Grand Duchess Olga Alexandrovna exhibit opens in Belarus

On 21st March 2024, the Grand Duchess Olga Alexandrovna. Life on a Canvas exhibition, opened in Mir Castle, situated in the village of Ramon[1], near Voronezh, Belarus.

According to the Oldenburg Palace Museum, the venue for the exhibition was chosen due to the close family ties between members of the Imperial Family and the Svyatopolk-Mirsky family, the last owners of Mir Castle. For example, the great-niece of Prince Nikolai Svyatopolk-Mirsky, was Princess Sofia Ivanovna Orbeliani (1874-1915), who served as a lady-in-waiting and close friend of Empress Alexandra Feodorovna.

The exhibit presents the Russian years of Grand Duchess Olga Alexandrovna through letters to her brother Emperor Nicholas II, and her nieces: Grand Duchesses Olga, Tatiana, Maria and Anastasia Nikolaevna.

The exhibition is supplemented with items from the funds of the the personal archive of Her Imperial Highness, stored in the Oldenburg Palace: photographs from Olga’s albums, drawings and paintings created in subsequent years, entries from her private diaries, and watercolours.

These exhibits which reflect the heritage of the Grand Duchess before the 1917 Revolution, afford visitors with an opportunity to acquaint themselves with the events of her long and often difficult life.

The life of Olga Alexandrovna, the last Russian Grand Duchess, was filled with trials that rarely fall to the lot of man. But with her kindness, modesty, and courage, she managed to overcome the horrors prepared for her by the 20th century. She was a benefactor of numerous schools, hospitals, almshouses, societies, and during the First World War she became a simple Red Cross nurse.

Interested in painting from her early childhood, Olga Alexandrovna never stopped painting throughout her life. Her works are real and lively, reflecting the happy moments of happy times with family, and the beauty of landscapes, nature, and the elegance of floral compositions.

Never discouraged, Olga was able to see beauty in everything, she was grateful for every new day, simple, humble and bright – this is how she is reflected in her works. In emigration, Olga Alexandrovna’s house became a center for all those who shared the bitter fate of exile. The Grand Duchess continued her charitable activities: her watercolours were exhibited in several European capitals, and the proceeds from the sale went to help Russian emigrants who found themselves in difficult financial situations.

The more one learns about Grand Duchess Olga Alexandrovna, her kindness, her charitably work, her piety, etc., one can truly understand why she remains one of the most beloved and respected members of the Russian Imperial Family and the Romanov Dynasty.

The Grand Duchess Olga Alexandrovna. Life on a Canvas exhibition runs at the Mir Castle until 2nd May 2024.

NOTES:

[1] On 27th July 1901, Grand Duchess Olga married Duke Peter Alexandrovich of Oldenburg (1868-1924). In 1906, the couple settled into ‘Olgino’, their home situated on the Oldenburg estate, in the village of Ramon, near, Voronezh.

In 1915, the couple separated; Olga had no children from her first marriage. On 27th August 1916, Emperor Nicholas II approved the definition of the Holy Synod, which recognized her marriage to Prince of Oldenburg dissolved

© Paul Gilbert. 3 April 2024

Grand Duchess Olga Alexandrovna’s watercolours to be auctioned in Moscow

PHOTO: Grand Duchess Olga Alexandrovna poses in front of some her watercolours at Gatchina, late 19th century.

On 14th April 2024, more than 40 watercolours painted by Grand Duchess Olga Alexandrovna (1882-1960), will go under the hammer at an auction in Moscow.

This is the second largest group of Grand Duchess Olga’s works in Russia, the first being the group of 180 watercolours recently gifted to the State Russian Museum in St. Petersbu.

Olga’s watercolours continue to generate interest among professional and amateur collectors, both in Russia and abroad. The demand for her works have helped drive up list prices when any of her paintings are presented at auction. This current group of watercolours is expected to break all previous records.

The auction catalogue [in Russian only] contains a total of 43 watercolors, including landscapes still life, flowers, etc. The total estimated value of this group is 30 million rubles [$325,000 USD]. Estimates of individual lots range from 500,000 [$5,400 USD] to 1.5 million [$16,200 USD] rubles.

A total of 104 items of the Grand Duchess’s legacy will be sold, including autographs of members of the Russian Imperial Family, commemorative medals, pieces of furniture, and sculptures.

This group of watercolours and other items belonged to Olga Nikolaevna Kulikovsky-Romanov (1926-2020), the third wife of Grand Duchess Olga’s eldest son, Tikhon Nicholaevich Kulikovsky (1917-1993). Upon the grand duchess’s death in 1960, the bulk of her estate was acquisitioned by Tikhon. When Tikhon died in 1993, the collection passed to his wife Olga Kulikovsky. During the 1990s, Olga Kulikovsky travelled to Russia, taking the watercolours and other items with her. She toured the country, hosting numerous exhibits of her mother-in-laws paintings to Russians for the first time.

The youngest child and daughter of Emperor Alexander III and the youngest sister of Emperor Nicholas II, Olga was a prolific painter, producing over 2,000 paintings in her lifetime. She studied painting from various Russian masters, including Vasily Makovsky. During her early years in Russia, Olga painted for pleasure, often gifting her watercolours to relatives and friends, signing the works with her first initials.

During her years in exile – in both Denmark and Canada – Olga signed her works with “Olga”. The sale of her paintings provided a source of income for her and her family during their years in exile. This photo comes from the album of her cousin Princess Victoria of Wales.

Let us hope that this current collection of 43 watercolours are purchased as a group, and added to the collection of the State Historical Museum in St. Petersburg – PG

© Paul Gilbert. 2 April 2024

Nicholas II in the news – Winter 2024

Russia’s last Emperor and Tsar continues to be the subject of news in Western media. I am pleased to present the following 6 full length articles and news stories published by various Russian, British and US media services, in addition to videos and articles about Nicholas II’s relatives and faithful retainers.

Below, are the articles published in January, February and March 2024. Click on the title [highlighted in red] and follow the link to read each respective article:

How Tsar Nicholas II was ridiculed + 13 PHOTOS

The Emperor was criticized for his alleged brutality in suppressing the First Russian Revolution of 1905-1907. And, at the same time, for the weakness which his enemies allege he showed by allowing the “black monk” Rasputin to almost rule the country – which of course, is utter nonsense!

Source: Russia Beyond. 28 March 2024

Unusual hobbies of the Romanov dynasty + 15 PHOTOS

Men in the Imperial Family usually had careers in the military, while women were mostly involved in charity work. But, they also had unusual hobbies that were important parts of their lives.

Source: Russia Beyond. 14 February 2024

What Russia was like in 1914 + 35 PHOTOS

The following archive photos capture a country that is no more. Thanks to them, we can today see what it was like to live in the Russian Empire at the beginning of the 20th century.

Undoubtedly, the main event of the year was the beginning of World War I. On July 19, 1914, Germany declared war against the Russian Empire.

Source: Russia Beyond. 10 February 2024

What Russia was like in 1904 + 24 PHOTOS

These archive photos capture a country that no longer exists. Thanks to them, we can see how the Russian Empire lived at the very beginning of the 20th century: the Russo-Japanese War, the life of the tsar and peasants, transportation, leisure activities and much more!

Source: Russia Beyond. 31 January 2024

5 facts about the most esteemed icon of the Romanov dynasty

The Feodorovskaya Icon of the Mother of God is so ancient that its origins are unknown. It became a patron icon of the Romanov family from 1613 to 1917. Today, it remains the patron icon and protector of state power in Russia.

Source: Russia Beyond. 11 January 2024

Why Trotsky Believed It Was Moral to Kill the Tsar’s Children

In his 1938 work “Their Morals and Ours,” Bolshevik revolutionary Leon Trotsky explained why murder in certain circumstances is justified, incljuding the five children of Emperor Nicholas II and Empress Alexandra Feodorovna.

Source: Foundation for Economic Education. 26 September 2018

© Paul Gilbert. 31 March 2024

Nicholas II’s motorcars and the Imperial Garage in Mogilev, 1915-17

PHOTO: Emperor Nicholas II and Major-General V. Voeikov at the General Headquarters in Mogilev. 1915-1916. Several of the motorcars from the Imperial Garage can be seen in the background.

In the early 20th century, Emperor Nicholas II took a keen interest in the latest fad which was sweeping Europe: the motorcar. By the end of his reign in March 1917, he had amassed an impressive collection of 56 automobiles. None of the European monarchs could boast of such an impressive fleet of vehicles!

His Imperial Majesty’s Own Garage was created for the Emperor’s collection. Imperial Garages were built in Moscow, the Winter Palace (St. Petersburg), Tsarskoye Selo and Livadia. During the war years, an additional garage was built at Mogilev.

On 8th August 1915, the Headquarters of the Supreme Commander-in-Chief of the Armed Forces (Stavka) of the Russian Empire was transferred from Baranovichi to Mogilev. From August 1915 to March 1917, Emperor Nicholas II, served as Commander-in-Chief.

The Tsar travelled back and forth on the Imperial Train, from Tsarskoye Selo to Mogilev, where he settled in the Governor’s House, situated on Gubernatorskaya Square. He was often accompanied by his son Tsesarevich Alexei Nikolaevich.  

PHOTO: Nicholas II’s motorcars were transported to Mogilev by rail, a special carriage was hitched to the end of the Imperial Train, which featured a ramp to drive the cars on and off.

When Nicholas II moved to Mogilev, he brought with him some of his motorcars from the Imperial Garage in Tsarskoye Selo. According to Nicholas II’s personal security chief Major General Alexander Spiridovich, who often accompanied the Tsar on these trips, recalled:

“The last carriage of our train was the ingeniously invented by [Adolfe] Kegress. The garage car transported the imperial automobiles, and provided accommodation for the chauffeurs. The back wall of this carriage could fold up and down, the latter providing a gangway, along which the motorcars could drive on or off the carriaget. In appearance, this carriage was no different from the other carriagess of the Imperial Train.”

A special 20-meter-long Imperial Garage was installed near the Governor’s House, which could accommodate 4-5 vehicles, as well as a workshop, spare parts, gasoline and lubricants.

In addition to the triple phaeton, two Delaunay-Belleville 40/45 CV with a landole body and two limousines: a Roll-Royce 40/50 HP and a Renault 40 CV, were also parked in the garage. The latter vehicles were used by members of the Imperial Family and their retinue, when they visited Mogilev.

PHOTO: three of Nicholas II’s motorcars parked on Gubernatorskaya Square. On the right is Delaunay-Belleville triple-phaeton, on the left are two Delaunay-Belleville with a landole body.

PHOTO: Arrival of Empress Alexandra Feodorovna to the General Headquarters in Mogilev in the summer of 1916. The Tsarina preferred closed cars.In front is a Renault 40 CV limousine. Behind is a Rolls-Royce 40/50HP.

Nicholas II himself preferred to drive a Delaunay-Belleville 40/45 CV with a triple-phaeton body, a seven-seater car with three rows of seats, a convertible roof and a 45 horsepower engine. The engine provided speeds of up to 90 km per hour. In addition, unlike serial models, the imperial motorcars were equipped with double steering rods and a disc clutch instead of a conical one.

The horses in Mogilev were frightened by the noisey, speeding motorcars, so before each trip, agents of the security department and the police were posted along the entire route, and traffic along Dneprovsky Prospekt was temporarily halted.

For political reasons, Nicholas II preferred riding in open vehicles. The Tsar believed that he should be visible to the people, and although the guards repeatedly urged him to move around the city in a closed vehicle, Nicholas II, as a rule, drove in open ones.

In the city itself, the imperial motorcars had only one route: from Gubernatorskaya Square, to the military platform of the Mogilev railway station, where the Imperial Trains [there were 2] were parked. The main routes were along the Bobruisk and Orsha highways, on which, the Tsar often ordered the driver to stop, so that he could get out and go for a walk in the forest, which he so enjoyed. Nicholas II did not change this habit until his abdication, when he made his last motorcar ride on 27th February, 1917, which was when the first telegrams informing about the riots in Petrograd arrived at Stavka.

PHOTOl Emperor Nicholas II arrives at Mogilev

FURTHER READING:

Why did Nicholas II’s favourite motorcar sport a swastika?

The fate of Nicholas II’s favourite motorcar

Exhibition dedicated to the 115th anniversary of His Imperial Majesty’s Own Garage opens in Moscow

NEW 4-volume set of books celebrates Emperor Nicholas II’s motorcar collection

© Paul Gilbert. 14 March 2024

DAGMAR: Empress Marie Feodorovna and Her Family

*This title is available from AMAZON in the USA, UK, Canada, Australia,
France, Germany, Spain, Italy, Netherlands, Poland, Sweden and Japan

CLICK HERE TO ORDER THE HARD COVER EDITION @ $25.00 USD

CLICK HERE TO ORDER THE PAPERBACK EDITION @ $20.00 USD

English. 204 pages, with notes and illustrations

This year marks the 25th anniversary of Little Mother of Russia: A Biography of Empress Marie Feodorovna by Coryne Hall. Since it’s publication in 1999, she has written a number of new articles about Empress Marie Feodorovna and her family based on new research.

These works are presented in DAGMAR, and include chapters on Tsar Alexander III’s Imperial Fishing Lodge in Finland; the friendship of French tutor Ferdinand Thormeyer and Alexander III’s family; Marie’s relationship with her sister the British queen Alexandra; Marie’s fate following the Russian Revolution; her years of exile in Denmark; her death in 1928, and her reburial in Russia in 2006.

In addition is a chapter about her son Emperor Nicholas II’s close relationship with the Kingdom of Denmark and his Danish relatives.

Finally, Coryne Hall provides a fascinating study of Daniah efforts to help members of the Russian Imperial Family in Bolshevik Russia.

Also by Coryne Hall – Nicholas II and the British Monarchs (published in 2023).

© Paul Gilbert. 14 March 2024

‘The Tsar’s Family. Ascent’ exhibition opens in Novocherkassk

On 10th March 2024, The Tsar’s Family. Ascent exhibition, opened in the Ascension Military All-Cossack Patriarchal Cathedral in Novocherkassk, situated in the Rostov district. The cathedral serves as the main church of the Don Cossacks.

The exhibition explores the life, service and spiritual path of Emperor Nicholas II and his family.

On display, are more than 100 photographs, 23 reproductions of famous paintings and portraits, archival documents, military banners from various regiments of the Russian Imperial Army and more.

The project was organized by the press secretary of the Mogilev diocese, Ilya Sidorovich. Exhibits were collected from the funds of the State Archives of the Russian Federation (GARF), the Russian State of Film and Photo Archive (RGAKFD), museums and private collections in Moscow, Tsarskoye Selo, and Mogilev. exhibition

PHOTOS: the exhibition was attended by the Governor of the Rostov Region

The rector of the Ascension Cathedral, Archpriest Georgy Smorkalov, noted that it was no coincidence that Novocherkassk was selected to host the exhibition. Emperor Nicholas II visited Novocherkassk on several occasions and visited the Cathedral Church of the Don Army. It is interesting to note, that one of the few lifetime portraits of Emperor Nicholas II – not held in any museum fund – today, hangs in the “Royal Chambers” of the cathedral.

The travelling exhibition is currently touring Russia and Belarus, and has been held in a number of cities, including Mogilev, where from 1915 to 1917, served as the Headquarters of the Supreme Commander-in-Chief, under Emperor Nicholas II.

The grand opening of the exhibition was attended by the Governor of the Rostov Region, Vasily Golubev, the Minister of Culture of the region Anna Dmitrieva, and local government other officials.

The Tsar’s Family. Ascent exhibition runs until 5th May 2024.

© Paul Gilbert. 13 March 2024

Miraculous Icon of Tsar-Martyr Nicholas II brought to Tashkent

PHOTO: Metropolitan Vikenty of Tashkent and Uzbekistan solemnly carries the miraculous myrrh-streaming icon of Tsar-Martyr Nicholas II, around the Cathedral of the Dormition of the Most Holy Theotokos in Tashkent

On 10th March 2024, Metropolitan Vikenty of Tashkent and Uzbekistan, celebrated a Divine Liturgy in the Cathedral of the Dormition of the Most Holy Theotokos in Tashkent. An All-Night Vigil was served the night before. Prior to the beginning of the Divine Liturgy, Metropolitan Vikenty solemnly carried the miraculous myrrh-streaming icon of Tsar-Martyr Nicholas II under the vaults of the cathedral, after which the Godenov Cross was reinstalled in the cathedral.

Upon completion of the Divine Liturgy, Metropolitan Vikenty congratulated the faithful on Sunday, reminding everyone that this week before Great Lent is called the Sunday of the Last Judgment.

PHOTO: Metropolitan Vikenty of Tashkent and Uzbekistan

In his sermon, His Eminence the Archpastor also expressed his gratitude to the custodian of the miraculous image of Tsar-Martyr Nicholas II, Alexander Chernavsky, for the opportunity for the Orthodox faithful of Uzbekistan to venerate this famous shrine.

It was noted that the myrrh-streaming icon will also be brought to the churches of the Tashkent deanery.

PHOTO: the miraculous myrrh-streaming icon of Tsar-Martyr Nicholas II

© Paul Gilbert. 12 March 2024

Livadia hosts new exhibition dedicated to the Romanovs in Crimea

On 24th February 2024, the exhibition There was life in the Crimea…, opened in the Exhibition Hall of Livadia Palace, situated near Yalta on the southern coast of Crimea. The exhibit is part of The Romanovs in Crimea, which is on permanent display on the second floor of the palace.

The exhibition showcases items from the collection of Livadia Palace Museum, and explores the pastimes and private lives of Emperor Nicholas II and his family, during their stays at Livadia during the first decade of the 20th century.

The Tsar and his family were very fond of their southern coastal estate, especially during the warm summer months. It was only on one occasion, that the Imperial Family were forced to extend their stay. During their visit to Crimea in 1900, the Sovereign fell ill with typhoid, forcing the Imperial Family to extend their stay until Christmas. This period is documented in the exhibition with copies of watercolours from the album “Livadia. 1900-1901” by the court painter Mihály Zichy (1827-1906). The watercolours, in the form of collages, depict episodes of the life of the Imperial Family during their stay in Crimea.

Among them are collages depicting the Imperial Family on the Imperial Yacht “Shtandart“; the meeting of Nicholas II with his his cousin Prince George of Greece; the reception of the Turkish envoy; the Tsar during his illness in 1900; the reception of deputies of the Taurida province; the Tsar’s meeting with the Knights of St. George; equestrian riding; playing board games, etc.

It is interesting to note, that in 2015, a number of these watercolours were reproduced in a handsome Russian language album, “Царское имение Ливадия в акварелях и фотодокументах [The Tsar’s Livadia Estate in Watercolors and Photographic Documents] by Lyudmila Aleksandrovna Tikhonova.

Also on display at the exhibition, are sheet music of classical works and phonograph records, which were fashionable at the beginning of the 20th century. The Tsar and his family often listened to these records in the palace’s Music Room. On other occasions, the Empress and her daughters would play pieces from the sheet music on the piano.

The last time that Nicholas II and his family visited the old wooden palaces at Livadia, was in the autumn of 1909. The exhibition features an interecting collection of photographs of this visit.

The old wooden Grand Palace was demolished in 1910, to make way for a new Italian Neo-Renaissance style stone palace, which would serve as the residence of Nicholas II and his family during their visits to Crimea. The Imperial family visited their new white palace in the fall of 1911 and 1913 and in the spring of 1912 and 1914.

© Paul Gilbert. 3 March 2024

Family Disloyalty: Nicholas II and the Vladimirovichi

PHOTO: Empress Alexandra Feodorovna, Grand Duke Vladimir Alexandrovich,
Grand Duchess Maria Pavlovna and Emperor Nicholas II

During the final years of his reign, Emperor Nicholas II was more than aware that the various branches of his family were creating a politically dangerous situation by their open hostility towards him. Among them were his cousin Grand Duke Nicholas “Nikolasha” Nikolaevich (1856-1929) and uncle Grand Duke Nicholas “Bimbo” Mikhailovich (1859-1919), however, it was the hostility which simmered from the Vladimirovich branch of the family which posed the greatest threat to him. 

The Vladimirovichi are inextricably linked to the many myths and lies which have been allowed to germinate for more than a century, and continue to overshadow the life and reign of Russia’s much slandered Tsar to this day. Some members of the Vladimirovichi were, devoid of principle. They embodied the “treason, cowardice and deceit” that Nicholas II recorded in his diary, following his abdication in March 1917.

Over the past few years, I have been researching new documents from Russian archival and media sourcesl for my forthcoming book ‘Kirill: Traitor to the Tsar’, which is now scheduled for publication in 2025. Watch for my ads in both Majesty and Russian Life magazines!

Below, is a short summary of just some of the issues which I will discuss in my book:

In part one, The Vladimirovichi: Uncle Vladimir and Aunt Miechen, I discuss the often hostile relationship between Grand Duke Vladimir Alexandrovich and his wife Grand Duchess Maria Pavlovna towards Emperor Nicholas II. During the last years of Vladimir’s life, the rift between his family and that of Nicholas II widened.

Vladimir’s German born wife, Maria Pavlovna (née Duchess Marie Alexandrine Elisabeth Eleonore of Mecklenburg-Schwerin), a vile opportunist with an over inflated ego, carried the family’s anti-Nicholas agenda to the end of her days. She was known in the family as “Miechen” or “Maria Pavlovna the Elder,” and was well known for her acid tongue and spiteful demeanour. The power hungry Maria Pavlovna had an open rivalry with her sister-in-law the Empress Maria Feodorovna (wife of Emperor Alexander III) as well as Empress Alexandra Feodorovna (wife of Emperor Nicholas II), the latter of which Maria Pavlovna was notorious for plotting against and spreading malicious gossip. She was also very crafty. Maria remained Lutheran throughout most of her marriage, but converted to Orthodoxy in April 1908, believing it would give her son Grand Duke Kirill Vladimirovich a better chance at claiming the throne. 

The treachery and deceit which emanated from the Vladimir Palace in St Petersburg, where Maria Pavlovna held her own rival Court, was not restricted to the senior grand ducal couple, but also to their eldest son and his wife Grand Duke Kirill Vladimirovich and Grand Duchess Victoria Feodorovna.

In part two, Kirill and Ducky , I discuss Kirill entering into an incestuous marriage his paternal first cousin [forbidden by the Russian Orthodox Church], Princess Victoria Melita of Saxe-Coburg and Gotha in 1905, both defying Nicholas II by not obtaining his consent prior, but also the consent of King Edward VII. However, it was Kirill’s traitorous act during the February Revolution of 1917, in which he is most famous for. It was in Petrograd, that Kirill marched to the Tauride Palace at the head of the Garde Equipage (Marine Guard) to swear allegiance to the new Provisional Government, wearing a red band on his uniform. He then authorized the flying of a red flag over his palace on Glinka Street in Petrograd. In 1924, Kirill pompously proclaimed himself “emperor-in-exile”. I also discuss Kirill and Ducky’s alleged Nazi affiliations during their years in exile, and Kirill’s infidelity.

It is ironic that following the 1917 Revolution, ALL the members of the Vladimirovich branch of the family managed to get out of Russia, with the exception of Grand Duke Vladimir who had died in 1909

My study will feature excerpts from letters by Nicholas II, his mother Dowager Empress Maria Feodorovna, Grand Duchess Maria Alexandrovna, Queen Marie of Roumania among others, as well as letters and excerpts from Russian sources, translated and published for the first time.

Why is this story relevant?

During the Nicholas II Conference, held in Colchester, England on 27th October 2018, I announced that I would be committing myself to researching and writing about the life and reign of Nicholas II. In addition, I announced my personal mission to clear the name of Russia’s much slandered Emperor. As part of the latter, I believe that a comprehensive study of the relationship between the Vladimirovich branch of the Imperial Family and Nicholas II, was an important historical issue which had to be addressed.

As a result, I severed all ties with Maria Vladimirovna and her son George Mikhailovich, as well as the Russian Legitimist cause. My main reason being that my conscious would no longer allow me to support or promote the activities of this branch of the Imperial Family.

Many monarchists (myself included) and those faithful to the memory of Nicholas II, believe that Maria Pavlovna’s malicious gossip and intrigues against Nicholas II, and her son Kirill’s act of treason in 1917, should eliminate the Vladimir branch of the Russian Imperial Family from any further consideration.

In 2011, I interviewed Maria asking her the following two questions on Nicholas II:

“For nearly a century, the last Emperor of Russia, Nicholas II, has been maligned and slandered by Western historians and biographers. In your opinion, how have these historians and authors been mistaken about Nicholas II?”

and secondly . . . 

“In your view, why is the rehabilitation of the Tsar-Martyr Emperor Nicholas II by the Supreme Court of the Russian Federation so important for a proper understanding of Russian history?”

Her responses were indeed admirable, however, her refusal to acknowledge the open hostility and treachery of her ancestors towards Nicholas II, in which she remains defensive.

On 2nd September 2020, Maria Vladimirovna, stated the following on her web site:

“She [Grand Duchess Maria Pavlovna] was critical of some aspects of the official political course, but she always retained her loyalty and love for Emperor Nicholas II and Empress Alexandra Feodorovna. She was subjected to slanderous persecution by the court intriguers, who sought to sow discord within the Imperial Family.”

Maria Vladimirovna’s attempt to whitewash the truth about her power hungry great-grandmother and her traitorous grandfather, eluding that she was the victim of “slanderous persecution” is utter nonsense! One cannot sweep history under the rug. Maria and her supporters do not want her ancestors exposed for what they are: traitors! Maria might just gain some respect, if she simply spoke honestly, and admitted that her grandfather and great-grandmother were a rotten pair.

In addition, I like many others, believe that the Russian Imperial House ended with the death of Nicholas II, on 17th July 1918. The “Russian Imperial House” – as it exists today – consists of no more than four people: a woman who is Russian only because Yeltsin gave her family Russian passports, she failed Russian at Oxford University, and currently lives in Spain; her son, is a Hohenzollern prince and nothing more. Their claim to the now defunct Russian throne is disputed by many Russians.

Below, is the cover of my forthcoming book Kirill: Traitor to the Tsar, now scheduled for publication in 2025 . . . more than 200 pages, it will be available in hard cover, paperback and ebook editions! Watch for my ads in both Majesty and Russian Life magazines!

© Paul Gilbert. 1 March 2024