‘The Tsar’s Family. Ascent’ exhibition opens in Novocherkassk

On 10th March 2024, The Tsar’s Family. Ascent exhibition, opened in the Ascension Military All-Cossack Patriarchal Cathedral in Novocherkassk, situated in the Rostov district. The cathedral serves as the main church of the Don Cossacks.

The exhibition explores the life, service and spiritual path of Emperor Nicholas II and his family.

On display, are more than 100 photographs, 23 reproductions of famous paintings and portraits, archival documents, military banners from various regiments of the Russian Imperial Army and more.

The project was organized by the press secretary of the Mogilev diocese, Ilya Sidorovich. Exhibits were collected from the funds of the State Archives of the Russian Federation (GARF), the Russian State of Film and Photo Archive (RGAKFD), museums and private collections in Moscow, Tsarskoye Selo, and Mogilev. exhibition

PHOTOS: the exhibition was attended by the Governor of the Rostov Region

The rector of the Ascension Cathedral, Archpriest Georgy Smorkalov, noted that it was no coincidence that Novocherkassk was selected to host the exhibition. Emperor Nicholas II visited Novocherkassk on several occasions and visited the Cathedral Church of the Don Army. It is interesting to note, that one of the few lifetime portraits of Emperor Nicholas II – not held in any museum fund – today, hangs in the “Royal Chambers” of the cathedral.

The travelling exhibition is currently touring Russia and Belarus, and has been held in a number of cities, including Mogilev, where from 1915 to 1917, served as the Headquarters of the Supreme Commander-in-Chief, under Emperor Nicholas II.

The grand opening of the exhibition was attended by the Governor of the Rostov Region, Vasily Golubev, the Minister of Culture of the region Anna Dmitrieva, and local government other officials.

The Tsar’s Family. Ascent exhibition runs until 5th May 2024.

© Paul Gilbert. 13 March 2024

Miraculous Icon of Tsar-Martyr Nicholas II brought to Tashkent

PHOTO: Metropolitan Vikenty of Tashkent and Uzbekistan solemnly carries the miraculous myrrh-streaming icon of Tsar-Martyr Nicholas II, around the Cathedral of the Dormition of the Most Holy Theotokos in Tashkent

On 10th March 2024, Metropolitan Vikenty of Tashkent and Uzbekistan, celebrated a Divine Liturgy in the Cathedral of the Dormition of the Most Holy Theotokos in Tashkent. An All-Night Vigil was served the night before. Prior to the beginning of the Divine Liturgy, Metropolitan Vikenty solemnly carried the miraculous myrrh-streaming icon of Tsar-Martyr Nicholas II under the vaults of the cathedral, after which the Godenov Cross was reinstalled in the cathedral.

Upon completion of the Divine Liturgy, Metropolitan Vikenty congratulated the faithful on Sunday, reminding everyone that this week before Great Lent is called the Sunday of the Last Judgment.

PHOTO: Metropolitan Vikenty of Tashkent and Uzbekistan

In his sermon, His Eminence the Archpastor also expressed his gratitude to the custodian of the miraculous image of Tsar-Martyr Nicholas II, Alexander Chernavsky, for the opportunity for the Orthodox faithful of Uzbekistan to venerate this famous shrine.

It was noted that the myrrh-streaming icon will also be brought to the churches of the Tashkent deanery.

PHOTO: the miraculous myrrh-streaming icon of Tsar-Martyr Nicholas II

© Paul Gilbert. 12 March 2024

Livadia hosts new exhibition dedicated to the Romanovs in Crimea

On 24th February 2024, the exhibition There was life in the Crimea…, opened in the Exhibition Hall of Livadia Palace, situated near Yalta on the southern coast of Crimea. The exhibit is part of The Romanovs in Crimea, which is on permanent display on the second floor of the palace.

The exhibition showcases items from the collection of Livadia Palace Museum, and explores the pastimes and private lives of Emperor Nicholas II and his family, during their stays at Livadia during the first decade of the 20th century.

The Tsar and his family were very fond of their southern coastal estate, especially during the warm summer months. It was only on one occasion, that the Imperial Family were forced to extend their stay. During their visit to Crimea in 1900, the Sovereign fell ill with typhoid, forcing the Imperial Family to extend their stay until Christmas. This period is documented in the exhibition with copies of watercolours from the album “Livadia. 1900-1901” by the court painter Mihály Zichy (1827-1906). The watercolours, in the form of collages, depict episodes of the life of the Imperial Family during their stay in Crimea.

Among them are collages depicting the Imperial Family on the Imperial Yacht “Shtandart“; the meeting of Nicholas II with his his cousin Prince George of Greece; the reception of the Turkish envoy; the Tsar during his illness in 1900; the reception of deputies of the Taurida province; the Tsar’s meeting with the Knights of St. George; equestrian riding; playing board games, etc.

It is interesting to note, that in 2015, a number of these watercolours were reproduced in a handsome Russian language album, “Царское имение Ливадия в акварелях и фотодокументах [The Tsar’s Livadia Estate in Watercolors and Photographic Documents] by Lyudmila Aleksandrovna Tikhonova.

Also on display at the exhibition, are sheet music of classical works and phonograph records, which were fashionable at the beginning of the 20th century. The Tsar and his family often listened to these records in the palace’s Music Room. On other occasions, the Empress and her daughters would play pieces from the sheet music on the piano.

The last time that Nicholas II and his family visited the old wooden palaces at Livadia, was in the autumn of 1909. The exhibition features an interecting collection of photographs of this visit.

The old wooden Grand Palace was demolished in 1910, to make way for a new Italian Neo-Renaissance style stone palace, which would serve as the residence of Nicholas II and his family during their visits to Crimea. The Imperial family visited their new white palace in the fall of 1911 and 1913 and in the spring of 1912 and 1914.

© Paul Gilbert. 3 March 2024

Family Disloyalty: Nicholas II and the Vladimirovichi

PHOTO: Empress Alexandra Feodorovna, Grand Duke Vladimir Alexandrovich,
Grand Duchess Maria Pavlovna and Emperor Nicholas II

During the final years of his reign, Emperor Nicholas II was more than aware that the various branches of his family were creating a politically dangerous situation by their open hostility towards him. Among them were his cousin Grand Duke Nicholas “Nikolasha” Nikolaevich (1856-1929) and uncle Grand Duke Nicholas “Bimbo” Mikhailovich (1859-1919), however, it was the hostility which simmered from the Vladimirovich branch of the family which posed the greatest threat to him. 

The Vladimirovichi are inextricably linked to the many myths and lies which have been allowed to germinate for more than a century, and continue to overshadow the life and reign of Russia’s much slandered Tsar to this day. Some members of the Vladimirovichi were, devoid of principle. They embodied the “treason, cowardice and deceit” that Nicholas II recorded in his diary, following his abdication in March 1917.

Over the past few years, I have been researching new documents from Russian archival and media sourcesl for my forthcoming book ‘Kirill: Traitor to the Tsar’, which is now scheduled for publication in 2025. Watch for my ads in both Majesty and Russian Life magazines!

Below, is a short summary of just some of the issues which I will discuss in my book:

In part one, The Vladimirovichi: Uncle Vladimir and Aunt Miechen, I discuss the often hostile relationship between Grand Duke Vladimir Alexandrovich and his wife Grand Duchess Maria Pavlovna towards Emperor Nicholas II. During the last years of Vladimir’s life, the rift between his family and that of Nicholas II widened.

Vladimir’s German born wife, Maria Pavlovna (née Duchess Marie Alexandrine Elisabeth Eleonore of Mecklenburg-Schwerin), a vile opportunist with an over inflated ego, carried the family’s anti-Nicholas agenda to the end of her days. She was known in the family as “Miechen” or “Maria Pavlovna the Elder,” and was well known for her acid tongue and spiteful demeanour. The power hungry Maria Pavlovna had an open rivalry with her sister-in-law the Empress Maria Feodorovna (wife of Emperor Alexander III) as well as Empress Alexandra Feodorovna (wife of Emperor Nicholas II), the latter of which Maria Pavlovna was notorious for plotting against and spreading malicious gossip. She was also very crafty. Maria remained Lutheran throughout most of her marriage, but converted to Orthodoxy in April 1908, believing it would give her son Grand Duke Kirill Vladimirovich a better chance at claiming the throne. 

The treachery and deceit which emanated from the Vladimir Palace in St Petersburg, where Maria Pavlovna held her own rival Court, was not restricted to the senior grand ducal couple, but also to their eldest son and his wife Grand Duke Kirill Vladimirovich and Grand Duchess Victoria Feodorovna.

In part two, Kirill and Ducky , I discuss Kirill entering into an incestuous marriage his paternal first cousin [forbidden by the Russian Orthodox Church], Princess Victoria Melita of Saxe-Coburg and Gotha in 1905, both defying Nicholas II by not obtaining his consent prior, but also the consent of King Edward VII. However, it was Kirill’s traitorous act during the February Revolution of 1917, in which he is most famous for. It was in Petrograd, that Kirill marched to the Tauride Palace at the head of the Garde Equipage (Marine Guard) to swear allegiance to the new Provisional Government, wearing a red band on his uniform. He then authorized the flying of a red flag over his palace on Glinka Street in Petrograd. In 1924, Kirill pompously proclaimed himself “emperor-in-exile”. I also discuss Kirill and Ducky’s alleged Nazi affiliations during their years in exile, and Kirill’s infidelity.

It is ironic that following the 1917 Revolution, ALL the members of the Vladimirovich branch of the family managed to get out of Russia, with the exception of Grand Duke Vladimir who had died in 1909

My study will feature excerpts from letters by Nicholas II, his mother Dowager Empress Maria Feodorovna, Grand Duchess Maria Alexandrovna, Queen Marie of Roumania among others, as well as letters and excerpts from Russian sources, translated and published for the first time.

Why is this story relevant?

During the Nicholas II Conference, held in Colchester, England on 27th October 2018, I announced that I would be committing myself to researching and writing about the life and reign of Nicholas II. In addition, I announced my personal mission to clear the name of Russia’s much slandered Emperor. As part of the latter, I believe that a comprehensive study of the relationship between the Vladimirovich branch of the Imperial Family and Nicholas II, was an important historical issue which had to be addressed.

As a result, I severed all ties with Maria Vladimirovna and her son George Mikhailovich, as well as the Russian Legitimist cause. My main reason being that my conscious would no longer allow me to support or promote the activities of this branch of the Imperial Family.

Many monarchists (myself included) and those faithful to the memory of Nicholas II, believe that Maria Pavlovna’s malicious gossip and intrigues against Nicholas II, and her son Kirill’s act of treason in 1917, should eliminate the Vladimir branch of the Russian Imperial Family from any further consideration.

In 2011, I interviewed Maria asking her the following two questions on Nicholas II:

“For nearly a century, the last Emperor of Russia, Nicholas II, has been maligned and slandered by Western historians and biographers. In your opinion, how have these historians and authors been mistaken about Nicholas II?”

and secondly . . . 

“In your view, why is the rehabilitation of the Tsar-Martyr Emperor Nicholas II by the Supreme Court of the Russian Federation so important for a proper understanding of Russian history?”

Her responses were indeed admirable, however, her refusal to acknowledge the open hostility and treachery of her ancestors towards Nicholas II, in which she remains defensive.

On 2nd September 2020, Maria Vladimirovna, stated the following on her web site:

“She [Grand Duchess Maria Pavlovna] was critical of some aspects of the official political course, but she always retained her loyalty and love for Emperor Nicholas II and Empress Alexandra Feodorovna. She was subjected to slanderous persecution by the court intriguers, who sought to sow discord within the Imperial Family.”

Maria Vladimirovna’s attempt to whitewash the truth about her power hungry great-grandmother and her traitorous grandfather, eluding that she was the victim of “slanderous persecution” is utter nonsense! One cannot sweep history under the rug. Maria and her supporters do not want her ancestors exposed for what they are: traitors! Maria might just gain some respect, if she simply spoke honestly, and admitted that her grandfather and great-grandmother were a rotten pair.

In addition, I like many others, believe that the Russian Imperial House ended with the death of Nicholas II, on 17th July 1918. The “Russian Imperial House” – as it exists today – consists of no more than four people: a woman who is Russian only because Yeltsin gave her family Russian passports, she failed Russian at Oxford University, and currently lives in Spain; her son, is a Hohenzollern prince and nothing more. Their claim to the now defunct Russian throne is disputed by many Russians.

Below, is the cover of my forthcoming book Kirill: Traitor to the Tsar, now scheduled for publication in 2025 . . . more than 200 pages, it will be available in hard cover, paperback and ebook editions! Watch for my ads in both Majesty and Russian Life magazines!

© Paul Gilbert. 1 March 2024

Macedonian schoolchildren write about Nicholas II and his family

On 23rd February 2024, the Siniša Stoilov Secondary School, in tje town of Zrnovci – situated in the eastern part of North Macedonia – was the venue for a photo-exhibition dedicated to Russia’s last Tsar and his family.

The exhibition named Towards the Russian Tsar. The Romanovs and the Tsar’s Service, presented historical photographs of Emperor Nicholas II and his family. In addition to the photo-exhibition, the organizers held a writing competition for students to participate.

Students of different ages composed poems about the Imperial Family and read them at the opening of the exhibition, while others presented their drawings and watercolours. All participants of the competitions were awarded with certificates of honour.

The photos were provided by the Sretensky Monastery in Moscow and are part of a nationwide project that has been successfully implemented in many cities across Russia and abroad.

*As I have noted in previous posts, I support any initiative – big or small – to help keep the memory of Nicholas II and his family alive in 21st century Russia – PG

© Paul Gilbert. 29 February 2024

Alexander Palace hosts conference dedicated to the creation of the IRMHS

PHOTO: the IRMHS conference was held in the
Large Library Hall of the Alexander Palace

On Tuesday, 27th February 2024, the Alexander Palace at Tsarskoye Selo hosted a conference dedicated to the history of the creation of the Imperial Russian Military Historical Society (IRMHS). The event was a joint effort between the local branch of the IRMHS of the Leningrad region, the Directorate of the IRMHS in Moscow, and the Tsarskoye Selo State Museum.

The organizers chose the Alexander Palace deliberately, since it was here at the beginning of the 20th century that a meeting was held on the creation of the Imperial Russian Military Historical Society took place. The conference was held in the Large Library Hall of the palace.

Vladimir Kazakov, Executive Director of the Regional Branch of the Russian Military Historical Society in the Leningrad Region, read out a welcome address from Vitaly Martynyuk, Executive Director of the Russian Military Historical Society:

– It is symbolic that the conference is being held in such a historic place – in the Alexander Palace, where in 1907 Emperor Nicholas II read the Journal of the Council of the Russian Military History Society and wrote on it: “Deeply sympathizing with the goals of the Society, I willingly accept the title of its Honorary Chairman and bestow on it the title of Imperial.” The activities of the organization fully corresponded to such a high title,” Vitaly Martynyuk emphasized.

He recalled that the Imperial Russian Military Historical Society made a significant contribution to the anniversary celebrations dedicated to the 200th anniversary of the Battle of Lesnaya (1708) and the victory in the Battle of Poltava (1709), as well as the 100th anniversary of the Patriotic War of 1812. With the participation of IRMHS, monuments to Alexander Suvorov in Izmail and Rymnik, Mikhail Skobelev were installed in Moscow, Peter the Great in Kexholm, and Mikhail Kutuzov in the Crimea were created.

One of the key events of the conference, was the presentation of two new paintings by Andrei Romasyukov, a Russian military artist, an expert in Russian military history of the 19th and 20th centuries were presented in the Working and New Studies of Emperor Nicholas II, located in the eastern wing of the Alexander Palace.

The first painting depicting Emperor Nicholas II granting his consent to the Russian Military Historical Society on 20th October 1907, was unveiled in the Tsar’s Working Study. The second painting depicting the Emperor hosting a reception of the IRVIO Deputation on 22nd November 1907, was unveiled in the Tsar’s New Study.

PHOTOS: Nicholas II in the Tsar’s Working Study by Andrei Romasyukov

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PHOTOS: Nicholas II in the Tsar’s New Study by Andrei Romasyukov

The conference was attended by researchers from the Tsarskoye Selo State Museum, the A.V. Suvorov Museum, the Museum of Artillery, Engineers and Signal Corps, and the Russian National Library. Historians from the St. Petersburg, Leningrad and Vologda regions presented papers based on their research on the activities of the Imperial Russian Military Historical Society. In addition, archival documents dating from the early 20th century, relating to the creation of the Russian Military Historical Society were presented.

Participants of the conference were given a tour of the former private apartments of Emperor Nicholas II and Empress Alexandra Feodorovna, including the State Halls of the Alexander Palace, which were recreated between Autumn 2015 and August 2021.

© Paul Gilbert. 28 February 2024

NEW BOOK – Tobolsk: Nicholas II and His Family Under House Arrest in Siberia

*You can order this title from most AMAZON outlets, including
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CLICK HERE TO ORDER THE PAPERBACK EDITION @ $17.99 USD

English. Paperback. 246 pages with more than 80 Black & White photos

In August 1917, Russia’s last Tsar, his family and their retinue of faithful servants and retainers were exiled to Tobolsk in Siberia, where they were held under house arrest until April 1918.

The seven chapters in this book explore the eight months that the Imperial Family spent in captivity in the former mansion of the regional governor.

This book features the first Enlgish translations of Eugene Kobylinsky’s interrogation and Vasily Pankratov’s recollections, which provide twp very different eye witness accounts of the Tsar and his family.

In addition are chapters on the woman who photographed the Imperial Family in Tobolsk, the fate of the church where they worshipped, and the fate of both the Kornilov and Governor’s Houses.

This is the first book dedicated entirely to the Imperial Family’s stay in Tobolsk to be published in English. 

© Paul Gilbert. 15 February 2024

The ghost of Anna Anderson continues to haunt us

PHOTO: Grand Duchess Anastasia Nikolaevna (center) and Anna Anderson (left and right)

Today – 12th February – marks the 40th anniversary of the death of Anna Anderson, a Polish factory worker who, for decades, duped the world into believing that she was the youngest daughter of Eussia’s last Tsar. The proceedings of her claim would become the longest-running lawsuit in German history.

This article includes testimony from two of the people closest to Grand Duchess Anastasia Nikolaevna: her aunt Grand Duchess Olga Alexandrovna and her tutor Charles Sydney Gibbes, both of whom dismissed Anna Anderson’s claim – PG

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Russian historian and author Robert K. Massie coined it best when he wrote: “The mysterious disappearance of the Russian Imperial Family in July 1918 created fertile soil for the sprouting of delusion, fabrication, sham, romance, burlesque, travesty and humbug,” when he referred to the “long, occasionally colourful, frequently pathetic line of claimants and imposters” that has glided and stumbled across the last century.

It was a US lab who confirmed the true identify of one of history’s greatest impostors: Anna Anderson, who claimed to be Grand Duchess Anastasia Nikolaevna. Thanks to DNA technology, however, science was able to prove that she was not the youngest daughter of Emperor Nicholas II, but that of a Polish peasant girl Franziska Schanzkowska.

A sample of Anderson’s tissue, part of her intestine removed during her operation in 1979, had been stored at Martha Jefferson Hospital, Charlottesville, Virginia. Anderson’s mitochondrial DNA was extracted from the sample and compared with that of the Romanovs and their relatives. It did not match that of the Duke of Edinburgh or that of the bones [Ekaterinburg Remains], confirming that Anderson was not related to the Romanovs.

The sample, however, matched DNA provided by Karl Maucher, a grandson of Franziska Schanzkowska’s sister, Gertrude (Schanzkowska) Ellerik, indicating that Karl Maucher and Anna Anderson were maternally related and that Anderson was Schanzkowska. Five years after the original testing was done, Dr. Terry Melton of the Department of Anthropology, Pennsylvania State University, stated that the DNA sequence tying Anderson to the Schanzkowski family was “still unique”, though the database of DNA patterns at the Armed Forces DNA Identification Laboratory had grown much larger, leading to “increased confidence that Anderson was indeed Franziska Schanzkowska”.

Similarly, several strands of Anderson’s hair, found inside an envelope in a book that had belonged to Anderson’s husband, Jack Manahan, were also tested. Mitochondrial DNA from the hair matched Anderson’s hospital sample and that of Schanzkowska’s relative Karl Maucher, but not the Romanov remains or living relatives of the Romanovs.

Many of us were relieved that this case had finally been put to rest. It was hoped that science would appease Anna Anderson’s supporters and thus bringing closure to this popular conspiracy theory. It was not to be . . .

PHOTO: this comparison on the side profiles of Grand Duchess Anastasia Nikolaevna and Anna Anderson, created by Pierre Gilliard, provide evidence that they were two different women

The claimants

Over the past 30+ years, I have been contacted by Anna Anderson’s supporters who insist that she was the real Anastasia. They argue the same “facts” from books on the subject written by Peter Kurth, Greg King and Penny Wilson, Michel Wartelle among others. In addition there have been numerous imposters claiming to be the children or grandchildren of either Nicholas II or one of his five children. In the 1990s I received a parcel from a man in Vancouver, who claimed that he was the son of Tsesarevich Alexei Nikolaevich. The box was filled with photocopied documents, letters and photographs, the cover letter read: “Mr. Gilbert, I dare you to prove me wrong!”

And if that wasn’t enough: during a lecture which I hosted in Chicago in 1997, an American man showed up insisting that he was the “reincarnation” of Emperor Nicholas II. He even grew a beard and trimmed it to the likeness of that of the Tsar. Still to this day, I receive emails from people who demand a DNA test to prove their “Romanov ancestry”.

Anna Anderson became the subject of films, documentaries and countless books – even in post-Soviet Russia. In 2014, Candidate of Historical Sciences Georgy Nikolaevich Shumkin released his book Кто Вы, госпожа Чайковская? К вопросу о судьбе царской дочери Анастасии Романовой:архивные документы 1920-х годов [Who are you, Mrs. Tchaikovskaya? On the fate of the tsar’s daughter Anastasia Romanova], in which the Ural scientists tries to unravel the mystery of the false daughter of Nicholas II. The book proved so popular, it was reprinted in 2022.

Testimonials by those who personally knew the real Anastasia . . .

Grand Duchess Olga Alexandrovna – aunt of Grand Duchess Anastasia Nikolaevna

Grand Duchess Olga Alexandrovna cherished her connection to her brother Tsar Nicholas II’s four daughters. She especially took a liking to the youngest of Nicholas’s daughters, her god-daughter Grand Duchess Anastasia Nikolaevna. “My favourite god-daughter she was indeed! . . . Anastasia or Shvipsik (“little one”), as I used to call her. . . . She was such a generous child,” recalled Olga.

In 1925, Grand Duchess Olga travelled to Berlin to meet Anna Anderson in person. She was met by Pierre Gilliard and his wife who accompanied her to the Mommesen Nursing Home where Anna was being treated for tuberculosis. Olga also said she was dismayed that Anderson spoke only German and showed no sign of knowing either English or Russian, while Anastasia spoke both those languages fluently and was ignorant of German, a language which was never spoken in the Imperial Family.

“My beloved Anastasia was fifteen when I saw her for the last time in the summer of 1916. She would have been twenty-four in 1925. I thought Mrs. Anderson looked much older than that. Of course, one had to make allowances for a very long illness and the general poor condition of her health. All the same, my niece’s features could not possibly have altered out of all recognition. The nose, the mouth, the eyes were all different.”

The Grand Duchess remarked that the interviews were made all the more difficult by Mrs. Anderson’s attitude. She would not answer some of the questions put to her, and looked angry when when those questions were repeated. Some Romanov photos were shown to her, and there was not a flicker of recognition in her eyes. It was obvious that she greatly disliked M. Gilliard and little Anastasia had been devoted to him. The Grand Duchess had brought a small icon of St. Nicholas, the patron saint of the Imperial Family. Mrs. Anderson looked at so indifferently that it was obvious the icon said nothing to her.

“That child was as dear to me as if she were my daughter. The spiritual bond between my dear Anastasia and myself was so strong that neither time nor that ghastly experience could have interfered with it.

But although the Grand Duchess put no credence in Mrs. Anderson’s story, she was deeply sorry for the woman.

“Somehow or other she did not strike me as an out-and-out impostor. Her brusqueness warred against it. A cunning impostor would have done all she could to ingratiate herself with myself. But Mrs. Anderson’s manner would have put anyone off. My own conviction is that it all started with some unscrupulous people who hoped they might lay their hands on at least a share of the fabulous and utterly non-existent Romanov fortune. . . . I had a feeling she was ‘briefed,’ as it were, but far from perfectly. The mistakes she made could not all be attributed to lapses of memory. For instance, she had a scar on one of her fingers and she kept telling everybody that it had been crushed because of a footman shutting the door of a landau too quickly. And at once I remembered the real incident. It was Maria, her elder sister, who got her hand hurt rather badly, and it did not happen in a carriage but on board the Imperial Train. Obviously someone, having heard something of the incident, had passed a garbled version of it to Mrs. Anderson.”

The Grand Duchess spent nearly four days by Anna Anderson’s bed. Hour by hour, Olga went on searching for the least clue to establish the woman’s identity. “I had left Denmark with something of a hope in my heart. As soon as I sat down by that bed in the Mommsen Nursing Home, I knew I was looking at a stranger. I left Berlin with all hope extinguished,” she told her biographer Ian Vorres.

Source: The Last Grand Duchess. Her Imperial Highness Grand Duchess Olga Alexandrovna. by Ian Vorres. Charles Scribner & Sons (1964)

Charles Sydney Gibbes – tutor to the Imperial Children, including Grand Duchess Anastasia Nikolaevna

It was in April 1928, when Charles Sydney Gibbes heard from a friendly journalist about a woman taken very seriously in America as Grand Duchess Anastasia Nikolaevna, the youngest daughter of the late Tsar, and even by some members of the Imperial Family. In December 1928, Gibbes wrote from Oxford to Grand Duke Alexander Mikhailovich in Paris, about his impressions of the claimant:

“In my opinion, there is, unfortunately, no room for doubt that the Grand Duchess Anastasia perished at Ekaterinburg at the same time as the Emperor, the Empress, the Tsarevich, and her three sisters, the Grand Duchesses Olga, Tatiana, and Marie, with Mlle Demidova, and the rest. This fact, of itself, disposes of the claim now made by Mme Tchaikovsky [Anna Anderson]. Additional facts of refutation are now wanting, but the essential point is found in the sad fact of the Grand Duchess’s death . . .

“As soon as the way was open, after the retreat of the Bolshevik Government, I hastened to Ekaterinburg. Nothing beyond vague rumour, however, could be learned. It was not until the following summer, 1919, when a full investigation was made by Mr Sokolov, that the extent and horror of the tragedy was learnt. I visited the clearing in the forest outside Ekaterinburg and saw what had been recovered. Months of toil were involved in pumping out and washing the contents of the deep mine shaft into which the remains from the bonfire had been thrown . . . All who actually took part in the investigation and inspected the remains were obliged to abandon hope that anyone had survived.

“Only a few, of course, were able to form an opinion under these conditions which presented all the facts of the case. There were, however, plenty of interested persons who had nothing but rumour and garbled accounts to build upon. Among these the most extraordinary tales were circulated. Various Pretenders actually appeared while I was still in Siberia. Not being obsessed by any great faith in themselves, these people’s courage quickly failed and they were easily confuted and exposed.

“The first legends concerning the Imperial children were in circulation as early as 1917 while we were still all living together in Tobolsk. At the end of that year the Daily Graphic printed a fantastic paragraph stating that the Grand Duchess Tatiana, one of the Tsar’s daughters, had gone to America, etc., etc.; she was then actually sitting with me in a drawing-room in Tobolsk reading the news of herself. If such things happened in creditable newspapers in 1917, while they were still alive, what could not happen with credulous people after they were dead?

“I have not had the advantage of seeing Mme Tchaikovsky in person but her photographs failed to invoke in me the slightest belief in her story, however much I wish that it were true. The evidence supplied by Mons. Bischoff is one of irrefutable force to anyone who has intimately known the Grand Duchess Anastasia Nikolaevna. There is one point, however, in which I can speak with paramount knowledge and authority. Mme Tchaikovsky has affirmed that I limp. Had I been dead, it might have been difficult to prove, but being yet alive and happily in full possession of both my legs, I am able to demonstrate that I limp only in the imagination of Mme Tchaikovsky.”

Source: The House of Special Purpose: An Intimate Portrait of the Last Days of the Russian Imperial Family. Compiled from the Papers of their English Tutor Charles Sydney Gibbes by J. C. Trewin (1975)

PHOTO: Anna Anderson in old age

PHOTO: Anna Anderson was cremated on 12th February 1984, and her ashes were buried in the churchyard at Castle Seeon in Bavaria, Germany on 18th June 1984. Her husband John Eacott Manahan died on 22nd March 1990, and was buried with his wife. Note that Anna Anderson’s tombstone reads “H.I.H. Anastasia of Russia”.

For the record . . .

Emperor Nicholas II, his wife Empress Alexandra Feodorovna, their four daughters Grand Duchesses Olga, Tatiana, Maria, Anastasia Nikolaevna, and their only son and heir to the Russian throne Tsesarevich and Grand Duke Alexei Nikolaevich were ALL brutally murdered by the Bolsheviks in the basement of the Ipatiev House in Ekaterinburg on 17th July 1918.

There were NO survivors! There were NEVER any sons and daughters born to any member of the Imperial Family, let alone any grandchildren. Surely, it is time to let these Holy Martyrs rest in peace.

© Paul Gilbert. 12 February 2024

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I am committed to clearing the name of Russia’s much slandered Tsar. In exchange for this 18-page booklet, please consider making a small $5 or $10 donation in aid of my research. These donations are of great assistance in helping me offset the cost of obtaining and translating documents from Russian archival sources, which are often paid for out of my own pocket. It is these documents which help present new facts and information on the life and reign of Nicholas II. In addition, my research continues to debunking many of the myths and lies which exist more than a century after his death and martyrdom.

Please note, that there is NO obligation, thank you for your consideration!

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Photo-exhibit dedicated to the family of Nicholas II opens in Sayansk

On 26th January 2024, a photo-exhibition The Tsar’s Family. Love and Mercy. opened in the Siberian city of Sayansk. The exhibition features photographs reflecting the life and work of the last Russian Emperor and his family. The photos are provided by the Sretensky Monastery in Moscow and are part of a nationwide project that has been successfully implemented in many cities across Russia and abroad.

Father Volodymyr Danilko, head of the diocesan department of religious education, delivered an opening speech at the opening of the exhibit. Art historian Svetlana Panina spoke about Christian virtues and relationships within the family of Nicholas II.

The exhibition runs until 2nd March 2024, at the Art Gallery in Sayansk.

The importance of these photo-exhibitions

On 30th January 2024, I read a particularly disturbing article in one of the online Russian media outlets, which told about two schoolchildren fighting over Nicholas II. One boy spoke negatively about the Tsar, referring to him as “a weak ruler” and “Nicholas the Bloody”, while the second boy defended the Tsar. An argyment ensued, followed by a physical altercation, leaving one boy with a broken nose. The fight took place in the school yard of the Petrovskaya School, one of the top 30 private educational institutions in Moscow.

It is very sad that school children are still being taught the same negative Bolshevik myths and lies, which have endured for more than a century, by either their parents or educators, who still embrace the Bolshevik assessment of Russia’s much slandered Tsar. This is one reason WHY, these photo-exhibitions are so important in 21st century Russia. They provide children with a more honest and truthful assessment of the life and reign of Nicholas II.

*As I have noted in previous posts, I support any initiative – big or small – to help keep the memory of Nicholas II and his family alive in 21st century Russia – PG

© Paul Gilbert. 9 February 2024

Evgeny Mikhailovich Kazakevich – ‘devoted faithful servant to the throne’

PHOTO: Colonel E.M. Kazakevich in the ceremonial uniform of the Preobrazhensky Regiment. 1912-1914

On this day – 5th February 1931 – Evgeny Mikhailovich Kazakevich (1869-1931), a major general in the Imperial Russian Army and hero of World War I, was executed by the Soviets.

He was born on 8th May (O.S. 26th April) 1869, into a noble family in the St. Petersburg district. In 1889, he graducated from the Corps des Pages, and from there, was commissioned as a second lieutenant in the Preobrazhensky Life Guards Regiment.

Following the October 1917 Revolution Evgeny Kazakevich remained in Russia. In the summer of 1918, he became a member of an anti-Bolshevik organization in Petrograd. He was actively involved in raising funds for the Imperial Family, who were being held under house arrest in Ekaterinburg. He was arrested in the early 1920s, and spent several years in the notorious Butyrskaya Prison in Moscow. He was shot by a firing squad in 1931.

According to his cellmate K. N. Golitsyn”… Evgeny Mikhailovich possessed a kind soul, and as an officer of the Preobrazhensky Regiment he held firm views on his duty as a soldier, served faithfully and did not shy away from any military labour. He fought during the Russo-Japanese War in 1904-1905, and the First World War in 1914-1917.

“Evgeny Mikhailovich was a devoted monarchist, who held conservative beliefs, he was devoted to the old system with all his heart. He revered the memory of the last Russian autocrat Nicholas II and, speaking of him, referred to him only as “Sovereign.” In a word, he was a devoted faithful servant to the throne, who accepted the monarchical system without criticism and “for Faith, Tsar and Fatherland.”

“He was certainly a decent man, absolutely honest and loyal to duty, which he never shied from. His frankness and straightforwardness of his judgments apparently played a decisive role in his tragic fate. After his release from Butyrskaya Prison, I learned that he had been arrested again and shot.”

In 1931, officers of the Red Army launched “Operation Spring” the purging of former officers who had served previously in the Russian Imperial Army, former White officers, as well as civilians. More than 3,000 officers and civilians were executed, including Kazakevich who had served as an officer of the Preobrazhensky Life Guards Regiment.

On 5th February, he was sentenced by the Higher Military Command and executed on the same day by a Soviet firing squad.

Memory Eternal! Вечная Память!

© Paul Gilbert. 5 February 2024