New bust-monument to Nicholas II installed in St. Petersburg

On 19th May 2024 – the day marking the 156th anniversary of the birth of Emperor Nicholas II – a new bust-monument of him was installed on the grounds of the Military Institute of Physical Culture (VIFK), in St. Petersburg.

The event was part of the celebrations marking the 115th anniversary of the Military Institute of Physical Culture (VIFK). The event was attended by St. Petersburg Governor Alexander Beglov and State Secretary and Deputy Minister of Defense of the Russian Federation Nikolai Pankov, both of whom took part in the unveiling and dedication of the bust-monument of Emperor Nicholas II.

On 17th (O.S. 4th) May 1909, Emperor Nicholas II formally granted the provisional regulations for military sports education, which were the basis for the formation of the current institute. The school opened its doors on 14th (O.S. 1st) October 1909 in St Petersburg as the Main Gymnastics and Fencing School, which reported to the Commander of the Imperial Guard/Commanding General, of the St. Petersburg Military District and whose first cadets were military personnel of the Guards units and personnel of the district.

The Military Institute of Physical Culture is the only and one of the oldest military educational institutions in Russia, which provides training and retraining of specialists in the field of physical culture and sports for ministries and departments of the Russian Federation.

In his dedication speech, Governor Alexander Beglov noted: “Nicholas II was the most athletic emperor in Russia’s history. He was a passionate tennis player, he enjoyed all forms of phsical activity, such as cycling, hiking, swimming and rowing, he was excellent at shooting, skiing. He supported sports in Russia. By his example, he brought sports and physical activity to the masses. In addition, it was Nicholas II who brought the rules of *ice hockey to Russia. Now it is a national sport and a favorite game of millions of Russians. * Nicholas II enjoyed playing hockey.

“As our President has repeatedly emphasized, continuity is also important in sports. We must not forget our worthy ancestors. The Institute embodies this wish of the President,” said Alexander Beglov.

Governor Alexander Beglov further added that the bust of Nicholas II will remind contemporaries of the Tsar’s econtribution to the development of sports and sporting societies in Russia, and to the creation of a system of physical training for officers of the Russian army.

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NOTE: since the fall of the Soviet Union in 1991, more than 100 monuments, busts and memorial plaques to Emperor Nicholas II have been installed in cities, towns and villages across the Russian Federation. In addition, are a number of churches dedicated to him.

© Paul Gilbert. 19 May 2024

Nicholas II’s interest in the cinematograph

On this day -18th May 1896 – Russia’s first cinema opened at No. 46 Nevsky Prospekt (now the Neva restaurant is located here), in St. Petersburg.

One of the spectators wrote:

“Today, we visited Nevsky … The electric light goes out, the hiss of the cinematograph is heard in the hall, and a moving photograph appears on the screen in front of the eyes of the audience… The scenes we have seen, were an approaching train, a quarrel between two men and their struggle, a game of cards, workers leaving the Lumière factory, a group of children quarreling, and an acrobat playing with a ribbon.”

From 1900 to 1918, Russian cinema developed rapidly, and was very widespread and popular in many large cities, including St. Petersburg, Moscow, Kiev, Odessa, Nizhny Novgorod, Baku, Tiflis, and Yekaterinburg; foreign cinema was also popular.

It is interesting to note that the Holy Coronation of Emperor Nicholas II also took place in Moscow in May 1896. The entire solemn procession was captured on film, by French cameramen from the Lumiere Brothers in Paris. The 1 hour and 33 minute documentary became the first documentary film shown in cinemas across the Russian Empire. A copy of the film was presented by Lumiere to Emperor Nicholas II.

The cinema with it’s “moving pictures” became very popular in Russia, therefore, it should come as no surprise, that Emperor Nicholas II took a keen interest in the cinematograph [an early motion picture projector].

During Nicholas II’s reign, the Alexander Palace underwent many modern upgrades:  it was wired for electricity, and equipped with telephones and a cinematograph. A “screening booth” was built in the Great Library where the Imperial Family gathered to watch films. The Tsar even wrote down his favorite “cinematic pictures” in his diary.

As a rule, film screenings were held once a week, and Empress Alexandra Feodorovna selected the films as follows: first, they showed newsreels shot by the court photographers during the week, then an educational film, and finally a comedy for children.

Nicholas II enjoyed English and French newsreel films about the First World War, as well as documentary films about officers, service in the navy and daily life in the armed forces. The Tsar also paid particular attention to foreign news, which he watched with great interest, even taking notes. Interestingly, the Tsar himself, was often the central figures in many of these foreign newsreels.

He later equipped the Imperial Yacht Shtandart with a cinematograph. In 1913, the Tsar noted in his diary, that he had watched a Russian documentaries “The Tercentenary of the Reigning House of Romanov” and “The Heroic Feat of Private Vasily Ryabov”, as well as an Italian production “Ballerina from the Odeon”.

PHOTO: Maurice Paléologue (1859-1944)

On one occasion, the French ambassador to Russia Maurice Paléologue was invited to the Alexander Palace, to watch a film with the Emperor and Empree. That evening, he recorded the event in his diary: 

“I arrived at Tsarskoye Selo at five o’clock. The cinema was installed in a large round hall [the Semi-Circular Hall]; three chairs were placed in front of the screen; there were a dozen chairs around them. Almost immediately the Emperor and Empress came out with the Grand Duchesses and the Heir Tsesarevich, accompanied by the Minister of the Court Fredericks and his wife, the Oberhoffmeister Count Benckendorff and his wife, Colonel Naryshkin, Madame Buxhoevden, the tutor of the heir Gilliard and several officials of the palace administration. In all the doors, stood maids and palace servants, all crowded and peeping out. The Emperor is dressed in a marching uniform; the Empress and the Grand Duchesses wore simple woollen dresses; the other ladies in day dresses.

“Before me is the Imperial Court in all the simplicity of its everyday life. The Emperor seats me between himself and the Empress. The lights are turned off, and the film begins.”

© Paul Gilbert. 18 May 2024

‘The Emperor on Vacation’ – Set of 3 photo albums

 

PHOTO: three photo albums from the family of Emperor Nicholas II at Livadia, during the years 1902, 1912 and 1913. From the Collection of Historical and Literary Museum in Yalta, Crimea.

 One of the most prized titles in my private collection of more than 300+ books on the life and reign of Emperor Nicholas II, is a 3-volume set of photo albums, which I purchaed from a Russian publisher in Crimea in 2020.

The photographs in these books have been reproduced from three little known family albums of Emperor Nicholas II during their visits to Livadia in various years during the early 20th century.

The albums had been tucked away for decades in the dusty archives of the Historical and Literary Museum in Yalta, Crimea. They were found in Livadia Palace following the 1917 Revolution, and seized by the regional Soviet after the Imperial residences were nationalized by the Bolsheviks.

I was made aware of the existence of these family albums of the Imperial Family during my visit to Yalta and Crimea in October 2000, however, it was not possible to view them at the time.

The albums were reproduced in 2019 by the N. Orianda Publishing House in Simferopol, Crimea under the title Император на отдыхе / The Emperor on Vacation in three handsome hard cover volumes. Each album is filled with high quality photographs of the Imperial family during their stay in Crimea in 1902, 1912 and 1913 respectively. The albums are packaged in a handsome slip case. Text and captions are in Russian.

This collection of photographs are indeed special, as there are no staged portraits, they reflect the private, home life of the Imperial Family: walks, picnics, excursions, family and friendly meetings, etc. – all set against the backdrop of picturesque Crimean nature, and the region’s historical and architectural monuments. Also included are a few images taken during official meetings and parades. In addition, are photos of the old wooden palaces at Livadia, and the Imperial Yacht Standart, docked in Yalta.

These albums will be indispensable to historians and any one interested in the life of Russia’s last Tsar and his family. The photographs have not been published in any of the pictorials published by Western publishers over the past decades – they are new to us!

It is interesting to note that that only 100 sets were printed! The price for the entire set was 10,000 rubles ($150 USD). After placing my order, I shared the information on my Facebook page, and within a few days, the remaining sets were sold out! I do know if a reprint was ever issued, and even if it was, it would be impossible to order these albums, due to the economic sanctions imposed by the West against Russia in 2022.

The 3-volume set of albums is encased in a handsome slipcase

Volume I (1902) Августейшие дачники / August Summer Residents
128 pages with 60 full-page black and white photos

 

Volume II (1912) Земной рай Романовых / Romanovs Earthly Paradise
224 pages with 112 full-page black and white photos

 

Volume III (1913) Царский альбом в стиле репортажа
88 pages with 40 full-page black and white photos

Published by the N. Orianda Publishing House in Simferopol, Crimea.
LanguageL Russian only. ISBN: 9785604293164

© Paul Gilbert. 14 May 2024

Video tour of the Museum of Emperor Nicholas II in Moscow

CLICK on the image above to watch the VIDEO

Duration: 2 minutes, 57 seconds. Language: Russian

For English subtitles: please click on the closed captioning button [cc] and then use translate [i.e. Google]

NOTEl: at the beginning of the video, please note the bust of Emperor Nicholas II on a pedestal, situated to the left of the museum.

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Situated in a quiet side street in the Basmanny district, situated in northeastern Moscow, is a small museum dedicated to Russia’s last Tsar. The Museum of Emperor Nicholas II, which is part of the Nicholas II Cultural Foundation was established in April 2018.

The Foundation was created to support the Museum of Emperor Nicholas II and his family, as well as other initiatives to restore and disseminate the historical truth about the life and reign of Emperor Nicholas II.

Both the Foundation and the Museum were fojnded by the famous Russian art historian Alexander Vasilyevich Renzhin. It was during the 1990s that Renzhin began to collect, bit by bit, everything related to Emperor Nicholas II and his family. During that time, he managed to amass a collection of more than 3,000 authentic items which reflect on the private lives of the Imperial Family from 1868 to 1918.

The museum’s collection includes sacred relics and unique icons that belonged to the Imperial Family: church utensils; rare books; ceremonial portraits of Emperors Alexander II, Alexander III, and Nicholas II; more than 500 original photographs; authentic autographs; state documents; porcelain and glassware; personal items of Nicholas II and Alexandra Feodorovna; memorial items of the Romanov dynasty; a complete set of state awards established by Nicholas II; postcards; chromolithographs; engravings and much more.

Of particular note is unique memorabilia from the Holy Coronation of Emperor Nicholas II in May 1896: earthenware glasses and plates decorated with the coats of arms and monograms H II [Nicholas II] and AF [Alexandra Feodorovna], miraculously preserved fine crystal glasses with engravings and paintings, cups, plates and saucers from the service with the new coat of arms introduced in 1856.

In the spring of 2008, Renzhin donated his collection as a gift to the Nikolo-Ugreshsky Monastery.

In February 2021, the Museum of Emperor Nicholas II was forced to close its doors, due to the COVID-19 pandemic, and the museum’s mounting debt of almost 9 million rubles (more than $13,000 USD) in arrears of rent.

A Russian oligarch Konstantin Malofeev, and founder of the Tsargrad TV channel, came to the rescue by providing Renzhin’s rare collection with a new venue in which to display his vast collection. The Museum of Emperor Nicholas II re-opened in the Museum of Russian Art, the former manor house of Nikolai Eremeevich Struisky (1749-1796) – situated in Moscow’s historical district – on 10th February 2021.

FURTHER READING:

The Great Pilgrimage of Emperor Nicholas II in 1913 + VIDEO

Museum of Emperor Nicholas II in Moscow + VIDEO

Museum of Emperor Nicholas II re-opens in Moscow + PHOTOS

© Paul Gilbert. 7 May 2024

Tutor to Nicholas II reflects on his August student

Portrait of Adjutant General Nikolai Nikolayevich Obruchev (1830–1904)
Artist: Nikolai Alexandrovich Yaroshenko (1846-1898)

Adjutant General Nikolai Nikolayevich Obruchev (1830–1904), tutor to Tsesarevich Nikolai Alexandrovich, reflects on the future Emperor Nicholas II

“Tsar Nicholas II was of average height – 5 feet and 7 inches (about 170 cm). His slender figure was impeccable in proportion to his build, shone with the exceptional elegance of his innate grace, which, combined with a military bearing, athletic perfection, and the gentle smoothness of the Sovereign’s movements, was the outward appearance of his Imperial majesty and Royal simplicity …

“The Tsar’s hair was golden-reddish in colour; somewhat darker than his always carefully trimmed, well-groomed beard. The features of his beautiful elongated face, which often shone with a charming smile, were his blue eyes. All who had the honour of ever seeing the Emperor up close, were struck by the bottomless depth of these wonderful eyes, in which, as in a mirror, his beautiful soul was reflected. His physical appearance was a worthy frame for his bright soul …

“I was always impressed with the mind and the wonderful spiritual qualities of my student and the ability of the Heir Tsesarevich to quickly grasp the essence of the subject being presented and his phenomenal memory. His English tutor said about his student: “He was very curious and diligent, causing even good-natured ridicule from others, and was overly keen on reading, spending most of his free time reading a book.” At the end of his education, the Heir Tsesarevich retained an interest in books throughout his life and continued to improve his knowledge by reading and talking with competent and outstanding people of his time and amazed them with his extensive knowledge on various subjects …”

The portrait of General N. N. Obruchev was painted in 1897 by the Russian artist of Ukrainian origin Nikolai Alexandrovich Yaroshenko (1846-1898)

After the revolution, the portrait of General Obruchev ended up in the collection of the Pavlovsk Palace Museum. In 1966, it was transferred to the N. A. Yaroshenko Memorial Museum-Estate in Kislovodsk.

© Paul Gilbert. 7 May 2024

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CLICK HERE TO REVIEW THE CATALOGUE

Cross procession in memory of the Holy Royal Martyrs held in Ekaterinburg

PHOTO: “Transfer of the Romanov family to the Ural Soviet”. 1927. Artist Vladimir Nikolaevich Pchelin (1869-1941). From the Collection of the Sverdlovsk Regional Museum of Local Lore in Ekaterinburg.

On 30th April 2024, a Cross Procession along the “Path of Sorrows” honouring the memory of Emperor Nicholas II, Empress Alexandra Feodorovna, and their daughter Grand Duchess Maria Nikolaevna was held in Ekaterinburg. The day marked the 106th anniversary of their arrival in the Ural capital from Tobolsk.

Accompanying them were a number of servants: Dr. Evgeny (Eugene) Sergeyevich Botkin, Prince Vasily Alexandrovich Dolgorukov, maid Anna Stepanovna Demidova, valet Terentiy Ivanovich Chemodurov and boatswain Ivan Dmitrievich Sednev.

Every year on this day, the Ekaterinburg Diocese prayerfully celebrate the memory of the Holy Royal Martyrs. In churches, prayers are made to the Holy Imperial Family, and people also honour them by taking part in the Cross Procession along the “Ekaterinburg’s Path of Sorrow”, to the places associated with them on the day of their arrival in the Ural capital.

The clergy of the Ekaterinburg Diocese lead the Cross Procession along the “Ekaterinburg Cross Procession”, they are joined by Orthodox Christians, monarchists and other adherent’s to the last Tsar and his family. Together they prayfully walk the Path of Sorrows, walking in the footsteps of the Tsar, his family and their faithful servants, expressing their love and reverence for them.

The “Ekaterinburg Path of Sorrows” begin at the place where Emperor Nicholas II, Empress Alexandra Feodorovna and Grand Duchess Maria Nikolaevna disembarked from the train on 30th April 1918. Here, near the Shartash Railway Station (in 1918 – Yekaterinburg-II Station), a Memorial Cross and foundation stone were installed. A church in honour of the Valaam Icon of the Mother of God, one of the three miraculous icons that appeared during the reign of Nicholas II, will be constructed on this site.

The Cross Procession then proceeds along Vostochnaya Street, where the Church of the Icon of the Mother of God “Port Arthur” was erected at the intersection with Shevchenko Street. Here, according to the historical version, on 23rd May 1918, Tsesarevich Alexei Nikolaevich, Grand Duchesses Olga, Tatiana and Anastasia Nikolaevna arrived by train, placed under arrest, and then taken to the Ipatiev’s House.

In 2008, a memorial stone was laid at the site, and in 2017, the construction of the Church of the Icon of the Mother of God “Port Arthur” was completed, the consecration of the church was performed by Metropolitan Kirill of Yekaterinburg and Verkhoturye.

Not far from the railway station, in Nevyansky Lane, stands the Church in Honour of the Reigning Icon of the Mother of God. It was consecrated in 2011 by Metropolitan Kirill of Yekaterinburg and Verkhoturye. In 1918, the Yekaterinburg-I Station was located here, and it was here on 30th April 1918, that the train carrying the Tsar, his family and their servants stood for several hours. An angry mob had gathered at the station, forcing the train to travel to the Yekaterinburg-II Station.

PHOTO: view if the mosaic panel depicting the Holy Royal Martyrs, situated in the Imperial Room, a side-chapel located in the Lower Church of the Church on the Blood

The Cross Procession along the Path of Sorrows ends at the Church on the Blood on Tsarskaya Street. The Memorial Church was constructed on the site of the Ipatiev House, demolished in 1977. It was here, in the early morning hours of 17tj July 1918, that the Imperial Family and four faithful servants met their violent deaths at the hands of a firing squad and their martyrdom. Situted in the Lower Church there is the “Tsar’s Room” aka as “The Imperial Room” – the altar of the side-chapel in honour of the Holy Royal Martyrs, which was erected on the site of the murder room, with the blessing of Metropolitan Kirill of Yekaterinburg and Verkhoturye for the Tsar’s Days 2018.

© Paul Gilbert. 6 May 2024

Update on the restoration of the Imperial Railway Pavilion at Tsarskoye Selo

PHOTO: the Imperial Railway Pavilion [aka as the The Tsar’s Train Station] at Tsarskoye Selo and it’s architect Vladimir Aleksandrovich Pokrovsky (1871-1931)

NOTE: links to other interesting articles are highligted in red below – PG

Further to my August 2023 announcement that the Imperial Railway Pavilion at Tsarskoye Selo would be restored, I am pleased to provide the following update, which includes photos [taken in March 2024] of the progress being made on this important historic project, one which is closely connected to Emperor Nicholas II.

The building is currently hidden under scaffolding and outdoor construction hoarding, as experts carry out the restoration of the facade, it’s historic elements and install a new roof. This work can be seen in the photos published in this article, all of which were taken a few weeks ago.

The Imperial Railway Pavilion [aka as the Tsar’s Train Station] is a registered cultural heritage site of federal significance, an act which saved the building from destruction. Despite the fact that the building has not been used since the 1930s, it has been preserved in fairly good condition. The unique building will be restored to its original. In addition to the building itself, the 200-meter passenger platform and canopy will be reconstructed and the unique paintings which once decorated the walls and ceilings of the interior, and which have been partially revealed by restorers, will be revived.

The next stage, after a detailed study, will be the design, and then the restoration. The concept of using the building as a museum after the completion of the work will also be worked out.

The restoration work on the Imperial Railway Pavilion is part of a comprehensive development proect which includes the nearby Feodorovsky Gorodok, and other buildings to their original pre-revolutionary look.

The original wooden Imperial Railway Pavilion and the covered platform were constructed in 1895. They were intended to receive Imperial Trains arriving at Tsarskoye Selo through the Aleksandrovskaya Station, which is situated north of the pavilion on the St. Petersburg-Warsaw railway line.

On 25th January 1911, the wooden station was destroyed by fire. It was decided to erect a new stone building on the same site by the architect Vladimir Aleksandrovich Pokrovsky (1871-1931) with the participation of a graduate of the Academy of Arts Mikhail Ivanovich Kurilko (1880-1969).

The new pavilion was designed in the Neo-Russian Style beloved by Nicholas II. The Fepdorovsky Gorodok, the Feodorovsky Sovereign Cathedral, the Sovereign’s Martial Chamber, and the barracks of His Majesty’s Own Convoy were all built in the same style. Together, they form an architectural ensemble in which motifs of ancient Russian architecture were used. In addition, the planning and design of the Imperial Railwat Pavilion was influenced by the Imperial Railway Station, which has survived to this day at the Vitebsky Railway Station in St. Petersburg.

The front part of the building consists of three halls. In the center there is a square lobby with a front porch, large enough to accomodate automobiles and carriages. The halls on the sides of the vestibule were intended for the Emperor and his retinue: on the south side was the Tsar’s Hall, on the north side – the Retinue Hall. A metal canopy was built above the platform and tracks, adjacent to the eastern façade of the station.

Paintings became an unusual decoration of the walls and ceilings of the building’s interior. They were made using a tempera-glue technique on plaster. A unique painting has been partially preserved [see photo below] to this day, which will allow experts to restore it in full to its original.

During the First World War of 1914-1917, the Imperial Railway Pavilion was used to receive wounded Russian soldiers, who were transferred to the hospital established by the Empress Alexandra Feodorovna in the Feodorovsky Gorodok. And after the Revolution of 1917, it was renamed the Uritsky Pavilion and was used as a dormitory for workers of the Track Repair of the Mechanical Plant.

The Tsarist emblems were removed from the building’s facade, and the ceremonial halls were divided by walls. The building began to lose its former grandeur and ceremonial appearance: the porch was adapted for the kitchen, furniture, lamps, objects of decorative and applied art were lost.

Now in the 21st century, a new life awaits the former Imperial Railway Pavilion. Following completion of the reconstruction of the building and restoration of the interiors, the Board of Trustees of the Tsarskoye Selo Station Foundation, will discuss proposals for the future use of the building.

© Paul Gilbert. 16 April 2024

The Last Tsar: The Abdication of Nicholas II and the Fall of the Romanovs

Below, is the publisher’s summary of the forthcoming title The Last Tsar: The Abdication of Nicholas II and the Fall of the Romanovs by Tsuyoshi Hasegawa, to be published in December 2024. Please take a moment to read my personal comments which follow – PG

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When Tsar Nicholas II fell from power in 1917, Imperial Russia faced a series of overlapping crises, from war to social unrest. Though Nicholas’s life is often described as tragic, it was not fate that doomed the Romanovs—it was poor leadership and a blinkered faith in autocracy.   
 
Based on a trove of new archival discoveries, The Last Tsar narrates how Nicholas’s resistance to reform doomed the monarchy. Encompassing the captivating personalities of the era—the bumbling Nicholas, his spiteful wife Alexandra, the family’s faith healer Rasputin—it untangles the dramatic struggle by Russia’s aristocratic, military, and legislative elite to reform the monarchy. By rejecting compromise, Nicholas undermined his supporters at crucial moments. His blunders cleared the way for all-out civil war and the eventual rise of the Soviet Union.  
 
Definitive and engrossing, The Last Tsar uncovers how Nicholas II stumbled into revolution, taking his family, the Romanov dynasty, and the whole Russian Empire down with him.

About the Author

Tsuyoshi Hasegawa is professor emeritus in history at the University of California at Santa Barbara. The award-winning author of many books on Russian history, World War II, and the Cold War, he lives in Santa Barbara, California.

A few comments on the publisher’s summary

Based on the above summary, one can only presume that this new book will be yet another negative assessment of the Holy Tsar Nicholas II.

Hasadawa makes radical claims, but nothing we haven’t heard or read before. For instance, he states that it was “poor leadership and a blinkered faith in autocracy” which “doomed the Romanovs” . . . and that “by rejecting compromise, Nicholas undermined his supporters at crucial moments” . . . and that, “his blunders cleared the way for all-out civil war and the eventual rise of the Soviet Union”.  

Such broad accusations, putting the blame at the feet of one man during some of the most difficult times of his reign, are simply not a fair assessment. One man cannot be held responsible for civil unrest, revolutionary activity, war, revolution, etc. There were so many different elements at play which led to the end of the monarchy and Tsarist Russia.

Nicholas II was surrounded by enemies, including self-serving ministers, generals and even members of his own family. Worst of all, were the various revolutionary groups, who did not want a “constitutional monarchy”, but a new world order. Just look at what replaced the monarchy in Russia in early 1917: the Provisional Government, led by Alexander Kerensky. The enemies of the Tsar blindly followed Kerensky and his cronies towards the abyss, until October 1917, when the Bolsheviks seized power, ushering in decades of totalitarianism, terror, and destruction of the old order.

Hasadawa then goes on to claim that Nicholas’s resistance to reform “doomed the monarchy”. What utter nonsense! More than a century after the fact, it is so easy to criticize or cast judgement on why “did” the Tsar do this, or why “didn’t” he do that? Hindsight is always 20/20. Nicholas II carried out many reforms during his 22+year reign, however, these are often ignored or overlooked by academically lazy historians. In addition, any reforms of a 1000 year old autocratic system would have to come slowly and with great care.

The author then resorts to insults. He refers to Nicholas as “bumbling” , so it will be interesting to read how Hasadawa explains just how the Tsar was “bumbling”. Then he insults Empress Alexandra Feodorovna as “spiteful”. Alix spiteful? Really? He then goes on to refer to Rasputin as “the family faither healer”, which is incorrect. Rasputin was a strannik, meaning a holy wanderer, or pilgrim.

The publisher claims that this new book is based on “on a trove of new archival discoveries”. I for one am intrigued, and looking forward to reading these “discoveries” Did the author actually travel to Russia and carry out research in the Russian archives? Did he meet with and interview his Russian peers for perhaps, a more balanced understanding of history from a Russian perspective? We shall have to wait and see.

I will be anxious to see if Hasadawa will touch on the many reforms and accomplishments made by Nicholas, and while discussing the Tsar’s abdication, will he even dare touch on the fact that the abdication was in fact an illegal coup?

Back in 2018, I remember prematurely balking at reading The Last of the Tsars: Nicholas II and the Russian Revolution by British historian and author Robert Service. I did this simply because the author was a Sovietologist, anticipating that the entire book would be an all out attack on Nicholas II. I was wrong. There is no question, that Service is not a fan of the last Tsar, but as it turned out, the book was one of the most interesting I had read in many years. Service writes about the last 18 months of the life of the Tsar, presenting many new facts and much new information, primarily from Russian archival sources. Therefore, I feel it necessary to afford Hasadawa the same courtesy. I have already pre-ordered a copy from Amazon, and look forward to reading it in due course.

© Paul Gilbert. 6 April 2024

Unique historical poster documents 1896 Coronation of Nicholas II

PHOTO: poster announcing the Holy Coronation of Nicholas II, 1896

An interesting historical document – a poster announcing the Holy Coronation of Nicholas II – is currently on display in the Holy Places for Russian Culture exhibition at the Izborsk State Historical Architectural Museum in the Pskov region.

The poster was printed by the thousands and posted in cities, towns and villages in all provinces throughout the Russian Empire. The poster on display in the exhibition was discovered in the 1960s, and donated to the museum’s collection.

Emperor Nicholas II and his wife Empress Alexandra Feodorovna were solemnly crowned on 27th (O.S. 14th) May 1896, in the Assumption Cathedral [aka the Cathedral of the Dormition or Uspensky Sobor] of the Moscow Kremlin.

The coronation was preceded by a number of events. On 14th (O.S. 1st) January 1896, a manifesto “On the Forthcoming Holy Coronation of Their Imperial Majesties” was issued, according to which the ceremony was to take place in Moscow in May of the same year.

PHOTO: detial of the poster announcing the Holy Coronation of Nicholas II, 1896

The dates 7th May to 27th May 1896, were declared the coronation period. Orders for preparations for the celebrations were entrusted to the Minister of the Imperial Court, Count Illarion Ivanovich Vorontsov-Dashkov (1837-1916). A special coronation detachment consisting of 82 battalions, 36 squadrons, and 28 batteries was formed under the command of Nicholas II’s uncle Grand Duke Vladimir Alexandrovich (1847-1909).

A special telegraph station with 150 lines was set up in the Kremlin, linking all the foreign embassies.

The coronation itself, as noted by contemporaries who attended the event, surpassed all previous coronations in terms of magnificence. On the day of the coronation in St. Petersburg, Divine Liturgies and thanksgiving molebens were served in every church.

PHOTO: silver commemorative medal
“In Memory of the Coronation of Emperor Nicholas II”

A commemorative medal “In Memory of the Coronation of Emperor Nicholas II” was minted. It was awarded to all civil servants, military personnel and individuals who took active part in the preparation of the ceremonies of the coronation. At a later date, the award was also bestowed upon women who had actively assisted in the preparation of the ceremony.

FURTHER READING

COLOUR photos of the Coronation of Nicholas II + PHOTOS

Filming the Coronation of Emperor Nicholas II in 1896 + PHOTOS and VIDEO

1896 Coronation uniform of Emperor Nicholas II + PHOTOS

Russia’s only church built in honour of Nicholas II’s Coronation + PHOTOS

The myth of Nicholas II’s indifference to the Khodynka tragedy + PHOTOS

© Paul Gilbert. 5 April 2024

‘The Tsar’s Family. Ascent’ exhibition opens in Novocherkassk

On 10th March 2024, The Tsar’s Family. Ascent exhibition, opened in the Ascension Military All-Cossack Patriarchal Cathedral in Novocherkassk, situated in the Rostov district. The cathedral serves as the main church of the Don Cossacks.

The exhibition explores the life, service and spiritual path of Emperor Nicholas II and his family.

On display, are more than 100 photographs, 23 reproductions of famous paintings and portraits, archival documents, military banners from various regiments of the Russian Imperial Army and more.

The project was organized by the press secretary of the Mogilev diocese, Ilya Sidorovich. Exhibits were collected from the funds of the State Archives of the Russian Federation (GARF), the Russian State of Film and Photo Archive (RGAKFD), museums and private collections in Moscow, Tsarskoye Selo, and Mogilev. exhibition

PHOTOS: the exhibition was attended by the Governor of the Rostov Region

The rector of the Ascension Cathedral, Archpriest Georgy Smorkalov, noted that it was no coincidence that Novocherkassk was selected to host the exhibition. Emperor Nicholas II visited Novocherkassk on several occasions and visited the Cathedral Church of the Don Army. It is interesting to note, that one of the few lifetime portraits of Emperor Nicholas II – not held in any museum fund – today, hangs in the “Royal Chambers” of the cathedral.

The travelling exhibition is currently touring Russia and Belarus, and has been held in a number of cities, including Mogilev, where from 1915 to 1917, served as the Headquarters of the Supreme Commander-in-Chief, under Emperor Nicholas II.

The grand opening of the exhibition was attended by the Governor of the Rostov Region, Vasily Golubev, the Minister of Culture of the region Anna Dmitrieva, and local government other officials.

The Tsar’s Family. Ascent exhibition runs until 5th May 2024.

© Paul Gilbert. 13 March 2024