Ekaterinburg | Nicholas II

‘Point of No Return’ – Ekaterinburg Street Art in Memory of the Russian Imperial Family

Posted on December 7, 2019 by Paul Gilbert

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NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally posted on 26 July 2018 in my Royal Russia News blog – PG

Unique street art in memory of the Russian Imperial Family has been created in an underground passage in the center of Ekaterinburg. The work entitled “Point of no return” depicts two groups of people on opposite walls of the passage.

On one side are depicted: Emperor Nicholas II, his wife Empress Alexandra Feodorovna, their five children, and four faithful retainers – all of whom were murdered on the night of 16/17 July 1918 in the basement of the Ipatiev House in Ekaterinburg.

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On the other side the murderers: the Ural Chekists and the guard of the “House of Special Purpose”, the participants in the murders of the Romanovs. Between the two images on the floor is a red circle – Точка невозврата (Point of no return), standing on which, one gets a sense of being in the line of fire.

The appearance of the street art is timed to the 100th anniversary of the deaths of the Imperial Family in Ekaterinburg. The underground passage is located in close proximity to the Church on the Blood, built on the site of the Ipatiev House.

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The executor of the work was the GREAT Advertising Group (St. Petersburg), and the ZNAK Information Agency.

“The idea belongs to the GREAT Advertising Group. We liked it, and immediately accepted it. This work is a desire to recall the tragedy of the shooting in the basement of the Ipatiev House, which included the murder of innocent children and servants. It became a symbol of the tragedy of all Russia, a great tragedy of the twentieth century. This shooting really became a ‘point of no return’ for Russia. We believe it is important that a person can feel this point, literally stand on it, even for a moment,” said Dmitry Kolezev, deputy editor-in-chief of Znak.com.

“We wanted to create something without any gadgets and technologies, something with simple and affordable means, which would allow people to get a sense of what it must have felt to face the murderers. To try to literally immerse yourself in a tragic moment, to become a part of it, to stand between the defenseless Imperial family and their murderers with revolvers,” said the creators from the GREAT Advertising Group.

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Sadly, the work was only temporary for the 100th anniversary marking the regicide – the artwork was not done with paint, but with a film, making it easy to remove, and leaving the transition walls clean.

Russian Orthodox Church in Dispute Over Porosenkov Log

Posted on December 5, 2019 by Paul Gilbert

At Porosenkov Log, during my visit to Ekaterinburg, July 2018

Back in March 2016, I reported that Metropolitan Kirill of Yekaterinburg and Verkhoturye had made a request to the Sverdlovsk regional government to transfer the land in and around Porosenkov Log (3.7 hectares) to the Ekaterinburg Diocese. The territory is simultaneously claimed by the Sverdlovsk Regional Museum of Local History in Ekaterinburg. My report was followed up by a second article on the dispute in July 2017 (see links below for both articles – PG).

Since the events marking the 100th anniversary of the death and martyrdom of Emperor Nicholas II and his family last month, the subject is again making headlines in the Urals media.

According to a document signed by the head of the regional forestry department Oleg Sandakov, as early as 2016, Metropolitan Kirill of Yekaterinburg and Verkhoturye made a request to the regional government to transfer Porosenkov Log to the diocese “for gratuitous urgent use for religious activities.” Scans of the relevant documents (see below) were published last week on the Memorial of the Romanovs Facebook page.

In June 2014, a request was made to recognize Porosenkov Log as a cultural heritage site. Then, the regional ministry of culture planned to transfer the Romanov Memorial site to the Sverdlovsk Museum of Local History. The official opening of the memorial was planned to coincide with the 100th anniversary of the deaths and martyrdom of the Holy Royal Martyrs in July 2018.

In 2016, however, the Ekaterinburg Diocese began to interfere with the plans. In February of the same year, Metropolitan Kirill of Ekaterinburg and Verkhoturye sent an appeal to the Governor of the Sverdlovsk Region Evgeny Kuyvashev, in which he asked to declare invalid the document on the transfer of the site to the museum. The governor granted the Metropolitan’s appeal, with the regional ministry of culture subsequently putting the project on hold.

“Due to the historical and spiritual significance of the territory, and in order to avoid any disagreements between secular and religious parties, an official note was sent to the governor of the Sverdlovsk region on the expediency of organizing a discussion on the development of the territory as a cultural heritage site with all interested parties,” said the head of the regional department of forestry Oleg Sandakov.

At the second grave where the remains of Alexei and Maria where discovered in 2007

On the eve of the Tsar’s Days held in Ekaterinburg last month, the Russian Investigative Committee confirmed that genetic examinations on the remains found at Porosenkov Log belong to the murdered Imperial family. It was hoped that Patriarch Kirill would officially recognize the remains during his visit to Ekaterinburg, however, this did not happen. An estimated 100,000 people took part in the pilgrimage from the Church on the Blood to the Monastery of the Holy Royal Martyrs at Ganina Yama, where once again the final prayer service was held, which is still considered by the ROC to be the final burial place of the bodies of the royal martyrs. Porosenkov Log was not included in the pilgrimage.

Despite the fact that the authenticity of the “royal remains” has not been recognized by the ROC, the Ekaterinburg Diocese is unlikely to back away from its plans. It can not be ruled out that the dispute over the site will be put on hold until the time when the church changes its position.

It is believed that not “if” but “when” the Moscow Patriarchate officially recognize the “Ekaterinburg remains”, that a new monastery in honour of the Holy Royal Martyrs, similar to the one situated 3.8 km down the road at Ganina Yama, will be constructed at Porosenkov Log.

Film: Assassin of the Tsar

Posted on December 5, 2019 by Paul Gilbert

Watch ‘The Assassin of the Tsar’

Click on the image above to watch the English version
of the film in it’s entirety. Duration: 1 hour, 40 mins.

The Assassin of the Tsar is a 1991 Soviet drama film, starring the English actor Malcolm McDowell and the Soviet/Russian actor Oleg Yankovsky (1944-2009). It was entered into the 1991 Cannes Film Festival. There are two versions. One is filmed in English which later was dubbed over the Russian actors, and one in Russian.

Timofyev (Malcolm McDowell) is a patient in an asylum who claims to be the man who assassinated Tsar Alexander II in 1881, and his grandson Tsar Nicholas II in 1918. Doctor Smirnov (Oleg Yankovsky) decides to apply a peculiar therapeutic method on him, but things go in an unexpected way.

A good portion of the film depicts the last days of the Russian Imperial Family in Ekaterinburg, largely narrated by Timofyev’s voice-over from the perspective of Yakov Yurovsky, the chief guard and ultimately executioner of the family. In the scenes, Yurovsky is impersonated by Timofyev (McDowell) and Tsar Nicholas II by Dr. Smirnov (Yankovsky). Other members of the family function merely as background, with few or no lines.

PHOTOS: Soviet/Russian actor Oleg Yankovsky as Tsar Nicholas II; the
Imperial family in Crimea; and Malcolm McDowell as Yakov Yurovsky

The cast includes:

Oleg Yankovsky — Dr.Smirnov / Tsar Nicholas II
Malcolm McDowell — Timofyev / Yakov Yurovsky
Armen Dzhigarkhanyan — Alexander Yegorovich, Smirnov’s superior
Olga Antonova — Empress Alexandra
Dariya Majorova — Olga Nikolaevna
Evgeniya Kryukova — Tatiana Nikolaevna
Alyona Teremizova — Maria Nikolaevna
Olga Borisova — Anastasia Nikolaevna
Aleksei Logunov — Alexei Nikolaevich
Yury Belyayev — Alexander II of Russia
Anastasiya Nemolyaeva — nurse
Anzhelika Ptashuk — Marina, Smirnov’s mate

Of particular interest in this film are the recreation of the facade and the haunting interiors of the Ipatiev House, where the Imperial family where all murdered on the night of 16/17 July 1918, by a Bolshevik firing squad.

PHOTOS: The facade and interiors of the Ipatiev House were recreated for this film

Old Ekaterinburg through the lens of Prokudin-Gorsky

Posted on December 4, 2019 by Paul Gilbert

Sergey Mikhaylovich Prokudin-Gorsky, self-portrait 1912

I have had the pleasure of visiting the Ural city of Ekaterinburg on three occasions over the past six years: 2012, 2016, and most recently in July 2018. Out of all the Russian cities which I have visited since 1986, Ekaterinburg has become my favourite.

It is a city rich in history, and the setting for one of the darkest pages in 20th century Russian history: the final days and murder of Russia’s last tsar Nicholas II and his family in the Ipatiev House on the night of 16/17 July 1918.

Sadly, the city is overlooked by most visitors to Russia. It is seldom included in group tours, relying mainly on foreigners travelling on the Trans-Siberian Express. Many of them stay for only one or two nights, which really is not enough time to explore and appreciate what Ekaterinburg has to offer. Having said this, however, Ekaterinburg is becoming increasingly popular with Chinese tourists, and the FIFA World Cup matches held in the city in June 2018 have helped spread the word to foreigners, that Ekaterinburg is indeed worth visiting.

As a devout book collector, I have always been on the hunt for pictorials, which offer vintage photographs of what life was like in Russia before the 1917 Revolution. During my most recent visit to Ekaterinburg, my book hunting skills produced a couple of gems to add to my personal home/office library.

Дом Ипатьева: летописная хроника в документах и фотографиях

Дом Ипатьева: летописная хроника в документах и фотографиях (Ipatiev House. Documentary and Photographic Annals. 1877-1977) by photojournalist and historian Vitaly Shytov. Published in 2013 in a hard cover edition in Chelyabinsk by the Auto-Count Publishing House, the book features more than 700 pages and more than 1,000 photographs. Only available in Russian. Shytov has dedicated 40 years of study to the tragic history of the Ipatiev House in Ekaterinburg. There were only 500 copies printed, and it remains the the most comprehensive study of the Ipatiev House to date. Sadly, Shytov’s research has been virtually ignored by Western historians, who have written on the last days of the Imperial family in the ‘House of Special Purpose’.

Екатеринбург: История города в фотографии

Екатеринбург: История города в фотографии. Том 1: Вторая половина XIX – начало XX веков (Ekaterinburg: History of the City in Photographs. Volume I. Second half of 19th – early 20th century) by A.V. Berkovich and O. A. Bukharkina. Second edition published in 2015 by the Ekaterinburg City Administration. Published in a hardcover edition, the book features 208 pages, and more than 200 vintage photographs. Despite the Cyrillic text on the book’s cover, the contents are in both Russian and English.

The latter presents a very different view of Ekaterinburg, in that it presents for the first time, a selection of historic photos from the most famous photographer of old Ekaterinburg Veniamin Leontiyevich Metenkov (1857-1933).

The Metenkov House and Photographic Museum is situated near the Church on the Blood in Ekaterinburg

Sadly, the Revolution destroyed the photography business which Metenkov created. He died in obscurity in 1933, his name forgotten for more than half a century. After the fall of the Soviet Union in the early 1990s, the house where Metenkov lived and worked was turned into a museum named after him. Until recently Metenkov’s archive was believed to be lost, however, a persistent search for the photographers’ legacy yielded the discovery of more than 200 negatives in the funds of the Sverdlovsk Oblast State Archive.

Another noteworthy Ekaterinburg photographer was the city doctor Vladimir Alexandrovich Paduchev (1859-1919). The Paduchev family archive of more than 500 negatives focus on the private world of the city middle class, taken during the first decade of the 20th century. The collection lay hidden in an old barn for more than a century, before their discovery.

ALL colour photographs below are courtesy of the Ekaterinburg City Administration

Photo: Sergey Mikhaylovich Prokudin-Gorsky

The unique photographic view of Pre-Revolutionary Russia and Ekaterinburg, however, belong to the pioneer of colour photography Sergey Mikhaylovich Prokudin-Gorsky (1863-1944).

His photos of Russia’s nature and monuments earned him invitations to show his work to the Grand Duke Mikhail Alexandrovich and the Dowager Empress Maria Feodorovna in 1908, and to Tsar Nicholas II and his family in 1909. The Tsar enjoyed the demonstration, and, with his blessing, Prokudin-Gorsky got the permission and funding to document Russia in colour. In the course of ten years, he was to make a collection of 10,000 photos.

Photo: Sergey Mikhaylovich Prokudin-Gorsky

Using a railroad-car darkroom provided by Tsar Nicholas II, Prokudin-Gorsky traveled the Russian Empire from 1905 to 1915, using his three-image colour photography to record its many aspects. He arrived in Ekaterinburg in 1909, where he gave lectures and visited Veniamin Metenkov at his home. Metenkov accompanied Prokudin-Gorsky on his trips in and around the city, suggesting interesting locations to be photographed.

Photo: Sergey Mikhaylovich Prokudin-Gorsky

Prokudin-Gorskii left Russia in 1918, after the Russian Revolution, and eventually settled in Paris, where he died in 1944. While some of his negatives were lost, Library of Congress purchased a collection of more than 2,600 images from the photographer’s sons in 1948.

All three photographers are represented in this handsome volume. Their legacies transcend a century, allowing the reader to look back to a unique and beautiful city, far removed from the ancient Russian capital of Moscow, and the glittering Imperial capital of St. Petersburg. These images document daily life in the Ural city, which has changed beyond recognition, many historic landmarks lost forever, and only the photographs preserve the flow of a lost world.

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Why Ekaterinburg is my favourite Russian city

O have visited Ekaterinburg three times during the past decade: 2012, 2016 and 2018. It is a city which I have fallen in love with for many reasons. It is filled with history, as well as many architectural monuments associated the Tsarist period, including cathedrals, churches, mansions and museums.

People often ask me “Why, Ekaterinburg?” as opposed to the former Imperial capital of St. Petersburg, especially given that “Ekaterinburg has such a dark history.”

Once a bastion of Bolshevism, Ekaterinburg has slowly shed its status as the “capital of atheism”. Since the fall of the Soviet Union in 1991, the Urals has experienced a revival of faith, with Ekaterinburg as the center of Orthodox Russia in the region.

It is important to add, that Ekaterinburg has done more to honour Nicholas II and his family than any other city in Russia. Thanks to my visits to Ekaterinburg in 2012, 2016 and 2018, it is a city which I have grown to admire and love.

Captured on Film by U.S. Cameramen – The Romanov Murder Scene (1918)

Posted on December 3, 2019 by Paul Gilbert

In December 1918, a photographic team of the U.S. Signal Corps led by Captain Howard Kingsmore arrived in Yekaterinburg, Russia, where they filmed inside the house where Tsar Nicholas II and his family was brutally murdered. Against all odds, we recently found Kingsmore’s personal story on this photographic assignment, as well as part of these historic films.

The execution of the last Russian Tsar and his family hardly needs an introduction. After the Bolsheviks had taken over power the Romanov family was moved to a so-called ‘House of Special Purpose’ in Yekaterinburg. The Imperial family was kept in strict isolation within the walls of a sinister heavily guarded building that was surrounded by a palisade. The Bolsheviks initially wanted to put the Tsar on trial, but in the summer of 1918 anti-Communist forces were at the gates of Yekaterinburg, and the Reds feared their captives would fall into enemy hands. As a result, death to the Romanovs was declared. Tsar Nicholas II, his wife Tsarina Alexandra and their five children Olga, Tatiana, Maria, Anastasia, and Alexei were shot, bayoneted and clubbed to death on the night of 16-17 July 1918. Their bodies were disposed of in a most gruesome manner.

The Cameramen

Howard P. Kingsmore was the photographic officer of a U.S. Signal Corps camera team that recorded the operations of the American Expeditionary Army in Siberia. Born in 1886, Kingsmore started his photographic work for the Philadelphia Inquirer, covering the burial of President McKinley, the coal strikes of 1901-1902 and the 50th anniversary of the Civil War battle of Gettysburg. Around 1907 Kingsmore became chief photographer for the Philadelphia Evening Ledger. For this newspaper he covered the civil war in Mexico, as well as the Punitive Expedition by General Pershing into that country in 1916. When the United States entered World War I he applied for a commission in the U.S. Signal Corps as a photographic officer. He was commissioned as a Lieutenant in September 1917, appears to have made mostly training pictures while he was in America and in Augustus 1918 was promoted to Captain, when a photographic section was set up for the Siberian Expedition. After the First World War Kingsmore became a cameraman for Fox News.

The Ipatiev House in Ekaterinburg. 1918

Interview with Kevin Brownlow

Judging from the production file of the films that were made by Kingsmore and his camera team, they filmed across Siberia between November 1918 and February 1919, covering various operations by the Expeditionary Force that was trying to push the Red Army out of Russia. We have described this Signal Corps footage from Russia in more detail in a previous weblog. Five men were selected for this photographic team, including two movie camera operators. One of Kingsmore’s men, Philip Tannura, was interviewed by Kevin Brownlow for his book The War, the West and the Wilderness. Tannura was among Kingsmore’s cinematographers and in the interview with Brownlow Tannura mentioned how he accompanied Kingsmore while they visited the place where the Tsar and his family were executed. “We couldn’t find out whether they had actually been killed or not”, Tannura said. “We photographed all the rooms.”

Kingsmore said he boarded a Red Cross freight train in Vladivostok in November 1918. The trip across Siberia took about nine weeks. The accommodation on the train was of a most primitive nature. The American cameramen traveled in box cars that were originally built for cattle. Arriving in Yekaterinburg, the cameramen found the city controlled by Czech forces. These had taken Yekaterinburg shortly after the Tsar and his family were murdered. Kingsmore was told the Romanovs were subjected to many indignities by the Communist soldiers who guarded them. It should be noted here that at the moment when Kingsmore and Tannura arrived in Yekaterinburg an official investigation was still being carried out on the mysterious disappearance of the Imperial family. As far as the Kremlin was concerned, they had simply vanished into thin air and the Communists denied any allegation they had killed the Romanovs.

Photographic Evidence of the Romanov Execution

Kingsmore’s and Tannura’s pictures indicate this was a fabricated lie. One of their still photographs shows the cellar where the Romanovs were executed. Bullets were dug out of the wall by the Bolsheviks to destroy evidence of the crime, but the holes still remained and were clearly visible. Their pictures also demonstrate how the Tsar’s children had to sleep on the floor, as well as the search by the investigating committee for further proofs of the execution. Kingsmore also appears to have talked with eye witnesses. One told him the Romanovs were on their knees begging for mercy while they were executed in the basement of the house.

Part of the footage that was shot at Yekaterinburg has been retrieved and identified by the authors in the film collection of the National Archives in Washington, D.C. These scenes were probably taken by Tannura and show an exterior of the Czech military headquarters, the house the Romanovs lived in, as well as shots of the Czarina’s room and the room that was occupied by the Tsar’s daughters. We edited these historic scenes into a short clip that has been posted on our YouTube channel.

Click HERE to read the newspaper article In the House Where Romanoffs Were Put to Death, published in the Grand Forks Herald on 6 June 1919

Monument to Four Faithful Subjects of Nicholas II to be Established in Ekaterinburg

Posted on November 30, 2019 by Paul Gilbert

NOTE: All of the articles pertaining to Nicholas II and his family which were originally published in my Royal Russia News blog, have been moved to this Nicholas II blog. This article was originally published on 9 November 2018 in my Royal Russia News blog – PG

A monument to four faithful subjects who followed Emperor Nicholas II and his family into exile in 1917, and later murdered by the Bolsheviks will be established on the grounds of the Novo-Tikhvinsky Convent in Ekaterinburg.

Craftsmen from the Glyptica-Stone Company in St. Petersburg are currently working on a stone stele monument, which will depict life-sized images of the four loyal subjects of the Imperial family.

Adjutant General Ilya Leonidovich Tatishchev (1858-1918), Marshall of the Imperial Court Prince Vasiliy Aleksandrovich Dolgorukov (1868-1918), sailor Klimentiy Grigorievich Nagorny (1887-1918) and boatswain Ivan Dmitrievich Sednev (1881-1918). All of them were buried in the territory of the Novo-Tikhvinsky Convent.

Now the place of their burial is unknown. All the graves at the convent cemetery were destroyed during the Soviet years. But for the sake of preserving historical memory, with the blessing of Metropolitan Kirill of Yekaterinburg and Verkhoturye, a stele will be installed on the territory of the monastery to these selfless noble people, said a spokesperson for the Novo-Tikhvinsky Convent.

Adjutant General Ilya Leonidovich Tatishchev is one of four subjects depicted in the monument

The manufacture of the 4-meter monument, designed to perpetuate the memory of the martyrdom of the Royal Passion-bearers, was ordered by the Alexander Nevsky Novo-Tikhvin Convent in Ekaterinburg.

“It is a great honour that we received such an order, such an opportunity, ” said Mikhail Sergeyevich Parfentiev, general director of the Glyptica-Stone Company. – This is a piece of Russia’s history.

As Mikhail Sergeevich notes, this project is a great responsibility for all participants in the process.

Among the images of the subjects of Nicholas II, who voluntarily followed the sovereign into exile, first to Tobolsk, and then Ekaterinburg, the sculptors portray Adjutant-General Ilya Leonidovich Tatishchevas- a man full of nobility and love for his neighbors, who loved the Gospel and knew it by heart.

The figure of Tatishchev, is depicted holding the gospel in his hands. He received this as a gift from his mother and carried it with him throughout his life.

The monument of the four loyal Imperial subjects, will take place next year, on the territory of the Alexander Nevsky Novo-Tikhvinsky Convent. Thus, this monument will remind people for centuries of the martyrdom of the saints of the Royal Martyrs and their loyal subjects.

A Divine Liturgy was performed in Ekaterinburg on 10th June 2018 for General Ilya Leonidovich Tatishchev and Prince Vasili Alexandrovich Dolgorukov. Tatishchev and Dolgorukov were canonized by the Russian Orthodox Church Outside Russia (ROCOR) in October 1981. Click HERE to read more.

A Divine Liturgy was performed in Ekaterinburg on 28th June 2018 for Ivan Dmitriyevich Sednev and Klimenty Grigorievich Nagorny. Nagorny and Sednev were canonized by the Russian Orthodox Church Outside Russia (ROCOR) on 14 November 1981.

They were listed among 52 confidants of the Imperial family, who were rehabilitated by the Prosecutor General’s Office of the Russian Federation on 16 October 2009, as victims of political repression.

The Imperial Room in the Church on the Blood, Ekaterinburg

Posted on November 30, 2019 by Paul Gilbert

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On 20th June 2018, representatives of the media were granted a first look at the Imperial Room, in the Church on the Blood in Ekaterinburg. The altar of the Imperial Room is situated in the lower church sanctified in honor of the Holy Royal Martyrs. It was established on the site of the room located in the basement of the Ipatiev House, where Emperor Nicholas II, his family, and four retainers were all brutally murdered on the night of 16/17 July 1918. The decoration of the room received the blessing of the Metropolitan of Ekaterinburg and Verkhoturye Kirill to mark the centenary of this tragic event.

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The new design, the reconstruction of the altar, along with additional work in the Imperial Room, was carried out during the past year,the senior priest of the Church on Blood Achpriest Maxim Minailyo told journalists.

Father Maxim noted that the decoration of the Imperial Room was conducted by masters from Moscow and Belarus. Above the paintings worked talented Moscow icon painters led by Alexei Vronsky, and the mosaic was done by specialists of the mosaic workshop at the Holy Elizabethan Monastery of Minsk under the guidance of the icon painter Dmitry Kuntsevich. The work was supervised by nuns of the Novo-Tikhvin Convent in Ekaterinburg, known for their skill in restoring and decorating Orthodox churches.

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Representatives of the media saw a unique mosaic panel which occupies the central part of the altar depicting the Holy Royal Passion-Bearers and their faithful retainers who suffered with them: Emperor Nicholas Alexandrovich, Empress Alexandra Feodorovna, Tsesarevich Alexei, Grand Duchesses Olga, Tatyana, Maria, Anastasia, Saint Yevgeny Botkin, Alexey Trupp, Ivan Kharitonov and Anna Demidova.

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As the priest said, the mosaic reflects the position of the Royal Passion-Bearers at the time of their martyrdom. They stood with their backs to the east, facing west, as it is now depicted in the altar.

Above them rises the Feodorovskaya Icon of the Mother of God, which is the heavenly patroness of the House of Romanov.

On the western vault depicts the Sovereign Icon of the Mother of God, which was revealed on the very day when the Emperor was forced to abdicate the throne, and the saints glorified during the reign of Emperor Nicholas Alexandrovich: St. Theodosius of Chernigov, St. Seraphim of Sarov, St. Princess Anna Kashinskaya, St. Joasaph Belgorod, St. Hermogen of Moscow, St. Pitirim of Tambov, and St. John of Tobolsk.

The creation of the paintings and mosaics took almost a year to complete. The creation of mosaic works was a particularly complex project, as the iconography of all the members of the Imperial Family and their faithful retainers had to be intricately created.

The walls and the floor around the altar are lined with red onyx, which is very symbolic, because the red color on one side symbolizes the martyrs blood shed by the Imperial family, and on the other hand, red is the color of the royal scarlet, porphyry, regal color. This color depicts very well the feat of the Royal Passion-bearers, who in both imperial majesty and in humiliation showed rare piety and great spiritual heights.

On the right side of the throne in a special reliquary containing fragments of the Ipatiev House: a brick and a balustrade.

At the end of the media presentation, the senior priest of the church thanked the journalists for the meeting, noting the great importance of this holy place in the church.

– “We must understand that this is the main sacred place of our city. And this room is the holy of holies in this church,” the father pointed out. – “This place today inspires us to move on and create such unique architectural and religious monuments to which our children, visitors, pilgrims will be drawn, because creating such a diverse national architecture, we lay the foundation for future generations to be proud of our country, including our cultural, religious and architectural heritage.”

CONSECRATION

NOTE: This article was originally published on 20 December 2018 in my Royal Russia News blog – PG

On 12th December 2018, Metropolitan Kirill of Ekaterinburg and Verkhotursk performed the rite of Great Consecration of the renovated side-chapel in the name of the Holy Royal Passion-Bearers of the Church on the Blood in Ekaterinburg. His Eminence was served by the hierarchs of the Ekaterinburg Metropolis: Bishop Method Kamensky and Alapaevsky, Bishop Evgeny of Nizhny Tagil and Nevyansky, and Bishop Serov and Krasnoturyinsky Alexy.

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At the end of the service, Metropolitan Kirill recalled in his archpastoral talk that the year 2018 – the Imperial or Royal Year – the year marking the 100th anniversary of the deaths and martyrdom of the Imperial family, was widely celebrated in the Ural city. He recalled that on the night 16/17 July, an estimated 100,000 people participated in the Divine Liturgy at the Church on the Blood and the subsequent cross procession, both of which were headed by His Holiness Patriarch Kirill of Moscow and All Russia. According to the ruling bishop, it was truly a “nationwide prayer celebration.”

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And completing this year, the consecration of the renewed side-altar in the name of the Holy Royal Passion-Bearers was performed in the Church on the Blood.

Metropolitan Kirill noted that a Divine Liturgy is performed once a week, on the night of Tuesday/Wednesday, in memory of the Holy Royal Passion-Bearers, whose murder occurred on the night of Tuesday/Wednesday 16/17 July 1918. In addition, once a month, on the night of the 16/17, a night liturgy is also celebrated. Metropolitan Kirill reached out to Orthodox Christians asking them to attend the night service and pray to the Holy Royal Passion-Bearers.

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– “Here you have this feeling – a special reverence for the Royal Family and our martyrs, the new confessors of the Russian Church, one which will enter the soul, even if the soul is cold. All this love and achievement will melt away any callousness and any coldness. And the more we pray, the more we pay attention to the memory of the Holy Royal Martyrs, to their feat – the feat of meekness, humility, purity, the feat of absolute love for their God and for their homeland, until then our country will stand, and no evil power will be able to disturb her. Therefore, today we especially thank God for the feat of our Regal martyrs, our holy martyrs, all those who have defended our Homeland and our Church, and thanks to whom we today live on this earth,” Metropolitan Kirill said.

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The ruling bishop also thanked the senior priest of the Church on the Blood, Archpriest Maxim Minyaylo, for his work in this church, and also thanked Abbess Domnik (Korobeinikova) and the sisters of the Novo-Tikhvinsky Convent, who “very strongly and powerfully helped create this chapel.”

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The altar of the Imperial Room is situated in the lower church, sanctified in honor of the Holy Royal Martyrs. It was established on the site of the room located in the basement of the Ipatiev House, where Emperor Nicholas II, his family, and four retainers were all brutally murdered on the night of 16/17 July 1918. In the summer of 2018, with the blessing of Metropolitan Kirill of Ekaterinburg and Verkhoturye, the altar of the Imperial Chapel of the Holy Royal Passion-Bearers – the so-called Royal Room – was redesigned and decorated for the Tsar’s Days held in Ekaterinburg. The interior of the room has completely changed: like the Cuvuclia in the Church of the Holy Sepulcher in Jerusalem.

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The central place is occupied by a unique mosaic panel. in the central part of the altar, depicting the Holy Royal Martyrs and their loyal subjects: Emperor Nicholas Alexandrovich, the Empress Alexandra Feodorovna, Tsesarevich Alexei, Grand Duchesses Olga, Tatiana, Maria, Anastasia, St. Eugene Botkin, Alexei Trupp, Ivan Kharitonov and Anna Demidova. The mosaic reflects the position of the Royal Passion-Bearers at the time of their martyr’s death: standing with their backs to the east, facing west, as is now depicted in the altar.

“What if” the Ipatiev House was reconstructed?

Posted on November 29, 2019 by Paul Gilbert

A computer generated reconstruction of the Ipatiev House

On 26th November 2019, I published my article ‘Doomed to Resurrection: Is it Possible to Reconstruct the Ipatiev House?’

The article pertains to an interview with the head of the Department of Archives of the Sverdlovsk Region Alexander Alexandrovich Kapustin who in July 2018, proposed that the Ipatiev House (demolished in September 1977) should be reconstructed in Ekaterinburg.

Given that the Church on the Blood now stands on the site of the former ‘House of Special Purpose,’ Kapustins’ idea left a lot of people questioning both “Why reconstruct it?” and “Where to reconstruct it?”

The monument to Komsomol (Young Communists League) of the Urals dominates Komsomolskaya Square, the Church of the Ascension in the background

While I personally am NOT in favour of reconstructing the Ipatiev House, I do believe I can recommend the perfect location!

Situated at the top of Ascension Hill is Komsomolskaya Square. It is located between the Church of the Ascension and the Church on the Blood, which is situated on the opposite side of Karl Liebknecht Street.

During the Imperial Family’s captivity from April to July 1918, the windows on the upper floor of the ‘House of Special Purpose’ (the Ipatiev House) were painted white. Through a crack at the top of one window, it was possible for them to see the gilded spire of the Church of the Ascension.

The Church on the Blood is situated on the other side of Karl Liebknecht Street,
facing Komsomolskaya Square and the Komsomol monument

Before the Revolution, it was named Voznesenskaya (Ascension) Square after its location on Ascension Hill. In 1919, the old name was replaced by a new, rather sinister name – People’s Revenge Square. The name reflected the squares’ proximity to that of the Ipatiev House, of which its eastern façade faced the square, and the site of the regicide of 17th July 1918. In 1959, the square was renamed again as Komsomolskaya Square.

Dominating the square is the enormous monument to Komsomol (Young Communists League) of the Urals built during the Soviet years. The monument stands defiantly, almost mockingly at the Church on the Blood situated on the opposite side of the street.

Young Communists gather on Komsomolskaya Square

Each year, beneath the shadows of the Churches of the Ascension and the Spilled Blood, young Communists continue to hold rallies on the square.

It is my understanding that the reconstruction of the Ipatiev House as a multi-functional museum has the support of the Ekaterinburg Eparchy, so “IF” the project ever gets the green light, I cannot think of a better location.

As noted above, I do not support the idea of reconstructing the House of Special Purpose in Ekaterinburg. As one reader aptly noted on my Facebook page, “the Ipatiev House to me was rebuilt. It was rebuilt as a church. A place of reflection to bring light into the darkness that fell there.”

Doomed to Resurrection: Is it Possible to Reconstruct the Ipatiev House?

Posted on November 26, 2019 by Paul Gilbert

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PHOTO: The Ipatiev House, also known as the House of Special Purpose was built 130 years ago

In July 2018, Russia will mark the 100th anniversary of the deaths and martyrdom of the last Russian Imperial family. On the possibility of restoring the Ipatiev House, where the Holy Royal Martyrs ended their earthly journey, AiF-Ural journalist Alexei Smirnov sat down with the head of the Department of Archives of the Sverdlovsk Region Alexander Alexandrovich Kapustin.

Alexei Smirnov: Alexander Alexandrovich, do you remember what the Ipatiev House looked like before it was demolished in 1977?

Alexander Kapustin: Yes, I remember it. From 1972 to 1977 I studied at the Ural State University and visited the Ipatiev House on a number of occasions. The first time I went alone, then I went returned several times with some of my fellow students. I remember walking up the steps to the entrance. We did not get into the “execution room”, it was boarded up. Some organization was working in the mansion at that time, the staff showed little interest in us. I did not feel any “aura” around the house, for me it was an old historic building, typical of Sverdlovsk at the time. Although, like any person interested in history, I knew perfectly well that the tsar and his family had been shot here. Of course, I did not know everything, I was only 17 years old at the time. I can not say that my visits found me shaking inside me. Do not forget that we studied at the Soviet school, so we were taught the official Soviet version of the events. We were taught that Nicholas Romanov was the not the best tsar, however, today the evidence held in our archives, proves that the Soviet version was wrong.

Alexei Smirnov: The decision to demolish the mansion was made in Moscow, was this a mistake?

Alexander Kapustin: It was a political mistake by the authorities. But Yuri Andropov, who headed the KGB at the time, was right in one thing: the Ipatiev House was steadily becoming a place of pilgrimage for those who wished to honour the memory of the imperial family.

Alexei Smirnov: Could Yeltsin disobey Andropov?

Alexander Kapustin: Yeltsin was a member of the party, the first secretary of the regional committee. He carried out the order, one which he simply could not disobey. And it was not just an order, it was the decision of the Central Committee. Another question, did Yeltsin realize the consequences of his actions? It is quite possible that he did not. Therefore we have no right to make any claims against him.

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PHOTO: Boris Yeltsin was ordered to demolish the Ipatiev House in September 1977

Alexei Smirnov: Is it possible to reconstruct the Ipatiev House according to surviving documents? And whether it is necessary to do this?

Alexander Kapustin: I think that there would be no technical problems with a reconstruction. We know what it looked externally, we can determine its dimensions, the height of the ceilings, etc. Preserved drawings, numerous photographs – inside and out, will greatly benefit such a project.

NOTE: In the archives of the Sverdlovsk region, more than two dozen documents concerning the Ipatiev House have survived, as well as an extensive photo-fund. Up until 1977, the building was photographed extensively. A lot of the pre-revolutionary images have also been preserved. The earliest document in the archive is a list of owners dating from 1916, including Nikolai Nikolaevich Ipatiev. In 1929, Uralstroikontrol made a detailed plan of the mansion, which is kept in the archives in a separate file.

As to your other question: if to restore, for what purpose? When the idea of ‌‌”reconstruction” of the house arose, it created a lot of excitement and discussion. The problem is that we look at those events through the eyes of people of the 21st century, and this is not always entirely correct. Try to look at them through the eyes of people of that time. It should not be forgotten that on 2nd March 1917, that the tsar abdicated from the throne. The Bolsheviks shot not the emperor, but “Citizen Romanov”! And how did Russian society react to this? The event passed almost unnoticed. And already on 3rd March 1917, the church swore an oath of allegiance to the provisional government! Yes, he was a royal martyr, he died a martyr. But at that time, atrocities were occurring throughout Russia. It is pointless to demand that everyone worship the tsar, just as it is pointless that everyone worship Lenin. Society is divided.

The point is also that the figure of Nicholas II overshadowed many other worthy people in the public eye, including members of the Romanov dynasty. Why, for example, are we not interested in the life and fate of Grand Duke Mikhail Alexandrovich, whom I have great respect for? He was a man, independent in his decisions. He fell in love with a married woman and, due to the then conventionalities, was forced to leave Russia. They had a morganatic marriage. He was expelled from the country, but on the eve of World War I he returned, went to the Front, and commanded the Caucasian Division. Under his authority, Muslim volunteers showed great courage in defending Russia against her enemies. He proposed laws which were adopted after the February Revolution, abandoned the throne, was exiled to Perm, where in 1918 he died tragically.

Alexei Smirnov: If you restore the Ipatiev House, where would it be built?

Alexander Kapustin: Well, for example, near the Church on the Blood, where there is a lot of land, and certainly enough space. But what most people to not know, is that the foundation of the Ipatiev House is actually buried under the road. Therefore, we are not talking so much about reconstruction as that of a new construction.

Alexei Smirnov: Who could undertake the reconstruction of the Ipatiev House? Sponsors? The Russian Orthodox Church? The city? What would be exhibited?

Alexander Kapustin: I think that those wishing to reconstruct the building will eventually be found, and it does not matter who it is. Personally, I see it as an object of history, culture and architecture. We already have many places of worship for the Romanov family. For the majority of people, the Ipatiev House is associated only with the murder of the tsar and his family. But the mansion had a long history before this terrible tragedy. A new Ipatiev House would house an exhibition hall, a library with a reading room, a cultural and educational complex. In addition, another beautiful mansion to the landscape of Ekaterinburg would not hurt. The house, really, was very beautiful, I really liked it.

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PHOTO: The Church on the Blood and the Patriarchal Compound in Ekaterinburg

Alexei Smirnov: But you understand that if the house is restored, it will automatically become a place of pilgrimage?”

Alexander Kapustin: Looking at who and for what purpose it will be restored. And there is nothing wrong with the pilgrims. They do not harm the house. And the capital of the Urals will receive an additional tourist facility. As with other historic buildings in the city, each house has its own history, it’s own individuality. The Ipatiev House is no exception, it is unique in terms of architecture and is already an important part of our history.

Alexei Smirnov: Recently an unfinished TV tower was demolished in Yekaterinburg …

Alexander Kapustin: I would not make any parallels here. The tower was a monument of mismanagement and irresponsibility. At one time, the authorities did not have enough funds for its completion and security. Yes, some people were angered by its demolition, but if it had collapsed, the consequences could have been terrible. I think that the dismantling of the tower was justified and logical, this is my point of view. Governor Evgeny Kuyvashev repeatedly tried to offer something, contests were held, but no one was willing to undertake the completion of the structure.

Alexei Smirnov: If a person or company comes forward, is the state archive ready to provide documentation on the Ipatiev House?

Alexander Kapustin: Of course! We are ready to cooperate with any organization, political party, the Russian Orthodox Church. Come, make copies of the documents, work, build!

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PHOTO: Head of the Department of Archives of the Sverdlovsk Region Alexander Kapustin

Alexander Alexandrovich Kapustin. Born 13 May 1955 in Nizhny Tagil. He graduated from the Faculty of History of the Ural State University. Initially, he worked as a school teacher, and then taught at a university. He is a Candidate of Historical Sciences (1986), and Head of the Department of Archives of the Sverdlovsk Region, since 1990.

95 years ago, Ekaterinburg was renamed Sverdlovsk

Posted on November 14, 2019 by Paul Gilbert

Monument to Yakov Sverdlov, established on Lenin Avenue in 1925

Almost a century ago, Ekaterinburg was renamed Sverdlovsk and lived with the Bolshevik name for 67 years, until 1991, after the fall of the Soviet Union, the city returned to its historical name. Few know that the capital of the Urals could have been called differently.

Today – 14th November – marks the 95th anniversary of the renaming of Ekaterinburg to Sverdlovsk. Ekaterinburg was founded on 18 November 1723 and named after the second wife of Peter the Great, who after his death became the Empress Catherine (Yekaterina) I (1684-1727). In 1924, however, Soviet newspapers condemned the Empress, and proposed alternative names for the city. So began the first renaming of Ekaterinburg.

A campaign was launched in early 1924, whereby a local newspaper came out with the headline “Rename the city of Ekaterinburg!”. Following this, propaganda was published explaining why Ekaterinburg was a bad name. The newspapers wrote derogatory comments about Empress Catherine I, referring to her as “a soldier’s wife under the Russian army”, “Menshikov’s laundress”, and an “illiterate, poor, depraved woman”.

At the same time, journalists offered alternative names. The very first option was Sverdlovsk, in honour of the revolutionary Yakov Mikhailovich Sverdlov (1885-1919), a Bolshevik party administrator and chairman of the All-Russian Central Executive Committee, and mastermind behind the murders of the Imperial Family.

The 1922 book by White Army general, Mikhail Diterikhs, ‘The Murder of the Tsar’s Family and members of the House of Romanov in the Urals’, sought to portray the murder of the Imperial Family as a Jewish plot against Russia. It referred to Sverdlov by his Jewish nickname “Yankel”. This book was based on an account by Nikolai Sokolov, special investigator for the Omsk regional court, whom Diterikhs assigned with the task of investigating the disappearance and murders of the Imperial Family while serving as regional governor under the White regime during the Russian Civil War.

Other names suggested included Red Urals, Leninburg, Uralgrad, or even Revanchburg – in honour of the execution of the last tsar, while, the newspapers also suggested Uralosverdlovsk, Andreigrad, and Krasnouralsk. But journalists in subsequent publications explained to residents why Sverdlovsk was the best name. Public discussions went on for nine months, and in October 1924 the Ekaterinburg City Council adopted a resolution on renaming the city Sverdlovsk. In mid-November, the document was signed at the CEC of the USSR, and the following year, in 1925, a monument to Yakov Sverdlov was established on Lenin Avenue.

Yakov Sverdlov was known in Ekaterinburg among the revolutionaries under the names “Comrade Mikhailovich” and “Comrade Andrei.” He spoke at lot at rallies, led the Bolsheviks, and even served a year in the Ekaterinburg Central on Repin Street. He was a member of the Central Committee of the party, chairman of the commission on the development of the first Constitution of the RSFSR. According to Yevgeny Burdenkov, a researcher at the Museum of the History of Ekaterinburg, Sverdlov transferred many of his people from the Urals to work in Moscow, and it was they who promoted the idea of renaming Ekaterinburg to Sverdlovsk as a sign of gratitude.

Sverdlov is commonly believed to have died of either typhus or most likely influenza, during the 1918 flu pandemic, after a political visit to Oryol. He is buried in the Kremlin Wall Necropolis, in Moscow.

It is interesting to note that Sverdlovsk Oblast, the federal subject (an oblast) of Russia located in the Ural Federal District, in which the city of Ekaterinburg, serves as its administrative center still retains its Bolshevik name. In January 2019, Russian state deputies again raised the issue of renaming Sverdlovsk Oblast, however, the issue remains unresolved.