Documentary: ‘Regicide. A Century of Investigation’

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“We have shown all the stage of the investigation of the Royal Family’s murder” – Elena Chavchavadze on the new Russian language documentary, Цареубийство. Следствие длиною в век / Regicide. A Century of Investigation.

In 2015, a new investigation was launched into the murder of Tsar Nicholas II, Tsarina Alexandra, and their children and servants. This was instigated by the “Ekaterinburg remains”, which some are convinced are those of the Royal Martyrs. The Russian Orthodox Church has not yet come to a final conclusion, and the detective work goes on.

The new documentary, Regicide. A Century of Investigation, premiered in the evening of November 24, 2019, on the “Russia” TV channel. Its creator, Elena Nikolaevna Chavchavadze, talked to Yegor Andreev on what this film is about, how it was created and what revelations it has led to.

At the end of the interview, Chavchavadze is asked, “In conclusion, what would you wish to the viewers who will watch the film? How should they watch it? What should they get ready for?”

“Watch it without bias” – she replies – “If you feel your responsibility before God, then you shouldn’t pass any judgment before you are convinced of the truth yourself and hear the voice of the Church in this case. This is something we are waiting for, too.”

On a personal note, I would like to add that this is a very interesting interview, and a MUST for those of you who are following the ongoing investigation of the Ekaterinburg remains, and awaiting its conclusion by the Russian Orthodox Church – PG

Click HERE to read Yegor Andreev’s interview (in English) with documentary creator Elena Chavchavadze, translated from Russian by Dmitry Lapa, and published on the Pravoslavie.ru web site 5th December 2019.

You can watch the documentary Цареубийство. Следствие длиною в век / Regicide. A Century of Investigation by clicking on the image above. The video’s duration is 1 hour, 42 minutes and is in Russian only:

© Paul Gilbert. 6 December 2019

Russian Orthodox Church in Dispute Over Porosenkov Log

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At Porosenkov Log, during my visit to Ekaterinburg, July 2018

Back in March 2016, I reported that Metropolitan Kirill of Yekaterinburg and Verkhoturye had made a request to the Sverdlovsk regional government to transfer the land in and around Porosenkov Log (3.7 hectares) to the Ekaterinburg Diocese. The territory is simultaneously claimed by the Sverdlovsk Regional Museum of Local History in Ekaterinburg. My report was followed up by a second article on the dispute in July 2017 (see links below for both articles – PG).

Since the events marking the 100th anniversary of the death and martyrdom of Emperor Nicholas II and his family last month, the subject is again making headlines in the Urals media.

According to a document signed by the head of the regional forestry department Oleg Sandakov, as early as 2016, Metropolitan Kirill of Yekaterinburg and Verkhoturye made a request to the regional government to transfer Porosenkov Log to the diocese “for gratuitous urgent use for religious activities.” Scans of the relevant documents (see below) were published last week on the Memorial of the Romanovs Facebook page.

In June 2014, a request was made to recognize Porosenkov Log as a cultural heritage site. Then, the regional ministry of culture planned to transfer the Romanov Memorial site to the Sverdlovsk Museum of Local History. The official opening of the memorial was planned to coincide with the 100th anniversary of the deaths and martyrdom of the Holy Royal Martyrs in July 2018.

In 2016, however, the Ekaterinburg Diocese began to interfere with the plans. In February of the same year, Metropolitan Kirill of Ekaterinburg and Verkhoturye sent an appeal to the Governor of the Sverdlovsk Region Evgeny Kuyvashev, in which he asked to declare invalid the document on the transfer of the site to the museum. The governor granted the Metropolitan’s appeal, with the regional ministry of culture subsequently putting the project on hold.

“Due to the historical and spiritual significance of the territory, and in order to avoid any disagreements between secular and religious parties, an official note was sent to the governor of the Sverdlovsk region on the expediency of organizing a discussion on the development of the territory as a cultural heritage site with all interested parties,” said the head of the regional department of forestry Oleg Sandakov.

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At the second grave where the remains of Alexei and Maria where discovered in 2007

On the eve of the Tsar’s Days held in Ekaterinburg last month, the Russian Investigative Committee confirmed that genetic examinations on the remains found at Porosenkov Log belong to the murdered Imperial family. It was hoped that Patriarch Kirill would officially recognize the remains during his visit to Ekaterinburg, however, this did not happen. An estimated 100,000 people took part in the pilgrimage from the Church on the Blood to the Monastery of the Holy Royal Martyrs at Ganina Yama, where once again the final prayer service was held, which is still considered by the ROC to be the final burial place of the bodies of the royal martyrs. Porosenkov Log was not included in the pilgrimage.

Despite the fact that the authenticity of the “royal remains” has not been recognized by the ROC, the Ekaterinburg Diocese is unlikely to back away from its plans. It can not be ruled out that the dispute over the site will be put on hold until the time when the church changes its position.

It is believed that not “if” but “when” the Moscow Patriarchate officially recognize the “Ekaterinburg remains”, that a new monastery in honour of the Holy Royal Martyrs, similar to the one situated 3.8 km down the road at Ganina Yama, will be constructed at Porosenkov Log.

© Paul Gilbert. 5 November 2019

Memorial Cross to the Holy Royal Martyrs in London

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NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 22 August 2018 in my Royal Russia News blog – PG

On 13th July 2018, the day after the Feast of the Holy Apostles Sts Peter and Paul, a new memorial Cross to the Holy Royal Martyrs was erected on the grounds of the Diocesan Cathedral of the Mother of God and the Royal Martyrs in London.

The memorial Cross, which has been commissioned to mark the centenary of the martyrdom of the Imperial Family, was carved of red granite by special commission of the parish. The lower Altar of the Cathedral is dedicated to the honour of the Holy Royal Martyrs, and it seemed fitting to the faithful of the community to pay homage to the holy intercessors by erecting a Cross in their honour, to serve as a perpetual monument to the God-pleasing lives of these saints.

The initial erecting of the Cross will be followed by landscaping of the nearby territory to accommodate the new monument, which will be formally blessed on the day of the Cathedral’s full consecration on the Feast of the Nativity of the Theotokos, 21st September 2018.

The Divine Liturgy for the Feast of the Holy Royal Martyrs took place at the London Cathedral at 9.00 a.m. on Tuesday, 17th July 2018 (n.s.), served in the Lower Church. It was celebrated by His Grace Bishop Irenei together with clergy of the Cathedral, Diocese, and guests from the surrounding areas. The new memorial Cross was visited as part of the Cross Procession of the Altar Feast.

© Diocese of Great Britain and Ireland (ROCOR). 5 November 2019

Nicholas II memorial plaque in Nikolsk-Ussuriysk

NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 27 August 2018 in my Royal Russia News blog – PG

On 17th July 2018 a memorial plaque in honour of Tsesarevich and Grand Duke Nicholas Alexandrovich (future Emperor Nicholas II) was unveiled on the northern facade of the Church of the Intercession of the Holy Virgin in the Far-eastern Russian city of Nikolsk-Ussuriysk.

The memorial plaque was established in honour of the August visit of Nicholas Alexandrovich on 3-4 June 1891, as part of his Eastern Journey, and the construction of the Ussuri section of the Trans-Siberian Railway. The memorial also marks the 120th anniversary of the granting of the status of the city with the name Nikolsk-Ussuriysk on 16th April 1898, by the will of the Sovereign Emperor Nicholas II to Nikolsky, and, subsequently – the city coat of arms.

The work on the preparation of the memorial plaque was initiated by a group of historians, parishioners and residents of the city. The project was agreed and approved, with the blessing of Metropolitan Veniamin of Vladivostok and Primorye.

Associate Professor of the Far Eastern Federal University Yaroslav Popov, who headed the group, said that exactly at this place, in the wooden St. Nicholas Church (Nikolsk-Suifunsky), the Tsesarevich Nicholas Alexandrovich prayed during his visit in 1891. After the Liturgy, the Tsesarevich addressed the soldiers of the Nikolsk fortress, Russian residents and settlers, representatives of local peoples, Chinese and Korean diasporas, thanking everyone for their warm welcome.

The Divine Liturgy held on 17th July 2018 was attended by the mayor of Ussuriysk, Evgeny Evgenevich Korzh and the head of the Ussuriisk urban district Nikolai Nikolayevich Rud. After the consecration of the memorial sign, the choir of the parishioners of the church performed the hymn of the Russian Empire “God Save the Tsar”.

This was followed by the reading of the poems of the famous Russian poet Sergei Sergeivich Bekhteev (1879-1954), who escaped Russia after the Revolution. Bekhteev’s poems are full of love for the Motherland, the monarchy and the Holy Royal Martyrs. Countess Anastasia Hendrikova managed to pass five of Bekhteev’s poems to the Tsar’s family during their house arrest in Tobolsk. Emperor Nicholas II, was so moved by Bekhteev’s poem “God Save the Tsar”, that he shed a tear and asked to convey his gratitude to the poet for sharing his loyal feelings.

© Paul Gilbert. 5 November 2019

Film: Assassin of the Tsar

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Watch ‘The Assassin of the Tsar’

Click on the image above to watch the English version
of the film in it’s entirety. Duration: 1 hour, 40 mins.

The Assassin of the Tsar is a 1991 Soviet drama film, starring the English actor Malcolm McDowell and the Soviet/Russian actor Oleg Yankovsky (1944-2009). It was entered into the 1991 Cannes Film Festival. There are two versions. One is filmed in English which later was dubbed over the Russian actors, and one in Russian.

Timofyev (Malcolm McDowell) is a patient in an asylum who claims to be the man who assassinated Tsar Alexander II in 1881, and his grandson Tsar Nicholas II in 1918. Doctor Smirnov (Oleg Yankovsky) decides to apply a peculiar therapeutic method on him, but things go in an unexpected way.

A good portion of the film depicts the last days of the Russian Imperial Family in Ekaterinburg, largely narrated by Timofyev’s voice-over from the perspective of Yakov Yurovsky, the chief guard and ultimately executioner of the family. In the scenes, Yurovsky is impersonated by Timofyev (McDowell) and Tsar Nicholas II by Dr. Smirnov (Yankovsky). Other members of the family function merely as background, with few or no lines.

PHOTOS: Soviet/Russian actor Oleg Yankovsky as Tsar Nicholas II; the
Imperial family in Crimea; and Malcolm McDowell as Yakov Yurovsky

The cast includes:

Oleg Yankovsky — Dr.Smirnov / Tsar Nicholas II
Malcolm McDowell — Timofyev / Yakov Yurovsky
Armen Dzhigarkhanyan — Alexander Yegorovich, Smirnov’s superior
Olga Antonova — Empress Alexandra
Dariya Majorova — Olga Nikolaevna
Evgeniya Kryukova — Tatiana Nikolaevna
Alyona Teremizova — Maria Nikolaevna
Olga Borisova — Anastasia Nikolaevna
Aleksei Logunov — Alexei Nikolaevich
Yury Belyayev — Alexander II of Russia
Anastasiya Nemolyaeva — nurse
Anzhelika Ptashuk — Marina, Smirnov’s mate

Of particular interest in this film are the recreation of the facade and the haunting interiors of the Ipatiev House, where the Imperial family where all murdered on the night of 16/17 July 1918, by a Bolshevik firing squad.

PHOTOS: The facade and interiors of the Ipatiev House were recreated for this film

© Paul Gilbert. 5 November 2019

Monument to Nicholas II Established Near St. Petersburg

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NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 3 September 2018 in my Royal Russia News blog – PG

On 2nd September 2018, a new monument to Emperor Nicholas II, was unveiled in the village of Efimovsky, situated in the Boksitogorsky district of the Leningrad region. The opening of the monument is timed to the 100th anniversary of the martyrdom of the Imperial Family.

The monument was established on the grounds of the church in the name of the Holy Prophet Elijah. The church was constructed in 1908, for which half of the necessary sum for its construction was paid by Nicholas II from his personal funds.

A large area was arranged for the monument. It is situated at the end of a wide avenue, lined with flower beds. The monument is situated between an old pine tree, which symbolizes the glorious past of the House of Romanov, and a very young birch tree, which symbolizes hope for the future restoration of the tsar’s throne in Russia. The bust of the Sovereign is turned to face the church, which he helped build.

The bust is mounted on a high granite pedestal, standing on a pile of collapsed Golgotha ​​stone. The inscription on the monument reads: “Holy Tsar-Martyr Nicholas II, Emperor of All Russia. In gratitude for the building of the church of the holy prophet Elijah of God. In memory of the 100th anniversary of the martyr’s death.”

The opening of the monument was attended by the head of the local administration Sergei Ivanovich Pokrovkin, which gave the event a state status. The consecration of the monument was performed by the priest of the church, Fr Mikhail Lomakin and Archpriest Father Gennady Belovolov. After the consecration, a prayer was offered to the Holy Royal Martyrs at the monument. The ceremony ended with the singing of the former national anthem “God, Save the Tsar”, to the accompaniment of the accordion.

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Father Mikhail thanked the head of the Alley of Russian Glory Foundation Mikhail Leonidovich Serdyukov for the charity donation of the bust. Serdyukov made busts of Tsar Nicholas II and Tsesarevich Alexei specially for the 100th anniversary of the martyrdom of the Tsar’s Family, and is willing to donate them to those who wish to establish them in significant places in Russia.

This event is important not only for the village of Efimovsky, but also for the whole of Russia. The fact is that in this year of this tragic year marking the 100th anniversary of the death and martyrdom of Russia’s last emperor and tsar, virtually no events were held at the state level, a program for the memorialization of the memory of the Holy Royal Martyrs was not realized, and very few monuments were established to the Tsar-Martyr.

Such monuments are very necessary for Russia, since the monuments are considered by some as a “public canonization” to the memory of the Holy Royal Martyrs. Although the Moscow Patriarchate canonized the Imperial family 18 years ago, there still remains great disagreement among many Russians with regard to the reign of the last Russian Tsar, a lack of understanding of his deed and service, condemnation and denigration of his image.

Thanks to such monuments, we return the name of Nicholas II to our public consciousness, we affirm the tsar’s idea among the people, we conclude the tragic century, which lived without a tsar on the Russian throne.

© Paul Gilbert. 5 November 2019

Tribute to Robert K. Massie, 1929-2019

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On 2nd December 2019, Robert K. Massie, best known as author and historian of pre-Revolutionary Russia, passed away at his home in Irvington, New York at the age of 90. The cause of death was complications associated with Alzheimer’s Disease.

Life, Education and Career

Robert Kinloch Massie III was born in Versailles, Kentucky on 5 January 1929. He later grew up in Nashville, Tennessee, graduated from Yale University, and was a Rhodes Scholar at Oxford University where he read Modern History. For four years, he served as an air intelligence officer aboard aircraft carriers in the Mediterranean and the Pacific. 

Mr. Massie was on the staff of Newsweek from 1959 to 1962, where he was a book reviewer, foreign news writer, and United Nations Bureau Chief. His writing has also appeared in The New Yorker, Vanity Fair, The New York Times, Architectural Digest, and other publications. Over the years, he worked as an historical adviser to, and has made frequent appearances on, a number of national television programs and documentaries.

Massie was married twice. His first wife, Suzanne Rohrback (from 1954 to 1990), an author whose books about Russian culture (Land of the Firebird: The Beauty of Old Russia in 1980 and Pavlovsk: The Life of a Russian Palace in 1990),  brought her to the attention of Ronald Reagan and into international politics.  The couple had a son and two daughters. In 1992, Massie remarried his literary agent Deborah Karl. The couple had a son and two daughters.

Books: Nicholas and Alexandra

Robert K. Massie, spent almost half a century studying Tsarist Russia, his personal interest in the last Imperial family was triggered by the birth of his eldest son Robert Jr., who was born with hemophilia, a hereditary disease that also afflicted Tsar Nicholas II’s son, Alexei.

His first book, Nicholas and Alexandra (1967), which remained on the New York Times Bestseller List for 46 weeks, was translated into seventeen languages, and made into a film that was nominated for numerous Academy Awards. Though nearly 1,000 pages long, it sold more than 4.5 million copies and is regarded as one of the most popular historical studies ever published. Praised in The New York Times as a long-needed and balanced account of the last tsar and his family. In his study, Nicholas comes across not as the “stupid, weak or bloodthirsty” monarch, as he is often been portrayed by his Western counterparts.

Nicholas and Alexandra made Massie a celebrity, phoned by strangers who invited him for lunch, and a magnet for relatives and alleged relatives of the Romanovs. He discussed hemophilia with the Duke and Duchess of Windsor, and with Earl Mountbatten of Burma, a grandson of Queen Victoria.

It was Massie’s now classic study of Emperor Nicholas II and Empress Alexandra Feodorovna, which presented the most comprehensive study of Russia’s last Imperial family in a whole new light, but it was far from perfect.

During his research for Nicholas and Alexandra, Massie did not have complete information because the Soviet government would not permit him access to the Romanov archives. During the Soviet years, access to these files were restricted solely for propaganda purposes only. It was only in 1991, when the Soviet Union was dissolved and the Romanov archives were open, did Massie complete their story, writing a continuation, The Romanovs: The Final Chapter (1995)

Film: Nicholas and Alexandra (1971)

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In 1971, Massie’s bestseller was made into a British biographical film directed by Franklin J. Schaffner, written by James Goldman, and starring Michael Jayston as Emperor Nicholas II and Janet Suzman as Empress Alexandra Feodorovna.

The film won Academy Awards for Best Art Direction-Set Decoration and Best Costume Design and was nominated for Best Actress in a Leading Role (Janet Suzman), Best Cinematography, Best Music, Original Dramatic Score and Best Picture.

Despite the detailed production design, photography and strong performances from the cast, Nicholas and Alexandra failed to find the large audience it needed to be a financial success.

It is interesting to note that aside from its historical inaccuracies, not a single scene was filmed in Russia. This of course is due to the fact that in 1971 Russia was still the Soviet Union, and the discussion or promotion of the last tsar was still taboo. Instead, the film was shot entirely in Spain and Yugoslavia.

Other Books

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Massie penned two additional books on the Romanov dynasty: Peter the Great: His Life and World (1981), which won a Pulitzer Prize. His biography led to the production of Peter the Great (1986) which became a major network miniseries, winning three Emmy Awards.

Two decades later he wrote, Catherine the Great (2011), which was awarded the Andrew Carnegie Medal for Excellence in Nonfiction by the American Library Association.

And we cannot forget two additional pictorials for which Massie wrote the introductory text: Last Courts of Europe: Royal Family Album, 1860–1914 (Vendome Press, 1981) and The Romanov Family Album (Vendome Press, 1982), the latter of which is highly sought after by collectors to this day.

His other works include Journey (1975), Dreadnought: Britain, Germany and the Coming of the Great War (1991),  and Castles of Steel: Britain, Germany and the Winning of the Great War at Sea (2004), among others.

While Massie’s books have sold more than 6 million copies, however, he will always be remembered for Nicholas and Alexandra, which captivated a whole new generation with detailed accounts of Nicholas II and his family. For many it was Massie’s now classic study which launched their personal interest in the Imperial family, leading them on a quest for for accurate and truthful information. For that alone, we owe Robert Massie an immense debt of gratitude.

Robert K. Massie is survived by his second wife Deborah Karl, their son, Christopher, and two daughters Sophia and Nora Massie; and his son Bob Jr., and two daughters, Susanna Thomas and Elizabeth Massie, from his first marriage; as well as seven grandchildren and one great-grandson.

Memory Eternal! Вечная Память!

© Paul Gilbert. 4 December 2019

Old Ekaterinburg through the lens of Prokudin-Gorsky

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Sergey Mikhaylovich Prokudin-Gorsky, self-portrait 1912

NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 5 September 2018 in my Royal Russia News blog – PG

I have had the pleasure of visiting the Ural city of Ekaterinburg on three occasions over the past six years: 2012, 2016, and most recently in July 2018. Out of all the Russian cities which I have visited since 1986, Ekaterinburg has become my favourite.

It is a city rich in history, and the setting for one of the darkest pages in 20th century Russian history: the final days and murder of Russia’s last tsar Nicholas II and his family in the Ipatiev House on the night of 16/17 July 1918.

Sadly, the city is overlooked by most visitors to Russia. It is seldom included in group tours, relying mainly on foreigners travelling on the Trans-Siberian Express. Many of them stay for only one or two nights, which really is not enough time to explore and appreciate what Ekaterinburg has to offer. Having said this, however, Ekaterinburg is becoming increasingly popular with Chinese tourists, and the FIFA World Cup matches held in the city in June 2018 have helped spread the word to foreigners, that Ekaterinburg is indeed worth visiting.

As a devout book collector, I have always been on the hunt for pictorials, which offer vintage photographs of what life was like in Russia before the 1917 Revolution. During my most recent visit to Ekaterinburg, my book hunting skills produced a couple of gems to add to my personal home/office library.

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Дом Ипатьева: летописная хроника в документах и фотографиях

Дом Ипатьева: летописная хроника в документах и фотографиях (Ipatiev House. Documentary and Photographic Annals. 1877-1977) by photojournalist and historian Vitaly Shytov. Published in 2013 in a hard cover edition in Chelyabinsk by the Auto-Count Publishing House, the book features more than 700 pages and more than 1,000 photographs. Only available in Russian. Shytov has dedicated 40 years of study to the tragic history of the Ipatiev House in Ekaterinburg. There were only 500 copies printed, and it remains the the most comprehensive study of the Ipatiev House to date. Sadly, Shytov’s research has been virtually ignored by Western historians, who have written on the last days of the Imperial family in the ‘House of Special Purpose’.

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Екатеринбург: История города в фотографии

Екатеринбург: История города в фотографии. Том 1: Вторая половина XIX – начало XX веков (Ekaterinburg: History of the City in Photographs. Volume I. Second half of 19th – early 20th century) by A.V. Berkovich and O. A. Bukharkina. Second edition published in 2015 by the Ekaterinburg City Administration. Published in a hardcover edition, the book features 208 pages, and more than 200 vintage photographs. Despite the Cyrillic text on the book’s cover, the contents are in both Russian and English.

The latter presents a very different view of Ekaterinburg, in that it presents for the first time, a selection of historic photos from the most famous photographer of old Ekaterinburg Veniamin Leontiyevich Metenkov (1857-1933).

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The Metenkov House and Photographic Museum is situated near the Church on the Blood in Ekaterinburg

Sadly, the Revolution destroyed the photography business which Metenkov created. He died in obscurity in 1933, his name forgotten for more than half a century. After the fall of the Soviet Union in the early 1990s, the house where Metenkov lived and worked was turned into a museum named after him. Until recently Metenkov’s archive was believed to be lost, however, a persistent search for the photographers’ legacy yielded the discovery of more than 200 negatives in the funds of the Sverdlovsk Oblast State Archive.

Another noteworthy Ekaterinburg photographer was the city doctor Vladimir Alexandrovich Paduchev (1859-1919). The Paduchev family archive of more than 500 negatives focus on the private world of the city middle class, taken during the first decade of the 20th century. The collection lay hidden in an old barn for more than a century, before their discovery.

ALL colour photographs below are courtesy of the Ekaterinburg City Administration

The unique photographic view of Pre-Revolutionary Russia and Ekaterinburg, however, belong to the pioneer of colour photography Sergey Mikhaylovich Prokudin-Gorsky (1863-1944).

His photos of Russia’s nature and monuments earned him invitations to show his work to the Grand Duke Mikhail Alexandrovich and the Dowager Empress Maria Feodorovna in 1908, and to Tsar Nicholas II and his family in 1909. The Tsar enjoyed the demonstration, and, with his blessing, Prokudin-Gorsky got the permission and funding to document Russia in colour. In the course of ten years, he was to make a collection of 10,000 photos.

Using a railroad-car darkroom provided by Tsar Nicholas II, Prokudin-Gorsky traveled the Russian Empire from 1905 to 1915, using his three-image colour photography to record its many aspects. He arrived in Ekaterinburg in 1909, where he gave lectures and visited Veniamin Metenkov at his home. Metenkov accompanied Prokudin-Gorsky on his trips in and around the city, suggesting interesting locations to be photographed.

Prokudin-Gorskii left Russia in 1918, after the Russian Revolution, and eventually settled in Paris, where he died in 1944. While some of his negatives were lost, Library of Congress purchased a collection of more than 2,600 images from the photographer’s sons in 1948.

All three photographers are represented in this handsome volume. Their legacies transcend a century, allowing the reader to look back to a unique and beautiful city, far removed from the ancient Russian capital of Moscow, and the glittering Imperial capital of St. Petersburg. These images document daily life in the Ural city, which has changed beyond recognition, many historic landmarks lost forever, and only the photographs preserve the flow of a lost world.

***

Why Ekaterinburg is my favourite Russian city

O have visited Ekaterinburg three times during the past decade: 2012, 2016 and 2018. It is a city which I have fallen in love with for many reasons. It is filled with history, as well as many architectural monuments associated the Tsarist period, including cathedrals, churches, mansions and museums.

People often ask me “Why, Ekaterinburg?” as opposed to the former Imperial capital of St. Petersburg, especially given that “Ekaterinburg has such a dark history.”

Once a bastion of Bolshevism, Ekaterinburg has slowly shed its status as the “capital of atheism”. Since the fall of the Soviet Union in 1991, the Urals has experienced a revival of faith, with Ekaterinburg as the center of Orthodox Russia in the region.

It is important to add, that Ekaterinburg has done more to honour Nicholas II and his family than any other city in Russia. Thanks to my visits to Ekaterinburg in 2012, 2016 and 2018, it is a city which I have grown to admire and love.

© Paul Gilbert. 4 November 2019

Exhibition: ‘The Romanovs. Family Chronicles’ in Moscow

NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 12 September 2018 in my Royal Russia News blog – PG

The following exhibition ran from 14 September to 28 October 2018

Beginning 14th September 2018, the Tretyakov Gallery in Moscow will present unique materials from the archives of the Russian Imperial family. An exhibition of photo documents from the Gallery’s collections will showcase a previously unknown collection of photographs.

The Romanovs. Family Chronicles exhibition features photographs taken during the reign of Russia’s last three emperors – Alexander II (1855-1881), Alexander III (1881-1894) and Nicholas II (1894-1917) – the collection dating from the 1870s to 1914.

The exhibits were sent to the Tretyakov Gallery in 1932 from two former imperial residences: the Gatchina Palace, where the Empress Maria Feodorovna Dowager lived after the death of her husband Alexander III, and the Alexander Palace, the last residence of the family of Emperor Nicholas II.

From the middle of the 19th century, the Imperial families employed the services of court photographers for both official and leisure images, photographing them in the interiors of the Imperial palaces and country residences, at official receptions, on vacations, hunting trips, and other leisure activities. The “Kodak” camera was first used by the Grand Duchess Maria Feodorovna (future Empress Maria Feodorovna) in the 1860s, when she took a great personal interest in photography. Over time, her enthusiasm for photography was taken up by her son Nicholas II and his family. His wife Alexandra Feodorovna are often seen in leisure photographs with the famous Kodak Brownie camera in hand.

Various photos from the time of the Emperor Alexander III include: portraits of Grand Duchess Maria Feodorovna, Grand Duchess Xenia Alexandrovna, Prince George Maximilianovich, Duke of Leichtenberg (K. I. Bergamasco), Grand Duchess Olga Aleksandrovna (S. L. Levitsky). The Polish photographer Conrad Brandel recorded events and trips of Emperor Alexander III with his family to Poland: a military review in Brest, an inspection of the new station in Brest, Emperor Alexander III and Maria Feodorovna with a delegation of local residents or at a children’s choir performance.

A series of photos from the family album-boxes of Maria Feodorovna are also featured. These charming amateur photographs offer an intimate look at family time together: walks to the Finnish skerries on the Imperial yacht Tsarevna, picnics on the beach, and leisure time onboard the yacht. In the album there are 60 photographs-business cards. A small folding album contains nine photographs of the installation of the monument to Empress Catherine II by the sculptor M.M. Antokolsky in Vilna in 1904.

In the section dedicated to the family of Emperor Nicholas II, photographs include the exteriors and interiors of the Alexander Palace, views of the park and pavilions scattered throughout the parks in Tsarskoye Selo, as well as photos from “Yacht Zarnitsa” album.

These historic photo chronicles are represented mainly by beautifully bound albums, some of which are interesting examples of arts and crafts of the turn of the century. These albums were produced in a single copy, using precious metals on the occasion of significant events for the members of the imperial family.

The album “Medzhybozh” was presented to Grand Duchess Olga Alexandrovna, chief of the 12th Hussar Akhtyrsky Regiment, on the occasion of her visit to the headquarters in the Medzhibozh Castle on 11th December 1908. The album includes 30 photos documenting the anniversary visit: the chief of the regiment enters the castle, the review of the regiment, the squadron’s songwriters, the hunting team, a group of regimental officers among others.

The photo album, which belonged to the heir Tsesarevich Alexei Nikolaevich, contains 289 small-format photographs from 1909-1914, which depict trips made by the imperial family to Germany, the Finnish skerries and Crimea, and onboard the Imperial yacht Standart, among others.

The exposition also includes a unique series of 40 photos received as a gift in 2004, dedicated to the first official visit of Emperor Nicholas II, Empress Alexandra Feodorovna and Grand Duchess Olga Nikolaevna to France in 1896.

During the preparation of the exhibition, the staff of the scientific and reference department of photo-materials of the Tretyakov Gallery conducted research work to determine the names of the photographers and unknown persons in the photographs, dates and places. The results of the work are included in an exhibition catalogue published in the Russian language only.

The Romanovs. Family Chronicles exhibition ran from 14th September to 28th October 2018, in the New Tretyakov Gallery, Halls 80-82

© Paul Gilbert. 4 November 2019

Captured on Film by U.S. Cameramen – The Romanov Murder Scene (1918)

NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on the First World War in Film web site by Ron van Dooperen. It was reposted on 12 September 2018 in my Royal Russia News blog – PG

In December 1918, a photographic team of the U.S. Signal Corps led by Captain Howard Kingsmore arrived in Yekaterinburg, Russia, where they filmed inside the house where Tsar Nicholas II and his family was brutally murdered. Against all odds, we recently found Kingsmore’s personal story on this photographic assignment, as well as part of these historic films.

The execution of the last Russian Tsar and his family hardly needs an introduction. After the Bolsheviks had taken over power the Romanov family was moved to a so-called ‘House of Special Purpose’ in Yekaterinburg. The Imperial family was kept in strict isolation within the walls of a sinister heavily guarded building that was surrounded by a palisade. The Bolsheviks initially wanted to put the Tsar on trial, but in the summer of 1918 anti-Communist forces were at the gates of Yekaterinburg, and the Reds feared their captives would fall into enemy hands. As a result, death to the Romanovs was declared. Tsar Nicholas II, his wife Tsarina Alexandra and their five children Olga, Tatiana, Maria, Anastasia, and Alexei were shot, bayoneted and clubbed to death on the night of 16-17 July 1918. Their bodies were disposed of in a most gruesome manner.

The Cameramen

Howard P. Kingsmore was the photographic officer of a U.S. Signal Corps camera team that recorded the operations of the American Expeditionary Army in Siberia. Born in 1886, Kingsmore started his photographic work for the Philadelphia Inquirer, covering the burial of President McKinley, the coal strikes of 1901-1902 and the 50th anniversary of the Civil War battle of Gettysburg. Around 1907 Kingsmore became chief photographer for the Philadelphia Evening Ledger. For this newspaper he covered the civil war in Mexico, as well as the Punitive Expedition by General Pershing into that country in 1916. When the United States entered World War I he applied for a commission in the U.S. Signal Corps as a photographic officer. He was commissioned as a Lieutenant in September 1917, appears to have made mostly training pictures while he was in America and in Augustus 1918 was promoted to Captain, when a photographic section was set up for the Siberian Expedition. After the First World War Kingsmore became a cameraman for Fox News.

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The Ipatiev House in Ekaterinburg. 1918

Interview with Kevin Brownlow

Judging from the production file of the films that were made by Kingsmore and his camera team, they filmed across Siberia between November 1918 and February 1919, covering various operations by the Expeditionary Force that was trying to push the Red Army out of Russia. We have described this Signal Corps footage from Russia in more detail in a previous weblog. Five men were selected for this photographic team, including two movie camera operators. One of Kingsmore’s men, Philip Tannura, was interviewed by Kevin Brownlow for his book The War, the West and the Wilderness. Tannura was among Kingsmore’s cinematographers and in the interview with Brownlow Tannura mentioned how he accompanied Kingsmore while they visited the place where the Tsar and his family were executed. “We couldn’t find out whether they had actually been killed or not”, Tannura said. “We photographed all the rooms.”

Kingsmore said he boarded a Red Cross freight train in Vladivostok in November 1918. The trip across Siberia took about nine weeks. The accommodation on the train was of a most primitive nature. The American cameramen traveled in box cars that were originally built for cattle. Arriving in Yekaterinburg, the cameramen found the city controlled by Czech forces. These had taken Yekaterinburg shortly after the Tsar and his family were murdered. Kingsmore was told the Romanovs were subjected to many indignities by the Communist soldiers who guarded them. It should be noted here that at the moment when Kingsmore and Tannura arrived in Yekaterinburg an official investigation was still being carried out on the mysterious disappearance of the Imperial family. As far as the Kremlin was concerned, they had simply vanished into thin air and the Communists denied any allegation they had killed the Romanovs.

Photographic Evidence of the Romanov Execution

Kingsmore’s and Tannura’s pictures indicate this was a fabricated lie. One of their still photographs shows the cellar where the Romanovs were executed. Bullets were dug out of the wall by the Bolsheviks to destroy evidence of the crime, but the holes still remained and were clearly visible. Their pictures also demonstrate how the Tsar’s children had to sleep on the floor, as well as the search by the investigating committee for further proofs of the execution. Kingsmore also appears to have talked with eye witnesses. One told him the Romanovs were on their knees begging for mercy while they were executed in the basement of the house.

Part of the footage that was shot at Yekaterinburg has been retrieved and identified by the authors in the film collection of the National Archives in Washington, D.C. These scenes were probably taken by Tannura and show an exterior of the Czech military headquarters, the house the Romanovs lived in, as well as shots of the Czarina’s room and the room that was occupied by the Tsar’s daughters. We edited these historic scenes into a short clip that has been posted on our YouTube channel.

Click HERE to read the newspaper article In the House Where Romanoffs Were Put to Death, published in the Grand Forks Herald on 6 June 1919

© Ron van Dopperen. 3 December 2019