Nicholas II | Nicholas II

The History and Restoration of the New Study of Nicholas II in the Alexander Palace

Posted on February 10, 2021 by Paul Gilbert

PHOTO: view of the New Study of Nicholas II, as it looked in 1917

In 1902–1904, Roman Feodorovich Meltser’s (1860-1943) firm carried out the construction, decoration and furnishing of the New Study of Emperor Nicholas II in the Alexander Palace. The work had to be carried out according to precise calculations and drawings, which were submitted for consideration by the Technical Committee organized under the Cabinet of His Imperial Majesty.

The emperor’s spacious four-window study had a mezzanine with marble columns, made by the German company Duckerhoff & Neumann (Nassau, Rhineland-Palatinate, Germany), which was connected to the mezzanine of the Maple Drawing Room on the opposite side of the eastern wing of the palace. The interior was heated by fireplaces ordered from Vienna. Several types of electric lamps were specially made to illuminate the office, based on the best technological achievements of Russian scientists Alexander Ladygin and Werner von Bolton, as well as the developments of General Electric. Meltzer decorated the lamps with Tiffany style shades with variegated glass. These cylindrical coloured glass “tulip lanterns” have not survived, but are clearly visible in historic photographs, which will allow restorers to recreate them exactly to their original.

PHOTO: view of the staircase leading to the mezzanine, which connected the New Study of
Nicholas II with the Maple Drawing Room, as it looked in 1917 (above); and in 1944 (below)

The ceiling in the Emperor’s study was made of mahogany, including the trim. The walls were painted with a deep blue-green mastic paint and stencilled with ornamental friezes around the tile cladding above the fireplace and a niche behind the table. The walls of the mezzanine were painted in light yellow tones with the same stencil ornament.

An important decorative element of the decoration of the rooms of the Alexander Palace during the late 19th to early 20th centuries, including the New Study were the beautiful oriental carpets. The New Study of Nicholas II, was decorated with large Persian carpets, on top of a seamed crimson carpet.

A pool table occupied the space along the northern wall of the New Study, with a fireplace decorated with blue relief tiles. The pool table was made according to Russian standards, developed and produced by the St. Petersburg manufacturer Adolf Freiberg. A large corner sofa was placed next to the table.

Near the opposite wall was a large desk with an upper shelf and an attached electric lamp on a block. The desk, was covered with many family photographs, writing instruments and other accessories and small memorabilia. Near the window on a high mahogany curb stone stood a plaster bust of Emperor Alexander II by the Italian sculptor Pietro Canonica (1869-1959). It is known that Canonica made a modified bronze copy of the sculpture, which was approved by Nicholas II. A copy of this bust is preserved in the collection of the Museum of Pietro Canonica in Rome, therefore, it will be possible to recreate the lost sculpture based on a historical analogue.

In the central part of the New Study was a large round table, armchairs and chairs, a soft sofa and an armchair with an oval tea table between them. The table, armchair and chair have been preserved and are today in the collection of the Pavlovsk Museum-Reserve. The first meeting in the New Study is noted in the diary of Nicholas II on 3rd May 1903.

The New Study of Nicholas II was filled with works of Danish and Russian porcelain, family photographs, books, and memorabilia. In the bookcases, in addition to works on history, politics and religion, there were the collected works of Shakespeare and Tennyson, works of Byron, Merimee, Gaultier, Hugo, Tolstoy, Chekhov, Merezhkovsky among many others.

The New Study is one of the few interiors of the Alexander Palace, the decoration of which partially survived the Great Patriotic War of 1941-45: the ceiling lining with brass overlays, a mahogany door, two fireplaces, and columns on the mezzanine have all been preserved.

PHOTO: the New Study of Emperor Nicholas II, as it looked between 1997-2015

The interior of the New Study of Emperor Nicholas II was partially restored in 1997 for the opening of the Memories in the Alexander Palace exhibition. Several years later, the interior decoration was reconstructed, which included built-in wardrobes, sofas, chairs, a desk, lighting fixtures, draperies on the windows, made from photographs of the 1930s and inventory drawings of the Tsarskoye Selo Artistic and Historical Commission of 1918. These items were made in 2000 for the filming of Gleb Panfilov’s film The Romanovs. Crowned Family.

The current restoration of the interior began in 2015. In 2019, restorers discovered the original color and a fragment of the stencil painting that framed the fireplace portal, which made it possible to restore the historic color of the cabinet walls. The discovery of surviving samples of English tiles made it possible to recreate the cladding of the fireplace inserts and fireplaces.

PHOTO: the restored fireplace in the New Study (above); and a detail of the tile (below)

Furniture lost during the war will be recreated for the New Study. A corner sofa for the billiard table has already been made, a display cabinet, bookcases, wall sconces with Tiffany lanterns and other lighting fixtures are being recreated; work is underway to restore the writing table and billiards, matched by analogy. One future project, is a plan to restore the window frames with cathedral (stained-glass) glass based on information from archival sources.

The Russian company “Tissura” together with the Swiss company Fabric Frontlain, have recreated the silk fabric decorated with hyacinths for the window decoration based on historical samples preserved in the Collection of the Tsarskoye Selo State Museum. The window curtains will be made by the St. Petersburg firm “Le Lux”.

PHOTO: the current look of the restored New Study of Emperor Nicholas II

Specialists from the Studio 44 architectural bureau, will soon begin work on the reconstruction of the lost pieces of furniture and lighting fixtures for the New Study.

Paintings, porcelain, and interior sculptures which have been preserved in the Pavlovsk State Museum-Reserve, will be returned to the Alexander Palace. Among them – paintings, sculptures, busts, Danish porcelain, etc. Following the completion of the restoration of the New Study, these items will be returned to their historical places in the Alexander Palace.

Nicholas II visits Gagra, 1912

Posted on February 9, 2021 by Paul Gilbert

PHOTO: Emperor Nicholas II and Prince Alexander Petrovich Oldenburg, Gagra 1912

During his visit to Crimea in the spring of 1912, Emperor Nicholas II visited Abkhazia, at the insistence of Prince Alexander Petrovich Oldenburg (1844-1932).

While visiting the region In 1904, Prince Alexander Oldenburg, saw the potential of the region’s sub-tropical climate and decided to build a magnificent high-class resort and the Gagripsh Restaurant there. Having raised a large sum of money – 100 thousand gold rubles – from the government, he constructed a number of other buildings in an eclectic variety of architectural styles from around Europe. A park was laid out with tropical trees and even parrots and monkeys imported to give it an exotic feel.

Prince Oldenbrug also built a palace for himself and his wife Princess Eugenia Maximilianovna of Leuchtenberg (1845-1925) who was paralyzed and therefore moved in a large three-wheeled chair with a white donkey harnessed to it, led by a Cossack. In August 1901, their only son Duke Peter Alexandrovich Oldenburg (1868-1924) married Nicholas II’s younger sister Grand Duchess Olga Alexandrovna (1882-1960).

PHOTO: early 20th-century postcard depicting Oldenburg’s resort and restaurant

On Tuesday, 15th May 1912, Nicholas II departed Yalta on the Imperial Yacht Standart, and sailed towards the Caucasian coast. The sea was calm and the weather warm. The Tsar’s yacht was escorted by the Russian cruiser Almaz and four destroyers of the Russian Imperial Navy.

During his voyage along the coast, the Tsar wrote in his diary: “before and after breakfast I admired the panorama of the mountains passing by”. On 16th May, the Standart arrived in Gagra Bay at 3 o’clock in the afternoon.

PHOTO: Emperor Nicholas II and Prince Alexander Petrovich Oldenburg,
on the deck of the Imperial Yacht Standart. 1912

Prince Oldenburg, dressed in full military uniform and orders, arrived at the imperial yacht on a launch and climbed up the steps onto the deck, where he was greeted by the commander-in-chief in the way befitting an officer. Nicholas II, his four daughters, and Oldenburg travelled by launch to the pier, where the Imperial Family and their entourage were met by the prince’s wife, Princess Eugenia Maximilianovna.

The streets were lined with hundreds and hundreds of people, all of whom had long awaited the appearance of the sovereign emperor. The distinguished guests, led by the Prince Oldenburg, went to the ancient church, where a solemn liturgy was held in honour of the arrival of the Imperial Family in Gagra.

PHOTO: Emperor Nicholas II with his four daughters and retinue in Gagra. 1912

In honour of the Tsar’s visit to the region, the Church of St. Hypatius – situated in Abaata Fortress – was restored, at the expense of the Princess Eugenia Maximilianovna. The restoration strictly preserved the buildings’ original appearance, including the decoration of the roof of the church with stone crosses. The famous Russian artist Mikhail Nesterov (1862-1942), was invited to Abkhazia from St. Petersburg, to decorate the walls of the church interior with icons.

Representatives of the Abkhaz aristocracy, together with Alexander Grigorievich Shervashidze- Chachba, the mayor of the city of Sukhum, who took an active part in the preparation of these celebrations, met the emperor with the traditional bread and salt.

PHOTO: Emperor Nicholas II is greeted with the traditional bread and salt. 1912

The guests proceeded to the Gagripsh Restaurant [the restaurant has survived to the present day, its interiors virtually unchanged from the Tsarist period-PG], where they talked over tea with the prince and representatives of the Abkhaz nobility. They then drove in cars and went out into the park, where a grandiose dinner was held. A large regimental orchestra dressed in white Circassians and the same white hats, was playing in the park.

PHOTO: Emperor Nicholas II arriving at the Gagripsh Restaurant in Gagra. 1912

Roasted bulls and lambs, were brought to long tables, covered with white tablecloths, set amongst a vast clearing. Prince Alexander Petrovich Oldenburg proclaimed a toast in honour of Tsar Nicholas II, welcoming him, on behalf of himself and local residents. In response, Nicholas II also raised a toast to the owner of the estate and to the health of the residents of Gagra. Here, at an impromptu concert, the Abkhaz dance was performed for the emperor.

PHOTO: The Tsar raises a toast to Prince Oldenburg and the people of Gagara. 1912

Towards evening, the emperor, his daughters and their retinue bid farewell to the prince and the townspeople, and returned to Crimea on the Imperial Yacht. “It was raining in Gagra,” Nicholas II wrote that evening in his diary.

1896 Coronation uniform of Emperor Nicholas II

Posted on February 8, 2021 by Paul Gilbert

PHOTO: The 1896 Coronation uniform of Emperor Nicholas II

During his coronation, which took place on 27th May (O.S. 14th) May, 1896, the last Russian emperor Nicholas II appeared before his subjects in the uniform of a colonel of the Preobrazhensky Life Guards Regiment – the first of the two oldest regiments of the Russian Imperial Guard, founded by Tsar Peter I in 1691.

Like his grandfather Alexander II (1818-1881) and great-grandfather Nicholas I (1796-1855), Nicholas II preferred the uniform of this regiment – in which he served in military service – to all others.

By the time of his accession to the throne, he served in the rank of colonel of the Preobrazhensky Regiment, and when he became emperor, he felt a special sense of pride from the fact that “he remained a simple colonel”.

His coronation uniform was made of dark green cashmere; with silk trimming, red collar with white piping and cuffs; embroidered with gilded threads with a pattern that is complex in composition and virtuoso in technique of execution, distinguishing the shape of the Preobrazhensky Regiment. The uniform is adorned with epaulettes bearing the monogram of his father Emperor Alexander III (1845-1894) and gilded aiguillettes, a flap on the chest, which the emperor himself unfastened during the coronation ceremony to perform the sacrament of Chrismation. Nordenstrem ordered the buttons for the uniform from a well-known supplier in the capital.

PHOTO: brothers Nikolai and Karl Nordenshtrem

It is known that the entire uniform for Nicholas II’s coronation was ordered from the workshop of N.I. Nordenstrem – the famous “king of Russian military tailors,” who specialized in military dress. Nikolai Ivanovich Nordenshtrem (1838-1903) was “a true artist in his field,” and the uniforms cut by him “bore the imprint of strict grace and good taste.” Nordenstrem was appointed Supplier to the Imperial Court, and for eighty years, he served four Russian emperors – Nicholas I, Alexander II, Alexander III and Nicholas II.

Nicholas II placed orders for all his military uniforms from Nordenstrem, whose shop was located at 46 Nevsky Prospect in St. Petersburg. The famous atelier also received orders from Their Imperial Highnesses the Grand Dukes Alexei, Sergei and Pavel Alexandrovich; Konstantin and Dmitry Konstavtinovich; Nikolai and Peter Nikolaevich; George and Alexander Mikhailovich; Kirill, Boris and Andrey Vladimirovich; Alexander and Konstantin Petrovich Oldenburgsky; Prince Peter Alexandrovich of Oldenburg; Duke Eugene Maximilianovich Leuchtenberg; as well as many Russian and foreign dignitaries.

PHOTO: Coronation uniform of Emperor Nicholas II and Coronation dress of Empress Alexandra, on display in the Armoury Chamber of the Moscow Kremlin

The Coronation regalia – the textiles, religious vestments and court livery – were preserved in the Moscow Armoury, they survived the upheaval of the Bolshevik Revolution in 1917. The Coronation uniform of Emperor Nicholas II is on permanent display in the Armoury Chamber of the Moscow Kremlin – Hall 6, Showcase 45.

FURTHER READING:

THE CORONATION OF TSAR NICHOLAS II
Compiled and Edited by Paul Gilbert

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HARD COVER EDITION – PRICE $29.99

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BOOK DESCRIPTION

Six eyewitness accounts of the crowning of Russia’s last tsar with more than 200 rare vintage photographs & illustrations

The pomp and pageantry surrounding the Coronation of Nicholas II is told through the eye-witness accounts of six people who attended this historic event at Moscow, held over a three week period from 6th (O.S.) to 26th (O.S.) May 1896.

Hard cover and paperback editions, with 456 pages + more than 200 black & white photographs

On this day in 1919: Nikolai Sokolov launched his investigation into the deaths of the Imperial Family

Posted on February 7, 2021 by Paul Gilbert

PHOTO: Nikolai Alekseevich Sokolov (1882-1924)

On this day – 7th February 1919 – Nikolai Alekseevich Sokolov (1882-1924) launched his investigation into the deaths of Emperor Nicholas II and his family in Ekaterinburg.

Sokolov was a lawyer, and investigator for important cases of the Omsk District Court. It was the Supreme Ruler Admiral Alexander Kolchak (1874-1920), who appointed Sokolov with the task of investigating the murder of members of the Russian Imperial Family in Ekaterinburg and Alapaevsk.

Sokolov loved Russia and would not accept the changes brought about by the Bolshevik Revolution in 1917. As a staunch Orthodox monarchist, he accepted his appointment with a deep sense of reverence and responsibility.

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PHOTO: Nikolai Sokolov and General Mikhail Dieterichs searching for the remains of the Imperial Family near the Four Brothers Mine, near Ekaterinburg. 1919

Between May and July of 1919, working without rest from morning until late at night, Sokolov managed to collect a vast amount of material evidence, conducted dozens of examinations and interviewed hundreds of witnesses, including several members of the Romanov entourage in February 1919, notably the Swiss tutor, Pierre Gilliard (1879-1962), his wife and nanny to Grand Duchess Anastasia, Alexandra Tegleva (1884-1955) and the English tutor to the Tsesarevich Alexei, Charles Sydney Gibbes (1876-1963).

Sokolov discovered a large number of the Imperial Family’s’ belongings and valuables that were overlooked by the chief executioner of the Imperial Family Yakov Yurovsky (1878-1938) and his men in and around the mineshaft where the bodies were initially disposed of in the Four Brothers Mine, at what is today known as Ganina Yama.

The impending return of Bolshevik forces on 15th July 1919, forced Sokolov to abandon his investigation, thus failing to find the concealed second burial site on the Koptyaki Road. He evacuated Ekaterinburg, bringing with him the box containing the relics he recovered. Today, the box is stored in the Russian Orthodox Church of Saint Job in Uccle, Brussels.

PHOTO: French edition of Sokolov’s investigation, published in 1924

Sokolov fled from Russia to Harbin, China, where in 1920, with the help of the head of the Commander of the Czechoslovak Legion, the French General Maurice Janin (1862-1946), Sokolov left Harbin for France, taking with him the material evidence and documents, which consisted of eight volumes of photographic and eyewitness accounts. Sokolov continued his work on interviewing witnesses and examining materials in exile, until his death.

The French edition of his investigation Enquête judiciaire sur l’assassinat de la famille impériale russe [Judicial investigation into the assassination of the Russian imperial family], was published by Payot (Paris) in 1924, and reissued in 1926 and 1929. It was published in Russian in 1998. No full English translation of Sokolov’s investigation has yet been published.

Sadly, Nikolai Sokolov did not live to bring his investigation to an end – he was found dead in the garden of his house on 23 November 1924, having suffered a heart attack at the age of 42. He died leaving a widow aged 23 and two young children, a daughter Nathalie (1920-2002) and a son Alexis (1923-1980). He is buried in the cemetery of Salbris, France.

PHOTO: Sokolov’s grave in the cemetery of Salbris, France

To this day, the Russian Orthodox Church still officially adheres to Sokolov’s theory that the bodies of the Imperial Family were completely destroyed at the Four Brothers Mine. A century later, we now know that this was not so.

Sokolov was a man who made an enormous contribution in gathering evidence about the last days of the Imperial Family in Ekaterinburg, and no one should belittle the significance of his works for history.

PHOTO: memorial plaque to Nikolai Sokolov in Mokshan, 2018

On 25th December 2018, a memorial plaque honouring Nikolai Sokolov was unveiled in Mokshan, the town where he was born on 21st May 1882.

The plaque was mounted on the wall of the Mokshan Administration Building. It was here – from 1908 to 1910 – that Sokolov worked as an investigator at the Mokshan District Court.

On 23rd November 2024. a bronze bust of Sokolov was consecrated at the Monastery of the Holy Royal Passion-Bearers at Ganina Yama. Click HERE to read my article ‘Nikolai Sokolov honoured at Ganina Yama‘ + PHOTOS and VIDEO.

A masterpiece of icon painting and its connection to Nicholas II

Posted on January 30, 2021 by Paul Gilbert

A masterpiece of icon painting – the image of the Mother of God “Seraphim-Ponetaevka” is currently on display at the Andrey Rublev Museum in Moscow

This beautiful icon has an extremely interesting history and its connection with the family of Emperor Nicholas II.

Before the revolution, it belonged to Colonel Dmitry Nikolaevich Loman (1868-1918), who held several important government positions. Loman maintained a deep and personal relationship with Nicholas II and Alexandra Fedorovna – the latter was the godmother of his son Yuri.

The icon, painted by one of the best icon painters of the time, Nikolai Yemelyanov, was presented to Loman by the Empress for his work on the construction of Feodorovsky Sovereign Cathedral at Tsarskoye Selo.

After the 1917 Revolution, the icon, was sold abroad, where it changed several owners, and then returned to Russia and is now in the private collection of Igor Sysolyatin.

The fate of the gilded bronze plaque to Nicholas II at Tamerlane Gate

Posted on January 23, 2021 by Paul Gilbert

PHOTO: detail of the plaque to Nicholas II at Tamerlane Gate. 1898

The Trans-Caspian Railway follows the path of the Silk Road through much of western Central Asia. It was built by the Russian Empire during its expansion into Central Asia in the 19th century. Construction on the railway began in 1879, and originally served a military purpose of facilitating the Imperial Russian Army in actions against the local resistance to their rule.

The railway had a huge impact on the Russian economy, permitting a massive increase in the amount of cotton exported from the region. This increased from 873,092 pudy in 1888 to 3,588,025 in 1893. Also sugar, kerosene, wood, iron and construction material were imported into the area. These rising trade figures were used by Governor-General Nikolai Rozenbakh (1836-1901) to argue for the extension to Tashkent.

In 1895, Emperor Nicholas II issued an Imperial Decree, ordering that the line be extended to Tashkent and Margelan. Thus, the Tashkent Railway connecting the Tran-Caspian Military Railway with the network of other Russian and European railways was completed in 1906.

PHOTO: Alexander Ivanovich Ursati posing next to the plaque to Nicholas II. 1898

Alexander Ivanovich Ursati (1848 -1918) was appointed to the post of the head of the construction of the Samarkand-Andijan line. Ursati was a hereditary nobleman, a graduate of the St. Petersburg Institute of Railway Engineers, and outstanding engineer-tracker of pre-revolutionary Russia.

The new railway line passed along the ancient caravan route through the Nurata mountain range, along the narrow part of the Ilan-Uta gorge through the Jizzakh passage or through the so-called Tamerlane Gate.

PHOTO: plaque to Nicholas II at Tamerlane Gate. 1898

Upon completion of the construction of a highway which ran parralell to the railway track, Ursati ordered a commemorative bronze plaque and mounted with a double-headed eagle from one of the Ural factories. The inscription read: “Nicholas II in 1895 ordered construction of the railway. 1898 completed.” Both the text on the plaque and the double-headed eagle were gilded. It was installed on the steep northern slope of the Nurata rock, directly above two Arabic inscriptions carved into the rock: the first dates back to 1425, and the second to 1571.

In 1899, for the successful completion of the construction of the railway ahead of schedule, Ursati was promoted to acting state councilor. Thus, according to the Table of Ranks, he became a general.

In recognition of Alexander Ivanovich in Central Asia, one of the stations was named Ursat’evskaya (renamed Khavastsince in 1963, ). In 1899, Ursati left his mark in Tashkent, with the construction of one of the most beautiful churches of the city – the Church of the Annunciation, popularly called the Railway Church, on the station square of the city. Following the 1917 Revolution, the church was closed, and demolished in the 1920s.

PHOTO: Tamerlane Gate as it looks today

While the two ancient Arabic inscriptions carved into the rock at Tamerlane Gate have survived to the present day, the bronze and gilded plaque to Nicholas II was destroyed by the Bolsheviks. The railway became one of the most important means of communication in the area, and the workers on the railway became key activists during the Russian revolution. Both railway and workers also played an important role in the Russian Civil War. Troops of the British Indian Army participated in some of the battles along the railway line. Tashkent was an important bastion for the Red Army.

Since the fall of the Soviet Union in 1991, vandals have repeatedly defaced the historic rock face at Tamerlane Gate with graffiti, including anti government slogans and profanity. Truly, a very sad example of the troubled times we live today.

Last church where Nicholas II prayed before his abdication will be restored

Posted on January 21, 2021 by Paul Gilbert

PHOTO: Chapel of St. Nicholas the Wonderworker in Staraya Russa

The Chapel of St. Nicholas the Wonderworker in Staraya Russa is inextricably linked with the Imperial Family, in particular, with Emperor Nicholas II, who travelled here in 1904 to bless troops of the Villmanstrand Infantry Regiment, before being sent to fight in the Russo-Japanese War.

Members of the Imperial Court often visited Staraya Russa, celebrated for its mineral springs used for baths, drinking, and inhalations, and medicinal silt mud of nearby lakes and artificial reservoirs.

In 2017, an unknown fact from the life of the last emperor of Russia, was discovered by the Novgorod ethnographer Leonid Kirillov. According to his research, it was on 14th March (O.S. 1 March) 1917, that Nicholas II spent a whole day at the station in Staraya Russa, visiting the station’s chapel. This was the last church in which the Tsar prayed before signing his abdication at Pskov on 15 March (O.S. 2 March) 1917. The last church in which he prayed as “Citizen Romanov” was the Church of the Annunciation of the Blessed Virgin in Tobolsk.

On the morning of 13 March (O.S. 28 February) 1917, the Imperial Trains left the Headquarters of the Commander-in-Chief at Mogilev The following day, the train on which the Emperor was returning to Tsarskoye Selo, was stopped at the Malaya Vishera station, and forced to reroute in order to avoid an encounter with a band of rebellious soldiers, to go in a roundabout way: travelling instead through Valdai and Staraya Russa to Pskov.

At the time, an eyewitness Alexander Rozbaum, wrote in the local newspaper about the Imperial Train stopping in Staraya Russa:

“The Tsar embarked from his carriage and walked along the platform for a long time. The day was calm and clear, the station was crowded with people. A group of nuns stood near the railway station chapel. The mood of the audience, was deeply sympathetic to the Tsar. People did not shout revolutionary slogans, but, taking off their caps, bowed to their sovereign. The Tsar stopped and talked with some of them and then, leaving his retinue outside the door, went to pray in the small station chapel. Who knows, perhaps it was at that very hour in the station chapel at Staraya Russa that he made the most important decision for himself – to relinquish power”.

The chapel was built in 1899, by the Ikolo-Kosinsky Monastery (closed in 1920) at the railway station with an additional house for the sisters. Both the train station and the Chapel of St. Nicholas the Wonderworker was completely destroyed during the Great Patriotic War (1941-44).

PHOTO: bust of Nicholas II by Belarusian sculptor Igor Golubev

In 2000, local entrepreneur Nikolai Shirokov at his own expense erected a new chapel, but at a different location – to the left of the station. Governor Andrei Nikitin supports the idea of restoring the chapel to its original, and is working with the regional Ministry of Transport in an effort to get the Russian Railways involved in the project.

In addition, Belarusian sculptor Igor Golubev has proposed to erect a bronze bust of Nicholas II at the Staraya Russa railway station in memory of the “last place where Nicholas II prayed before his abdication”.
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© Paul Gilbert. 21 January 2021

The favourite tunes of Nicholas II and his Family – Part 1

Posted on January 16, 2021 by Paul Gilbert

This video features a tune, which was apparently a favourite of Nicholas II and his Family. Click on the image above to listen to this haunting melody, performed by the popular Russian singer Valentina Ponomareva [Duration: 3 minutes, 28 seconds]

The romance “Утро туманное” (Misty Morning) is based on the poem by the famous Russian writer Ivan Sergeivich Turgenev (1818-1883), written in 1843. The music was composed by Erast Ageevich Abaza (1819-1855), a gifted amateur musician, guard officer, and hero of the Crimean War.

NOTE: the translation is not perfect, but it will give you the gist of the lyrics – ENJOY!

Misty morning, gray morning,

Sad fields, covered with snow,

Reluctantly remember the times of the past,

Remember the faces long forgotten.

You will remember the frequent passionate talks,

Glances so eagerly and tenderly caught,

First meetings, last meetings,

Favorite sounds of a quiet voice.

You will remember parting with a strange smile,

You will remember a lot of your dear distant past,

Listening to the ceaseless murmur of the wheels,

Looking thoughtfully into the wide sky.

Set against the background of this soulful performances are touching images, which reflect the love story of Nicholas Alexandrovich and Alexandra Feodorovna, the last Emperor and Empress of Russia. The romance is performed by the popular Russian singer Valentina Ponomareva. The video was created by Irina Koroteeva and Elena Illyina..

NOTE: Stay tuned for additional videos, featuring more favourite tunes of Nicholas II and his family – PG

Karelin’s Lost Portrait of the Imperial Family

Posted on January 16, 2021 by Paul Gilbert

PHOTO: portrait of the Imperial Family (1910) by A. A. Karelin (1866-1928)

Up until the 1917 Revolution, the collection of the Ancient Depository [opened in 1910] of the Alexander Nevsky Lavra in St. Petersburg, included a portrait of the Imperial family. The portrait was painted in 1909, the year of the foundation of the new building of the Ancient Depository.

The portrait is quite unique. The Emperor and Empress are depicted in ceremonial robes with orders, standing next to the regalia of imperial power – the crown and ermine mantle, while Tsesarevich Alexei is dressed in a simple sailor’s uniform. The Trinity Cathedral of the Lavra is visible to the left in the background.

The artist was the famous Russian portrait painter of the late 19th-early 20th centuries, Andrey Andreevich Karelin (1866-1928), who, worked on orders from the Ministry of the Imperial Court. He painted historical and religious themes, portraits, and icons. He took part in the painting of the pavilion of the Nizhny Novgorod All-Russian Exhibition in 1896, in the creation of the interior decoration of the Church of the Resurrection of Christ in St. Petersburg, the Church of Alexander Nevsky and the Church of the Life Guards of the Ulan Regiment in Warsaw (1907), for the Church of the Resurrection of Christ (Saviour on Blood) in St. Petersburg, he created designs for 10 interior mosaics “Parable about poor Lazarus after death” and designs for an additional 9 mosaics of saints, martyrs, apostles and monks on pilasters.

PHOTO: Andrey Andreevich Karelin (1866-1928)

For the 300th anniversary of the Romanov dynasty in 1913, Karelin created a 10-meter canvas depicting the accession of Tsar Mikhail Feodorovich Romanov, for which he received personal nobility from Emperor Nicholas II.

The Ancient Depository of the Alexander Nevsky Lavra was closed in 1922 in the midst of a Bolshevik campaign to confiscate church property, which the monastery. All items of artistic value were transferred to the State Museum Fund, and then distributed among the museums of Russia. It is now known that Karelin’s portrait of the Imperial Family, was destroyed in 1937 by order of the People’s Commissariat for Internal Affairs (NKVD).

The fate of Nicholas II’s Imperial Train

Posted on January 12, 2021 by Paul Gilbert

PHOTO: Two carriages of the Imperial Train on display in Alexandria Park, Peterhof. 1932
© Archive of the Peterhof State Museum-Reserve

In May 1917, the Imperial Train of Emperor Nicholas II was sealed and transferred to Moscow, where it remained mothballed on the side tracks for more than a decade.

In the fall of 1929, two railway carriages were slowly rolled along temporary tracks which were laid from the Novy Peterhof railway station through the Proletarsky (former Alexandria) Park in Peterhof, to a small clearing just south of the Cottage Palace, it was to be the final stop for the former Imperial Train of Emperor Nicholas II.

The history of the Imperial Train dates back to the 1890s. Construction on the first of two trains began in 1894 in the Alexandrovsky Mechanical Plant of the Nikolaev railway, and completed in February 1896. A few years later it was supplemented with three additional carriages manufactured in the St. Petersburg-Warsaw railway assembly workshops. By the early 1910s, the Imperial Train consisted of a total of eleven carriages.

Each of the carriages was painted dark blue with gold trim and gilded decorations in the form of the Imperial coats of arms mounted between the windows. The interiors featured panels, ceilings and furniture made of polished oak, walnut, white and gray beech, maple and Karelian birch.

With the outbreak of World War I, the number of carriages was reduced to three, and the Imperial Train became a travelling residence for Nicholas II. Travelling back and forth between Tsarskoye Selo and General Headquarters at Mogilev, the train served as a military field office, equipped with telephone and telegraph communications. It was in the Salon Car of on this train that Emperor Nicholas II signed his signed his abdication on 2nd March 1917.

Subsequently, the former Tsar’s train was used by the ministers of the Provisional Government for several months. After the Bolsheviks came to power, the Imperial Train was used by the chairman of the Revolutionary Military Council Leon Trotsky (1879-1940).

PHOTO: Semyon Geychenko (second from the left) and Anatoly Shemansky (far right)
© Archive of the Peterhof State Museum-Reserve

One can only speculate what the fate of the Imperial carriages would have been, had it not been for the efforts of two Peterhof museum workers, Semyon Geychenko and Anatoly Shemansky. It is largely thanks to their efforts, that two carriages from the Imperial Train were transferred from the People’s Commissariat of Railways to the Peterhof Museum in 1929.

PHOTO: Carriages of the Imperial Train on display in Alexandria Park, Peterhof. 1930
© Archive of the Peterhof State Museum-Reserve

The following year, 1930, a permanent exhibition “The Carriages of the Former Tsarist Train” was opened in a small clearing just south of the Cottage Palace in the Proletarsky (Alexandria) Park. At the time of the opening of the exhibition, the interiors of the Tsar’s carriages had survived nearly intact. Near the carriages a platform and two wooden pavilions were built.

The pavilions housed the exposition “Imperialist War and the Fall of Autocracy,” which included four sections: “Causes of the World War”, “Russia in World War”, “The Collapse of Tsarism”, “The Final Journey of Nikolai Romanov from Tsarskoye Selo to Yekaterinburg.” The exhibit was supplemented with items from the Lower Dacha, the summer residence of Nicholas II and his family, located nearby on the shore of the Gulf of Finland.

The first carriage consisted of two parts: a dining room and a salon. In this car, the exhibition outlined the situation that had arisen before the February 1917 Revolution and the projects of the palace coup that preceded it. The dining car was used during the war for staff meetings with the Tsar’s participation.

The second carriage consisted of a maid’s compartment, the Empress’s bedroom, Nicholas II’s office and his valet’s compartment. The interior decoration, furnishings and decoration of the carriages resembled that of the Lower Dacha: Art Nouveau furniture made by Melzer’s firm, a comfortable leather cabinet, family photographs, and numerous icons in the bedroom.

Sadly, the fate of most of the luxurious carriages of the Imperial Train is a sad one, having been destroyed in a fire some time during the Russian Civil War (1917-1922).

Equally sad, “The carriages of the Former Tsarist Train” exhibit at Peterhof was permanently closed in 1936. During the years of Nazi occupation of Peterhof (1941-44), the exhibition complex was virtually destroyed by the invaders: the platform and pavilions were destroyed, as well as the two remaining carriages and their historic interiors.

PHOTO: The sad state of the carriages of the Imperial Train as they looked in the 1950s
© Archive of the Peterhof State Museum-Reserve

In the first decade after the end of the Great Patriotic War, the question of the possibility of restoring the cars remained open. Nevertheless, the revival of the museum turned out to be unrealistic: on 18th February, 1954, a special commission of the October Railway ruled that due to the damage inflicted during the war years, the carriages of the Imperial Train had become completely unserviceable and could not be restored.

In the summer of 1954, by order of the Department of Culture of the Executive Committee of the Leningrad City Council, the carriages were dismantled. Out of almost one thousand items and memorial items from the carriage interios, nearly all were destroyed or stolen. Today, only 55 items have been preserved in the funds of the Peterhof State Museum-Reserve, including writing utensils, furniture, and furnishings.

NOTE: I am currently preparing an article on the Imperial Train and its luxurious interiors. Stay tuned . . . PG