Act of historical justice: restored bust of Nicholas II returned to Livadia

PHOTO: the restored bronze bust of Emperor Nicholas II, installed and consecrated on 27th September 2022, on the grounds of the Church of the Exaltation of the Cross, Livadia

On the morning of 27th September, a restored bronze bust of Emperor Nicholas II was unveiled and consecrated on the grounds of the Church of the Exaltation of the Cross – the home church of the Russian Imperial Family, at Livadia Palace in Crimea. The event is dedicated to the 111th anniversary of the Grand Livadia Palace.

The sculptural image was discovered at Livadia in 1994 by Oleg Anatolyevich Permyakov, a representative of the Foundation for Slavic Literature and Culture. Due to the extensive damage, which consisted of mold and bullet holes, Permyakov was unaware of the identity of the bust, however, he was convinced that it was that of an important statesman from the Tsarist era.

He contacted People’s Artist of Russia Vyacheslav Mikhailovich Klykov (1939-2006) who, after conducting a comparative analysis of historic photographs and portraits of the Russian Imperial Family from the late 19th to early 20th centuries, Klykov came to the conclusion that this was a bust of the last Russian Emperor Nicholas II.

The restoration of the bust was financed by the Russian philanthropist, and honorary member of the board of trustees of the Public International Foundation for Slavic Literature and Culture Sergei Kozubenko. Klykov removed the mold and repaired the damage inflicted by Bolshevik bullets.

PHOTO: detail of the restored bronze bust of Emperor Nicholas II, installed and consecrated on 27th September 2022, on the grounds of the Church of the Exaltation of the Cross, Livadia

In 2003, a new bust was cast from the restored bust, and installed on the grounds of the Church of the Holy Martyrs Faith, Hope, Love in Kursk. The bust marked the historic visit and stay of Emperor Nicholas II and members of the Imperial Family at the large military maneuvers, held on the outskirts of the city in August-September 1902.

A plaster copy of the bust was also installed in the central columned hall of the Fund for Slavic Literature and Culture in Moscow.

According to the restoration plan of the sculptor Vyacheslav Klykov, the bust had to return to its’ historical place, the Livadia Palace, the residence of Emperor Nicholas II, situated on the southern coast of Crimea. This return was supposed to symbolize the restoration of the connection between the generations of Russians, broken as a result of the revolution and the Civil War. To become a symbol of repentance and the return of modern Russia to its historical roots, the origins of its cultural identity.

Sadly, the great sculptor did not live to see the realization of his plan. Klykov’s idea was implemented by his friend, Sergey Pavlovich Kozubenko, who organized the return of the bust to Livadia Palace.

PHOTO: Sergei Kozubenko (left), and Oleg Anatolyevich Permyakov (second from right), at the unveiling of the restored bust of Emperor Nicholas II on the grounds of the Church of the Exaltation of the Cross, Livadia,

The opening ceremony was attended by the Minister of Culture of the Republic of Crimea Tatyana Manezhina , noting the importance of a respectful attitude to the historical and cultural heritage of the country.

“Each monument of history and culture embodies a tangible connection between the past and the present, which allows for the study of national history for future generations. It is especially important and significant that public organizations and individuals take part in the preservation and popularization of Russia’s cultural heritage. I am sure that our joint efforts will contribute to the preservation of the traditions and rich spiritual heritage of Russia,” the minister stated.

PHOTO: view of the Church of the Exaltation of the Cross, which is connected by a gallery to the palace

Tatyana Manezhina also expressed her gratitude to the staff of the Republican Museum, representatives of the Public International Fund for Slavic Culture and Literature, personally to Sergei Kozubenko for his initiative and assistance in finding and restoring the lost and damaged sculptural image of the former owner of the Livadia Palace, Emperor Nicholas II.

The consecration of the bust was performed by Nestor Bishop of Yalta. The event was attended by Sergey Kozubenko, Head of the Yalta city administration Yanina Pavlenko , local government officials, members of the clergy, and the general public.

PHOTO: view of the restored bronze bust of Emperor Nicholas II on the grounds
of the Church of the Exaltation of the Cross, Livadia, as it looks today – 10 July 2025

A total of four monuments to Emperor Nicholas II have now been installed in Crimea: two on the grounds of Livadia Palace, one in Evpatoria and one in Alushta.

© Paul Gilbert. 27 September 2022

Nicholas II and Tsesarevich Alexei to be featured in monument in Grozny, Chechnya

PHOTO: information stand about the Caucasian Native Cavalry Division,
formed by order of Emperor Nicholas II, in 1914

A unique exhibit dedicated to the Caucasian Native Cavalry Division, is currently on display at the Akhmat Kadyrov Museum, in Grozny, Chechnya. The Heritage of the Empire exhibit is a project of the Grozny branch of the Union of Historical and Educational Societies.

In the center of the exhibit is a model of the future monument to the Caucasian Native Cavalry Division, to be installed in the Chechen capital of Grozny. The sculptural composition includes the figures of Emperor Nicholas II, his son Tsesarevich Alexei Nikolaevich – both of whom visited the regiment during World War I – and Grand Duke Mikhail Alexandrovich.

An information stand featuring photos, archival documents, and list of horsemen of the regiment is also presented, prepared by the senior researcher of the museum, candidate of historical sciences Isa Saidovich Khamurzaev.

PHOTO: model of the future monument to the Caucasian Native Cavalry Division

PHOTO: detail of Emperor Nicholas II, his son Tsesarevich Alexei Nikolaevich
and Grand Duke Mikhail Alexandrovich of the sculptural composition

The Caucasian Native Cavalry Division, also known as the “Savage Division” was a cavalry division of the Imperial Russian Army.

On 23rd August, Emperor Nicholas II ordered the formation of the Caucasian Native Cavalry Division, simultaneously appointing his younger brother Grand Duke Mikhail Alexandrovich as its commander. The Grand Duke’s appointment gave the unit an elite status and many foreigners in Russian service as well as Russian and Caucasian noblemen sought to join it.

On 6th March, Mikhail Alexandrovich personally led the division in an offensive on Tlumach, defeating two Austrian battalions and seizing the town. He was later awarded the Saint George Sword for the action.

The division consisted of three brigades, broken into six regiments, each of which numbered four sotnias. The 1st Brigade incorporated the 2nd Dagestan and Kabardin Regiments.

PHOTO: Grand Duke Mikhail Alexandrovich (center),
commander of the Caucasian Native Cavalry Division

Ninety percent of the personnel were Muslim volunteers from the Caucasus, the rest belonged to various nationalities from across the Russian Empire; totaling over 60 different nationalities. Each regiment numbered 22–24 officers, 480–500 riders and 121–141 support personnel. The regiment took part in World War I, distinguishing itself in numerous engagements, including the Brusilov and Kerensky Offensives.

The February Revolution and the subsequent Abdication of Nicholas II did not negatively affect the division’s morale. In the middle of June 1917, the division joined the 12th Army Corps at Stanislavov in preparation of the Kerensky Offensive. On 8th July, the division launched an offensive on Kalush and Dolyna. On 12th July, the 1st Brigade and the 3rd Caucasus Cossack Division thwarted a German counter-offensive at Kalush.

During the course of the war, approximately 7,000 people served in the ranks of the division, 3,500 of whom received varying degrees of the Order of St. George and the Medal of St. George. Initially, non-Christians were awarded a different version of the order, which replaced St. George with the Imperial double-headed eagle. However upon the request of the riders the jigit was restored in the place of the “bird”. During the period of its operation the regiment did not record a single incident of desertion, while capturing a number of prisoners four times its own size. During the course of the Russian Civil War, many veterans of the Kabardin Regiment joined the ranks of the White Movement’s Volunteer Army. In contrast, veterans of the Ingush Regiment enlisted into the army of the Mountainous Republic of the Northern Caucasus en masse.

© Paul Gilbert. 11 September 2022

Proceedings of the 1st International Nicholas II Conference

*This title is available from AMAZON in the USA, UK, Canada, Australia,
France, Germany, Spain, Italy, Netherlands, Poland, Sweden and Japan

CLICK HERE TO ORDER THE PAPERBACK EDITION @ $30.00 USD

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I am pleased to offer the proceedings of the 1st International Nicholas II Conference, in both hard cover and paperback editions, available exclusively from AMAZON.

The original edition of these proceedings published in 2018 is out of print. This NEW edition, has been revised and updated, featuring three additional articles, plus a comprehensive bibliography featuring more than 100 English-language titles on the life, reign and era of Russia’s much slandered Tsar.

In addition, this new edition also features full-colour photographs of the event, illustrated with 50 colour and black and white photographs.

* * * * *

In the autumn of 2018, people from nearly a dozen countries gathered in Colchester, England for a conference marking the 150th anniversary of the birth and the 100th anniversary of the death martyrdom of Russia’s last Tsar.

Five speakers, including Paul Gilbert, Archpriest Andrew Philips (ROCOR), Nikolai Krasnov, authors Frances Welch and Marilyn Swezey presented seven papers on Nicholas II.

Lectures included “A Century of Treason, Cowardice and Lies,” “Why Nicholas II is a Saint in the Russian Orthodox Church,” “Nicholas II and the Sacredness of a Monarchy,” “Nicholas II in Post-Soviet Russia,” among others.

The Grand Duchess Elizabeth Romanov Society UK were kind enough to provide 10 exhibit banners from the society’s mobile exhibition Romanovs During the First World War: Charity and Heroism. Click HERE to read a short summary of the Nicholas II Conference, held in Colchester, England on 27th October 2018.

The conference was timed to coincide with two exhibitions, held in London: The Last Tsar: Blood and Revolution at the Science Museum and Russia: Royalty and the Romanovs at the Queen’ Gallery, Buckingham Palace.

© Paul Gilbert. 6 September 2022

Nicholas II’s apartments in the Winter Palace

CLICK on the IMAGE above to watch a VIDEO about the Imperial Apartments
in the Winter Palace. Duration: 12 minutes, 53 seconds. English subtitles

Please note that this article focuses on specific interiors of Emperor Nicholas II’s private apartments in the Winter Palace, it is part of a larger publishing project I am currently working on, that will feature a more comprehenvive study of this Imperial residence during the reign of Russia’s last Tsar – PG

On his accession, Nicholas II was keen to return to the Winter Palace residence in the capital. The palace architect, Alexander Feodorovich Krasovsky (1848-1918), was entrusted with creating private rooms for the Emperor and his wife, Alexandra Feodorovna. In December 1895 they moved into the Winter Palace and lived there permanently in the winter. Following the events of Bloody Sunday [22nd January (O.S. 9th) 1905], the Imperial Family moved to the Alexander Palace at Tsarskoye Selo, visiting the Winter Palace only for formal ceremonies, banquets and receptions.

Receptions and balls became rare events. The most famous ball held in the Winter Palace during the reign of Russia’s last Tsar was the luxurious Costume Ball, held in two stages on 11th and 13th February 1903. All the visitors dressed in bejeweled 17th-century style costumes. Nicholas II wore the costume of Tsar Alexei Mikhailovich (1629-1676); while the Empress Alexandra Feodorovna wore the costume of his first wife Tsarina Maria Ilyinichna Miloslavskaya (1624-1669).

It was in 1897, that Emperor Nicholas II approved the project for a new colour of the facades of the Winter Palace. A brick-red hue was chosen, to match the red sandstone colour of the new fence of Her Majesty’s Own Garden. The Emperor’s decision was carried out in 1901 after the construction of the fence of the garden was completed.

PHOTO: view of the north-western corner block of the Winter Palace and Her Majesty’s Own Garden. The door in the center is the Saltykov Entrance, which led to the private apartments of Nicholas II and Alexandra Feodorovna, located on the 2nd floor

The personal apartments of Nicholas II and his wife were created in the second floor of the north-western corner block, beyond the Malachite Room that was among the state rooms of the palace whose historical appearance was preserved. The rooms which Alexander Bryullov (1798-1877) had decorated for Empress Alexandra Feodorovna (1798-1860) in 1838-39, were converted for Russia’s last Emperor and Empress.

The rooms were a self-enclosed complex, a separate apartment, designed to embody the young couple’s domestic ideal, a cosy, welcoming home. The Emperor’s diaries show that they both devoted much attention to the fitting out of their new apartments. Many of the rooms belonging to Nicholas II were small, narrow, dark and awkward in design, especially the Emperor’s narrow study.

Krasovsky, showed himself to be a master with immense erudition and superb taste. The combination of brilliant historical stylization with Moderne (Art Nouveau) elements made the apartments of the last Russian Emperor’s family a unique work of art. Each room that Krasovsky created was an elegant paraphrasing of the style of a particular historical era.

The second enfilade overlooked the Admiralty, which included the Imperial Bedroom, Nicholas II’s Study, the Gothic Library, the Billiard Room, Nicholas II’s private bath, a drawing room, lavatory and a small Checkpoint at the Saltykov staircase. A private garden was created beneath the windows of the Imperial apartments on the site of a former parade ground, surrounded by a high wall topped with decorative iron-grille railings.

PHOTO: view of the Imperial Bedroom

PHOTO: the bed which Nicholas and Alexandra shared, and the icon case

The Imperial Bedroom featured an alcove highlighted by two white stucco columns. The walls were decorated with cretonne, a heavy English cotton fabric featuring red flowers and green leaves. The wall panels and furniture were made of Karelian birch.

A small living room was created in front of a large folding screen which separated it from the alcove. It featured a number of pieces of furniture, including a comfortable sofa and chairs. In addition, where wicker furniture for the children. Alexandra Feodorovna spent many hours here, relaxing on the sofa with a book or needlework, while her children played nearby.

In the alcove, separated from the rest of the room by a folding screen was a large bed – unlike most sovereigns of the day, Nicholas II and his wife shared a bedroom. A large folding icon case – covered with icons – was situated against one wall.

PHOTOS: two views of Emperor Nicholas II’s Study

Nicholas II’s Study was arranged in the English Gothic style, decorated with oak. The beauty of the wood was enhanced by the matte surface of the upper part of the walls, painted in an oak colour and the rich green and yellow silk draperies which decorated the double-windows of the interior. The wall between the two arches was decorated with a huge fireplace, the upper part decorated with coloured tiles.

All the details of the interior and the furniture were enhanced with Gothic-style carvings. An important element in in this interior was the Gothic fireplace embellished with griffons and lions, heraldic figures from the arms of the Romanov House and the Hesse-Darmstadt House, to which the Empress belonged.

The Emperor’s desk was decorated with small busts of his grandfather Emperor Alexander II and great-grandfather Nicholas I, and numeroud framed family photographs. The walls were decorated with portraits of Nicholas II’s ancestors. In another part of room stood a piano, which the Imperial couple often played four hands. In the evenings, after returning from the theater, they often had dinner in front of the fireplace.

PHOTO: Emperor Nicholas II’s bath, located next to his Study. 1930s

A large marble bath was installed next to the Emperor’s Study. A small staircase connected to the Emperor’s dressing room and his Valet’s room. The pool was a rectangular recess with a marble staircase consisting of 9 steps. There was also an open shower niche and a water closet with a separate door.

In 1898, the size of the pool was increased to a size of 387 [152 in.] x 385 cm [151 in.] and a depth of 159 cm [63 in.]. The architect, Nikolai Ivanovich Kramskoy (1865-1938), who carried out the renovation managed to preserve the original marble wall cladding and frieze design seen in the photo above.

In 1938, Nicholas II’s bath was closed. While some parts of the decoration have been preserved, including the ceiling decoration with the original 19th lamp. It is difficult to ascertain what other elements have been preserved, as this room is today filled from floor to ceiling with shelves on which part of the Hermitage drawing fund is stored.

It is not known, if the bath itself was filled in during the 1930s, or whether it was covered with boards and flooring, just like they did to Nicholas II’s bath in the Alexander Palace at Tsarskoye Selo.

PHOTO: Emperor Nicholas II’s Gothic Library

The Gothic library was the largest room of the suite refurbished for Nicholas II by Krasovsky, who used the same English medieaval style used in the Emperor’s Study. The two-tiered interior, which included the ceiling, the bookcases, the stairs and upper gallery were trimmed with wax-polished walnut. They were decorated with ornaments characteristic of the Gothic style. The walls between the cabinets and the upper gallery were covered with embossed leather. This magnificent decoration was made at the worskhop of Nikolai Fedorovich Svirsky (1851-1915) – supplier to His Majesty’s Imperial Court.

A huge white stone fireplace, reminiscent of a Gothic portal with a frieze dominated the interior. Nicholas and Alexandra liked to spend their evenings reading in front of the fireplace.

Furniture was made in the Gothic style, according to Nabokov’s drawings, which included several tables, the Emperor’s desk in front of the fireplace, chairs and a lectern. A unique smoking table, decorated with gold and diamonds, with a well stocked selection of cigarettes and cigars was a unique addition. In this interior, reminiscent of a medieval hall, the Emperor often received officials.

The interior of the Gothic Library has survived, click HERE to read more about this interior.

PHOTO: Emperor Nicholas II’s Billiard Room

Nicholas II, like many of his predecessors and relatives loved billiards. Sometimes he played a game or two with his adjutant wing on duty, whose post was in the adjoining Reception Room.

The interior of the Billiard Room was designed in the Neo-Classical style. The doors were framed in the form of portals with pilasters topped with a entablature and acroterium. The classic styled white marble fireplace was decorated with a frieze depicting cupids in chariots. Wall panels, doors and furniture were made of polished mahogany and decorated with copper inserts. Paintings and vases collected by Nicholas II during his Far Eastern journey in 1891-92, decorated the walls and shelves. The parquet floor from the Pompeian Dining Room, created by Alexander Pavlovich Bryullov (1798-1877) in 1838-39, was transferred to this interior.

PHOTO: the Small Dining Room

Formerly known as the Pompeian Dining Room, the Small Dining Room was redecorated in 1894–95, by Krasovsky. A rococo plaster-work style was chosen to frame 18th-century St Petersburg tapestries. It was in this room, that Nicholas and Alexandra and their guests gathered for meals. The crystal chandelier was made in England in the 1760s, it was electrified during Nicholas II’s reign.

The hands of the clock on the mantle [seen on the far wall in the photo above] are stopped at 2.10, the time when the ministers of the Provisional Government were arrested in this room, during the early morning hours on 26th October 1917.

The Winter Palace had been the seat of the Provisional Government since July 1917. It’s leader Alexander Kerensky (1881-1970) wasted little time in acquisitioning the Emperor’s Gothic Library for his own personal use.

Following the Government’s arrest in the Small Dining Room, an eyewitness account records a systematic destruction of the apartments by the Bolsheviks:

“The Palace was pillaged and devastated from top to bottom by the Bolshevik[s]…Priceless pictures were ripped from their frames by bayonets. Packed boxes of rare plate and china…were broken open and the contents smashed or carried off. The library….was forced open and ransacked…..the Tsaritsa’s salon, like all other rooms, was thrown into chaos. The colossal crystal lustre, with its artfully concealed music, was smashed to atoms. Desks, pictures, ornaments—everything was destroyed.”

On 30th October 1917 the Military Revolutionary Committee of the government of the Russian Republic declared the palace “a state museum on a par with the Hermitage”. The palace was given over to the administration of the museum in 1922. In 1923 a programme was initiated under the direction of the architect Alexander Vladimirovich Sivkov (1890-1968) to convert the palace ensemble into a museum complex. This programme included the reconstruction of the Winter Palace that in the post-revolutionary period became known as the Palace of the Arts.

For a brief period following the revolution, the private apartments were open to the public to display the life of the former rulers, as this was the area of the palace where entry had been gained by the revolutionaries, and as a consequence, much had been destroyed so it is hard to know how accurate the depiction of the imperial private lives could have been.

In time the state rooms of the former imperial residence came to be used for exhibitions, while the living rooms and service premises were converted into display rooms, losing their decorations. In 1926, the “Historical Rooms of Emperor Nicholas II” were closed, dismantled and given over to exhibition use.

The only historic interiors which have survived from the time of Nicholas II are the Gothic Library and the Small Dining Room. Sadly, the remaining interiors have not survived and today we only have photographs, architect’s drawings and archive documents which preserve the memory of the former private apartments of Russia’s last emperor and tsar.

© Paul Gilbert. 30 August 2022

Paul Gilbert’s Romanov Bookshop on AMAZON

I have published more than 50 titles to date through AMAZON – featuring one of the largest selections of books on Nicholas II, the Romanov dynasty and the history of Imperial Russia.

Please CLICK on the BANNER or LINK above to review my current selection of titles in hardcover, paperback and ebook editions. Listings provide a full description for each title, pricing and a Look inside feature.

22nd anniversary of the Canonization of Nicholas II and his family

0301

Bas-relief on the wall of the Chapel of the Royal Passion-Bearers in Kostroma

On this day – 20th August 2000 – after much debate, Emperor Nicholas II and his family were canonized as passion bearers by the Moscow Patriarchate

The Moscow Patriarchate canonized the family as passion bearers: people who face death with resignation, in a Christ-like manner, as distinguished from martyrs, the latter historically killed for their faith. Proponents cited the piety of the family and reports that the Tsarina and her eldest daughter Olga prayed and attempted to make the sign of the cross immediately before they died.

The term “passion-bearer” is used in relation to those Russian saints who, “imitating Christ, endured with patience physical, moral suffering and death at the hands of political opponents. In the history of the Russian Church, such passion-bearers were the holy noble princes Boris and Gleb (1015), Igor of Chernigov (+ 1147), Andrei Bogolyubsky (+ 1174), Mikhail of Tverskoy (+ 1318), Tsarevich Dimitri (+ 1591). All of them, by their feat of passion-bearers, showed a high example of Christian morality and patience.

Despite their official designation as “passion-bearers” by the August 2000 Council, Nicholas II and his family are referred to as “martyrs” in Church publications, icons, and in popular veneration by the people.

NOTE: The family was canonized on 1st November 1981 as new martyrs by the Russian Orthodox Church Outside Russia (ROCOR).

This bas-relief (above) also depicts their servants, who had been killed along with the Imperial family. They were also canonized as new martyrs by the ROCOR in 1981 The canonized servants were Yevgeny Botkin, court physician; Alexei Trupp, footman; Ivan Kharitonov, cook; and Anna Demidova, Alexandra’s maid. Also canonized were two servants killed in September 1918, lady in waiting Anastasia Hendrikova and tutor Catherine Adolphovna Schneider. All were canonized as victims of oppression by the Bolsheviks.

On 3 February 2016, the Bishop’s Council of the Russian Orthodox Church (Moscow Patriarchate) canonized Dr. Botkin as a righteous passion bearer. They did not canonize the servants, two of whom were not Russian Orthodox: Trupp was Roman Catholic, and Schneider was Lutheran.

© Paul Gilbert. 20 August 2022

“For us, Serbs, Nicholas II will be the greatest and most revered of all saints.”

PHOTO: fresco depicting the image of Tsar-Martyr Nicholas II by Stepan Kolesnikov

On 11th August 1927, newspapers in Belgrade reported a miracle witnessed by the Russian artist Stepan Fedorovich Kolesnikov (1879-1955).

Kolesnikov had been invited to paint the frescoes in a new church in the ancient monastery of St. Naum. The master depicted the faces of fourteen saints, while leaving the fifteenth empty. He returned to the church at dusk, and unexpectedly saw that at the very place where he was supposed to draw another saint, the face of Nicholas II appeared.

Kolesnikov, who had met the Emperor on several conversations at exhibitions and remembered his face well. But the vision was so vivid that night Stepan Fedorovich seemed to be working from nature. Having finished the fresco, he wrote below: “All-Russian Emperor Nicholas II, who accepted the martyr’s crown for the prosperity and happiness of the Slavs.”

A few days later, the commander of the Bitolsky military district, General Rostich, arrived at the monastery. For a long time he stood in silence in front of the fresco of the Russian emperor, and then quietly said to Kolesnikov: “For us, Serbs, he will be the greatest and most revered of all saints.”

PHOTO: the Monastery of Saint Naum

The Monastery of Saint Naum is an Eastern Orthodox monastery in North Macedonia, named after the medieval Bulgarian writer and enlightener Saint Naum who founded it. It is situated along Lake Ohrid, 29 kilometres (18 mi) south of the city of Ohrid.

The monastery was established in the Bulgarian Empire in 905 by St Naum of Ohrid himself. St Naum is also buried in the church.

Since the 16th century, a Greek school had functioned in the monastery. The area where the monastery of St Naum lies belonged to Albania for a short period from 1912 until June 28, 1925, when Zog of Albania ceded it to Yugoslavia as a result of negotiations between Albania and Yugoslavia and as a gesture of goodwill.

Today, the Monastery of Saint Naum, is under the jurisdiction of the Macedonian Orthodox Church – Archdiocese of Ohrid, although many Serbs claim that the monastery is under the jurisdiction of the Serbian Orthodox Church.

Click HERE to read my article Nicholas II through Serbian eyes, published on 13th October 2020

© Paul Gilbert. 11 August 2022

1917 Bible belonging to Nicholas II preserved in Pskov church museum

PHOTO: copy of the Old Testament with personal notes made by Emperor Nicholas II. On the right, is a small casket containing a milk tooth of Tsesarevich Alexei Nikolaevich

Tucked away in the Church of St. Alexander Nevsky in Zavelichye (Pskov), is a tiny little known museum. The museum was created by Archpriest Oleg Teor (born 1944), who over the years has collected and preserved numerous items and documents of historic value and significance of the diocese.

The museum’s most interesting item is a copy of the Old Testament belonging to Emperor Nicholas II, found on the Imperial Train in March 1917, which includes notes made in the margins, written in pencil. The sacred text lies in a special wooden box under glass. Sitting next to it, is a small casket containing a milk tooth of Tsesarevich Alexei Nikolaevich.

Recall that it was on on the night of 15th (O.S. 2nd March 1917, in a wagon of the Imperial train, stationed in the ancient Russian city of Pskov, Nicholas II, Emperor and Autocrat of All the Russias, in the forty eighth year of his life and the twenty third of his reign, surrendered the crown that his forebears had held since 1613.

PHOTO: Church of St. Alexander Nevsky in Zavelichye (Pskov)

How did the sacred text end up in Pskov?

The Church of St. Alexander Nevsky was built in 1907-1908, for the 96th Omsk Regiment. The church was closed by the Bolsheviks in 1918. In 1992, it was returned to the Russian Orthodox Church. Following an extensive restoration, the church was reconsecrated on 12th June 1995, new bells were consecrated on 2nd December 2008, marking the 100th anniversary of the church.

There are several theories among the parishioners, as to how the copy of the Old Testament ended up in Church of St. Alexander Nevsky. Some say that the Old Testament was donated to the church by an elderly woman from Pskov, while others claim that the donor was a man who wished to remain anonymous. Allegedly, he went into the church, placed the Bible on the table and, saying that it belonged to the Tsar, disappeared in an unknown direction. The most intriguing theory, however, the book was miraculously found in a looted imperial train car and passed to the woman for safekeeping from relatives.

According to Archpriest Oleg Teor, however, the Old Testament was given to him by the nephew of a veteran of the Great Patriotic War, who later took the clergy. “I know this man very well, and while still a boy, he came to visit his uncle and asked about the book. His uncle replied that it belonged to Tsar Nicholas II. Either the Emperor himself, who prior to his abdication was on the Imperial Train, or one of his aides handed the book to a relative of his uncle with the words “take it and safeguard it.” The uncle then gave the sacred text to his nephew, who some years later gave me the copy of the Old Testament repeating the words of his uncle “take it and safeguard it“. . .

The Old Testament contains two notes in the margins inscribed in a “sharp-edged graphite pencil” on pages 220 and 237. In addition, it contains many underlined passages. Perhaps the Tsar looked for answers to many of his questions in the Holy Scriptures? Perhaps the Old Testament, helped the Tsar put his thoughts and feelings in order and make the difficult decision to abdicate?

PHOTO: Archpriest Oleg Teor shows the sacred text, which lies in a special wooden box under glass

Forensic examination

In February 1997, Archpriest Oleg Teor met with Alexander Bogdanov, a forensic expert of the Internal Affairs Directorate of the Pskov Region, who was instructed to conduct an examination of the Old Testament, and establish whether the notes were indeed made by Nicholas II just before that fateful night in Pskov.

Bogdanov went to the State archives in Moscow, where he sorted through and examined Nicholas II’s documents, including the emperor’s notes, a notebook for playing dominoes and cards, as well as letters and diaries. Many of the documents contained brief alphabetic and digital notes made with a graphite pencil… the same type of pencil used in the margins of the Old Testament.

Bogdanov examined each document meticulously, then made copies with the use of a digital camera. He then took these documents back to the forensic center for further examination. But this was only the beginning of a great work that lasted several months. At the second stage, Valery Ivanov, a leading specialist in the field of handwriting, joined Bogdanov.

“Now the criminalists had to examine and compate the handwriting of the pencil notes found in the margins of the Bible with the handwriting of Emperor Nicholas II,” recalls Yuri Yashin, a colleague of Bogdanov and Ivanov, who oversaw the examination. To do this, it was necessary to identify a certain set of general and particular features of handwriting. As a result of the handwriting examination, a set of matching general and particular features was established.

Researchers of the Pskov State Historical and Architectural Museum-Reserve, who examined the book dated it to the 1870s 1890s. The sacred text shows signs of repairs of the book, probably made in the 20th century by an amateur bookbinder. Putting all the pieces of the puzzle into a single picture, Alexander Bogdanov and Valery Ivanov and their team of forensic experts came to a categorically positive conclusion. “The two handwritten texts found on pages 220 and 237, of the Old Testament were executed by the All-Russian Autocrat Emperor Nicholas II”.

PHOTO: the Old Testament which belonged to Emperor Nicholas II, is today preserved in a special wooden box under glass in the Church of St. Alexander Nevsky in Zavelichye (Pskov)

NOTE: There remains some speculation that it is highly unlikely that the Emperor himself, of his own free will, parted with his personal Bible. Based on the inventory of icons, shrines and spiritual books left after the regicide, it is clear that the Imperial Family treasured such books and carried them everywhere with them.

Known, for example, is a Bible belonging to Nicholas II, which was presented to him by his mother – Empress Maria Feodorovna, when he was Tsesarevich. It was this Bible that accompanied the Tsar, first to Tobolsk, and then to Ekaterinburg. Following the regicide, it was discovered by the Whites in the deserted Ipatiev House, and then, among with other personal items which belonged to the Imperial family, the Bible was given to the Emperor’s sister, Grand Duchess Xenia Alexandrovna, who later donated it to the Russian Orthodox Church of Saint Job in Uccle, Brussels.

The milk tooth of Tsesarevich Alexei Nikolaevich

The milk tooth of Tsesarevich Alexei Nikolaevich was first kept in the Winter Palace in St. Petersburg, where Nicholas II and his family lived until they moved to Tsarskoye Selo in 1905, then a small apartment in France and, finally, Orthodox Church of St. Nicholas in Saint-Louis, France [just one kilometer from the Swiss border].

The milk tooth of the innocently murdered Tsesarevich was carefully kept by his nurse-nanny Alexandra Alexandrovna Tegleva [wife of the Imperial children’s tutor Pierre Gilliard]. Both Tegleva and Gilliard accompanied the Imperial family into exile to Tobolsk in August 1917.

When the Empress was transferred to Ekaterinburg in April 1918, she passed her jewellery to the nanny and Alexei’s three milk teeth.

Having miraculously escaped execution, Alexandra Teglina fled Bolshevik Russia, eventually settling in Switzerland. Until her death on 21st March 1955, she carefully kept the precious box with the gifts of the Empress. After her death, her nephew gave the casket containing the Tsesarevich’s milk teeth to the Church of St. Nicholas in Saint-Louis.

The rector of the French parish of St. Nicholas ordered three icons of the Holy Royal Martyrs with three absolutely identical reliquaries for each tooth. A request was made by a member of the Russian clergy, who asked that one of these icons be sent to Russia, so that as many Orthodox as possible could see it.

One of these icons was given to the Church on the Blood in Ekaterinburg, built on the site of the Ipatiev House, where Nicholas II and his family met their death and martyrdom on 17th July 1918.

Another of these icons was given to Archpriest Oleg Teor by his friend the rector of the Orthodox church in Saint-Louis Vladimir Shibaev. According to Father Oleg, Father Vladimir requested that the milk tooth of the murdered Tsesarevich should be “returned home to Russia“.

To learn more about this sacred text and the Tsar’s alleged abdication, please refer to pages 62-83 of my book Nicholas II: Russia’s Last Orthodox Christian Monarch (2022), available from AMAZON in paperback and eBook editions.

© Paul Gilbert. 10 August 2022

Monument to Nicholas II consecrated in Ivanovo region

The unveiling and consecration of a new bust-monument to Emperor Nicholas II took place on 5th August, on the grounds of St. George’s Church, situatedin the village of Vali (the formerly Georgievskoye), situated in the Kineshma district of the Ivanovo region.

The consecration of the bust-monument was performed by the former rector of St. George’s Church, and now Bishop Methodius of Kamensky and Kamyshlovsky.

The bust-monument was installed in memory of Emperor Nicholas II’s visit here during the events marking the 300th anniversary of the Romanov dynasty. It was on 18th May 1913, that the last Russian Tsar with the August family, while traveling on the steamship Mezhen from Nizhny Novgorod to Kostroma, made an unscheduled stop here. He was so taken by the beauty of the village and its church, that he left gifts, including an icon of the Mother of God “Joy of All Who Sorrow”.

PHOTO: final touches were made on the installation of the bust-monument last week

The bust was made by craftsmen from the Kursk region with funds raised by parishioners and sponsors. St. George’s Church was built at the beginning of the 19th century on the left bank of the Volga River. During the Soviet era, the church was not closed, nor was it subjected to desecration. To this day, the church has maintained its original decoration intact.

PHOTO: the consecration of the bust-monument to Nicholas II was performed on 5th August, on the grounds of of St. George’s Church, situated in the Kineshma district of the Ivanovo region

© Paul Gilbert. 6 August 2022

What kind of ice cream was served to Nicholas II?

Ice cream in its modern version first appeared in Russia, in the 18th century, its recipe, published in Новейшая и полная поваренная книга / The Newest and Complete Cookbook (1791) by Nikolai Maksimovich Yatsenkov.

Mention of ice cream was not only recorded in the memoirs of members of the Imperial Court, but also in the works of poets and writers. The great Russian Romantic writer, poet and painter Mikhail Lermontov (1814-1841), obliged his home cook to serve ice cream daily. Another Russian writer Thaddeus Bulgarin (1789-1859) writes about Venetian ice cream in his novel Ivan Vyzhigin (1829). The poet Gavriil Derzhavin (1743-1816), in honor of his name day, every year arranged a gala dinner, at the end of which ice cream was served in the form of an ancient temple or castle.

One of the scenes that struck the French aristocrat and writer Marquis de Custine (1790-1857) in the summer of 1839, was Muscovites eating ice cream in the Alexander Garden.

“Muscovites: shaved, curled, in tailcoats and white pantaloons, in yellow gloves, sit at ease in front of brightly lit cafes, eat sweet ice cream and listen to music? In the summer this can now be observed in Moscow every evening,” he wrote.

PHOTO: early 20th century Russian ice cream vendor

Expensive pleasure

In the late 18th and early 19th centuries, Russian people were content with traaditional folk dishes: cheesecakes and pancakes, syrniki [sweet cheese pancakes], topped with delicious sour cream and jam. Meanwhile, ice cream had acquired the status of a popular, fashionable and incredibly expensive dessert among Russia’s nobility. The new-fashioned cold treat was present at every social event, ball, and lavish feast.

At the time, sugar was in very short supply and was very expensive, which is why the old ice cream recipes, were considered an expensive pleasure, one which was only available to the very rich. Nevertheless, ice cream was already gaining popularity at Russian tables. By the end of the 18th century, they began to complete dinner with this cold treat more and more often.

The Court cooks slowly and masterfully coped with the whimsical melting product, creating new cold desserts, which included “Vesuvius on the Mont Blanc” – ice cream set on a platter, doused with rum or cognac and set aflame.

The production of ice cream by hand was a time-consuming and small-volume business. The amount of product directly depended on refrigeration equipment, which helped with the process of creating and preserving these cold delicacies.

The full-fledged and well-established production of ice cream in Russia began in the 1830s, when a shop was opened at a Moscow dairy plant, equipped with all the necessary equipment.

By the beginning of the 19th century, ice cream continued to gain popularity and more widely available, including fairs. Writer Pavel Efebovsky wrote in his essay Petersburg Peddlers: “Ice cream is sold by a Russian peasant in a huge tub filled with ice. This tub alone weighs at least three pounds . . . Only it’s expensive: a glass in three sips costs as much as two silver kopecks”.

Up until the middle of the 19th century, ice cream in Russia was prepared exclusively by hand. It was only in 1845, the Swiss-born restaurateur and confectioner Johann-Lucius Isler (1810-1877) patented a machine that made it possible to produce this delicacy mechanically. Isler opened one of the most popular St. Petersburg cafes on Nevsky Prospekt, where they served ice cream with unusual ingredients for that time: fruit liqueur, ground coffee, infusion of orange flowers, pistachios, walnuts. At the same time, three main varieties of cold desserts appeared: sorbetto (or sherbet) – a heavily chilled fruit drink; granito made from frozen fruit juice and ice cream – a dense mass of milk or cream with sugar and various ingredients, similar to modern ice cream.

PHOTO: this richly decorated Coronation menu indicates that ice cream was served at the Gala dinner in the Alexander Hall of the Great Kremlin Palace, Moscow, dated 23rd May 1896

Ice cream at the Imperial Court

During the reign of Empress Catherine II, when various overseas amusements and dishes were very fashionable in Russia, recipes for ice cream made from cream and egg whites, included such ingredients as chocolate, lemon, currants, cranberries, raspberries, cherries and oranges.

During the reigns of her successors, ice cream continued to be popular at the Imperial Court. Emperor Alexander I had a French chef named Carem, who invented new types of this dessert to surprise the monarch. Emperor Nicholas I, on the other hand, refused ice cream: based on his solidarity with his brother Michael, who was on a strict diet on the advice of doctors. But the emperor’s wife Empress Alexandra Fedorovna ordered two portions of ice cream from the pastry shop every day for the amount of 1 ruble 72 kopecks.

Richly decorated menus confirm that Мороженое [ice cream] was served to guests at elaborate State Banquets. In particular, ice cream was served to members of the Imperial Family, Russian nobles and visiting foreign delegations, at the Gala dinners held over a three-week period in the Great Kremlin Palace in Moscow, during the festivities marking the Coronation of Emperor Nicholas II in May 1896.

PHOTO: Maria Grigorievna Rasputina with a portrait of her father Grigorii Rasputin, in exile, 1972

Ice cream was especially popular at table of the last Emperor and his family. The recipe for “Romanov ice cream”, which was invented specifically for Nicholas II, has been preserved to this day. It included sugar, 10 egg yolks, heavy cream, whipping cream and vanilla. “I remember ice cream, the like of which I have never eaten anywhere else,” wrote the daughter of Grigorii Rasputin, Maria (1898-1977).

FURTHER READING:

Nicholas II’s menu: culinary preferences of Russia’s last Tsar + PHOTOS

© Paul Gilbert. 2 August 2022

Saint John (Maximovich) of Shanghai and San Francisco, 1896-1966

On this day – 2nd July 1966 – St. John (Maximovich) of Shanghai and San Francisco died in the United States. During his life, he honoured the memory of the Holy Royal-Martyr Nicholas II and his family, believing that “the Russian people were entirely guilty for the death of the tsar.” On 2nd July 1994, St. John was solemnly canonized by the Russian Orthodox Church Outside of Russia (ROCOR).

Mikhail Borisovich Maximovitch (his secular name) was born on 17th (O.S. 4th) June 1896, in the village of Adamovka of the Izyumsky Uyezd of the Kharkov Governorate of the Russian Empire (in present-day eastern Ukraine).

Maximovitch was a patriot of his fatherland and was profoundly disappointed by what he saw as human weakness and impermanence during the tragic events of the 1917 Revolution. As a result he made the decision to dedicate his life to serving God. His family sought refuge in Yugoslavia and brought him to Belgrade in 1921, where in 1925 he graduated from Belgrade University with a degree in theology.

In 1926 he was tonsured a monk and ordained a hierodeacon by Russian Metropolitan Anthony (Khrapovitsky), who gave him the name of St. John after his saintly relative. Later that same year, he was ordained to the priesthood by Russian Bishop Gabriel (Chepur) of Chelyabinsk. Once ordained St. John would no longer sleep in a bed. He would nap in a chair or kneeling down in front of the icons, praying fervently and eating only once a day.

St.John earned the respect and devotion at the seminary where he taught. His reputation grew as he started visiting hospitals, caring for patients with prayer and communion. In 1934 he was ordained a bishop of the Russian Orthodox Church Outside Russia by Metropolitan Anthony and assigned to the diocese of Shanghai.

PHOTO: St. Nicholas Church in Shanghai, built in 1935, dedicated to Tsar-Martyr Nicholas II

Shanghai, China

In Shanghai, Holy Bishop St. John found an uncompleted cathedral and an Orthodox community deeply divided along ethnic lines. Making contact with all the various groups, he quickly involved himself in the existing charitable institutions and personally founded an orphanage and home for the children of indigents. Under Holy Bishop St. John, the construction of St. Nicholas Church (1935) was completed, a memorial church dedicated to Tsar-Martyr Nicholas II.

He also set about restoring church unity, establishing ties with local Orthodox Serbs, Greeks and Ukrainians. Here he first became known for miracles attributed to his prayer. As a public figure it was impossible for him to completely conceal his ascetic way of life. Despite his actions during the Japanese occupation, even when he routinely ignored the curfew in pursuit of his pastoral activities, the Japanese authorities never harassed him. As the only Russian hierarch in China who refused to submit to the authority of the Soviet-dominated Russian Orthodox Church, he was elevated to Archbishop of China by the Holy Synod of ROCOR in 1946.

When the Communists took power in China, the Russian colony was forced to flee, first to a refugee camp on the island of Tubabao in the Philippines and then mainly to the United States and Australia. Archbishop St. John personally traveled to Washington, D.C. to ensure that his people would be allowed to enter the country.

PHOTO: the Church of St. Job the Long Suffering in Brussels, consecrated in 1950, dedicated to Tsar-Martyr Nicholas II

Western Europe

In 1951, St. John was assigned to the archdiocese of Western Europe with his see first in Paris, then in Brussels, which was considered the official residence of Archbishop John of Brussels and Western Europe. The center of the vigorous activity of Archbishop John was the Church of St. Job the Long-suffering in Brussels, constructed between 1936-1950, as a memorial church dedicated to Tsar Nicholas II.

Thanks to his work in collecting lives of saints, a great many pre-Schism Western saints became known in Orthodoxy and continue to be venerated to this day. His charitable and pastoral work continued as it had in Shanghai, even among a much more widely scattered flock.

PHOTO: the Holy Virgin Cathedral, San Francisco, consecrated in1977

San Francisco, United States

In 1962 St. John was once again reassigned by the Holy Synod to the see of San Francisco. Here too, he found a divided community and a cathedral in an unfinished state. Although he completed the building of the Holy Virgin Cathedral and brought some measure of peace to the community he became the target of slander from those who became his political enemies, who went so far as to file a lawsuit against him for alleged mishandling of finances related to construction of the cathedral. He was exonerated, but this was a great cause of sorrow to him in his later life.

The current cathedral was founded by St. John of Shanghai and San Francisco. Groundbreaking took place on 25th June 1961, construction was completed in 1965, a year before the death of The cathedral was consecrated on 31st January 1977.

PHOTO: the sepulchre of St. John in the Holy Virgin Cathedral, San Francisco

Death and Veneration

On 2nd July 1966 (O.S. 19th June), St. John died while visiting Seattle at a time and place he was said to have foretold. He was entombed in a sepulchre beneath the altar of the Holy Virgin Cathedral he had built in San Francisco dedicated to the Theotokos, Joy of All Who Sorrow, on Geary Boulevard in the Richmond district.

On 2nd July 1994, St. John was solemnly canonized by the Russian Orthodox Church Outside of Russia (ROCOR), the day marking the 28th anniversary of his death. His unembalmed, incorrupt relics now occupy a shrine in the cathedral’s nave.

His feast day is celebrated each year on the Saturday nearest to 2nd July. He is beloved and celebrated worldwide, with portions of his relics located in Serbia, Russia, Mount Athos, Greece (Church of Saint Anna in Katerini), South Korea, Bulgaria, Romania, United States (St. John Maximovitch Church, Eugene, Oregon), Canada (Holy Trinity Serbian Orthodox Church, Kitchener), England (Dormition Cathedral of the Russian Orthodox Church, London) and other countries of the world.

Memory Eternal! Вечная Память!

On Tsar-Marytr Nicholas II

IN MEMORY OF THE ROYAL MARTYRS

Sermon given in 1934 by His Eminence John, Bishop of Shanghai,during the memorial service for Tsar Nicholas II and those slain with him

In the name of the Father and of the Son and of the Holy Spirit.

On July 17 (July 4 Old Style) the Holy Church praises Saint Andrew, the Bishop of Crete, the author of the Great Canon of Repentance, and at the same time we gather here to pray for the souls of the Tsar-Martyr and those assassinated with him. Likewise, people in Russia used to gather in churches on the day of the other Saint Andrew of Crete (Oct.17), not the writer of the Great Canon whose day is celebrated tomorrow, but the Martyr Andrew, martyred for confession of Christ and His Truth. On the day of Martyr Andrew, people in Russia thanked God for the miraculous delivery of Emperor Alexander III from the train wreck at Borki on Octo ber 17, 1888. In the terrible derailment which occurred during his journey, all the carriages of the train were wrecked, except the one carrying the Tsar and his Family.

On the day of the Martyr Andrew of Crete, martyred by enemies of Christ and His Church, the Heir to the throne and subsequent tsar, Nicholas Alexandrovich, was saved, and on the day of Saint Andrew of Crete the Canonist, who reposed in peace, the Tsar was assassinated by atheists and traitors. On the day of Martyr Andrew, Russia also celebrated the day of the Prophet Hosea, who foretold Christ’s Resurrection. Churches were built in honor of these saints wherever Russian people thanked God for the delivery of their Sovereign. Thirty years later, on the day of Saint Andrew the Canonist, who taught repentance, the Sovereign was assassinated before the eyes of the whole nation, that did nothing to save him. It is especially dreadful and incomprehensible since the Sovereign, Nicholas Alexandrovich, incarnated the best virtues of those Tsars whom the Russian people knew, loved, and esteemed.

Most of all the Tsar-Martyr resembled Tsar Alexis Michailovich Tishayshiy (the Most Meek, 1645-76) excelling in unshakable meekness. Russia knew Alexander II(1855-81) as Liberator, but Tsar Nicholas II liberated even more nations of the fraternal Slavic tribe. Russia knew Alexander III (1881-94) as Peacemaker but Sovereign Nicholas II did not limit himself to care for peace in his own days but made a significant step towards establishing peace in Europe and in all the world so that all nations should solve their controversies peacefully. To that purpose, by his dispassionate and noble initiative, the Hague Conferences were called. Russia admired Alexander I(1801-25) and called him the Blessed One because he liberated Europe from the alien rule of a tyrant, Napoleon. Sovereign Nicholas II under much more difficult circumstances rose against another ruler’s attempt, Kaiser Wilhelm II, to enslave Slavic nations, and in the defense of that nation showed a determination that was devoid of compromises. Russia knew the Great Reformer Peter I but if we recall all the reforms of Nicholas II, we would be uncertain whom to give preference and the latter’s reforms were conducted more carefully, more thoughtfully, and without abruptness. John Kalita (1328-40) and John III (1449 – 1505), Grand Princes of Moscow, were known for uniting the Russian people, but their cause was finally accomplished only by Sovereign Nicholas when in 1915 he returned to Russia all her sons, though only for a short time. Sovereign of All Russia, Nicholas II was the first Pan-Russian Tsar. His inner, spiritual, moral image was so beautiful that even the Bolsheviks in their desire to blacken him could blame him only for his piety.

It is known for certain that he always began and ended the day with prayer. He always received Communion on the days of the Church’s great holidays and often went to receive the Great Sacrament in a crowd of commoners, as for instance during the opening of the relics of Saint Seraphim of Sarov. He was an example of marital fidelity and the head of an exemplary Orthodox family, bringing up his children to be ready to serve the Russian people and strictly preparing them for the future labors and feats of that calling. He was deeply considerate towards his subjects’ needs and always wanted to ascertain clearly and acutely their labor and service. Everyone knows that he once marched alone many miles in soldier’s full equipment in order to better understand the conditions of a soldier’s service. He walked alone, which refutes the slanderers who say that he was afraid for his life. Peter I said: “know about Peter, that life is not precious for him, but may Russia live” and Sovereign Nicholas II indeed fulfilled his words. Some people say that he was credulous. But the great father of the Church, Saint Gregory the Great, says that the more pure the heart, the more credulous it is.

What did Russia render to her pure-hearted Sovereign, who loved her more than life? She returned love with slander. He was of great morality, but people began to talk about his viciousness. He loved Russia, but people began to talk about his treason. Even the people close to the Sovereign repeated the slander, passing on to each other rumors and gossip. Because of the ill intention of some and the lack of discipline of others, rumors spread and love for the Tsar began to grow cool. They started to talk of the danger to Russia and discuss means of avoiding that non-existent danger, they started to say that to save Russia it would be necessary to dismiss the Sovereign. Calculated evil did its work: it separated Russia from her Tsar and in the dread moment at Pskov he was alone; no one near to him. Those faithful to him were not admitted to his presence. The dreadful loneliness of the Tsar… But he did not abandon Russia, Russia abandoned him, the one who loved Russia more than life. Thus, in the hope that his self-belittling would still the raging passions of the people, the Sovereign abdicated. But passion never stills. Having achieved what it desires it only inflames more. There was an exultation among those who desired the fall of the Sovereign. The others were silent. They succeeded in arresting the Sovereign; succeeded, and further events were almost inevitable. If someone is left in a beast’s cage he will be torn to pieces sooner or later. The Sovereign was killed, and Russia remained silent. There was no indignation, no protest when that dread, evil deed happened, and this silence is the great sin of the Russian people, and it happened on the day of Saint Andrew, the writer of the Great Canon of Repentance, which is read in churches during Great Lent.

In the vaults of a basement in Ekaterinburg the Ruler of Russia was killed, deprived by the peoples’ insidiousness of the tsar’s crown, but not deprived of God’s Sacred Anointment. Hitherto, all the cases of regicide in the history of Russia were committed by cliques, not by the people. When Paul I was killed, people knew nothing about it and when it became known, for many years they brought to his grave compassion and prayers. The assassination of Alexander II produced in Russia a storm of indignation that healed the people’s morality and assisted the reign of Alexander III. The people remained innocent of the blood of the Tsar-Liberator, Alexander II. But in the case of Nicholas lI the entire nation is guilty of shedding the blood of its tsar. The assassins did the terrible deed, their masters approved the murder, sharing the same sin, the people did not prevent it. All are guilty and indeed we must say: “His blood is on us and on our children.” The garland with which the Russian people crowned their Tsar was made of treason, treachery, the breaking of the oath of allegiance to Tsar Michael Theodorovich, the first Tsar of the Romanov dynasty and his heirs, passivity, hardness of heart, and insensitivity.

Today is a day of sorrow and repentance. Why – we could ask – did the Lord save the Tsar [previously] on the day of Martyr Andrew and not save him on the day of the other Saint Andrew, the teacher of repentance? With deep grief we answer: the Lord could have saved him, but the Russian people did not deserve it.

The Sovereign received a martyr’s crown, but this neither justifies us, nor reduces our guilt, as the Resurrection of Christ does not justify, but condemns Judas, Pilate, and Caiphas and those who demanded from Pilate the murder of Christ.

It is a great sin to lift up a hand against the God-Anointed Sovereign. When the news of the murder of Saul was brought to King David, he ordered the execution of the messenger, although he knew that the messenger did not participate in the murder but only hurried to bring that news, and he ascribed the murder to him. Even the slightest participation in such a sin is not without retribution.

In sorrow we say, “his blood is on us and our children.”

Let us remember that this evil deed of the whole nation was committed on the day of Saint Andrew of Crete, who calls us to deep repentance. Let us remember also, that there is no sin which cannot be washed away by repentance. But our repentance has to be full, without self-justification, without reserve, condemning ourselves and the evil deed from the very beginning.

After the deliverance of the Royal Family at Borki the icon depicting the patron saints of the family was painted. Perhaps the day will come when not just the patrons but also the Royal Martyrs themselves will be depicted on icons in remembrance of the event we recollect today. But now let us pray for their souls and ask God for deep humble repentance and forgiveness for us and for all Russian people.

On 27th October 2018, I hosted the 1st International Nicholas II Conference at St. John of Shanghai Orthodox Church in Colchester, England, with the blessing of the church rector Andrew Phillips, Arch Priest of the Russian Orthodox Church (ROCOR).

© Paul Gilbert. 2 July 2022