Nicholas II, the Union of the Russian People and the Black Hundreds

History tells us of the assassination and murder by revolutionaries of ministers and other government officials during the reign of Russia’s last tsar Nicholas II, however, there were a number of powerful counter-revolutionary political organizations and groups who carried out their own campaigns after the 1905 Revolution.

The most popular among them were the Union of the Russian People (URP), known not just for their anti-socialist, anti-liberal, and anti-Semitic views. but also for standing up against revolutionaries in defence of the monarchy and the Tsar.

The Union of the Russian People (URP) was a loyalist right-wing nationalist political party, the largest among the Black Hundreds monarchist political organizations in the Russian Empire between 1905 and 1917.

Who, making prayer, honours the people and the Tsar, in whom neither conscience nor mind staggers, who saves Russia from troubles under a hail of slander, he is called the Black Hundred!

For Faith, Tsar and Fatherland!

Orthodoxy! Autocracy! Nationality!

Holy Russia, keep the Orthodox faith, in it is your affirmation!

The movement was founded in October 1905, by two minor government officials Alexander Dubrovin (see below) and Vladimir Purishkevich, who participated in the killing of Grigori Rasputin in 1916. The URP’s aim was to rally the Russian people behind nationalism and the Tsar. By 1906 it had over 300,000 members. Its paramilitary armed bands, called the Black Hundreds, fought revolutionaries violently in the streets. Its leaders organised a series of political assassinations of deputies and other representatives of parties which supported the Russian Revolution of 1905.

Monarchy is an idea, a moral idea, that is, the idea of ​​harmony and justice, honesty and decency, trust and respect of people for each other. The monarchy is based on the best qualities of the human conscience and strives to maximize human self-realization, not as a unit of the electorate, but as a highly spiritual and self-sufficient person. A monarchist will not agree that the state should be ruled by a politician, instead he will prefer a person who has been trained and educated to rule. 

In his book “Manual of the Monarchist – Black Hundreds” (1906), the founder of the Black Hundreds Vladimir Andreevich Gringmut (1851-1907) wrote: “The enemies of the autocracy called the “Black Hundreds” simple Russian people, which during the armed revolt of 1905 stood up and defended the autocratic Tsar. Is this an honourable name, “Black Hundred”? Yes, very honourable!”

In 1905, the Union of the Russian People was established to protect the Faith, Tsar and Fatherland from godless revolutionaries The emergence of the Union of the Russian People in the fall of 1905, when all major cities of the Russian Empire were engulfed in revolutionary unrest, and the murders of the Tsar’s loyal servants had become an almost daily occurrence. Nearly 1000 Black Hundred organizations sprang up across the Empire, calling on the Russian people to stand under the banners bearing the sacred words for any Russian Orthodox patriot: “Orthodoxy, Autocracy, Nationality.” Among them were the Society for the Active Struggle against Revolution and Anarchy that emerged in St. Petersburg, the Russian Assembly, the Society of Russian Patriots in Moscow, the Russian Brotherhood in Kiev, the Patriotic Society in Tiflis, the Tsar-People’s Russian Society in Kazan, the People’s Monarchist the party in Saratov, the White Banner Union in Nizhny Novgorod, the People’s Party of Order in Kursk,

The Russian people woke up and all over the country rising up to fight against revolutionary sedition, creating for these purposes numerous national unions, societies and organizations. But the Union of the Russian People had become a truly massive, all-Russian movement, rallying many thousands of Russian patriots under its banners. It is quite symbolic that the Union first declared itself on 4th November (O.S. 22nd October), 1905, on the day of the Feast of the Kazan Icon of the Mother of God, on the day of overcoming the turmoil of the 17th century.

The first organizational meeting of the Union took place on 21st November (O.S. 4th December) 1905, in  the Mikhailovsky Manege in St. Petersburg. The meeting was attended by more than 20,000 people, including members of the clergy, monarchists, and prominent members of the nobility.

The Union’s Manifesto expressed a ‘plebeian mistrust’ of every political party, as well as the bureaucracy and the intelligentsia. The group looked at these as obstacles to ‘the direct communion between the Tsar and his people’. This struck a deep chord with Nicholas II, who also shared the deep belief in re-establishment of autocratic personal rule, as had existed in the Muscovite state of the 1600s.

PHOTO: John of Kronstadt (1829-1909)

Several prominent members of the Russian Orthodox Church supported the organisation, among them the Imperial family’s close friend and future Orthodox Saint John of Kronstadt (1829-1909), Hieromonk Iliodor (1880-1952), and Hermogenes, Bishop of Tobolsk and Siberia (1858-1918). It also had support from leading members of the Imperial Court and government, including Grand Duke Nikolai Nikolayevich (1856-1929), Alexander Trepov (Prime Minister from 1916-17), and Minister of the Interior Nikolay Maklakov (1871-1918).

Emperor Nicholas II was highly supportive of the Union and patronised it: he wore the badge of the Union, and wished the Union and its leaders ‘total success’ in their efforts to unite what he called ‘loyal Russians’ in defence of the autocracy. The Tsar also gave orders to provide funds for the Union, and the Ministry of the Interior complied by funding the Union’s newspapers.

Following the 1905 Revolution, the Union was horrified by Tsar Nicholas II’s refusal to strike down harshly on the Leftist revolutionaries. The Union, therefore, decided to organise this for the Tsar, and organised paramilitary bands, which came to be known as the ‘Black Hundreds’ by the democrats, to fight revolutionaries in the streets. These militant groups marched through the streets holding in their pockets knives and brass knuckles, and carrying religious symbols such as icons and crosses and imperial ones such as patriotic banners and portraits of Tsar Nicholas II.

PHOTO: «Ру́сское зна́мя» (Russian Banner), newspaper of the URP

On 28th November 1905, the first issue of the printed organ of the Union of the Russian People – the newspaper «Ру́сское зна́мя» (Russian Banner) was published. The newspaper with a very symbolic name soon became the flagship of patriotic journalism, the fighting organ of the Russian resistance to the growing political turmoil.

On 23rd December 1905, Emperor Nicholas II received a deputation of 24 members of the Union of the Russian People, headed by its leader Alexander Ivanovich Dubrovin (born 1855).

During the reception, Fr. Arseny presented the Tsar with an icon of the Archangel Michael, under whose shadow the Union was born, and made a very welcoming speech. Dubrovin read out an address in which he reported to the Tsar about the rapid growth of the Union’s membership throughout the Empire, noting that “the heart of the people sensed that the Union of the Russian People rallied for an important and urgent matter.” The chairman assured the Tsar of the loyalty of members of the organization to him.

In conclusion, Dubrovin presented the Emperor with the insignia of the Union of the Russian People for both Himself and and for his son and Heir Tsesarevich Alexei Nikolaevich, asking him to accept them on behalf of the Union. The Emperor, having carefully examined them, received them, thanking Dubrovin. By accepting the insignia, the Tsar and Tsesarevich thus became members of the Union of the Russian People.

Apollon Maikov, who read the address from a group of loyal residents in the capital, fervently concluded: “Sovereign, we will all die for you!” The Tsar, who graciously accepted the deputation, wished the Union of the Russian People to grow and prosper, expressing the hope that with the help of God and the Russian People, He would be able to accomplish a lot for the good of Russia. Thanking everyone, the Tsar praised the monarchists: “Trust in God and trust in Me”. The good news of the highest reception of the Union deputation, the gracious treatment extended by the Sovereign to its members and his acceptance of their insignia as a member of the organization contributed to the further growth of the Union’s ranks and the realization of their activities.

Another significant event in the life of the Union of the Russian People was the solemn consecration of the banner of the Union, which took place on 26th November 1906 on the day of memory of the Holy Great Martyr and Victorious George (consecration of the Church of the Great Martyr. George in Kiev) in the Mikhailovsky Manege in the presence of about 30 thousand supporters. To the general joy of those present at this solemn event, Fr. John of Kronstadt, who, ascending the dais, bowed on all four sides to the people, who, in turn, responded with a low bow to the revered priest. Fr. John spoke to the monarchists, the essence of which was that “as a body without a soul is dead, so Russia is dead without an all-enlightening Orthodox Faith and life-creating Autocratic Power.” Then Bishop Sergius (Stragorodsky) arrived, and the divine service began, culminating in the singing of many years to the Sovereign and the House of Romanov, as well as to the founders and leaders of the Union of the Russian People and eternal memory to all who fell for the Faith, the Tsar and the Fatherland. Having sprinkled the Union banner with holy water, Fr. John of Kronstadt, kissing the banner with reverence, handed it to Dubrovin, after which the Black Hundreds, who were present at the consecration of the banner and banner, swore allegiance to Orthodoxy, Autocracy and the Russian people.

PHOTO: “The days of vengeance have befallen us …
let us repent so that the Lord will not destroy us”
From the Collection of the State Museum of the History of Religion, St. Petersburg

Between 1905-1907, an unknown artist painted “The days of vengeance have befallen us … let us repent so that the Lord will not destroy us”, marking the 1905 revolution and the creation of the Union of the Russian People. The ideological component of the painting is a call to the Russian people to abandon the revolution, to repent for participating in it; protect the tsar and preserve the monarchy, otherwise the wrath of God will overtake Russia and the Russian people will perish.

While many believe that the artist of the painting is unknown, a number of prominent contemporary Russian experts believe with a high degree of probability, that the artist is Apollon Apollonovich Maikov, one of the founders of the Union of the Russian People. His work depicts the founders of the Union of the Russian People, with the inscription

“Now, following the example of angels, the main founders of the Union of the Russian People. In the sacred books it is said that when people deviated into idolatry, God destroyed them”.

In the centre of the painting, under a light conical pillar that rises to the sky, is the Crucifixion . Near the Crucifixion in the same pillar are depicted the Emperor Nicholas II praying to God for the salvation of Russia, his wife Alexandra Feodorovna and their children. Above the Crucifixion there are two soaring angels with a crown in their hands. The light pillar, which rises to the sky and in which the Romanovs are depicted, symbolizes prayer. A conical pillar is connected to a light cloud. The New Testament Trinity is depicted inside the cloud and around it, in the same bright cloud, praying saints… The connection of the pillar and the cloud symbolizes the connection of the prayer of the celestials – the saints and the Imperial family. In the lower part of the picture, around the praying Imperial family, the Black Hundreds defenders of the monarchy with flags of Russia are depicted, among them in the foreground are the founders of the Union of the Russian People. In the center is Hegumen Arseny, who holds the Cross and the Gospel in his hands, next to him is John of Kronstadt, who holds the Cross in his hands; on the right and left sides of them – the remaining 12 founders of the Union of the Russian People: Alexander Dubrovin; Ivan Baranov; Vladimir Purishkevich; Nikolay Oznobishin; Vladimir Gringmut; Prince Alexander Shcherbatov; Pavel Bulatsel; Rostislav Tregubov; Nikolay Zhedenov; Nikolay Bolshakov; Father Iliodor; and Apollon Maikov. Hegumen Arseny and Archpriest John of Kronstadt symbolize the Saviour, and the twelve other founders of the Lord’s disciples are the apostles; who, like angels, protect the autocartic power from the demons- revolutionaries; the revolution itself, according to the author of the picture, is idolatry .

The semi-ring of the Black Hundreds depicted in the picture is surrounded by revolutionaries with red banners. Individual revolutionaries have pistols in their hands, from which they shoot at the Black Hundred monarchists; some of whom fall dead. Fiery bonfires and pools of blood are depicted between monarchists and revolutionaries. Shots, puddles of blood and bonfires symbolize terrorism and the 1905-1907 revolution in Russia. In the upper part of the picture, black clouds are depicted around the light cloud in which the New Testament Trinity is located; lightning bolts are directed from the clouds to the heads of the revolutionaries. Lightning bolts symbolize the wrath of God against the revolutionaries.

The painting today hangs in the State Museum of the History of Religion, St. Petersburg.

PHOTO: Alexander Ivanovich Dubrovin

The Union was dissolved in 1917 in the wake of the Revolution, and its leader, Alexander Ivanovich Dubrovin (born 1855) placed under arrest. There is much debate surrounding Dubrovin’s death. According to one historian Philip Rees, Dubrovin was shot in 1918 for his activities against the October Revolution. A number of other sources however place Dubrovin alive after this date and his actual date of death remains unresolved. It is known that on 21st October 1920, Dubrovin was arrested in Moscow by the Cheka. He was charged as an organizer of pogroms, murders etc. in 1905-1917 when he was the chairman of URP. In their entirety these corpus delicti (components of crime) were qualified under the Criminal Code Article “the counter-revolutionary activity”. No activity after the 1917 Revolution has been incriminated to Dubrovin.

Dubrovin’s files at the Federal Security Service of the Russian Federation (FSB) archives document two consecutive death sentences dated 29th December 1920 and 21st April 1921 which indicates that at least one time Dubrovin’s appeal for amnesty was satisfied. No documental traces of the actual implementation of this sentence were found. Meanwhile, according to the Small Soviet Encyclopedia published in 1929 Dubrovin was still alive by that date.

PHOTO: badge of the Union of the Russian People (URP)

On 22nd November 2004, a meeting to revive the Union of the Russian People (URP) was held in Moscow, chaired by the Russian sculptor Vyacheslav Klykov (1938-2006), famous for his magnificent monument to Emperor Nicholas II in Taininskoye (Mytishchi), which is situated about 19 km northeast of Moscow. The meeting set the groundwork for a modern-day Russian Orthodox – monarchical organization, recreated in 2005 on the basis of the ideology of the pre-revolutionary Union of the Russian People.

© Paul Gilbert. 23 November 2020

Exhibition dedicated to Nicholas II opens at Murmansk Airport

A permanent photo exhibition dedicated to Emperor Nicholas II has opened in the terminal building of Murmansk Airport.

The exhibition consists of two parts. The first part contains unique archival documents and photographs about the founding of Romanov-on-Murman, which turned out to be the last city founded during the reign of Nicholas II in 1916.

The second part will tell passengers and visitors to the airport about the history and development of Romanov-on-Murman, which today has grown into Russia’s largest city north of the Arctic Circle – Murmansk [the town was renamed in April 1918].

Deputy Governor of the Murmansk Region Vladimir Evmenkov took part in the opening ceremony of the exposition, who expressed his gratitude to the management of the NOVAPORT holding and the Murmansk airport for the efforts invested in the creation of the exhibition.

Representatives of the Murmansk and Monchegorsk Diocese of the Russian Orthodox Church, headed by Metropolitan Mitrofan of Murmansk and Monchegorsk, took an active part in its preparation.

Metropolitan Mitrofan sincerely thanked all the airport employees who put a lot of effort into creating the exhibition. He noted that for the Russian Orthodox Church, the life of the last Russian emperor is the life of a saint and it is very important that residents of the Murmansk region and visitors to the Arctic region to acquaint themselves with the historical facts about his life. 

In June 2019, Russian President Vladimir Putin officially renamed the country’s airports, including Murmansk Airport, which was renamed in honour of Emperor Nicholas II. An online poll launched in Russia in autumn 2018 asked the public to nominate and vote on famous figures whose names could be given to more than 40 airports across Russia. Nicholas II received 68,260 votes (48%) for the renaming of Murmansk Airport.

Reconstruction of the square in front of the air terminal is coming to an end, after which a bust-monument of Nicholas II will be installed on the square in front of the main terminal.

Additional construction at the airport will include a new terminal for domestic flights within Russia. The name of Nicholas II will be placed on the facades of each of the two terminals.

© Paul Gilbert. 20 November 2020

New monument to Nicholas II opens in Penza Region

On 15th October, a new monument-bust to Nicholas II was unveiled and consecrated in the Penza region.

The monument was installed on the grounds of the Church of the “Quick to Hearken” Icon of the Mother of God in the Russian village of Proletarsky Zemetchinsky.

“The money for the monument to the Tsar-Martyr was collected in the form of donations from all over Russia” said Anatoly Tashkin-Bury, one of the two initiators of the project.

According to him, the initiative received the blessing of the hierarchy of the Penza diocese. The unveiling and consecration ceremony of the monument was attended by more than 100 people.

Tashkin-Bury added that the event was also attended by a small group of local Communists, carrying posters with provocative slogans such as “Bloody Nicholas”.

© Paul Gilbert. 10 November 2020

The history and restoration of the Mauve (Lilac) Boudoir in the Alexander Palace

PHOTO: View of the Mauve (Lilac) Boudoir in the Alexander Palace, as it looked in 1917
Popillon’s painting “The Dream of the Virgin” can be seen hanging on the wall 

The favourite room of Empress Alexandra Feodorovna in the Alexander Palace was the Mauve (aka Lilac) Boudoir. This interior was designed by Roman Feodorovich Meltser (1860-1943). According to legend, the empress gave him a lilac branch, her favourite flower, so that the architect could choose the colour scheme for the decoration of the room.

As a result, the walls were upholstered in mauve silk and crowned with a frieze decorated with an iris styled pattern. An ornamental Louis XV style painting decorated the ceiling of the room.

PHOTOS: views of the Mauve (Liliac) Boudoir in the Alexander Palace, as it looked in 1917

The furniture and upright piano by J. Becker were been painted with ivory enamel paint. Some of the furniture items were included in the composition of the walls and fastened to the wall panels. On the shelves, cabinets and fireplace were glass vases, mainly produced by the workshop of Emile Gallé, porcelain figurines and handmade souvenirs presented as gifts to the Empress, as well as family photographs. The room was decorated year-round with fresh flowers from the gardens or hothouses at Tsarskoye Selo.

Alexandra Feodorovna spent a lot of time in the Mauve Boudoir: it was here that she rested, read, and carried out her correspondence. In the evening, the whole family gathered here. The cabinets contained books from the empress’s personal library, sheet music, drawing supplies, and board games.

Thus, at the beginning of the 20th century, the room personified the comfort of a home.

Like many other rooms in the Alexander Palace, the Mauve Boudoir suffered a sad fate – the decoration and the interior were lost during the Great Patriotic War (1941-45).

PHOTO: the current look of the Mauve (Lilac) Boudoir after an extensive restoration

PHOTO: Recreated doors of the Mauve (Lilac) Boudoir in the Alexander Palace

During the current restoration, fabric upholstery for the walls and curtains (fragments of fabric had been preserved in the Pavlovsk State Museum-Reserve), furniture, carpets, wood panels, a fireplace, and a picturesque frieze were recreated, based on historical samples, archival documents and photographs.

A huge amount of work has been done to recreate the doors: first, models were made, then the doors were recreated from wood.

The collection of the Alexander Palace Museum contains Alexandra’s writing table from the Mauve Boudoir, found in the park in a ruined state after the war. In 2018, test cleanings of a paint layer of the writing table were carried out, thanks to which the initial colour of the finishing of the entire interior was determined, as well as the colour scheme for the panels, built-in furniture and cabinet doors. The museum plans to restore Alexandra’s writing table to its original, thanks to descriptions and old photographs.

A painting (see first photo above in this article) by the French artist Edouard Jerome Popillon “The Dream of the Virgin” which once hung in the Mauve Boudoir will be returned to the Alexander Palace from the Pavlovsk Museum-Reserve, where it has been held for many decades. Upon the reopening of the palace next year, the painting will be on display in the room for visitors to enjoy.

PHOTO: Nicholas II and Alexandra Feodorovna seated in the corner of the Mauve Boudoir

***

The Mauve Boudoir is now one of 15 interiors in the eastern wing of the palace, scheduled to open in 2021. Among the other interiors are the New Study of Nicholas II, Moorish Bathroom of Nicholas II, Working Study of Nicholas II, Reception Room of Nicholas II, Pallisander (Rosewood) Living Room, Mauve (Lilac) Boudoir, Alexandra’s Corner Reception Room, the Imperial Bedroom, among others.

In the future, the Alexander Palace will become a memorial museum of the Romanov family – from Catherine the Great to Nicholas II, showcasing the private, domestic life of the Russian monarchs who used the palace as an official residence. The eastern wing of the palace will be known as the Museum of the Russian Imperial Family. The multi-museum complex, which includes the Western wing is scheduled for completion no earlier than 2024.

***

Dear Reader: If you enjoy all my updates on the restoration of the Alexander Palace, then please help support my research by making a donation in US or Canadian dollars – donations can be made by GoFundMe, PayPal, credit card, personal check or money order. Click HERE to make a donation. Thank you for your consideration – PG

© Paul Gilbert. 4 November 2020

A peek inside the ‘Nicholas II 2021 Calendar’

 

CLICK ON THE IMAGE ABOVE TO ORDER MY 2021 CALENDAR

I am reaching out to friends and followers of my 26+ years of researching and writing about the life, reign and era of Emperor Nicholas II (1868-118).

If you enjoy my articles, news, photos and videos about Russia’s last emperor and tsar, please support my research in the coming new year ahead, by purchasing a copy of ‘Nicholas II 2021 Calendar’.

Each month features an iconic full-page photograph of Nicholas II (see images below), printed on glossy stock.

Each month features an iconic full-page photo
of Nicholas II printed on glossy stock

 

Each month features an iconic full-page photo
of Nicholas II printed on glossy stock

The entire net proceeds from the sale of each calendar goes towards my research, which includes the costly translation of articles and news from Russian media and archival sources, and more.

The price is only $10 + postage. Payment can be made by credit card or PayPal online or by personal check or money order (Click HERE to download and print an order form to pay be check or money order )

THANK YOU to those of you who have already purchased a copy,
your interest and support of my research is much appreciated – PG

© Paul Gilbert. 2 November 2020

The development of the Russian Empire during the reign of Nicholas II

Unlike those who talk about the unpreparedness, weakness and lack of will of Nicholas II, Russian historian Andrei Anatolyevich Borisyuk, is convinced that the Emperor knew what the country needed during the first years of his reign, and brilliantly fulfilled his mission as sovereign.

“He immediately took effective and ingenious steps for the development of the state,” says the historian. – The economy, bolstered by a growing railway system, was rapidly being developed. Metallurgy was being completely rebuilt. The Urals which was considered the main center of metallurgy, was soon outpaced by the Donbass region, where seven metallurgical plants were built under Nicholas II. Nearby were huge coal reserves, located in the Krivoy Rog iron ore basin. While firewood was being used to smelt metal in the Urals, coal was used in the Donbass. Before 1914, metalworking and mechanical engineering were developing at a record pace in the Empire. These rates even exceeded those of Stalin’s five-year plans.

Double-decker trains and aeroplanes

Recently a double-decker train was put into service between Moscow and Bryansk, but the implementation of the new railcars was delayed by a hundred years. Historic photographs prove that already in 1905, modern-looking double-decker cars, produced in Tver, were already running on Russian rails. It is clear that it was impossible to build them without a very high technological level of production.

During the reign of Nicholas II, the Empire began to produce aeroplanes and cars. During the First World War, 6,300 aircraft were built in “backward” Russia. At the same time, the production of submarines and other high-tech products was developing.

The production of cement increased 15 fold, which was necessary for the rapidly gaining momentum in the construction industry. Such an increase was a result of the changes to urban construction and development. For the first time, the construction of seven- and eight-story apartment buildings was underway in Russia. Many of these buildings have survived to this day in Moscow, where they are often mistaken for Stalinist ones, but in reality they were built during the reign of Emperor Nicholas II.

Agriculture was also increasing. In terms of the harvest of wheat and sugar beet, Russia ranked first in the world, in terms of the total volume of grain harvest – the United States ranking second. This growth was not accidental, it was the result of the reforms of Pyotr Stolypin (1882-1911), who served as Prime Minister of Russia, and Minister of Internal Affairs of the Russian Empire from 1906 to his assassination in 1911. But it is interesting to note that many of these reforms were already in place by the time the brilliant statesman came to head the government. The essence of the reforms resulted in the peasants having the right to personal ownership, giving a person the opportunity to buy and sell land without being constrained by any conditions. The Bolsheviks, on the other hand, drove everyone into collective farms, again turning people into disenfranchised slaves.

Huge sums of money were allocated for the creation of experimental agricultural enterprises. Farms, and experimental stations were emerging, and agronomy was developing. It was at this time that the first tractors appeared in villages.

1908: universal education program

The actions and decisions of the Emperor lead to a huge economic recovery. The state began to finance subsidized sectors of the economy, such as the social sector. The standard of living of the population was increasing. Education received tremendous support. In 1908, a universal education program was launched in the Russian Empire. During the reign of Nicholas II, more than 65 thousand schools were built.

“The pre-revolutionary program of universal education was denied in Soviet times,” says Andrei Borisyuk. – “The creation of this system was attributed exclusively to the Soviet Union, but documentary sources provide an unambiguous understanding that the universal education program began during the reign of Nicholas II. I researched the documents of the Ministry of Public Education of the Russian Empire, which are in the Russian State Historical Archives, and they prove that the program created 65 thousand new schools.”

The population was growing at a record pace, while mortality was decreasing. One of the many myths regarding the Russian Empire was that the population was allegedly starving, that every few years there was a terrible famine that claimed the lives of millions of people. Hunger in any case is reflected in the statistics, if there was one. But we know two peaks – the famine of the 1920s and 1930s. There were no such peaks in the Russian Empire; the mortality rate was consistently decreasing due to an increase in living standards. The claim that the revolution saved people from hunger does not stand up to scrutiny. At the beginning of the 20th century, the Russian Empire was an advanced high-tech country with rapidly developing industrialization and education.

Science was also developing. It was during the reign of Nicholas II, that the scientist Alexander Stepanovich Popov (1859-1906) invented the radio in 1895. In 1911, the world’s first broadcast of television data was carried out in Russia by Boris Lvovich Rosing (1869-1933). 

It is interesting to note that Rosing was one of the many talented pupils of the Russian education system. The Ministry of Public Education, which was established in 1802 by Emperor Alexander I, stated that any citizen of the Russian Empire, regardless of class, could receive an education. Some were able to finish one class of the primary parish school, others – three classes of the district school. There was further opportunity to study in gymnasiums, provincial schools, universities. Primary school education was free.

Another pupil Vladimir Ivanovich Vernadsky (1863-1945), went on to study the atom, and later said that nuclear energy will soon overshadow the power of the owners of gold, land and capital. The first radium laboratory was created and a radium mine under development.

Also noteworthy is Konstantin Eduardovich Tsiolkovsky (1857-1935) who is considered to be one of the founding fathers of modern rocketry and astronautics. His works later inspired leading Soviet rocket engineers such as Sergei Korolev and Valentin Glushko and contributed to the success of the Soviet space program. Tsiolkovsky was also one of the many talented pupils of the education system of the Russian Empire.

Choosing between Liberalism and Communism

“The development of Russian civilization evolved over many centuries, reaching amazing heights,” says Andrei Borisyuk. – From the birth of this civilization, we can say that Russia was a country of high values ​​and technology. Here churches and monasteries were being built, but at the same time industrial enterprises were opening, factories being built, radio was created, and advanced technological developments carried out. This is the land of scholars and holy ascetics. Why is this important to us now? In his book The Clash of Civilizations and the Remaking of World Order the American political scientist Samuel P. Huntington writes that modern geopolitics is built more along the borders of civilizations than along the geographical borders of countries. That is, civilization is primary for explaining the logic of historical processes. Civilization is a global space built on certain values. An understanding of basic values, that underlie our civilization is literally a matter of national security. What values ​​are at the heart of Russia? On what did the Russian people assert themselves? An appeal to historical Russia shows that these were the traditional values ​​of Faith, Motherland and Family. Relying on them, our country achieved maximum results and victories. Any attempt to deviate from these values resulted in very grave consequences for Russia. This ultimately happened in 1917. During that year the Russian people made a choice between Western European liberalism (February Revolution) and Western communism (October Revolution). The choice of the latter to deviate from the Russian Empire’s historical path of development, ended in failure. By putting pragmatic values ​​first, the economy began to develop more slowly under the Bolsheviks.

Vintage newsreels and old photographs captured many of the Empire’s achievements. The Sormovo machine-building plant, and the Putilovsky plant which produced steam locomotives are just two examples which speak otherwise. Both workshops have survived to this day. And then there are the oil refineries, the power plant in St. Petersburg which is considered a masterpiece of architecture in comparison with the present industrial buildings. It is interesting to note that the same tower cranes used during the construction of the Russian-Baltic Shipyard in 1913, are still in use today. “Backward Russia?”

One photo captured the agricultural equipment of the “joint-stock company of Bryansk factories”, which the then “marketers” brought to an agricultural fair in the Amur region. By 1916, the peasants in the Samara region rejoiced at the arrival of the first tractors which they used to plow the land at their experimental station.

The skylines of both St. Petersburg and Moscow were dotted by the cupolas of beautiful churches and cathedrals. In the village of Pidma, a two-story school was built, which even today stands out with its severity and grace. A post office and a rural store in the Arkhangelsk hinterland more resemble a village palace even today. And the houses in Borodino, near Moscow, are examples of design and style which reflect the beauty of the Russian Empire.

Civilization is life. The Russian Empire in this sense was much more civilized than the modern world, which distorts the concept of the family and imposes destructive ideas. During the reign of Nicholas II, the population of Russia grew by 50 million people. In the pre-revolutionary years, the country’s population increased by 3.6 million people annually. This population growth in itself refutes the assertions of the Bolshevik propaganda that both hunger and want reigned in the Empire. Sadly, of course, diseases were present, and class inequality was still visible, but the fact that the number of inhabitants of Russia was growing also testifies to its prosperity,

***

Born in Moscow on 15th November 1989, Andrey Anatolyevich Borisyuk is one of a new generation of post-Soviet researcher and historian dedicated to challenging the popular held negative myths and lies about Russia’s last emperor and tsar.

He studied at the Orthodox St. Tikhon University, where he earned bachelor’s and master’s degrees, in Russian history.

He is the author of 2 Russian language books on Nicholas II: История России, которую приказали забыть. Николай II и его время.2018; and Рекорды Империи. Эпоха Николая II. 2020.

© Paul Gilbert. 1 November 2020

The October Revolution 1917 in the International Context. Interview with Professor Dominic Lieven

CLICK on the IMAGE above to watch VIDEO in English. Duration: 24 minutes.

A remarkable interview with Cambridge Research Professor D. Lieven (born 19 January 1952) about the reasons for and the outcomes of the 1917 October Revolution, as well as his family’s personal experience with it. He also speaks about Russia’s involvement in WW1, the Russian-German relationships, and gives an extraordinarily objective evaluation of Tsar Nicholas II’s abilities as a ruler, and comments on the most important decisions during his reign. Dominic Lieven is a research professor at Cambridge University (Senior Research Fellow, Trinity College) and a Fellow of the British Academy and of Trinity College, Cambridge.

Professor Lieven is the third child, of five children, of Alexander Lieven, of the Baltic German princely family, tracing ancestry to Liv chieftain Kaupo. He is the elder brother of Anatol Lieven, British author, Orwell Prize-winning journalist, and policy analyst, and he is distantly related to Christopher Lieven (1774–1839), who was Ambassador to the Court of St James from Imperial Russia over the period 1812 to 1834, and whose wife was Dorothea von Benckendorff, later Princess Lieven (1785–1857), a notable society hostess in Saint Petersburg and influential figure among many of the diplomatic, political, and social circles of 19th-century Europe. Lieven is a great-grandson of the Lord Chamberlain of the Imperial Court of Russia.

He is the author of numerous books on on Russian history, on empires and emperors, on the Napoleonic era and the First World War, and on European aristocracy, including: Russia’s Rulers Under the Old Regime, Yale University Press (1989); The Aristocracy in Europe 1815/1914, Macmillan/Columbia University Press (1992); Nicholas II: Emperor of all the Russias, John Murray/St Martin’s Press/Pimlico (1993); and The End of Tsarist Russia: The March to World War I and Revolution, Penguin Random House (2015).

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This video is produced as part of the project for the book The Romanov Royal Martyrs, which is an impressive 512-page book, featuring nearly 200 black & white photographs, and a 56-page photo insert of more than 80 high-quality images, colorized by the acclaimed Russian artist Olga Shirnina (Klimbim) and appearing here in print for the first time. EXPLORE the book / ORDER the book.

© Mesa Potamos Monastery. 30 October 2020

Monument to the meeting of Nicholas II and Alexandra Feodorovna in Russia unveiled in Crimea

PHOTO: Grand Duke Sergei Alexandrovich, Tsesarevich Nicholas Alexandrovich,
Grand Duchess Elizabeth Feodorovna and Princess Alix of Hesse-Darmstadt and Rhine

On 30th October 2020, a monument dedicated to the meeting of Tsesarevich Nicholas Alexandrovich (future Emperor Nicholas II) and his future bride Princess Alix of Hesse-Darmstadt and Rhine (future Empress Alexandra Feodorovna) – the latter’s first visit to Russia following the couple’s engagement and just prior to the death of Emperor Alexander III – was unveiled and consecrated in the courtyard of the Central Library in the Crimean city of Alushta, .

Sculptors Irina Makarova and her husband Maxim Bataev, began work on the monument in February. Together, they created a composition consisting of four bronze sculptures. each a little over two meters high, a granite pedestal and an arch.

The funds for the monument were allocated by the St. Basil the Great Charitable Foundation and the Double-Headed Eagle Society for the Development of Russian Historical Education.

“Our composition was not easy. The arch unites two loving hearts – Nicholas and Alix, and is also crowned with an Orthodox cross,” said the sculptor Irina Makarova. – “In addition, there are other persons – Nicholas’ uncle Grand Duke Sergei Alexandrovich, and his wife, the sister of the bride, Grand Duchess Elizabeth Feodorovna, who helped unite the two loving hearts. They were all together in Alushta on that day in 1894.”

PHOTO: The consecration of the monument to Nicholas and Alexandra in Alushta

“We decided to portray Nicholas Alexandrovich in a Hussar uniform – it was in this outfit that he got married,” added Irina Makarova. “In her hands Elizabeth Feodorovna is depicted holding a small icon of the Saviour as the personification of spirituality. After all, she supported her sister when Alix doubted whether to change her faith The arch is also a symbol of Orthodoxy and Holy Russia.”

“My husband and I worked together on every detail,” – said Irina Makarova. – “We argued for a long time over the likeness of the future Emperor. We took the advice of Konstantin Valerievich, slightly changing the shape of the eyes and nose so that Nicholas II would become recognizable in his youth. After that we managed to achieve maximum realism.”

According to local residents, this monument will immortalize not only the meeting of two loving hearts, but also their loyalty for one another.

“I kiss and caress you endlessly, I want to show you all the power of my love for you,” wrote Alexandra Feodorovna to her husband. “Always yours to death and beyond …”

Click HERE to read 3 additional articles (with photos) about the Monument to Nicholas and Alexandra in Alushta

© Paul Gilbert. 30 October 2020

Lost and Found: the Discovery of a Romanov Photo Album in Siberia

PHOTO: photo album belonging to Nicholas II in the Museum of Local Lore in Zlatoust

One of the most unique exhibits of the Museum of Local Lore in Zlatoust (270 kilometers (168 mi) south of Ekaterinburg) is a photo album containing photographs of Emperor Nicholas II and his family. How this album ended up in the museum remains a mystery. There are no embossed crowns, monograms or emblems on the album’s cover. There are also no inscriptions accompanying any of the photographs either. Only on the reverse of the photos of the tsar’s daughters was it possible to find inscriptions scribbled in pencil: “The Grand Duchess Olga (Tatiana, Maria, Anastasia).”

When the emperor and his family were sent into exile on 1st August 1917, to the Siberian city of Tobolsk, they took with them their entire personal photo archive. The archive included many albums, many of which are today stored in various Russian archives. Museum staff believe that it was there, in Tobolsk, that the last photographs were pasted into this particular album.

It is a well known fact that all the members of the Imperial family took an avid interest in photography, and each of them had their own camera and collections of photographs. According to museum staff, this album, judging by its content, belonged to the emperor himself. One of the photographs clearly shows his shadow with a camera in his hands. In the diaries of the emperor, he repeatedly noted that he personally organized his photo albums:

“On 4th September 1914, I got up early and took a longer walk. Between the reports I received a deputation of Czechs living in Russia. Walked with Alix and the children, and then went for a ride with Alexei to Gatchina. After tea I read. In the evening I pasted photographs of Crimea into an album”.

“On 27th March 1915, I took a walk in the morning. It started raining in the afternoon. I spent 2 hours chopping the ice with a crowbar using two hands, which is why my hand is trembling. I read before lunch, and in the evening with Olga’s help I pasted photos into an album.”

PHOTO: In 2013, the Zlatoust photo album was exhibited at the Museum of the
Holy Royal Family, located in the Patriarchal Compound in Ekaterinburg. 

“On 24th May, 1915 Alix came in the morning. Then we drove to mass. After breakfast, I received 18 professors of Russian history and Russian law with an address. I took a walk with my daughters and rode to Gatchina in the rain. I worked until 8 o’clock. Dined in my reception, like in the good old days. In the evening, with the help of Maria, I pasted photos of our last trip in the album.”

The Zlatoust photo album contains 210 photographs taken between 1914-1917. The photographs are not placed in any chronological order – on the first pages there are a series of photographs related to the beginning of the First World War in 1914, while pre-war photos are mixed with those taken in later years. On the last pages are photos from 1914, 1916, and 1917. Most of these photos were taken during the Emperor’s visit to the Supreme Command Headquarters in Mogilev and the review of the troops. Others are purely family-oriented, taken in Tsarskoye Selo, in Livadia, on the Imperial Yacht Standart and other places. It is interesting to note that there are very few photographs of Empress Alexandra Feodorovna in this album.

The fact that the photo album survived the revolution, civil war can itself be considered nothing short of a miracle. It is no less a miracle that the exhibit, registered under the number F-52, as the album “Nicholas II and His Family”, survived in the funds of the Zlatoust Museum of Local Lore during the Stalin era, when many documents and photographs which depicted the last tsar were seized and destroyed, as they were deemed as “ideologically harmful”.

“How the album ended up in Zlatoust is a mystery,” says Nadezhda Prikhodko, director of the Museum of Local Lore in Zlatoust. – “Everyone knows that the Imperial family spent their last days in Ekaterinburg. There are two theories with regard to this mystery: The first is that the album was brought from Ekaterinburg by the director of the Museum of the Revolution, Comrade Chevardin. The museum was located in the Ipatiev House. In 1933, Chevardin was transferred to Zlatoust, taking the album with him to save it from destruction. According to the second, the album was transported by the revolutionary Dmitry Mikhailovich Chudinov – one of the guards who escorted the Imperial family from Tobolsk to Ekaterinburg. He lived in Zlatoust, and after the murder of the Romanovs, he stole some of their personal belongings, including the photo album”.

In 1980, the album was found in the funds of the Zlatoust Museum of Local Lore. Russia was still under the yoke of communism, so the album remained hidden for another 9 years before the first announcement of the album’s existence was made public. In subsequent years, a small number of the photographs appeared in the pages of magazines, books and presented at museum exhibitions. The staff at the Zlatoust Museum carried out a lot of painstaking work to identify the more than 200 photographs. Research carried out with the help of the emperor’s diaries and other publications, made it possible to establish, in most cases, when and where the photographs were taken, as well as which members of the Imperial family appear in the photos.

PHOTO: interactive copies of the album can now be seen in Zlatoust and Ganina Yama

In April 2013, the Russian online media outlet Komsomolskaya Pravda published a number of the photographs from the Zlatoust album, which generated tremendous interest in Russia and abroad. Sadly, a number of the captions were incorrect, mostly the misidentification of the grand duchesses, etc.

The following month, the Zlatoust photo album was exhibited at the Museum of the Holy Royal Family, located in the Patriarchal Compound in Ekaterinburg. Among those who had an opportunity to view the album were the Head of the Russian Imperial House HIH Grand Duchess Maria Vladimirovna, His Holiness Patriarch Kirill of Moscow and All Russia, and Mrs. Olga Kulikovsky (wife of Tikhon Kulikovsky, the eldest son of Grand Duchess Olga Alexandrovna) – see 2nd photo.

In recent year, the Zlatoust photo album was digitalized. “Natural light is harmful to the pages and black and white photographs – they turn yellow,” said Anastasia Malakhova, Deputy Director for Research at the Zlatoust Museum of Local Lore. – “They cannot be on permanent display, so we created an electronic copy. The expensive multimedia equipment for the interactive album was donated by the Museum and Exhibition Center in Ekaterinburg”.

In total, 88 photographs were digitized – mostly from the war period. There were no photo captions in this album. The interactive album in the Zlatoust Museum of Local Lore is available to visitors any day.

A copy of the interactive album was also presented to the Museum and Exhibition Center of the Monastery of the Holy Royal Martyrs in Ganina Yama, which I had an opportunity to see firsthand, during my visit to Ekaterinburg in 2018 – PG..

Click HERE to read my articles Nicholas II: the amateur photographer, published on 15th July 2020; and The Romanov Family Photo Albums at Yale University, published on 19th August 2020

© Paul Gilbert. 25 October 2020

Bloody Sunday 1905. What is the truth?

CLICK on the above IMAGE to watch the VIDEO. Duration: 20 mins., 26 sec.
Narrated by the British renowned actor Constantine De Goguel.

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As with so many other events in the period of unrest in Russia, Bloody Sunday, which took place on Sunday, 9 January 1905, constitutes, even today, one of the most falsified chapters in the history of Russia.

From the beginning, more than any other event, Bloody Sunday has been set forth as the banner of Communist propaganda. Lenin even undertook the production of a film that depicted the so-called “crime of Bloody Nicholas.” Unfortunately, the period of Bolshevik dictatorship succeeded in etching what it desired in the consciousness of the people.

But what exactly took place on Bloody Sunday, and what exactly was Nicholas II responsibility for the event?

PHOTO: Crowd of petitioners, led by Father Gapon, near Narva Gate, St. Petersburg

Bloody Sunday, which took place on Sunday, 9 January 1905, constitutes, even today, one of the most misrepresented events in the history of Russia. The commonly known and widespread narrative goes as follows: At dawn on 9 January, a crowd of workers that were unemployed began to gather with their families in six different points of Saint Petersburg. Holding icons, church banners, and portraits of the tsar, chanting hymns and patriotic songs, they set forth in a peaceful march with the Winter Palace as their goal. There they intended to personally present to the tsar a petition for the improvement of working conditions. Unemployment in all the land at that time had already reached its peak. The inspiration and organizer of the entire event was the charismatic speaker, Father Georgi Gapon, president of the Assembly of Factory and Mill Workers of Saint Petersburg. For a long time Gapon had been rousing the workers with his sermons at factories to assert their rights militantly. At last his labors bore fruit and thus the march of 9 January was organized.

A large police and military force had been prepared to deter the crowds that would make up the march. The exact number of demonstrators has never been known. Estimates vary from 3,000 up to 50,000! When the march began, security forces had gathered at various points in the city; they instructed the demonstrators to disperse, but without result. At some point the security forces opened fire on the unarmed multitude, so that many were killed, and even more were wounded. The number of dead also remains unknown to this day. Eyewitness accounts vary from 40 up to 1,000 dead. The result of this tragic event was general indignation against the tsar. Nicholas was not Father to his people any more, but their murderer. Many people, revulsed by the frightful behavior of their autocrat, declared “We have no tsar anymore.”

The things that took place on Bloody Sunday have been accepted in history as an undeniable fact for nearly an entire century. However, as with so many other events in this period of unrest in Russia, Bloody Sunday itself constitutes one of the most falsified chapters of history. From the beginning, more than any other event, Bloody Sunday has been set forth as the banner of Communist propaganda. Lenin even undertook the production of a film that depicted the so-called “crime of Bloody Nicholas.” Unfortunately, the period of Bolshevik dictatorship succeeded in etching what it desired in the consciousness of the people. But what exactly took place on Bloody Sunday, and what exactly was Nicholas’ responsibility for the entire event?

First of all, it must be known that Father George Gapon was not the good and kindly father of the downtrodden workers that history portrays, but rather he played a curious, double game: he was an agent of the Okhrana, namely, of the Secret Police, while at the same time cooperating with the Socialist Revolutionary Party. Thus, Gapon’s dark role and the true motives of all his actions are not at all easy to discern.

At first Gapon presented himself as a champion of the tsarist constitution, and so the OkhRana indicated that it wished to utilize his charismatic influence on the masses of workers with a view to safeguarding the monarchical constitution in Russia. Later, however, Gapon appeared to reconsider his ideology and then began to cooperate with the extreme left, which in turn wished to use Gapon for the promotion of its own revolutionary ideas among the workers.

When Gapon officially announced the organization of the march, which he scheduled for the ninth of January, the police warned him that such a thing would constitute an illegal demonstration, for the dispersal of which, if necessary, force would be used. Furthermore, they informed him that the tsar would not be at the Winter Palace at that time, thus it would be impossible to accomplish the demonstrators’ purpose of handing over their demands to Nicholas in person.

On Saturday, 8 January, the Ministry of War in cooperation with the Ministry of the Interior placed the police and military forces necessary to confront the demonstrators in the capital. That evening an extraordinary meeting, attended by the Governor of Saint Petersburg, was called to consider which measures of public safety should be taken. After the end of the meeting the Minister of the Interior visited the emperor at Tsarskoe Selo in order to inform him that everything was under control, and that the impending march would not be able to cause any trouble.

Why did Nicholas not remain in the Winter Palace to receive the demands of the workers? The reason was the fear of yet another attempt on his life. These fears were absolutely justified, and their ground for this was not theoretical. A frightening event had taken place only a few days earlier during the Blessing of the Waters on the day of Epiphany. Some of the rifles fired during the celebratory greeting of the Feast were not loaded with blanks, as intended, but—quite strangely—contained live ammunition. The bullets wounded several of the bystanders and broke many windows in the neighborhood. Some of them passed directly over the head of the emperor. The crowd and the police began to run aimlessly in all directions causing great confusion and panic. However, Nicholas did not move one step from his place. Later at the palace, discussing the event with his sister Olga, he said that he had heard the shell whizz over his head, and added: “‘I knew that somebody was trying to kill me. I just crossed myself. What else could I do?’ It was typical of Nicky, added the Grand Duchess. He did not know what fear meant.”

PHOTO: Father Georgy Apollonovich Gapon (1870–1906)

In the end, Gapon did not comply with the police’s instructions. The march took place as planned. Perhaps Gapon did not believe that the authorities would disperse his “peaceful” march? He himself answered this question later when he admitted that he knew full well that the authorities would not permit the protest to take place under any circumstances, because—very simply—it would not have been peaceful. The chief of the Special Corps of the tsar’s secret personal guard, and afterward historian, Alexander Spiridovitch, wrote of this, “Nobody had the idea then at the time [that is, on 9 January 1905] that Gapon had played the role of traitor. It was some long time later that Gapon admitted that he had known, in inciting the workers to go before the Tsar with their petition, that the authorities would never permit the demonstration; he also knew that they would bring in the troops against the workers, and all the same, he still urged them to demonstrate and in fact insisted they do so.”

A great number of workers were members of the Socialist Revolutionary Party, and even though the party did not officially take part in the demonstration, many of their members participated in the march. A multitude of witnesses relate that many of the demonstrators were armed; they broke windows, they looted stores, they burned vehicles and even broke into houses! Thus, the shots of the security forces were not in cold blood, but in reply to the repeated provocations of the demonstrators.

A highly confidential note by the head of the Petersburg Security Department L. N. Kremenetsky (Кременецкий) to the Director of the Police Department A. A. Lopukhin (Лопухин), on the preparation of workers for the demonstration of 8 January, reports the following:

Top secret

According to the information obtained for tomorrow, at the initiative of Father Gapon, the revolutionary organizations of the capital also intend to use the march of the striking workers to the Palace Square to produce an anti-government demonstration.

For this purpose, flags with criminal inscriptions are made today, and these flags will be hidden until the police act against the march of the workers; then, taking advantage of the confusion, the flag bearers will take out the flags to create an impression that the workers marched under the flags of revolutionary organizations.

Then the socialist revolutionaries intend to take advantage of the disorder in order to plunder the weapon shops along Большая Конюшенная Street and Литейный Проспект. […]

Reporting on your excellency, I add that the possible measures for the removal of flags have been taken.

Lieutenant Colonel Kremenetsky (Кременецкий)
January 8, 1905.

As for the fact that some of the demonstrators held icons, church banners, and portraits of the tsar, that can also be explained. A certain portion of the workers did not realize what was about to happen. They believed Gapon’s fraudulent promises and did not know that the tsar was absent from the palace that day. These were the first to be surprised by the violent behavior of the other demonstrators. They indeed had peaceful intentions and believed that they would meet the tsar to hand over to him their humble petition. They also did not know that the content of the petition almost did not have anything to do with them at all.

A few days before the march Gapon met with Pinhas Rutenberg, a member of the Socialist Revolutionary Party, from whom he was inseparable during the days of preparation for the march. At midnight of the eighth going into the ninth of January, Rutenberg, with Gapon present, composed the petition on behalf of the workers who would hand it to the Tsar—certainly not personally, since they knew that the tsar would be absent. In no way was the content of this document a simple request to improve the working conditions of the workers, but a provocative political manifesto that demanded in a threatening tone the immediate devolvement of the absolute monarchy of Russia into a constitutional monarchy with a democratic constitution and the promulgation of significant reforms of a socialist character.

PHOTO: Pinhas Rutenberg (1879-1942)

Rutenberg’s meddling in the preparations for the march of 9 January constituted the active, however covert, participation of the revolutionary party in this demonstration. Rutenberg did not limit himself only to composing the document that they would submit to the tsar. Spiridovitch writes of this, “The Socialist-Revolutionary party as such had not taken part in the Gapon movement, however certain of its members had made a common cause with him. Thus, also many of the workers who were members of the party were also found among the crowds filling the streets. Rutenberg, a member of the party, had gotten to know Gapon some days before the 9th of January, and was almost never separated from him during those days. It was in fact Rutenberg who had chosen the route the marchers would follow, including Gapon himself, and it was also Rutenberg who came up with the suggestion that, in case the troops began to fire, to erect barricades, to seize the arms depots and to clear the streets, at all costs, to the Palace.” From this evidence it is manifest that he was essentially preparing for military action.

What in the end was the purpose of the march that Gapon organized? Spiridovitch gives the answer to that, “His genuine intention was to prove to the workers, in light of the measures which were to be taken against them, that the Tsar was not really protecting them and that the workers could never really hope to have any assistance coming from either the Tsar or his ministers.” Foreseeing, then, what would follow, Gapon wished to demonstrate to all the Russian people that the tsar was not the father of the nation, but its murderer. And in order to best achieve his goal, he undertook all necessary measures so that the blood of workers would be spilled.

At the end of January, Gapon fled to Switzerland, where with the help of his friend Rutenberg he met with Plekhanov and Lenin. On 7 February, he called from Geneva upon the workers in Russia to rise up in arms against the sovereign, to whom he sent a threatening and aggressive letter in which he wrote the following, “Nicholas Romanov, formerly Tsar and at present soul-murderer of the Russian empire. The innocent blood of workers, their wives and children lies forever between you and the Russian people. … May all the blood which must be spilled fall upon you, you Hangman!” At the end of this letter Gapon informed the emperor that copies of his letter had been sent to all the branches of the terrorist revolutionary movement in Russia.

Simeon Rappaport, a member of the Revolutionary Party, recounts a meeting he had with Gapon. When he asked if he had any ties with Zubatov, the chief of the Secret Police, Gapon replied, “Never! Never! Right from the beginning, from the very first minute, I led them by the nose. Otherwise nothing could ever have been done! …My entire plan was based on this.”

As for Nicholas, based on the information from his ministers, he believed that the march would not cause any significant disturbances in the capital. Surprised after these events, he wrote that evening in his diary about that fateful day, “9th of January. Sunday. A hard day! In Petersburg there was serious unrest due to the workers’ wish to reach the Winter Palace. The troops had to shoot in different parts of the city and there were many killed and wounded. Lord, how painful and hard!”

A few days later, on 14 January 1905, Alexandra wrote to her sister Victoria, “You understand the crisis we are going through! It is a time full of trials indeed. My poor Nicky’s cross is a heavy one to bear, all the more as he has nobody on whom he can thoroughly rely and who can be a real help to him. He has had so many bitter disappointments, but through it all he remains brave and full of faith in God’s mercy. He tries so hard, works with such perseverance, but the lack of what I call ‘real’ men is great. … The Minister of the Interior is doing the greatest harm—he proclaims grand things without having prepared them. … Reforms can only be made gently with the greatest care and forethought. … All these disorders are thanks to his unpardonable folly and he won’t believe what Nicky tells him, does not agree with his point of view.

“Things are in a bad state and it’s abominably unpatriotic at the time when we are plunged into war to break forth with revolutionary ideas. The poor workmen, who had been utterly misled, had to suffer, and the organisers have hidden as usual behind them. Don’t believe all the horrors the foreign papers say. They make one’s hair stand on end—foul exaggeration. Yes, the troops, alas, were obliged to fire.

Repeatedly the crowd was told to retreat and that Nicky was not in town, as we are living here at Tsarskoe Selo this winter, and that one would be forced to shoot, but they would not heed and so blood was shed. … The Petition had only two questions concerning the workmen and all the rest was atrocious … Had a small deputation brought, calmly, a real petition for the workmen’s good, all would have been otherwise. Many of the workmen were in despair, when they heard later what the petition contained, and begged to work again under the protection of the troops.”

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This video is produced as part of the project for the book The Romanov Royal Martyrs, which is an impressive 512-page book, featuring nearly 200 black & white photographs, and a 56-page photo insert of more than 80 high-quality images, colorized by the acclaimed Russian artist Olga Shirnina (Klimbim) and appearing here in print for the first time. EXPLORE the book / ORDER the book.

© Mesa Potamos Monastery. 21 October 2020