Recreation of the interiors of the Pallisander (Rosewood) Drawing Room in the Alexander Palace


PHOTO: view of the recreated Pallisander (Rosewood) Drawing Room

This is the second of two articles on the recreation of the Pallisander (Rosewood) Drawing Room, one of the personal rooms of Empress Alexandra Feodorovna situated in the eastern wing of the Alexander Palace. The first article The history and restoration of the Pallisander (Rosewood) Drawing Room in the Alexander Palace, was published on 11th November 2020.


The Pallisander (Rosewood) Drawing Room was originally conceived as a “reception room” and a music salon with a grand piano, decorated with comfortable furniture for guests.

During the mid-19th century, the room was known as the Blue Drawing Room, one of the former private rooms of the Grand Duchess Maria Alexandrovna (1853-1920), daughter of Emperor Alexander II (1818-1881). By the 1890s, the Blue Drawing Room was outdated and slightly dilapidated. In 1895-1896, the interior was renovated according to the project of the architect Roman Melzer – co-owner and head of the artistic department of the Meltzer Furniture Trading House, in St. Petersburg.

Prior to the decoration of the room’s interior in the 1890s, a selection of French fabric samples for wall decoration, furniture upholstery and curtains, were presented to Nicholas II and Alexandra Feodorovna for their consideration. On 24th May 1895, Nicholas recorded in his diary: “After breakfast, we chose materials and carpets for our rooms in the Alexander Palace.”

PHOTO: samples of yellowish French fabric for the walls

A month later, on 24th June 1895, the terms of the contract for the implementation of the finishing of the former “reception room” and the supply of the necessary upholstery fabrics and trimmings from France were entered into the order book of Meltzer and Company.

The renovated interior was named Pallisander (Rosewood) Drawing Room: the walls were covered with yellowish French fabric on top, the fireplace and the lower part of the walls were faced with panels of polished rosewood, and rosewood furniture was placed throughout the interior. Some items of the headset were decorated with oak intarsia. The drawing room was completed with rosewood doors.

Over time, the interior was decorated with numerous items related to the tastes and interests of members of the Imperial Family. On the mantelpiece, Art Nouveau clocks coexisted with Royal Danish Porcelain; works of Russian and foreign artists decorated the walls. Many items were reminders of the Empress’s homeland – Darmstadt and the Hesse Landgrave: the large landscape by Bracht depicted a view of the ancestral castle of her family Romrod. Watercolours with views of Darmstadt and its environs were inserted into a wide screen. The shelves of rosewood panels were adorned with objects and framed photographs of members of the Imperial Family.

During the first years of their lives in the Alexander Palace, Nicholas II and Alexandra Feodorovna often spent time in solitude in this room. The room also served as the preferred place for breakfast and lunch for the entire family. Close relatives and distinguished guests were often invited to informal dinners with the Imperial Family in the Pallisander (Rosewood) Drawing Room.

PHOTO: old and new carpet samples from Pallisander (Rosewood) Drawing Room

PHOTO: the purple Wilton carpet in the recreated Pallisander (Rosewood) Drawing Room

Sadly, the decoration of the Pallisander (Rosewood) Drawing Room were lost during the Great Patriotic War (1941-45). In 2013, the year marking the 300th anniversary of St. Petersburg, the Alexander Palace was presented with an exact copy of the Wilton carpet that once decorated the interior. Larry Hokanson, a carpet designer in the United States recreated the colour and pattern, based on the historical sample preserved in the museum’s collection.

In 2018–2020, expert Russian craftsmen recreated the Rosewood finish for the interior. The work on the manufacture of wood panels and fireplace cladding was carried out at the Stavros firm in St. Petersburg. Fabrics and trimmings for walls and curtains were recreated at the Rubelli in Italy and “Re Kon Art” in Poland. They were all able to achieve success, thanks to historical photographs and samples preserved in the Tsarskoye Selo and Pavlovsk museum-reserves. The fabric for the upper part of the fireplace was provided by the Alpina company.

In January 2020, the Tsarskoye Selo announced that they would recreate frames for original works of art, which decorated the room before the 1917 Tevolution. Now restoration specialists of the Tsarskoye Selo Amber Workshop are recreating pieces of the furniture set of the Pallisander (Rosewood) Drawing Room.

NOTE: all photos © Tsarskoye Selo State Museum-Reserve

© Paul Gilbert. 20 February 2021


Fifteen interiors situated in the eastern wing of the palace, are now scheduled to open to visitors in 2021. Among the recreated interiors are the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Alexandra’s Corner Reception Room, the Imperial Bedroom, among others.

In the future, the Alexander Palace will become a memorial museum of the Romanov family – from Catherine the Great to Nicholas II, showcasing the private, domestic life of the Russian monarchs who used the palace as an official residence. The eastern wing of the palace will be known as the Museum of the Russian Imperial Family. The multi-museum complex, which includes the Western wing is scheduled for completion no earlier than 2024.


Dear Reader: If you enjoy my articles on the history and restoration of the Alexander Palace, then please help support my research by making a donation in US or Canadian dollars to my project The Truth About Nicholas II – please note that donations can be made by GoFundMePayPal, credit cardpersonal check or money order. The net proceeds help fund my work, including research, translations, etc. Thank you for your consideration – PG


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