The Imperial Room in the Church on the Blood, Ekaterinburg

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NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally published on 20 June 2018 in my Royal Russia News blog – PG

On 20th June 2018, representatives of the media were granted a first look at the Imperial Room, in the Church on the Blood in Ekaterinburg. The altar of the Imperial Room is situated in the lower church sanctified in honor of the Holy Royal Martyrs. It was established on the site of the room located in the basement of the Ipatiev House, where Emperor Nicholas II, his family, and four retainers were all brutally murdered on the night of 16/17 July 1918. The decoration of the room received the blessing of the Metropolitan of Ekaterinburg and Verkhoturye Kirill to mark the centenary of this tragic event.

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The new design, the reconstruction of the altar, along with additional work in the Imperial Room, was carried out during the past year,the senior priest of the Church on Blood Achpriest Maxim Minailyo told journalists.

Father Maxim noted that the decoration of the Imperial Room was conducted by masters from Moscow and Belarus. Above the paintings worked talented Moscow icon painters led by Alexei Vronsky, and the mosaic was done by specialists of the mosaic workshop at the Holy Elizabethan Monastery of Minsk under the guidance of the icon painter Dmitry Kuntsevich. The work was supervised by nuns of the Novo-Tikhvin Convent in Ekaterinburg, known for their skill in restoring and decorating Orthodox churches.

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Representatives of the media saw a unique mosaic panel which occupies the central part of the altar depicting the Holy Royal Passion-Bearers and their faithful retainers who suffered with them: Emperor Nicholas Alexandrovich, Empress Alexandra Feodorovna, Tsesarevich Alexei, Grand Duchesses Olga, Tatyana, Maria, Anastasia, Saint Yevgeny Botkin, Alexey Trupp, Ivan Kharitonov and Anna Demidova.

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As the priest said, the mosaic reflects the position of the Royal Passion-Bearers at the time of their martyrdom. They stood with their backs to the east, facing west, as it is now depicted in the altar.

Above them rises the Feodorovskaya Icon of the Mother of God, which is the heavenly patroness of the House of Romanov.

On the western vault depicts the Sovereign Icon of the Mother of God, which was revealed on the very day when the Emperor was forced to abdicate the throne, and the saints glorified during the reign of Emperor Nicholas Alexandrovich: St. Theodosius of Chernigov, St. Seraphim of Sarov, St. Princess Anna Kashinskaya, St. Joasaph Belgorod, St. Hermogen of Moscow, St. Pitirim of Tambov, and St. John of Tobolsk.

The creation of the paintings and mosaics took almost a year to complete. The creation of mosaic works was a particularly complex project, as the iconography of all the members of the Imperial Family and their faithful retainers had to be intricately created.

The walls and the floor around the altar are lined with red onyx, which is very symbolic, because the red color on one side symbolizes the martyrs blood shed by the Imperial family, and on the other hand, red is the color of the royal scarlet, porphyry, regal color. This color depicts very well the feat of the Royal Passion-bearers, who in both imperial majesty and in humiliation showed rare piety and great spiritual heights.

On the right side of the throne in a special reliquary containing fragments of the Ipatiev House: a brick and a balustrade.

At the end of the media presentation, the senior priest of the church thanked the journalists for the meeting, noting the great importance of this holy place in the church.

– “We must understand that this is the main sacred place of our city. And this room is the holy of holies in this church,” the father pointed out. – “This place today inspires us to move on and create such unique architectural and religious monuments to which our children, visitors, pilgrims will be drawn, because creating such a diverse national architecture, we lay the foundation for future generations to be proud of our country, including our cultural, religious and architectural heritage.”

CONSECRATION

NOTE: This article was originally published on 20 December 2018 in my Royal Russia News blog – PG

On 12th December 2018, Metropolitan Kirill of Ekaterinburg and Verkhotursk performed the rite of Great Consecration of the renovated side-chapel in the name of the Holy Royal Passion-Bearers of the Church on the Blood in Ekaterinburg. His Eminence was served by the hierarchs of the Ekaterinburg Metropolis: Bishop Method Kamensky and Alapaevsky, Bishop Evgeny of Nizhny Tagil and Nevyansky, and Bishop Serov and Krasnoturyinsky Alexy.

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At the end of the service, Metropolitan Kirill recalled in his archpastoral talk that the year 2018 – the Imperial or Royal Year – the year marking the 100th anniversary of the deaths and martyrdom of the Imperial family, was widely celebrated in the Ural city. He recalled that on the night 16/17 July, an estimated 100,000 people participated in the Divine Liturgy at the Church on the Blood and the subsequent cross procession, both of which were headed by His Holiness Patriarch Kirill of Moscow and All Russia. According to the ruling bishop, it was truly a “nationwide prayer celebration.”

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And completing this year, the consecration of the renewed side-altar in the name of the Holy Royal Passion-Bearers was performed in the Church on the Blood.

Metropolitan Kirill noted that a Divine Liturgy is performed once a week, on the night of Tuesday/Wednesday, in memory of the Holy Royal Passion-Bearers, whose murder occurred on the night of Tuesday/Wednesday 16/17 July 1918. In addition, once a month, on the night of the 16/17, a night liturgy is also celebrated. Metropolitan Kirill reached out to Orthodox Christians asking them to attend the night service and pray to the Holy Royal Passion-Bearers.

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– “Here you have this feeling – a special reverence for the Royal Family and our martyrs, the new confessors of the Russian Church, one which will enter the soul, even if the soul is cold. All this love and achievement will melt away any callousness and any coldness. And the more we pray, the more we pay attention to the memory of the Holy Royal Martyrs, to their feat – the feat of meekness, humility, purity, the feat of absolute love for their God and for their homeland, until then our country will stand, and no evil power will be able to disturb her. Therefore, today we especially thank God for the feat of our Regal martyrs, our holy martyrs, all those who have defended our Homeland and our Church, and thanks to whom we today live on this earth,” Metropolitan Kirill said.

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The ruling bishop also thanked the senior priest of the Church on the Blood, Archpriest Maxim Minyaylo, for his work in this church, and also thanked Abbess Domnik (Korobeinikova) and the sisters of the Novo-Tikhvinsky Convent, who “very strongly and powerfully helped create this chapel.”

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The altar of the Imperial Room is situated in the lower church, sanctified in honor of the Holy Royal Martyrs. It was established on the site of the room located in the basement of the Ipatiev House, where Emperor Nicholas II, his family, and four retainers were all brutally murdered on the night of 16/17 July 1918. In the summer of 2018, with the blessing of Metropolitan Kirill of Ekaterinburg and Verkhoturye, the altar of the Imperial Chapel of the Holy Royal Passion-Bearers – the so-called Royal Room – was redesigned and decorated for the Tsar’s Days held in Ekaterinburg. The interior of the room has completely changed: like the Cuvuclia in the Church of the Holy Sepulcher in Jerusalem.

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The central place is occupied by a unique mosaic panel. in the central part of the altar, depicting the Holy Royal Martyrs and their loyal subjects: Emperor Nicholas Alexandrovich, the Empress Alexandra Feodorovna, Tsesarevich Alexei, Grand Duchesses Olga, Tatiana, Maria, Anastasia, St. Eugene Botkin, Alexei Trupp, Ivan Kharitonov and Anna Demidova. The mosaic reflects the position of the Royal Passion-Bearers at the time of their martyr’s death: standing with their backs to the east, facing west, as is now depicted in the altar.

© Paul Gilbert. 30 November 2019

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