On 19th May 2025, with the blessing of Bishop Mitrofan of Gatchina and Luga, a traveling international exhibition of children’s drawings and watercolours opened at the Spiritual and Educational Center of the Cathedral of the Intercession in Gatchina, near St. Petersburg.
The exhibition showcases drawings and watercolours of Tsesarevich Alexei Nikolaevich and the Holy Tsar’s Family, as part of a program, launched 5 years ago by the Union of Russian Communities of St. Petersburg and the Leningrad Region.
Last year, on 12th August 2024, the day which marked the 120th anniversary of the birth of the last Heir to the Russian throne, only drawings by Italian children, were featured in the exhibition. They were presented to the parish by the Italian opera singer Elvis Fanton, who converted to Orthodoxy that same day, taking the name Alexei. The drawings and watercolours were exhibited in the Church of the Passion-Bearer Tsesarevich Alexei in Znamenka (Peterhof). Gradually, the exhibition has been supplemented with entries from St. Petersburg, Gatchina, Marienburg, Peterhof, Ryazan and Ekaterinburg.
On 24th February 2025, The Tsar’s Family. Love and Mercy photo-exhibition, dedicated to Emperor Nicholas II and his family opened in the city of Blagoveshchensk, situated in the Amur region of Siberia, near the Chinese border. The exhibition runs until 6th April 2025 at the Pushkarev Art Gallery.
The exhibition presents more than 100 vintage photographs which tell about the close relationship within the family of the last Russian emperor. The photographs reflect many aspects of the life of the Tsar’s family during the late 19th and early 20th centuries, including the upbringing of the children, and the warm and loving relationship, which they shared with both their parents and each other.
In addition, the photo exhibition also shows the Tsar’s Family’s dedication to acts of charity and their service to the Fatherland, and a wonderful example of Russian family traditions and unshakable piety and spiritual values.
The exhibition has been held in various formats and in many Russian cities: Moscow, Voronezh, Kursk, Ryazan, Penza, Krasnodar, Belgorod, Velikiye Luki, Yalta, Livadia, Sevastopol, Novosibirsk, Lesosibirsk, Perm, Sayansk, Severomorsk, Pskov, Pavlovsk, Livadia, etc.
The photo project The Tsar’s Family: Love and Mercy was created in 2016 by the Sretensky Monastery in Moscow. The travelling exhibition has already been presented in Serbia, Germany, Italy, Canada, Argentina, New Zealand, South Africa, Romania, Croatia, Montenegro, Bosnia and Herzegovina, Macedonia, and the Czech Republic.
The Tsar’s Family. Love and Mercy photo-exhibition, runs until 6th April 2025 at the Pushkarev Art Gallery, Blagoveshchensk.
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*As I have noted in previous posts, I support any initiative – big or small – to help keep the memory of Nicholas II and his family alive in 21st century Russia – PG
Earlier this week, a new exhibition opened in St. Petersburg, featuring items from the Imperial Porcelain Factory. The exhibition was organized by the Russian State Historical Archive (RGIA) in St. Petersburg and the Imperial Porcelain Factory [established in 1744].
The highlight of the exhibition is a unique porcelain series “Peoples of Russia”, which represents the peoples of the former Russian Empire. The series was and remains the largest project in the history of the Imperial Porcelain Factory, created by the personal order of Emperor Nicholas II.
In addition, are more than 200 archival documents dedicated to the history of the Imperial Porcelain Factory and the author of the “Peoples of Russia” series, sculptor Pavel Pavlovich Kamensky (1858-1922). The documents include Kamensky’s personal files, letters, and documents on the procedure for making the porcelain series. Many of these documents are exhibited for the first time.
The “Peoples of Russia” series of porcelain figurines was created between 1907-1917 by order of Emperor Nicholas II. The series was created to mark the celebration of the 300th anniversary of the Romanov Dynasty in 1913. The series represents the 73 nationalities of the Russian Empire, according to the results of the first General Population Census of 1897.
Kamensky managed to create over 150 figures, depicted in their respective national costumes. The sculptor relied on a wide range of historical, ethnographic and anthropological materials from the collections of the Kunstkamera and the Museum of Alexander III [State Russian Museum]. He was assisted by a team of molders and painters – Anatoly Lukin, Pavel Shmakov, Ivan Zotov, Andrei Dietrich, Lyudmila Midina and others.
Nicholas II personally evaluated the new statuettes of the series. Every year before the Christmas holiday from 1907 to 1914, several new figures were brought to the Alexander Palace at Tsarskoye Selo, and shown to the Emperor.
The majority of the original “Peoples of Russia” figurines are today in Collection the Porcelain Museum of the State Hermitage in St. Petersburg. In addition, there are 47 figurines in the collection of the Russian Museum of Ethnography in St. Petersburg.
Copies of these beautiful figurines are still manufactured at the Imperial Porcelain Factory in St. Petersburg, and available to purchase by collectors.
Last autumn, a one-day exhibition of watercolours by Grand Duchess Olga Alexandrovna (1882-1960) and personal items that belonged to the family of Emperor Alexander III, was held at the Beloselsky-Belozersky Palace[1] in St. Petersburg. A virtual tour of the exhibition is now available – see link below.
The exhibition includes 45 works of art and 16 memorial items from the collection, which was donated to the State Russian Museum by the St. Catherine’s Foundation with the assistance of the ESPO Foundation in 2023.
The exhibition is a joint project of the Ministry of Culture of the Russian Federation, the State Russian Museum, and the Elisabeth-Sergius Educational Society Foundation (ESPO).
All the children of the imperial family knew how to draw, but among the children of Emperor Alexander III and Empress Maria Feodorovna, their youngest daughter Olga stood out. From a very early age, Olga proved herself as an artist. The Grand Duchess recalled: “Even during geography and arithmetic lessons, I was allowed to sit with a pencil in my hand, because I listened better when I drew corn or wild flowers.”
Grand Duchess Olga Alexandrovna was the patroness of many charitable societies and artistic associations of the Russian Empire, the chief of the 12th Hussar Akhtyrka Regiment. During the First World War she worked as a nurse, equipping a hospital in Kiev at her own expense.
The 3D tour is complemented by audio accompaniment dedicated to the life and work of the Grand Duchess, who during her lifetime painted more than 2,000 watercolours.
[1] Before the 1917 Revolution the palace was named the Sergei Palace, a Neo-Baroque palace at the intersection of the Fontanka River and Nevsky Prospekt in the capital. The palace served as the residence of Grand Duke Sergei Alexandrovich and Grand Duchess Elizabeth Feodorovna. Following Sergei’s assassination in February 1905, the palace then became the property of his widow who became a nun in 1909. She went to live at the Marfo-Mariinsky Convent in Moscow and willed the palace to her ward Grand Duke Dmitri Pavlovich.
PHOTO: local actors perform the roles of the Imperial Family
On 11th January 2025, a *Christmas event dedicated to Emperor Nicholas II and his family was held in the House of Culture in the village of Narovchat, Penza Region. Christmas in the Circle of the Tsar’s Family marked the traditions of celebrating the Nativity of Christ in the circle of the family of the Holy Royal Passion-Bearers and Imperial Russia.
* Recall that Orthodox Christians celebrate Christmas on 14th January, according to the Old Style Julian Calendar
The event was organized by the nuns of the Trinity-Scanov Monastery, the pupils of the monastery Sunday School, the pupils of the Bishop’s Children’s Choir of the Penza Diocese and the staff of the Penza Museum of Local Lore.
The guests of honour included Metropolitan Seraphim of Penza and Nizhnelomovsk, Bishop Mitrofan of Serdobsk and Spassky, Minister of Culture and Tourism of the Penza Region Sergey Vyacheslavovich Bychkov, and acting head of the Narovchat district Sergey Viktorovich Skudin.
Guests were greeted in the lobby by the pupils of the Sunday school and the nuns of the Trinity-Skanov Monastery, who sang carols and praises to the newborn Christ child.
On stage the private world of the Imperial Family was revealed. Local actors read aloud the personal letters of Tsar Nicholas and Tsarina Alexandra to each other, which revealed to the audience the tender and loving image of the Imperial Family.
An Imperial Ball was held, which focused on the splendour of the Russian Imperial Court in the early 20th century. Elegantly dressed ladies and gentlemen performed waltzes and polkas to live music of the era – all of which created an inspiring atmosphere of the holiday.
At the end of the solemn event, all participants received gifts from the abbess of the Trinity-Scanov Monastery, Abbess Innocent.
Also during the event, an exhibition of photographs courtesy of the Sretensky Monastery “The Royal Family: Love and Mercy” was opened. The exhibition features photographs reflecting the life and work of the Imperial Family.
In addition, the White Flower Festival was celebrated, which offered guests many skillful crafts made by the nuns, delicious pastries and much more. The tradition of the White Flower Festival was initiated by Empress Alexandra Feodorovna and her children at the beginning of the 20th century.
PHOTO: Portrait of Emperor Nicholas II in the uniform of Colonel-in-Chief of the Royal Scots Greys (1902). Artist: Valentin Alexandrovich Serov (1865-1911)
In 2025, a portrait of Emperor Nicholas II, painted in 1902 by the Russian artist Valentin Alexandrovich Serov (1865-1911) will be shown at the National Army Museum in London at an exhibition dedicated to the art of battle during the era of Queen Victoria (1837-1901).
The National Army Museum in London will host a major exhibition Myth and Reality: Military Art in the Age of Queen Victoria, which runs from 1st July to 1st November 2026.
The exhibition will showcase over 140 works of art from the museum’s collection, including works on loan from other museums and private collections. Among these is Serov’s portrait of Nicholas II, on loan from the Royal Scots Dragoon Guards Museum in Edinburgh.
In Serov’s portrait, painted in 1902 in a lively impressionist manner, Russia’s most famous portrait artist, was able to convey the remarkable resemblance of the two Royal cousins: Nicholas II (1868-1918) and his elder cousin, the British King George V (1865-1936).
In Serov’s portrait, the young Russian Emperor is dressed in the uniform of Colonel-in-Chief of the Royal Scots Greys. This title was granted to him in 1894 by Queen Victoria on the occasion of the wedding of her granddaughter Princess Alix of Hesse and by Rhine to the future Emperor of Russia.
In 1902, the Emperor commissioned a portrait from Valentin Serov and, upon completion, presented the work to his Scottish Regiment. The portrait was taken to Edinburgh, to the castle where the headquarters of the Royal Scots Greys were located.
In 1971, the Royal Scots Greys was reformed and changed its name to the Royal Scots Dragoon Guards. But the portrait of the honorary commander of the regiment remained in its place in the living room of the regimental castle.
In the 2010s, the Board of Trustees of the regimental fund of the Royal Scots Dragoon Guards Regiment summoned an expert in Russian painting to Edinburgh. The insurance valuation of Serov’s work was valued at £15 million ($18 million USD).
Serov’s portrait of Emperor Nicholas II (1902) is on permanent display in the Royal Scots Dragoon Guards Museum, located in the New Barracks at Edinburgh, Scotland.
The Myth and Reality: Military Art in the Age of Queen Victoria exhibition, runs from 1st July 2025 to 1st November 2026 at the National Army Museum in London.
PHOTO: entrance to the exhibition which takes up the entire ground floor of the recently constructed Church of the Holy Royal Passion-Bearers in Dno
On 26th December 2024, a new museum dedicated to Emperor Nicholas II and his family was officially opened and consecrated in the Church of the Holy Royal Passion-Bearers in the Russian city of Dno, situated 114 km from Pskov.
Metropolitan Matthew of Pskov and Porkhov performed the rite of consecration of the museum to the Royal Passion-Bearers. The museum takes up the entire ground floor of the church. Admission to the museum is FREE to all!
PHOTO: His Eminance performs the rite of consecration of the museum to the Royal Passion-Bearers
The interiors of the museum are a wonderful example of modern exhibition spaces, designed in the Neo-Russian Style [aka the Russian Revival Style], characteristic of the early twentieth century and beloved by Russia’s last Tsar.
The museum is divided into two halls. The first hall, which is painted burgundy-green, combined with dim lighting. Burgundy is the colour of the Imperial Porphyry, green is the colour of the monk. In this hall, the exposition explores the life of the Imperial Family from Emperor Nicholas II’s and Empress Alexandra Feodorovna’s childhood to the tragic vents of 1917. Two stands describe the history of the House of Romanov – from the calling to the throne of Mikhail Feodorovich in 1613 and to the death and martyrdom of Nicholas II 305 years later.
Archival photographs and documentary materials, diary entries, testimonies of contemporaries, statements by prominent public and church figures reveal in detail the life of the Imperial Family. They tell about their service to Russia, their close family relations, and the historical context of the events of the late 19th and early 20th centuries. In addition, the exposition explores the cultural, scientific, and political life of the Russian Empire during the era of Nicholas II.
PHOTOS: four double-sided mobile stands display documents and photos which explore the life of Emperor Nicholas II and his family
The photographs and documents are displayed on four double-sided mobile stands on small wheels with stoppers. At the northern and southern walls there are carved white-stone lecterns with carvings, under which relics of the era of Emperor Nicholas II are placed. In the eastern part of the hall there is a passage through three brass decorative arches which leads to the White Hall. Between the arches, there are four kiot stands made of white stone with carvings (initials), glass, lighting and a carved finial, dedicated to the Grand Duchesses Olga, Tatiana, Maria and Anastasia Nikolaevna. The ceiling is dark, with diffused and directional track lighting.
In the White Hall there is information about the Way of the Cross of the Imperial Family – the period from the events at the Dno station, the Tsar’s abdicated in March 1917, to the murder of Nicholas II and his entire family on 17th July 1918 in Ekaterinburg and the subsequent history of the veneration and glorification of the Imperial Family as saints. Extensive textual and illustrative material makes it possible to speculatively walk this path together with the Royal Passion-Bearers, to come into spiritual contact with the last year of their lives, to see the light of the Paschal victory in the darkness of the Ipatiev House.
CLICK on the photos below to enlarge and see in greater detail . . .
Also in the White Hall there are stands dedicated to the faithful retainers, who voluntarily followed the Imperial Family into exile and shared their sufferings, showing an example of loyalty to duty; stands dedicated to the Grand Duke Sergei Alexandrovich, the Venerable Martyr Grand Duchess Elizabeth Feodorovna, the Alapaevsk Martyrs, who were murdered by the Bolsheviks the day after the Imperial Family; two kiot stands dedicated to Tsesarevich Alexei Nikolaevich; and stands dedicated to the memory, glorification and modern veneration of the Holy Royal Martyrs.
The hall is crowned by a large carved icon case with an icon of the Royal Martyrs, visible from the very entrance to the burgundy-green hall. The saints are depicted in white robes with a reference to the apocalyptic image of martyrs overcoming earthly sufferings and faithful to Christ (Revelations 6:9-12).
The White Hall is also used as a venue for small gatherings. The 4 white stands can be rrolled to the sides, thereby freeing up the central space of the hall. Attached to the ceiling in this room is a screen that can be opened in the eastern part of the hall, with a projector at the entrance to the burgundy-green hall. Folding chairs which are stored in the adjoining utility room, provide for guests attending lectures, films and other events.
CLICK on the photos below to enlarge and see in greater detail . . .
The museum is a project of love and deepest respect to the Holy Royal Martyrs and their feat on the Cross, which formed the basis of the feat of faith of all the New Martyrs and Confessors of the Russian Church and the preservation of the Holy Russian spirit in the 20th and early 21st centuries.
The opening of the new museum in Dno is the fourth such museum in Russia dedicated to Emperor Nicholas II and his family, the other three are the Museum of the Holy Royal Family in the Tsarsky Cultural and Educational Center, situated in the Patriarchal Compound of the Church on the Blood (Ekaterinburg); the Museum of the Family of Emperor Nicholas II (Tobolsk); and the Museum in Memory of Emperor Nicholas II and His Family (Kotelniki-Moscow).
PHOTO: icon of the Royal Martyrs in the White Hall
On 23 December 2024, a new exhibition dedicated to the merciful service of members of the Russian Imperial Family during the Great War (1914-1918), opened at the Kazan Monastery in Kaluga.
The mobile exhibition features 24 poster-stands which present unique photographs and interesting facts which acquaint visitors with the story of the great love, compassion and self-sacrifice of the family and relatives of Emperor Nicholas II, for the Russian people during the First World War.
During the First World War, Empress Alexandra Feodorovna, her daughters, the Emperor’s sister Grand Duchess Olga Alexandrovna, Grand Duchess Elizabeth Feodorovna and many others became ordinary nurses. Some went to hospitals at the front line, while others attended to wounded Russian soldiers at Tsarskoye Selo and Petrograd, together they worked on an equal basis with other nurses.
Visitors to the exhibition can learn about the work of the Russian Red Cross, the Imperial Orthodox Palestine Society (IOPS), and the “Olginsky”[1] and Tatianinsky”[1] Committees. The central part of the exhibition is dedicated to Grand Duchess Elizabeth Feodorovna, whose 160th birthday was celebrated in 2024.
The exhibition was organized by the Elizabeth-Sergius Educational Society Foundation (ESPO) in Moscow. Preserving historical memory of the Russian Imperial Family is the most important task of the Foundation and especially with the younger generation. Schoolchildren and students of the Kaluga region will be invited to the exhibition, “because it is important to teach them from childhood and adolescence about the history of Russia and the life of the last Tsar, his family and relatives”.
The travelling exhibition was created in 2022, the year marking the 150th anniversary of the birth of Empress Alexandra Feodorovna. For the past two years, the exhibition has been presented in cities and towns across Russia.
*As I have noted in previous posts, I support any initiative – big or small – to help keep the memory of Nicholas II and his family alive in 21st century Russia – PG
NOTES:
[1] To help the civilian population affected during the First World War, Emperor Nicholas II established the Supreme Council chaired by Empress Alexandra Feodorovna. The Empress created committees to help refugees and families whose breadwinners are called to war. She assigned responsibility for the work in these committees to her two eldest daughters: Grand Duchesses Olga and Tatiana Nikolaevna. The “Tatianinsky” and “Olginsky” committees had branches in many cities throughout the Russian Empire and were very popular.
A photograph album belonging to the Grand Duchess Olga Nikolaevna (1895-1918) from the collection of the State Archives of the Russian Federation (Moscow) is currently on display at the Boris Yeltsin Presidential Library in St. Petersburg.
The photographs are dated 1907-1908. The cover of the album is decorated with the Imperial Crown, and in the upper right corner is Olga’s monogram O. N.
In total, the album contains 294 photographs, of the Romanov family during the early 20th century. The pictures depict the day to day life of the Imperial Family: Olga and her siblings playing games, picnics, snowball fights and walks in the Alexander Park at Tsarskoye Selo, sailing on the Imperial Yacht Shtandart, New Year’s celebrations, and the Romanov family at home.
It also depicts photos of the Imperial Family: Empress Alexandra Feodorovna at Tsarskoye Selo with her children, with maids of honour, Emperor Nicholas II with his family and entourage.
Olga was the eldest daughter of Emperor Nicholas II and Empress Alexandra Feodorovna. She was the favorite of her father, and was considered the most gifted of the August children. Olga had a philosophical mind, loved to read and wrote poetry. According to Anna Vyrubova, Olga was ‘extremely pretty, with brilliant blue eyes and a lovely complexion, and resembled her father in the fineness of her features, especially in her delicate, slightly tipped nose’.
All the photos in the album are cheerful and serene. During the First World War, Grand Duchesses Olga and her sister Tatiana, together with their mother, completed Red Cross training, passed an exam, and swapped their Imperial dress for nurses uniforms and began to help wounded soldiers in a special hospital set up not far from the Alexander Palace at Tsarskoye Selo.
Next year, will mark the 130th anniversary of the birth of the Grand Duchess, on 16th (O.S. 3rd) November 2025.
On 1st November 2024, the photo-exhibition The Tsar’s Family: Service, Love, Mercy opened in the Zdemirov Rural House of Culture, situated in the village Zdemirovo of the Kostroma region. The exhibition was organized by the Union of Orthodox Women of the Kostroma Region, with the assistance of the clergy and parishioners of the local Church of the Prophet Elijah.
Photographs for the exhibition were provided by the brethren of Sretensky Stauropegial Monastery in Moscow. The photographs reflect the warmth and love the Imperial Family shared with one another.
What is a true Christian family? In the eyes of the Russian Orthodox Church, that example was set by the family of Emperor Nicholas II.
How selflessly they helped people, their fellow citizens of the Russian Empire. Despite their August positions in life, they worked on an equal basis with others, they worked as nurses, bandaged the wounded and participated in operations. In spite of of everything, they remained a strong family, always supporting each other. They were aN example of true service to God, the Motherland and people.
The photo-exhibition is timed to the 130th anniversary of the ascension of Russia’s last Emperor and Tsar to the throne, on 2nd November (O.S. 20th October) 1894.
Tsesarevich and Grand Duke Nicholas Alexandrovich was 26 years old at that time. He was to stand at the head of the Russian Empire for more than 22 years, he marrued his fiancée, the Princess Alix of Hesse-Darmstadt, the future Empress Alexandra Feodorovna.
On 27th (O.S. 14th) November 1894, on the birthday of Dowager Empress Maria Feodorovna, the wedding of Emperor Nicholas Alexandrovich with Grand Duchess Alexandra Feodorovna took place in the Grand Church of the Winter Palace. The couple were blessed with 5 beautiful children: four daughters and a son.
The The Tsar’s Family: Service, Love, Mercy photo-exhibition runs until 4th December 2024. Admission is FREE!
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As I have noted in similiar posts, I support any initiative – big or small – to help keep the memory of Nicholas II and his family alive in post-Soviet Russia – PG
Nicholas II 
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