officers of the Caspian regiment.
The following collection of photographs by Karl Bulla document some of the events during the reign of Emperor Nicholas II, who ruled from 1894 to 1917.
PHOTO: Emperor Nicholas II with Empress Dowager Maria Feodorovna and Empress Alexandra Feodorovna, crossing Palace Square past the Winter Palace, St. Petersburg. May 1901
PHOTO: Arrival of Emperor Nicholas II at the meeting of the Governing Senate, St. Petersburg. 1911
PHOTO: Nicholas II and his family on Petrovskaya Embankment. The white palace in the background is the residence of Grand Duke Nicholas Nicholaevich. 1912
PHOTO: Emperor Nicholas II and Tsesarevich Alexei inspecting the troops of His Majesty Lifeguard Jaeger Regiment. Peterhof. 17th August 1912
PHOTO: Emperor Nicholas II and his family after the consecration of the Feodorovsky Sovereign Cathedral, Tsarskoye Selo. 21 April 1913
PHOTO: Emperor Nicholas II and his family after the consecration ceremony of the St. Nicholas Naval Cathedral, Kronstadt. 10 June 1913
PHOTO: Emperor Nicholas II arriving for an event during the celebrations marking the 300th anniversary of the House of Romanov. St. Petersburg. 1913
PHOTO: Emperor Nicholas II conducts a review of military manoeuvres of the Izmailovsky Life-Guards Regiment. Tsarskoye Selo, 9th February 1914
PHOTO: Emperor Nicholas II and King Frederick-August III of Saxony pass the guard of honour of the Life-Guards Cuirassier Regiment at the Imperial Railway Station, Tsarskoye Selo. 7th June 1914
PHOTO: Emperor Nicholas II with Empress Alexandra Feodorovna and their four daughters attending the opening of the dock named in honour of Tsesarevich Alexei Nikolaevich in St. Petersburg. 1st July 1914
PHOTO: Emperor Nicholas II visiting the Kunstkamera Museum in St. Petersburg. 1914
Under no pretext can we admit to the throne those whose ancestors belonged to parties involved in the 1917 revolution in one way or another. Nor can we admit those whose ancestors betrayed Tsar Nicholas II. Nor can we ignore those who ancestors openly supported the Nazis. Thus, without any reservations, the right to the succession to the throne of the Kirillovich branch should be excluded
In mid-July 2015, descendants of the Romanov dynasty were caught in the spotlight of the Russia media. Journalists reported that the “descendants of the imperial dynasty [Maria Vladimirovna and her son George Mikhailovich] intend to appeal to the Russian authorities with a request to grant official status to the Russian Imperial House and provide them with a residence in Moscow.” The message received conflicting responses.
Representatives of the Russian nobility Nikita Lobanov-Rostovsky, Alexander Trubetskoy, Pyotr Sheremetev and Sergey Kapnist took an irreconcilable position in relation to granting special status to the so-called “heirs to the throne”. In their letter to the President of Russia, they stated that Maria Vladimirovna had no right to call herself the Head of the House of Romanov, also drawing to attention of the close ties both her father Vladimir Kirillovich and paternal grandparents Grand Duke Kirill Vladimirovich and Grand Duchess Victoria Feodorovna with Adolf Hitler and the Nazis.
In the years leading up to the Second World War, a number of representatives of the European royal houses also courted Fascist regimes. Even Mussolini proved in practice the possibility of combining a fascist dictatorship and the monarchy. King Victor Emmanuel III of Italy, in turn, was a staunch supporter of the Duce regime. After the war, all male members of the House of Savoy were required to leave the country. The British monarch King Edward VIII did not hide his open sympathies for Hitler either, nor did Prince Bernard, the husband of Queen Juliana of the Netherlands, who was both a member of the Nazi Party and the SS. Until the end of his life Bernard was forced to make excuses for his “uncomfortable episodes of his anxious youth.”
Of course, the scions of the German royal families, easily found themselves in various posts in the Hitlerite state. The Romanovs were no exception, many of whom openly supported the “brown movement”, naively hoping that Hitler would help them defeat the Bolsheviks and restore the monarchy in Russia.
At the time of the 1917 Revolution, Kirill was next in line to the throne, however, in exile, the sympathies of the majority of Russian refugees tended to favour Grand Duke Nikolai Nikolaevich (1856-1929), the former Supreme Commander-in-Chief of the Imperial Army. Naturally, he was fully supported by such an influential organization of the Russian diaspora as the Russian General Military Union (ROVS). However, in connection with the death of Nikolai Nikolaevich in January 1929, those in the pursuit of a “revived Russian Empire” passed to the Grand Duke Kirill Vladimirovich (1876-1936), and then to his descendants.
It is important to note that those members of Nicholas II’s family who managed to flee Russia following the revolution, did NOT support Grand Duke Kirill’s claim. Among those were the Tsar’s mother Dowager Empress Maria Feodorovna (1847-1928); and his sisters Grand Duchesses Xenia (1875-1960) and Olga Alexandrovna (1882-1960). They never forgave Kirill for his premature recognition of the Provisional Government, nor did they support his claim as “Emperor” to the non existent Russian throne, as it carried “no dynastic validity”.
Opponents of the “Kirillovichs” fiercely disputed this branch of the Romanovs any rights as claimants to the defunct Russian throne. Among the arguments were often accusations of support by Kirill, his wife Victoria, as well as their children – primarily the Grand Duke Vladimir (1917-1992) – of German National Socialism.
Historian Vasiliĭ Ivanovich Alexeev (1906-2002) further adds in his book The Great Revival: the Russian Church Under German Occupation (1976): The Nazis despised Christianity in general and Russian Orthodoxy in particular. “…Hitler recognized that Christianity ‘can’t be broken so simply. It must rot and die off like a gangrened limb.’ As far as Russians and the Russian Orthodox Church were concerned, Hitler was not interested in saving the Slavic untermenschen from the “gangrene of Christianity.” This is the same Hitler embraced by the Kirill Kirilloviches!!
PHOTO: Grand Duke Kirill with his wife Grand Duchess Victoria and their children Kira and Vladimir. St. Briac. 1930s
Kirill was born on 12th October 1876 in Tsarskoye Selo. He was considered one of the brightest and most extravagant representatives of the Russian Imperial Family. At the same time, his behaviour (both in secular life and in the naval service) were a constant thorn in the side of the dynasty. Kirill, a regular at the most fashionable cafes in St. Petersburg, was noted for his haughty and nasty demeanour towards senior officers, often neglecting his official duties.
Kirill created a real scandal when he entered into an incestuous marriage with his first cousin – Princess of Saxe-Coburg-Gotha Victoria Melita (1876-1936). The latter was married to Grand Duke Ernst Ludwig of Hesse (1868-1937), brother of Empress Alexandra Feodorovna. In 1901, their marriage was dissolved, and on 8th October 1905, Victoria and Kirill got married in the Bavarian resort town of Tegernsee, where the Grand Duke was undergoing treatment for nervous depression.
Their marriage, however, was in violation of the house law which forbid the marriage of any member of the Imperial Family without the advance permission of the Tsar. Kirill’s marriage also violated the canon of the Russian Orthodox Church prohibiting marriages between cousins.
As a result, the Tsar stripped Kirill of his imperial allowance and title of Imperial Highness, his honours and decorations, his position in the navy and then banished him from Russia. In 1907 Nicholas II took mercy and, after Victoria converted to Orthodoxy, legalized the scandalous wedding by a personal decree. The tsar restored Kirill Vladimirovich and Victoria Fedorovna to the rights of members of the Imperial House, including the right to the throne.
In the same year, Victoria and Kirill had a daughter, Maria, in 1909, Kira, and in 1917, a son, Vladimir.
During the revolutionary events of February 1917, Kirill broke his oath of allegiance to the Tsar and thereby committed high treason. Putting on a red bow, he arrived at the State Duma at the head of the Guards crew and reported it to its chairman, Mikhail Rodzianko: “I have the honour to appear to Your Excellency. I am at your disposal, like the rest of the people.” It is interesting to note, that by doing this, Kirill Vladimirovich protected himself from arrest, which many other members of the Russian Imperial Family had already been subjected to.
Shortly thereafter, Kirill and his family wasted little time in making arrangements to get out of Russia. In March, they illegally left for Finland, eventually settling in Victoria’s family estate in Coburg, Germany, where Victoria Fedorovna’s cousin, Karl Edward Duke of Saxe-Coburg-Gotha (1884-1954) lived. In 1922, the Duke took a direct part in organizing the Day of the Nation in Coburg. Among the most honoured guests at this event was Adolf Hitler and his supporters.
It is interesting to note that during the Third Reich, Karl Edward, in gratitude for his financial support of the Nazis in the 1920s, was appointed Gruppenfuehrer of the Storm Troops, the Reich Commissioner for Transport, a Reichstag deputy and the President of the German Red Cross.
He later joined the Nazi Party as well as the Sturmabteilung (SA, or Brownshirts), in which he reached the position of Obergruppenführer. Charles Edward served in a number of positions in Nazi Germany in the 1930s and 1940s, including President of the German Red Cross from 1933–45
PHOTO: Grand Duke Kirill Vladimirovich and Grand Duchess Victoria Feodorovna, living in exile. Saint-Briac, France 1930s
The union of the double-headed eagle and the swastika
Kirill and Victoria settled quite freely in Germany, where they enjoyed an enthusiastic following, who were primarily radical Russian emigrants. In the first years following the 1917 revolution an unusually powerful stream of Russian refugees poured into Germany. By the early 1920s, about half a million exiles from the Land of the Soviets settled here.
At first, Kirill was hesitant to lay claim to his place as “future emperor of Russia”. However, the ambitious strong-willed Victoria and numerous ultra-right Russian monarchists encouraged him. As a result, in 1922, Kirill declared himself “the guardian of the throne”, and in 1924 proclaimed himself “Emperor of Russia Kirill I.” It is curious that almost everyone who at that time was in the circle of those close to the “august person” was also closely associated with the activities of the nascent Nazi party.
In general, in the first years of the existence of the NSDAP [Nazi Party], many emigrants from Russia, mainly Baltic Germans, helped to swell its ranks. Among them were included aristocrats, army officers and politicians, who fought on the side of the Whites. They were seized by the idea that the revolution in Russia was staged by the Jews and that the same thing was about to happen in Western Europe.
PHOTO: Otto von Kurzel (1887-1967) a Russian-born nobleman
Russian Germans, who were equally fluent in Russian and German, formed an intermediate link between the right flank of the Russian diaspora and the Nazis. Among them were many people who remained loyal to the House of Romanov in the person of Kirill. One of the most famous was Otto von Kurzel (1887-1967), a well-known Nazi artist, a member of the NSDAP, who founded the Russian Monarchist Union in Munich.
Influenced by Russian émigrés – the former Black Hundreds – the Nazi Party became fashionable with the expressions “Jewish Bolshevism” and “Soviet Judea”, and soon the stereotype of “Jewish Bolshevism” became the central point of the National Socialist image of the enemy.
Konrad Heiden, the author of a classic study on the early history of Nazism, noted that White Russian émigrés, who stood under the swastika banners, “were eager to involve Germany in the campaign against Lenin … It would be an exaggeration to call early foreign policy of National Socialism tsarist. But in fact, its spiritual origins are in tsarist Russia, in the Russia of the Black Hundreds and the Union of the Russian people”.
The activities of Russian émigrés were published in the central party newspaper, Völkischer Beobachter, and spoke at Nazi meetings. According to one version, the Nazis bought the newspaper itself partly with the money of Russian monarchists. The main ideologist of the party and also a native of the Russian Empire, Alfred Rosenberg, writes in his memoirs that “the most wealthy financial support was provided to the party by White Russian émigrés, who at any cost wanted to get their anti-Soviet propaganda out.”
PHOTO: General Vasily Viktorovich Biskupsky (1878-1945)
One of the main sponsors of Völkischer Beobachter, was General Vasily Viktorovich Biskupsky (1878-1945), a radical monarchist and confidant of Kirill Vladimirovich. It is known that Victoria gave Biskupsky money for the needs of the Nazi Party. Kirill’s enemies at the time claimed that the general and the Grand Duchess were involved in an intimate relationship, which was recorded in police reports.
Despite his reputation as an adventurer, Biskupsky served as Kirill and Victoria’s plenipotentiary representative in Germany. The Grand Duke told his personal secretary, Harold Karlovich Graf (1885-1966), that “in times of trouble you should not be afraid to get your white gloves dirty and rely only on people with an impeccable reputation, usually of little use in political struggle.”
PHOTO: Max Erwin von Scheubner-Richter (1884-1923)
An early figure in the unification of the Nazis and radical Russian monarchists was Max Erwin von Scheubner-Richter (1884-1923). He was born in Riga, and participated in the suppression of revolutionary uprisings in 1905-1907, and in December 1910 he moved to Munich, where he became an engineer. It was here that the nucleus of the “Russian-Baltic group” had already formed, which later, almost in its entirety, joined the NSDAP. In December 1917, Scheubner-Richter was appointed as an intelligence officer under the commander-in-chief of the Eastern Front in the Baltic States. He actively participated in the struggle against the Bolsheviks, and in 1919 he returned to the Bavarian capital, where through Alfred Rosenberg he established contacts with Russian emigrants.
In November 1920, Scheubner-Richter joined the NSDAP and quickly entered the closest circle of Adolf Hitler. By this time, he was already a member of Kirill’s intimate circle, and his wife Matilda was a close friend of Victoria Feodorovna. At the same time, Scheubner-Richter organized the Russian-German “Renaissance” (Aufbau) Society, the purpose of which was to unite all White Russian émigré forces under the command of Grand Duke Kirill and in alliance with the National Socialists. The plans of the society included the organization of an anti-Bolshevik “crusade”, as a result of which Soviet power would be overthrown and the nationalists would assume power in Russia, Ukraine and the Baltic states. Vasily Biskupsky became the deputy of Renaissance.
Biskupsky never broke with the Nazis. After the failure of the Beer Hall Putsch on 9th November 1923 (in the course of these events, Scheubner-Richter died, after which his organization ceased to exist), he sheltered Adolf Hitler in his apartment. At the same time, he continued to play an important role in Grand Duke Kirill’s entourage, being appointed to the post of Minister of War in Kirill’s “government in exile.” Biskupsky welcomed the triumph of the NSDAP in January 1933 and went to Berlin, where he met with various high-ranking party leaders. In May 1936, with the support of the SS and the Ministry of Propaganda, he was appointed head of the Bureau of Russian Refugees.
His task included organizational accounting, control and “nazification” of all Russian emigrants living in Germany. Biskupsky’s closest associates were Pyotr Nikolaevich Shabelsky-Bork (1893-1952) and Sergei Vladimirovich Taboritsky (1897-1980), both former members of the Renaissance Society, who were responsible for the murder of Vladimir Dmitrievich Nabokov (1869-1922) – the father of the famous Russian writer. With the outbreak of the war, Biskupsky’s department actively cooperated with the SS and the Abwehr [German military intelligence for the Reichswehr and Wehrmacht from 1920 to 1945] in the field of attracting emigrants for the needs of the German army (and in particular intelligence) as translators and agents.
PHOTO: Grand Duchess Victoria Feodorovna with Adolf Hitler. September 1923
But back to the early 1920s. At this time, Kirill and Victoria made no attempts to hide their sympathy for the Nazi movement. Generous sums for the needs of the party were transferred by them, as a rule, through Biskupsky, as well as through General Erich Friedrich Wilhelm Ludendorff (1865-1937), at that time an ally of Hitler. According to one source the grand ducal couple gave 500 thousand gold marks for the “solution of the German-Russian national question”. In addition, Victoria attended the teachings of the Stormtroopers and sometimes took her young son Vladimir with her.
PHOTO: Boris Lvovovich Brazol (1885-1963)
During the crisis of the first half of the 1920s, Kirill and Victoria suffered significant financial losses. Nevertheless, Biskupsky continued to find and channel significant funds to the Nazis until Hitler came to power. He received most of this money from Victoria. It is not entirely clear where Kirill and Victoria got their financial resources after the 1923 crisis. It is only known that Boris Lvovovich Brazol (1885-1963), who was attracted by Scheubner-Richter to Vozrozhdenie as an anti-Semitic publicist, became president of the Russian Monarchist Club in New York.
During his stay in the United States, Brazol was an ardent supporter of the restoration of the monarchy in Russia and was the official representative of Grand Duke Kirill Vladimirovich in the United States. States. He was one of the founders of the Order of the Russian Imperial Union. Several historians associate Brazol’s name with the first American edition of the Protocols of the Scholars of Zion.
Brazol was able to establish contacts with Henry Ford, the richest American automobile industrialist and a rabid anti-Semite. In 1924, when Victoria visited America, Ford allocated a large sum of money for Kirill. Brazol continued to act as an intermediary between Ford and Kirill into the 1930s.
It is important to note, that from 1957, Brazol was in charge of the Central Committee for the Collection of Funds for the Treasury of Grand Duke Vladimir Kirillovich [Kirill’s son].
Over time, the attitude of the Nazis towards the Russians underwent drastic changes. The growing strength of the NSDAP no longer needed the support of the Russian monarchists. After the death of Scheubner-Richter, no one in the party leadership spoke of the possibility of reviving the monarchy – neither in Germany, nor even more so in Russia. Kirill, in turn, also gradually distanced himself – at least outwardly – from the ultra-right radicals.
PHOTO: Home of Grand Duke Kirill Vladimirovich in Saint-Briac, France
The Tsar and the Soviets
Since the authorities of the Weimar Republic, not wanting to spoil relations with the USSR, forbade Kirill to engage in political activities, the “Court” moved to Saint-Briac, France at the end of the 1920s . During this time, ties between the Kirillovich and Germany continued as before.
In 1925, Kirill’s first daughter, Maria (1907-1951), married Prince Karl of Leiningen (1898-1946). He served in the naval forces of the Third Reich, at the end of the war he was captured by Soviet soldiers and died in 1946 of typhus. In 1938, Kirill’s second daughter, Kira (1909-1967), married Louis Ferdinand Prince of Prussia (1907-1994), who served as an officer in the Luftwaffe.
As for the “emperor” Kirill, from the moment he moved to France, on the advice of Biskupsky, he began to draw himself closer to Alexander Lvovich Kazem-Bek (1902-1977), who served as head of the Union of Young Russians emigrant organization.
Calling themselves “national revolutionaries”, the Young Russians proclaimed the goal of creating a “social monarchy” that would combine the features of autocracy with the Soviet system. The older generation of Russian émigrés accused Kazem-Bek of sympathizing with Bolshevism (and, as it turned out later, not without reason).
It was at this time that Kazem-Bek invited Kirill’s son Vladimir Kirillovich to most of the organizations major events.
PHOTO: Alexander Lvovich Kazem-Bek (1902-1977)
PHOTO: Vladimir Kirillovich (center) with Alexander Lvovich Kazem-Bek (right), taking part in a Union of Young Russians rally. December 1930
The popular slogan of the Young Russians at the time, was “The Tsar and the Soviets.” Much in the ideology and external attributes of the Young Russians was taken directly from Italian fascism. Kazem-Bek was the only major Russian émigré politician who received a personal audience with Mussolini. The Young Russians learned from their black-shirt colleagues the principles of one-man management, hierarchy, and class solidarity. The Young Russians greeted their leader with a characteristic raise of their right hand and an exclamation of “Chief!”
However, by the mid-1930s, the Young Russians began to swing to the left, their press began to publish more and more materials that heralded the “Soviet experience”. They even began to call themselves “the second Soviet party”. A scandal occurred when in the summer of 1937 Kazem-Bek was found in one of the Parisian cafes engaged in secret talks with the famous Soviet general Alexei Alekseevich Ignatiev (1877-1954) who had arrived from the USSR.
The leader of the Young Russians was openly accused of being an agent of the Bolsheviks, after which Kirill broke off all relations with him. After the war Kazem-Bek returned to the Soviet Union and until the end of his life worked for the journal of the Moscow Patriarchate.
Friend of the invaders
Meanwhile, hopes for the revival of the monarchy were rapidly dwindling. Therefore, after the death of Kirill in 1938 (Victoria died a year and a half before that, during a visit to Nazi Germany), his son and “heir to the throne” Vladimir Kirillovich made a decision to not declare himself “emperor”, as his foolish father had done.
Generally speaking, Vladimir was much less involved in politics than his father, preferring to lead a secular life. However, this did not save him from reproaches for sympathizing with the Nazis. In 1938, he even made an official statement in which he emphasized that he “never met the German Chancellor,” which was not true, since little Vladimir knew Hitler as the leader of the party which had not yet come to power.
When German troops occupied France, Vladimir Kirillovich chose to stay in Saint-Briac. His relationship with the Germans, was apparently carried out “in an atmosphere of complete mutual understanding.” A few days after the establishment of the “new order” in France, Vladimir was summoned to Paris, to the German ambassador to occupied France Heinrich Otto Abetz (1903-1958). He was very courteous, but warned Vladimir about the need to observe complete loyalty to the Reich. Vladimir Kirillovich adhered to this “line” until the very end of the Second World War.
Grand Duke Kirill with his secretary Harold Karlovich Graf. St. Briac. 1930
It was following this meeting, that Vladimir fired the long-term head of the personal office of the “Imperial House” Harold Karlovich Graf and broke off all relations with him. When the Germans placed the latter under arrest, the Grand Duke made no attempts to try to alleviate the fate of his father’s faithful assistant. [In emigration, Graf converted to Orthodoxy and received the name George]
Graf himself later wrote with bitter regret in his memoirs: “The Grand Duke [Vladimir] fell completely under the influence of the Germans. In addition, the Germans who surrounded him usually belonged to the Gestapo. Most of them are Russian émigrés who serve as German agents and for the French police (Schutzmannschaft, the collaborationist auxiliary police) in a very bad way. Even the restaurants that the Grand Duke visits with them belong to those that are in bad favour with the police and would have long been closed if it were not for the help of the Germans …
“On the Grand Duke’s last visit to Paris, he was sitting in a restaurant, while German songs were sung at his table. From the French point of view, such closeness of the Grand Duke to the occupiers greatly compromised him and should have led to the fact that when the occupation of France was over, he would have to leave.”
PHOTO: Yuri Sergeevich Zherebkov (left) and Colonel V. I. Boyarsky (right)
At this time, the notorious Yuri Sergeevich Zherebkov (1908-1980), a former ballet dancer and the son of a Cossack general, became extremely close to Vladimir Kirillovich. In 1941, he headed the Committee for Mutual Assistance of Russian Emigrants in France, created by the Nazis, an analogue of the German bureau of General Biskupsky. Zherebkov was one of the most implacable anti-Semites and a fierce supporter of the Nazis.
In 1946, a Paris court sentenced Zherebkov to 5 years of “national dishonour”, and in 1948, for aiding in the deportation of Russian Jews, to forced labour for life (however, by that time, the former collaborator had already escaped to Franco’s Spain, where he died at the end 1970s).
It was Zherebkov, following the instructions of his German curators, who was responsible for Vladimir’s “political behaviour”. The most famous result of his activity was Vladimir’s “Appeal”, published on 26th June 1941, on the occasion of the outbreak of the war between Germany and the USSR. It was a direct call to cooperate with the Nazi occupiers. Here is its full text:
Address by the Head of the Russian Imperial House, Grand Duke Vladimir Kirillovich
In this terrible hour, when Germany and almost all the peoples of Europe have declared a crusade against communism-Bolshevism, which has enslaved and oppressed the people of Russia for twenty-four years, I appeal to all the faithful and devoted sons of our Motherland with an appeal: to contribute as much as possible and opportunities for the overthrow of the Bolshevik government and the liberation of our Fatherland from the terrible yoke of communism.
Vladimir Saint-Briac, June 26, 1941
However, the Nazis were by no means interested in such an “ally.” They stopped the spread of Vladimir’s appeal and threatened him that if he tried to play some independent political role, he would go straight to the concentration camp.
PHOTO: Prince of the Imperial Blood Gabriel Konstantinovich (1887-1955)
For the sake of objectivity, it should be noted that Kirill Vladimirovich, Victoria Feodorovna and Vladimir Kirillovich were by no means the only representatives of the Russian Imperial Family who openly supported the Nazis. For example, Prince of the Imperial Blood Gabriel Konstantinovich (1887-1955) – the son of Grand Duke Konstantin Konstantinovich (1858-1915) – also admired the success of the Fuhrer. On 12th August 1940, in a letter to Lieutenant General Nikolai Golovin (1875-1944), he wrote: “Yesterday in the cinema we saw the ceremonial meeting of the Reichstag and the triumphant return of the troops to Berlin. A stunning picture. I had tears from excitement … The arrival of “him” [Hitler] at the Reichstag is amazing. Wonderful cars, sparkling with cleanliness, enthusiastic crowd. Himself, the very simplicity, no imagination, while greatness and strength.”
Gabriel Konstantinovich also expressed satisfaction with the successes of the fascists in other European countries. On 16th October 1940, he wrote to the same addressee: “I am very glad that the Romanian King Karol was asked to leave. He is a very weak type and God knows what he was doing in Romania in community with his Jewess Lupescu … It seems to me that good has won out over evil and the time of light has now begun in the world.”
For the pretenders to the Russian throne, however, the “time of light” had not yet come. The Nazis made it clear that they had no plans at all to provide any part of Russia they had conquered with any independent form of government, let alone a monarchical one.
Moreover, in March 1941, in the diary of the headquarters of the operational leadership of the High Command of the Wehrmacht, an entry was made regarding the goals of the occupation regime on the territory of the USSR. Among other things, the document noted: “Socialist ideas in today’s Russia can no longer be eradicated … The Jewish-Bolshevik intelligentsia, which is the oppressor of the people, must be removed from the scene. The former bourgeois-aristocratic intelligentsia, if it still exists, primarily among the emigrants, should also not be allowed to power. It will not be accepted by the Russian people, and, moreover, they are hostile towards the German nation.”
So, the Nazis used Vladimir without promising him anything in return. With this state of affairs, he seems to have resigned himself. It is ironic that at the very beginning of the Great Patriotic War (1941-1945), Soviet propaganda actively exploited the topic of the potential revival of tsarism by the Nazis in Russia. On one of the posters of 1941, for example, read: “The excitement in the German convoy is not in vain, – / The Nazis are taking the tsar for Russia. / He sits, swaying on a skinny horse, / And he sees himself drunk in Moscow – in a dream …”
PHOTO: Edward Raczyński and Aleksandr Bogomolov
In an article, published in International Affairs, [Vol. 42, January-February 1996, No.1] Envoy Extraordinary and Plenipotentiary Yury Vasilyevich Ivanov, reveals a different scenario.
In a letter dated 28th October 1941, Polish Minister Edward Bernard Raczyński (1891-1993) wrote to Soviet Ambassador to France Aleksandr Efremovich Bogomolov (1900-1969): “Referring to our conversation yesterday concerning contacts between Hitler and Grand Duke Vladimir [Kirillovich], I take the liberty of sending you information on this count, enclosed herein, which was recently received from a reliable source.”
“In early September this year an agreement was concluded between [Nazi] Germany and Russian Grand Duke Vladimir whereby Germany gave its consent to establish to the restoration of monarchy of the Romanovs. That state should establish a national-socialist or fascist regime. The non-Russian countries of the Soviet Union would be associated into a new Russia within a single union. The grand duke would renounce all claims to Poland. In execution of this agreement, the grand duke issued guidance to the White émigrés to collaborate with countries that are at war with the USSR.” In conclusion the document said: “The émigré community received this agreement with the hope that the ‘Whites’ would remain masters of the country also in the event of a German defeat.”
In addition to having fun in Parisian restaurants, Vladimir Kirillovich took part in financing France’s “eastern battalions” that were deployed in the middle of the war on the Western Front.
On the Eastern Front, perhaps, only one attempt is known to form a collaborationist Russian monarchical unit. In 1943, Nikolai Ivanovich Sakhnovsky, an activist of the “Russian Imperial Union-Order” organization, with twenty like-minded people living in Belgium, volunteered for the Wallonia SS assault brigade. As part of the brigade, Sakhnovsky created a detachment of Soviet prisoners of war, called the “Russian people’s militia”. Upon arrival in the occupied territory of the USSR, in the Korsun-Shevchenkovsky district, Sakhnovsky tried to deploy monarchist propaganda among the local population, which, however, did not have any noticeable response.
The “militias” wore a chevron on the sleeve in the form of an Orthodox eight-pointed cross with the inscription “Victory by this symbol.” The only combat operation in which the “militia” took part occurred during an accidental collision with the advancing Soviet infantry. Most of the soldiers died, the rest, along with the Walloon SS men, were withdrawn to the rear and disbanded. Some of them remained in the ranks of the formed 28th SS Grenadier Division “Wallonia” under the command of Leon Degrel, the rest were demobilized.
As for Vladimir, who then, seriously fearing for his life, before the liberation of France, managed to evacuate to Amorbach, Germany. At the very end of the war, fleeing from the advancing Soviet troops, he found himself in Tyrol in the company of Zherebkov. In the first days of May, they joined the column of the retreating pro-Axis collaborationist First Russian National Army, under Major General Boris Holmston-Smyslovsky (1897-1988). The latter was a career German intelligence officer of Russian-Finnish origin and, having enlisted the support of the Americans, brought to the West valuable cadres of Russian collaborationist saboteurs.
It is interesting that along with Vladimir and Zherebkov were the leaders of the French pro-Nazi Vichy regime – Marshal Henri Petain and Pierre Laval.
On the night of 2 to 3 May 1945, Smyslovsky’s army crossed the border of the neutral principality of Liechtenstein. It was here that the Russian Nazi accomplices were interned and subsequently escaped extradition to the USSR. As for the French and Vladimir, the authorities of the principality flatly refused to provide them with asylum – they were all extradited to representatives of the 1st French army of Marshal Jean de Latre de Tassigny (1889-1952).
PHOTO: Prince Vladimir Kirillovich in Madrid, Spain. 1950s
Laval and Petain, as well as Zherebkov, were handed over to the French by Vladimir Kirillovich himself – in exchange for his own immunity and permission to fly to Spain. There he was greeted by the Queen of Spain [Princess Victoria Eugenie of Battenberg, wife of King Alfonso XIII, who was waiting for him.
Vladimir’s escape to Francoist Spain undoubtedly saved him from possible retribution for his collaborationist activities. For almost ten years, he did not dare to travel outside of Spain.
Despite the damning evidence against Vladimir Kirillovich and his parents Grand Duke Kirill and Grand Duchess Victoria, Maria Vladimirovna and George Mikhailovich’s followers, the so-called “Legitimists” continue to argue that the evidence is nothing more than lies. So be it . . .
“Truth does not mind being questioned. A lie does not like being challenged“
Source: Романовы и Гитлер. Как Романовы поддерживали Гитлера by Dmitry Zhukov and Ivan Kovtun. Originaally published on 6th August 2015. This is the first English translation of their work, which has been updated with additional information from a variety of Russian archival and media sources – PG
PHOTO: Lieutenant Colonel Johnny Biggart holds the icon of Tsar-Martyr Nicholas II
Lieutenant Colonel Johnny Biggart, commander of the elite Scottish military unit Scots Dragoon Guards, holds the icon of the Tsar-Martyr Nicholas II. This photo was taken in 2012 in Lashkar Gah, Afghanistan.
The icon was presented to the regiment in August 2001 by the Moscow Caledonian Club “on behalf of the Russian people”. The icon of the holy martyr Nicholas II accompanies the Scots Dragoon Guards Scottish regiment wherever they are deployed.
Tsar Nicholas II was appointed an honorary member of the Royal Scots Greys by Britain’s Queen Victoria in 1894, after he became engaged to Alexandra Feodorovna (Princess Alix of Hesse), who was Victoria’s granddaughter.
To this day Tsar Nicholas II is commemorated by the Royal Scots Dragoon Guards (which the Royal Scots Greys became in 1971), by the playing of the Russian Imperial anthem at certain mess functions.
PHOTO: Newspaper shows Vitaly Mironov presenting icon to Major-General Hall
The Director of the Moscow Caledonian Club Vitaly Mironov notes that the idea to present an icon to the Scots Dragoon Guards Scottish regiment was one shared with historian Dr. Dmitry Fedosov, who then commissioned a church artist to paint this special icon. The icon was solemnly handed over by Mironov to the regimental commander on 24th August 2001, during a special ceremony in Edinburgh Castle in the presence of Mr. Smironov, the Consul General of the Russian Federation; the oldest member of the British Parliament Tam Dalyell; a large number of journalists and artists of the Russian Cossacks State Dance Company, who regularly perform in the Edinburgh Military Tattoo.
When the producer of the Edinburgh Military Tattoo, Brigadier Melville Jameson asked Mironov “on behalf of whom do we want to present this icon to the regiment?”, he replied – “please mention that it was not done on our own behalf, but on behalf of ALL RUSSIAN PEOPLE.”
“This is extremely important for us,” added Mironov, “because we considered the very fact of painting this icon and its presentation to the glorious Scottish regiment, as an act of the deepest repentance of ALL OF OUR PEOPLE for the greatest evil that our ancestors did to the Tsar, his family and members of the household … It is our history and our common historical memory.”
PHOTO: Scots Dragoon Guards holding the icon of Tsar-Martyr Nicholas II
I would like to take this opportunity to thank Vitaly Moronov for supplying me with this information and the importance of this icon of Tsar-Martyr Nicholas II.
PHOTO: St. Nicholas Russian Orthodox Cathedral was built in the Moscow Baroque style in 1902
This month marks the 120th anniversary of the laying of the foundation stone for St. Nicholas Russian Orthodox Cathedral, located in the Upper East Side of Manhattan, New York City. The cathedral serves as the administrative center of the Russian Orthodox Church in North America, and houses the representation of the Moscow Patriarchate in the United States.
On 25th August 1899, a plot of land of about 700 m² was purchased on 97th Street, between Madison and 5th Avenue, on which it was planned to build a cathedral that could accommodate 900 worshipers, as well as premises for a Sunday school, festive meetings and an apartment for clergy.
The cathedral was constructed in the Moscow Baroque style by the architect Ivan Viktorovich Bergezen. In 1900, permission to raise funds for the construction of the church was issued by Emperor Nicholas II, who on his own behalf donated 7,500 gold rubles to the project.
PHOTO: the iconostasis of St. Nicholas Russian Orthodox Cathedral
The foundation stone of the church was laid by Bishop Tikhon, the head of the Russian Church in the Aleutian Islands and North America – the future Patriarch of Moscow and All Russia Tikhon (1865-1925) on 22nd May 1901.
On 23rd November 1902, a consecration service, the first to be held in the completed church, was led by Bishop Tikhon. Bishop Charles Chapman Grafton, representing the Episcopal Church, participated in the service. The Russian Holy Synod elevated St. Nicholas Church to Cathedral status in December 1903, and the Diocesan Seat of North America was transferred from San Francisco to New York in 1905. Restoration work was carried out on the Cathedral between 1954 and 1960.
Today St. Nicholas Cathedral continues to serve the needs of the Russian Orthodox Church in this country as it has since its founding.
PHOTO: aerial view of Schloss Wolfsgarten, near Darmstadt
Hidden away from the eyes of most visitors to Wolfgarten in Germany and the State Hermitage Museum in Russia, are two haunting mementoes etched into simple window panes of each of the two former royal residences. Despite revolution, two world wars and palace renovations, these glass windows with inscriptions written by Emperor Nicholas II and Empress Alexandra Feodorovna have miraculously survived to this day.
Schloss Wolfsgarten is a former hunting seat of the ruling family of Hesse-Darmstadt, located in the German state of Hessen, situated 15 kilometers south of Frankfurt. The hunting lodge was established between 1722 and 1724 by Landgrave Ernst Ludwig of Hesse-Darmstadt. In 1768, Wolfsgarten was abandoned until the 1830s when the grand ducal family began to restore and expand the property. From 1879, Wolfsgarten became a favourite country retreat for Grand Dukes Ludwig IV and his son Ernst Ludwig, brother of Princess Alix, the future Empress Alexandra Feodorovna.
PHOTO: the years marking visits by Nicholas and Alexandra are etched in a window at Schloss Wolfsgarten
In November 1903 Nicholas II and Alexandra Feodorovna visited the *divorced and not yet remarried Grand Duke Ernst Ludwig. It was on this occasion, that the couple updated the record of their visits to Wolfsgarten, by carving the year on a glass window, as they had done on prior visits in 1896 and 1899 respectively. The Imperial couple returned to Wolfsgarten in 1910.
*On 19th April 1894 Ernst Ludwig married his cousin Victoria Melita von Edinburgh, among the European royals and nobility in Coburg. Ernst and Victoria divorced on 21st November 1901. Victoria married Grand Duke Kirill Vladimirovich on 8th October 1905.
On 9th October 1937, Ernest Louis died after a long illness at Schloß Wolfsgarten. He received what amounted to a state funeral on 16 November 1937 and was buried next to his daughter, Elisabeth, in a new open air burial ground next to the New Mausoleum he had built in the Rosenhöhe park in Darmstadt.
PHOTO: contemporary view of the Winter Palace (State Hermitage Museum)
Winter Palace, St. Petersburg
From December 1895, Emperor Nicholas II and Empress Alexandra Feodorovna, resided for periods during the winter in the Winter Palace. They extended and redesigned the rooms which had been prepared for Nicholas, as Tsesarevich two years earlier. The architect Alexander Krasovsky was commissioned to redecorate a suite of rooms in the northwest corner of the palace.
Following the events of Bloody Sunday in 1905, Nicholas II and his family abandoned the Winter Palace in favour of the more private Alexander Palace at Tsarskoye Selo. From this date until the fall of the monarchy, the Winter Palace was used only for formal state occasions.
PHOTO: Alexandra records a memory from March 1902 on a window in her Study
On 25th October 1917, following the Provisional Government’s arrest in the Small Dining Room of the Winter Palace, an eyewitness account records a systematic destruction of the Imperial apartments by the Bolsheviks. The only original interior to have survived to the present is Nicholas II’s Gothic Library. The remainder of the Imperial couple’s private apartments including the bulk of their contents have been lost.
One tiny memento, however, has survived. Hidden from view by a lace curtain in the former Study of Empress Alexandra Feodorovna, a memory was recorded by Alexandra. On 7th March 1902, taking her diamond ring, she etched the following in one of the windows: “Nicky 1902 looking at the Hussars. 7 March”.
In 1926 the former living quarters of the Imperial couple were handed over to the State Hermitage Museum for use as exhibition halls. The same year the décor of the Study was destroyed: the yellow damask wall covering was removed and the vault painting with flowers and garlands was painted over (it has since been restored). The viewing platform in the corner was dismantled, from which the Imperial couple liked to look at the Neva River at different times of the year from “Alix’s window” as Nicholas II used to call it in his diary.
Today, Room 185 houses the exhibition dedicated to the work of the famous St Petersburg furniture maker Heinrich Gambs. On view here are pieces of furniture and objects of decorative and applied art executed in the Classicism style.
CLICK on the VIDEO below, which shows not only the former Study of Alexandra Feodorovna, but also the view from the window, which will give you a better perspective of where the engraved window is exactly: